Bøger udgivet af Seven Stories Press UK

The stories of high-stakes, brazen art crimes told by art experts Stefan Koldehoff and Tobias Timm are by turns thrilling, disturbing, and unbelievable. The authors also provide a well-founded analysis of what needs to change in the art market and at museums. From the authors of False Pictures, Real Money (about the Beltracchi art forgery case), Art and Crime is a thoroughly researched, explosive, and highly topical book that uncovers the extraordinary and multifarious thefts of art and cultural objects around the world.

Emma-Jade and Louis are born into the havoc of the Vietnam War. Orphaned, saved and cared for by adults coping with the chaos of Saigon in free-fall, they become children of the Vietnamese diaspora. Through the linked destinies of characters connected by birth and destiny, the novel zigzags between the rubber plantations of Indochina; daily life in Saigon during the war as people find ways to survive and help each other; Operation Babylift, which evacuated thousands of biracial orphans from Saigon in April 1975 at the end of the Vietnam War; and today''s global nail polish and nail salon industry, largely driven by former Vietnamese refugees - and everything in between.

A collaboration of activists, artists, journalists, and academics working together to depict the historic uprising - with comics that show what would be censored in photos and film in Iran - in solidarity with the Iranian people, in defence of feminism. On September 13th 2022, a young Iranian student, Mahsa Amini, was arrested by the religious police in Tehran. Her only crime was that she wasn't properly wearing the headscarf required for women by the Islamic Republic. At the police station, she was beaten so badly she had to be taken to the hospital, where she fell into a deep coma. She died three days later. The plight of this 22-year-old woman raised a wave of protests that soon spread through the whole country, and crowds adopted the slogan 'Woman, Life, Freedom.' Around the world, these words have been chanted during solidarity rallies. In this powerful visual collection of graphic novel style essays, Marjane Satrapi has gathered together intense narration by herself and an array

The respected Italian economist and journalist offers a bold and provocative argument that the speed of technological transformation is threatening our future. At the dawn of the digital revolution, the internet was going to be the great equalizer, a global democratic force. Instead, with the money printed electronically to bail out banks, Wall Street ended up funding a new breed of serial capitalists, the Techtitans, who embraced rapid, transformational change while stripping their workers of rights and enriching themselves beyond anybody''s wildest imagination; and the Space Barons, who mine new frontiers for precious resources. Then came the gig-economy, another supposed digital equalizer, where everybody was his or her own boss, but it was just another illusion. Tech pioneers like Google, Facebook, Apple, Uber, and Microsoft never had any intention of spreading democracy. Those who control and own the technology are the absolute masters. As artificial intelligence enters the labour

In the middle of summer, omnipresent heat radiates as a group of elderly people are remembering their youth. The story focuses on two sisters, Leokadia and Czechna, who live together in a retirement home not far from Warsaw. These are not ordinary stories they are sharing, because both of them spent time as children in a concentration camp in Nazi Germany. At the center is Czechna, who at the age of 12 was saved from extermination by the notorious doctor Josef Mengele, the real-life Nazi officer and physician who was known as the ''angel of death'' for the experiments he conducted on prisoners, including twins and siblings. This is a story both provocative and disturbing about the fear that lingers in victims. Was the sisters'' relationship with the executioner a desperate attempt to save their lives, or perhaps they harbour a hideous pride and sense of superiority over other prisoners? Rudzka''s extraordinary writing turns unsettling questions about memory and survival into art.

Simpatia is set in the Venezuela of Nicolas Maduro amid a mass exodus of the intellectual class who have been leaving their pets behind. Ulises Kan, the protagonist and a movie buff, receives a text message from his wife, Paulina, saying she is leaving the country (and him). Ulises is not heartbroken but liberated by Paulina''s departure. Two other events end up disrupting his life even further: the return of Nadine, an unrequited love from the past, and the death of his father-in-law, General Mart­n Ayala. Thanks to Ayala''s will, Ulises discovers that he has been entrusted with a mission - to transform Los Argonautas, the great family home, into a shelter for abandoned dogs. If he manages to do it in time, he will inherit the luxurious apartment that he had shared with Paulina. This novel centers on themes of family and orphanhood in order to address the abuse of power by a patrilineage of political figures in Latin America, from Simon Bolivar to Hugo Chavez. The untranslatable title,

This is a story of hidden gay and trans relationships, the effects of a near-fatal accident, and an oppressed childhood, where Ivana Bodrozic tackles the issues addressed in her previous works - issues of otherness, identity and gender, pain and guilt, injustice and violence. A daughter is paralyzed after a car crash, left without the ability to speak, trapped in a hospital bed, unable to move anything but her eyes. Although she is immobilized, her mind reels, moving through time, her memories a salve and a burden. A son is stuck in a body that he doesn''t feel is his own. He endures misperceptions and abuse on the way to becoming who he truly is. A mother who grew up being told she was never good enough, in a world with no place for the desires and choices of women. She carries with her the burden of generations. These three stories run parallel and intertwine. Three voices deepen and give perspective to one another''s truth, pain, and struggle to survive.

