Bøger udgivet af Skira

Louise Bourgeois, who has produced art since the 1930s, began in the 1990s to use her clothes and the clothes of her loved ones as components in her sculptures and drawings. This title collects this set of images in its entirety.

The contemporary artists featured in this book include John Akomfrah, La Vaughn Belle, Manthia Diawara, Jeannette Ehlers, Michelle Eistrup, Sasha Huber, Oceana James, Patricia Kaersenhout, Grada Kilomba, Suchitra Mattai, and Alberta Whittle, who are all at the forefront of decolonial thinking. Through their artworks, they convey compelling narratives that shed light on the entangled colonial histories that connect Europe, Africa, the Caribbean and the Americas. Collectively, these artists provide crucial insight into some of the lesser-known aspects of colonial history, such as Norwegian involvement in the transatlantic slave trade. The artists featured in this book convey unique resistance stories about fearless freedom fighters such as Venus Johannes, Mary Thomas, Olaudah Equiano, and Anna Heegaard, thereby allowing for a deeper, more nuanced understanding of colonial history than the historical narratives that have typically been told from a Western perspective. These are stories of resistance that help, at least partially, to set the historical records straight. By highlighting the stories of those who have been historically silenced, we gain access to a more nuanced understanding of colonial history and the factors which have contributed to the continued effects of colonialism today, most evidently witnessed in the prevalence of racism, poverty, and forced migration. Co-published by Skira and The Africa Institute

The 110 year history of Internazionale FC of Milan is taken stock of with this book of great moments, pivotal characters and in depth coverage of the club's development.

Forty exemplary works spanning the Post-Impressionist¿s career, from one of the world¿s foremost Van Gogh collections Forty masterpieces by Vincent van Gogh (1853¿90) from the prestigious Kröller-Müller Museum in Otterlo ¿ which houses one of the greatest Van Gogh collections ¿ document the Dutch painter¿s entire career, on the eve of the 170th anniversary of his birth. An extraordinary opportunity to enter into contact with the vision of an artist who managed, through the power of his brushstrokes, to represent his idea of reality and to convey an inner world rich in emotions, as well as a picture of the life of his time, which his work presents together with its profound significance, at times simple, at times troubled and dramatic. Van Gogh lived a tormented life, marked by failure in ali the spheres of existence generally considered to be important: incapable of establishing a family, of supporting himself and of maintaining human relations. Yet, as a painter, he managed to represent even the humblest reality in an incessant path within life, nature and himself, transcending their confines and revealing their meaning. Through reproductions of the forty paintings and drawings alongside biographical accounts, the volume reconstructs Van Gogh¿s trajectory along a chronological thread of the periods and places where the painter lived: from his early life in the Netherlands to his years in Paris, Arles, S. Remy and finally Auvers Sur-Oise; from his early passionate and dark landscapes to his depictions of manual laborers such as sowers, potato pickers, weavers, woodcutters, miners and domestic workers. The book presents forty works by Vincent van Gogh, both paintings and drawings; Van Gogh¿s works are accompanied by six other highlights from Kröller-Müller Museum¿s collection, from different periods of time, by Lucas Cranach the Elder, Henri Fantin-Latour, Auguste Renoir, Floris Verster, Paul Gauguin, and Pablo Picasso.

From the extreme edge of the firmament, Hildegard contemplates the wheel of creation that springs from the heart of God, a cosmological instrument in which mankind resides, described in size and proportions, and in the internal movements of the soul and the body. This is the scenario in the Book of Divine Works. It is a long sequence of ten scenes that invites human beings to climb the road of virginitas, towards the re-composition of their own selves in union with the divine Caritas. The refined miniatures in the Lucca manuscript - reproduced in the central plates of the book with a simple key illustrating their symbolic significance - were produced about twenty years after Hildegard's death, and provide a masterful illustration of the architecture of her vision. The dialogue with the images from her first work Scivias (A Journey into the Images, Skira 2019) has cast light on the unifying design that connects them, activating a process of figurative re-transcription of the work. Following the sapiential instructions on dimensions and proportions, and inserting the shapes and colours taken from the Scivias miniatures, constructed according to Hildegard's own instructions, the individual elements described have been redrawn. The use of three-dimensional design has produced vibrant visions of a spherical cosmos, a luminous heavenly vault, a precise anatomy of the human body and the plasticity of the civitas dei (city of God), revealed in the large plates at the end of each chapter. The analysis of the construction lines of the miniatures in the Lucca manuscript and the subtle constructive syllogism of the visions enable us to perceive, outlined in a few brief strokes, the eternal presence of mankind in the heart of God.

