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ARTPhilip F. Esler, Pacino di Bonaguida's Tree of Life: Interpreting the Bible in Paint in Early Fourteenth-Century ItalyCatherine C. Taylor, The Pignatta Sarcophagus: Late Antique Iconography and the Memorial Culture of Salvation Yaffa Englard, The Sixth Day of Creation: Literal Problems, Visual Expressions, and Theological InterpretationsJohn Byron, Who Killed Cain? Interpretive Solutions to a Theological ProblemDan Rickett, The Art of Separation: Visual and Textual Exegesis of the Separation of Abram and Lot Kalle Lundahl, The Bible in Paintings by Mario Schifano and Vincent van GoghDavid Tollerton, Divine Violence Caught on Camera: Negotiating Text and Photography in Broomberg and Chanarin's Holy BibleChristopher Meredith, Civic Bible as Civil Breach: Reading Doris Salcedo's ShibbolethLITERATUREMikael Larsson, Model of Modesty? Sexual Politics and/in/after the Book of RuthMUSICValérie Nicolet-Anderson, Leonard Cohen's Use of the Bible: Transformations of the SacredRECEPTIONHolly Morse, What's in a Name? Analysing the Appellation 'Reception History' in Biblical StudiesElisabeth Birnbaum and Susanne Gillmayr-Bucher, The Wise King's Vanity: The ¿¿¿ Motif in the Reception of King Solomon Agnethe Siquans, Origen's Fifth Homily on Exodus: A Narratological Approach to Ancient Biblical Interpretation Arie Versluis, The Early Reception History of the Command to Exterminate the Canaanites
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