In a desert dotted with war-torn towns, Lazaro and Juan are two soldiers from opposing camps who abandon the war and, while fleeing, become lovers and discover a dark truth. Vicente Barrera, a salesman who swept into the lives of women who both hated and revered him, spends his last days tied up like a mad dog. A morgue worker, Salvador, gets lost in the desert and mistakes the cactus for the person he loves. Over the echoes of the stories of these broken men - and of their mothers, lovers and companions - Mendoza explores her characters'' passions in a way that simmers on the page, and then explodes with pain, fear and desire in a landscape that imprisons them. After winning the International Sor Juana Ines de la Cruz Poetry Prize, Clyo Mendoza has written a novel of extraordinary beauty where language embarks on a hallucinatory trip through eroticism, the transitions of conscience, and the possibility of multiple beings inhabiting a single body. In this journey through madness incest

Fourteen-year-old Orla''s mum is dead. She lives in England with her unemployed father and baby sister Lily, but she''s planning to run away to live in Northern Ireland, where her mother is buried. Preoccupied with trouble at home and at school, she accidentally crashes her bike into a man who calls himself Jesus and says he is the Son of God. He has never seen a smartphone. He can raise animals from the dead by blowing into their mouths, including Orla''s cat Sneaky. Orla convinces Jesus to come with her to Ireland to bring her mum back to life and she teaches him how to ride a bike to get there. But Jesus has plans of his own, and after one of his revivals goes horribly wrong, Orla must decide how far she is willing to go to save her mother. A hilarious coming-of-age story, road novel, and meditation on the mysteries of faith and grief, this debut novel heralds an important new voice in world literature.

No one knows more than strippers about being looked at. In this anthology, twenty-three dancers whose careers span decades, geographies, and identities demand to be seen. Through stories from first nights on the job to the day they hung up their sky-high heels - or decided they never will - these writers offer glimpses into lives of camaraderie and celebration, joy, pride, despair, frustration, self-doubt, and fear.

Emilia Codrescu had been responsible for the burning and shredding of Romanian censors'' notebooks, viewed as State secrets, but prior to fleeing the country in 1974 she had stolen one. Now, forty years later, she makes the notebook available to ''Liliana Corobca'' for the newly instituted Museum of Communism The Censor''s Notebook is a window into the intimate workings of censorship under communism, steeped in mystery and secrets and lies, confirming the power of literature to capture personal and political truths.

Whether he''s describing Tracy Emin or Warhol, the films of Barbet Schroeder (''Schroeder is well aware that life is not a narrative; that we impose form on the movements of chance, contingency, and impulse....'') or the installations of Barbara Kruger (''Kruger compresses the telling exchanges of lived experience that betray how skewed our lives are...''), Indiana is never just describing. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it''s also political, plus it''s a riot of fun on the page.

Set in the Five Points neighbourhood of New York City in the years 1857-1863, when America''s attitudes towards people of colour and slavery shifted - painfully, transformationally - to the point where a war that began to restore the union becomes one that owes much to black fighting regiments, and common cause grows for the abolition of slavery. We experience the daily life of Five Points through the eyes of Theo, aged 7 at the start of the book and 13 at its close. Theo is half Black and half Irish, an orphan living between the homes of her Black and Irish grandparents. Through her eyes we see everything from P.T. Barnum''s circus to the Draft Riots that tore NYC asunder, and the daily maelstrom of work and camaraderie and hardship necessary just to survive in Five Points.

A very short novel with the power and resonance of a much longer one, Anne-Marie la Beaute is a profound and moving act of remembrance, a clear-eyed assessment of the hard-edged nature of fame, a meditation on aging - and a wonderfully observant and comic exploration of human foibles. In short, another thought-provoking master class in how we perform life by the peerless Yasmina Reza.

The Croatian city of Vukovar was the site of some of the worst violence in ex-Yugoslavia in the early 1990s. Nora is a journalist assigned to do a puff piece on the perpetrator of a crime of passion - a Croatian high school teacher who fell in love with one of her students, a Serb, and is now in prison for having murdered her husband. But Nora herself is the daughter of a man who was murdered years earlier under mysterious circumstances. And she wants, if not to avenge her father, at least to bring to justice whoever committed the crime. An exciting literary thriller from one of Europe''s most celebrated young authors.

Intricately woven masterpieces of craft, mournful for their human cries in defiance of our sometimes less than human surroundings, Nettel''s stories and novels are dazzlingly enjoyable to read for their deep interest in human foibles. Following on the critical successes of her previous books, here are six stories that capture her unsettling, obsessive universe. Each narrative veers towards unknown and dark corridors, and the pleasures of these accounts lie partly in the great surprise of the familiarity together with the strangeness.

Ida is a married woman in her late thirties, who lives in Milan and works at a radio station. Her mother wants to renovate the family apartment in Messina, to put it up for sale and asks her daughter to sort through her things - to decide what to keep and what to throw away. Surrounded by the objects of her past, Ida is forced to deal with the trauma she experienced as a girl, twenty-three years earlier, when her father left one morning, never to return.