With Italy, for Italy is not just a large book of photographs, but an initiative of great cultural and social importance. With this book, Lamborghini, one of the most prestigious Italian brands in the world, has decided to go beyond the traditional logic to take on a social role and play an active part in promoting its country during a time of global challenge. Twenty talented contemporary Italian photographers have been called upon to collaborate in the project, many famous, others emerging talents: each of them has succeeded in interpreting one of the twenty regions along with twenty Lamborghinis, from the past and present, in their own artistic style. And joining these artists is the great photographer Letizia Battaglia, who has been entrusted with a special interpretation of her beloved Palermo. The result is a journey conceived of as an act of love, the love of a company for its own country, translated into a fresco of 21 visions that succeed in exalting a single heritage of identity, steeped in art, history, natural and architectural beauty, and much more. An Italy that is also a land of tradition, excellence, creativity, aesthetic research and innovation, all features that are deeply embedded within the Lamborghini DNA. It is a book that entrusts culture and the art of photography with their highest and deepest value: that of transforming society through the breaking up of all previous expressive languages and the ability to imagine and inspire the future. The photographers involved in the project are: Letizia Battaglia (Palermo), Stefano Guindani (Sicily), Davide De Martis (Sardinia), Guido Taroni (Calabria), Gabriele Micalizzi (Puglia), Camilla Ferrari (Basilicata), Marco Casino (Campania), Roselena Ramistella (Molise), Valentina Sommariva (Abruzzo), Anna di Prospero (Lazio), Wolfango Spaccarelli (the Marche), Alessandro Cinque (Umbria), Gabriele Galimberti (Tuscany), Piero Gemelli (Emilia Romagna), Marco Valmarana (the Veneto), Mattia Balsamini (Friuli Venezia Giulia), Simone Bramante (Trentino Alto Adige), Vincenzo Grillo (Lombardy), Chiara Mirelli (Piedmont), Alberto Selvestrel (Liguria), Fulvio Bugani (Valle d'Aosta).

The joint effort of ten scholars, the volume Edvard Munch. 1863¿1944 offers an exhaustive appraisal of the Norwegian artist¿s pioneering and unique contribution to modern art.

A spectacular book showing life and work of the Finnish icon from an unknown perspective with around 150 illustrations and well researched texts. Tom of Finland has became the most famous and influential Finnish artist of the 20th century. Born Touko Laaksonen in 1920, his iconic depiction of self-confident and life-affirming gayness gave decisive impulses to the international gay movements from the 1960s onwards. But although we clearly associate his portrayals of sensual and powerful cowboys, farm hands, soldiers and leathermen with the USA, Tom of Finland's rise to gay icon received the game-changing impetus neither in his native Finland nor in the USA. It was, of all places, the city of Hamburg and Tom's friendship with key exponents of the local gay scene in the early 1970s that helped him to his first exhibition ever. He even created a grand mural for the legendary "Tom's Bar", until today the only one legitimately named after him. Regular commissions to design posters and ads for gay events in Hamburg allowed him to launch his artistic career after quitting his day job as advertising executive, and led to the creation of the most extensive private collection of his drawings to date. Galerie Judin is now devoting an exhibition and a comprehensive publication to these seminal, but thus far little researched years, the art they generated and the friendships they formed. The book includes texts by Juerg Judin, Pay Matthis Karstens, Kati Mustola and Alice Delage, conversations with Durk Dehner and Michael P. Hartleben - and a facsimile of the artist's German travel diary from 1955.

Photography between Art and Passion.

