Bøger udgivet af Seven Stories Press

""J'âecrirai por venger ma race". It was as a young woman that Annie Ernaux first wrote these words in her diary, giving a name to her purpose in life as a writer. She returns to them in her stirring defense of literature and of political writing in her Nobel Lecture, delivered in Stockholm on December 7, 2022. To write of her own life, she asserts, is to "shatter the loneliness of experiences endured and repressed;" to mine individual experience is to find collective emancipation. Ernaux's speech is a bold assertion of the capacity of writing to give people a sense of their own worth, and of one writer's commitment to bearing witness to life, its joys and its injustices. Includes Annie Ernaux's Nobel lecture, her Nobel banquet speech, a congratulatory speech by Professor Anders Olsson, Chair of the Nobel Committee for Literature, and the Nobel opening address by Professor Carl-Henrik Heldin, Chairman of the board of the Nobel Foundation"--

"With her parents gone in search of work, twelve-year-old Cristina must act as a mother to her two younger brothers. Through her eyes, we roam the streets of a contemporary Moldovan village populated almost entirely with children and old people. Just as most of the inhabitants left their countryside and homes with the desire to earn a better income, their parents also went to the world for money, the mother to Italy, the father to Siberia, and the children were left to fend for themselves. Here the youth must learn to survive on their own; they grow up fast, imitating the gestures of the absent adults, and chasing their fading memories of normal family life. This follow-up to Liliana Corobca's critically-acclaimed novel of censorship in eastern Europe, The Censor's Notebook is a novel that deals with a painful true reality, which has over time grown to become a phenomenon: the lives and struggles of children left home alone by parents who have gone to work abroad"--

"Cubantropâia (Cubanthropy) is a work of cultural criticism whose title is a neologism coined by the author to describe the energy between anthropology and entropy, the space between the street and the library, the island and the world. These collected essays, written in Ivâan de la Nuez's trademark ironic, erudite style, range in subject matter from the Berlin Wall to Havana's Malecâon. This book examines recent clashes between the market and democracy, the digital era and post-colonialism, the centre and the periphery, utopia and tourism, the diaspora and the nation, racism and Big Data, Guantâanamo and Reggaeton, soccer and baseball, Obama and the Rolling Stones, Europe and Donald Trump. It is written between the socialist perspective of the Cold War and the neoliberal perspective of subsequent years, and is equally critical of both and of geopolitics in the age of globalization. The author, Cuban art critic and curator Ivâan de la Nuez does not seek to explain his motherland to the world but uses it as a scaled-down referent in which contemporary socio-political conflicts are intensified. Though Fidel Castro and his death are omnipresent in this collection of essays, the word "Castro" intentionally appears less often than "future," "art," "life," or "journey." In Cubantropâia, Cuba is not a separate, discreet place, but a miniature of the world and its conflicts. Cubantropâia can be read as an intellectual autobiography, a map of itineraries of New Men born out of the revolution, or a bacchanalia of the consequences that arise from a world obsessed with causes and culprits"--

A breathtaking short novel about the complicated feelings of hate and pity in familial love by an acknowledged Latin American master.A brilliant and dark tour de force, Jewish Son presents the delicate archeology of the stubbornness of a boy who demands his parents’ attention. It is a brutal confession of the lies necessary to win a space of approval in a troubled family, a treatise on the excesses of love and the paradoxical lack of affection that is never enough, an accomplished narration of childhood from the point of view of the adult gaze, and a rewriting of Kafka’s Letter to His Father.As his father’s imminent death becomes an ever more concrete reality with surgeries, caregivers, sedatives and his mother grows obsessed with visits to the rabbi and amasses saint cards and Buddhist prayers, the narrator evokes the remnants of the rejection that pervaded his childhood.Without yielding to the idealization of youth or to the delight in pain before physical decay and death, Guebel dissects, beautifully although with discomfort, his very early conversion to the dream of literature as an act of reparation.

"In this extraordinary collection of short fiction, Tova Reich dives deep into the world of Orthodox Jewry--a world that her stories, like the shows "Unorthodox" and "Shtisel," embrace with respect and affection while also poking at the faultlines in its unshakeable traditions."--Provided by publisher.