Bøger udgivet af SF Design, LLC / Frescobooks

Since his first visit to Taos at age nineteen, Jerry Jordan was "captured" by the land, sky, and Indigenous peoples of Northern New Mexico. "I will never forget the feeling of awe," he says. "I remember taking a deep breath and thinking, How would I paint that?" Six decades later, Jordan remains in awe with each colorful canvas conveying his oneness with the common threads that unite people across time and place. This insider's look at Jordan's career highlights times of agony and defeat, chance encounters, and divine interventions. It's an inspired tale in which Jordan reminds us that we are all "riding on the back of hope, pointing our face toward our dreams . . . and walking our destiny with the God-given talent placed in our DNA."Often compared to art by the fabled Taos Society of Artists, Jordan's paintings are distinguished by loads of paint, vibrant pigments, animated brushwork, pulsing patterns, and titles that speak to the soul.

"Painted Dialogue" celebrates in the form of an artistic retrospective the past twenty-plus years of paintings of Michael Von Helms. A non-figurative abstractionist, Von Helms describes his paintings as dialogs between his inner self and a higher power. Upon entering his studio, Von Helms forgets everything but that which is before him and draws no references from anything but the canvases on which he paints. He surrenders himself to the journey for he says, "In the end it is not about attaining, but more about attempting. In my attempt I come face to face with the old realities of myself, and then, through 'hard payment, ' rearrange and reconfigure simultaneously my inner self and the two dimensional surface of the work in progress." The evolution of Von Helms's work has moved from the straight, simple yet dramatic petroglyph-like images of the '80s into the sophisticated, energetic bold-color canvasses of the '90s. Today he may repaint a single canvas as many as five times, giving his paintings a surface of thick and thin overlays with a palpable sense of edge and energy. Von Helms says, "When my process is pushed hard enough, long enough, the work and I seem to turn around a point and slip into a state of resolution. The curtain comes down, the play is finished. For the moment, all confusion, unknowing, and tension has been exhausted. Darkness is made visible. The emotions within me, the world outside, and the painting are all, at last, united. There is communication. It becomes a kind of salvation."

A lively collection of the painter's recent work.