Bøger udgivet af Set Margins' publications

How to write about your work--an expert's guide to the craftIan Lynam's The Impossibility of Silence is a book for artists, photographers and designers interested in approaching writing about their vocation and culture. Drawing upon decades of experience as a writer, designer, artist and teacher, Lynam offers up a plethora of inspirational and concrete approaches to writing about creative fields. Called "the Hunter S. Thompson of design writing," Lynam uses his industry knowledge to convey his philosophy on writing specifically in a professional creative setting.Ian Lynam (born 1972) is faculty and former co-chair at Vermont College of Fine Arts in the MFA Graphic Design program. He writes for Idea, Slanted and Modes of Criticism, is a cofounder of the online journal Néojaponisme and the associated print journal NJP, runs Wordshape, a hybrid type foundry, and is one-half of Corinthians, a Tokyo-based art and design curatorial practice.

After endlessly hearing that the Onomatopee publications had a tactility not often found in current art publications, director freek Lomme decided to create an exhibition and catalog addressing the issue of printing today. The result was the hugely successful, palm- sized book that was jam-packed with information and ideas on the subject. Quickly sold out this informative book is once again in print. Included are six contemporary artists and eight international academics and authors in the field of graphic design, materiality, theory, and art, exploring how, in the digital age, our daily interaction with physical materials is greatly altered and how this affects us as humans. Developed in the context of fine book publishing, the project includes in-depth discussions of past printing and reproduction processes, including silkscreen, etching, Risograph, linocut, lithography, and letterpress. Images are limited, but texts are diverse with small reproductions accompanying the art and artist interviews. It is a fresh and rigorous conversation about the process and the art of bookmaking in the twenty-first century.

On the conditions and limits of critical thinking for design culture under capitalismDesign schools increasingly urge students to address social, political and environmental issues in their work. But who can afford to work in this way after graduation?In a dynamic style that draws from multiple contributors, Who Can Afford to Be Critical? discusses the limits that affordability, class and labor impose upon the educational promise of holding a "critical" practice. Why do we tend to ignore the material and socioeconomic constraints that bind us as designers, claiming instead that we can be powerful agents of change? Instead of focusing on the dream of ethical work under capitalism, could we instead focus first on designers' own working conditions, as one immediate site for collective action? Over the course of four chapters, this publication delves into the modes of precarity in critical graphic work and possible paths toward emancipation from that position.

Diagrammatic Writing is a poetic demonstration of the capacity of format to produce meaning. The articulation of the codex, as a space of semantically generative relations, has rarely (if ever) been subject to so highly focused and detailed a study. The text and graphical presentation are fully integrated, co-dependent, and mutually self-reflexive. This small book work should be of interest to writers, bibliographers, designers, conceptual artists, and anyone interested in the meta-language of diagrammatic thought in graphic form.

A fascinating critical excavation of the universalist claims behind the phrase "we are all..."The title of this small book is inspired by a common rhetorical gesture--"we are all [...]"--intended to implicate people in a given agenda. From the 1887 cry, "We Are All Socialists" to the 2022 rally "We Are All Ukrainians Now," it offers an illustrated history of this rhetorical device, which is dubbed "strategic universalism" by artist, activist and researcher Daniel Tucker (editor of Lastgaspism: Art and Survival in the Age of Pandemic). The book also features an interview with the illustrator Dan S. Wang.Because the original quotations are at times conflicting, the hand-drawn responses to each strategically universalist declaration draws out a wide range of idiosyncratic symbolic approaches to interpretation, laying bare the struggle of different identities involved in the commitment to stand together.

From the French research and design group Bureau d«ƒtudes comes a political, social, and economic atlas for an emancipatory new citizenship that utilizes the opportunities of infographics from the local to the global and back again.gain.