The origins of the work by one of the most celebrated living artists in Latin America. Fernando Botero is the best known Colombian artist of all times. His work is found in many international collections and is also known to be very well represented in several important donations he himself has made to his nation. There is no part of the world where people are not familiar with his name and recognize his distinctive artistic language, characterized by the devotion to form and volume found in figurative works which have placed themes drawn from Latin America, Colombia and his native Department (State) of Antioquia in the visual repertory of the history of world art. Despite his worldwide recognition, the truth is that, in many senses, Botero is an unknown artist. There is a great analytical void about his career which has yet to be filled and above all, would vindicate his merits in historical terms as a painter in search of an identity of his own. It seems strange that even after six decades during which one of the most profilic and original artists of Latin America has produced a staggering abundance of works, there are few who have inquired into the origin of his distinctive approach to volume and color.

Matteo Civaschi , art-director and graphic designer, created Shortology with 16 books published across the world.

How connected are fashion designers to the body they design for today? Is there truly a way for the body to be trained in order to serve fashion? How can you manoeuvre emotion through your work? Each era has its dominant themes and fashion readily reflects them. Fashion as a reflection of society is also a privileged lens to see things more consciously. The necessity to sharpen the focus on the interlinked trilogy of the body, the mind, and politics is what has seamlessly been questioned in this provocative series of interviews. Curator, author, journalist, photographer and costume designer Filep Motwary releases his latest book ideated by Polimoda, THEOREM[A]: The Body, Emotion + Politics in Fashion. Formatted as a series of interviews with select contemporary fashion key figures, the book investigates the dressed body as a political statement, focusing on the linked trilogy of the mind, body and politics. In his provocative series of interviews, Motwary spoke with participants chosen for their professional integrity, their body of work and vast knowledge of historical and contemporary fashion, among other factors. Interviews were conducted with Hussein Chalayan, Jean Paul Gaultier, Pamela Golbin, Iris van Herpen, Harold Koda, Michèle Lamy, Thierry-Maxime Loriot, Antonio Mancinelli, Suzy Menkes, Violeta Sanchez, Valerie Steele, Jun Takahashi, Olivier Theyskens, Viktor & Rolf and Nick Knight. The interviews each explore the essence and perception of the body, poetic emotion and politics, touching specifically on the issues and controversies surrounding the current state of fashion.

Italian tailoring is a tradition of excellence in our country. In fact, clothes, especially men's tailoring, are veritable works of art, which conceal within the secrets and history of the city in which they are made. They are the product of a long tailoring tradition created from elegance and taste, where even the slightest detail is given the greatest care and attention. In fact, made-to-measure garments and shoes entail painstaking measuring and a transformation of these measurements into a perfect object, thanks to the skilled craftsmanship of tailors and of refined textiles. Detailed mastery for a unique, immediately recognizable style. This publication presents 28 historic tailor shops in Italy and their key protagonists (from Donnadio to Musella Dembech, Liverano&Liverano to Sartoria Napoletana, Rubinacci and Attolini to Caraceni, Ciardi and Pirozzi) in a complete guide across Italy, from north to south, in search of the haute tailoring and tailors who have shaped the world-famous Italian style.

The book features works from the Golda and Meyer Marks Cobra Collection, the largest CoBrA art collection in America. The NSU Art Museum Fort Lauderdale collection of Cobra art includes more than 1,600 works and is the largest museum collection in the United States, thanks in large part to Golda and Meyer Marks donating their collection from 1978 until their deaths in 1998 and 1991, respectively. Cobra art was born as an art collective in 1948 in reaction to the devastation of World War II and named for its artists' home cities (Copenhagen, Brussels, Amsterdam). Cobra art is raw, vital, spontaneous, and filled with dynamic abstract and semi-abstract forms. Its artists worked together and often collaboratively before going their separate ways in 1951, to achieve a new means of expression that challenged traditions and the constraints on artistic expression they had experienced during World War II. The movement greatly influenced the development of European modern art as well as contemporary art in America and Europe. The study of the Cobra art movement has led to a greater understanding of how acts of resistance and political movements continue to influence current events. This monograph of the museum's Cobra collection includes text by renowned experts in the field, 150 illustrations and detailed entries on 29 artists.

Danilo Eccher has been Director of GAM Galleria civica d'arte moderna e contemporanea of Turin since 2009.

A celebration of the world¿s most glorious sailing yacht company in this official book published on the occasion of the company¿s fiftieth anniversary.

The first monograph of the Indian artist Sohan Qadri, a modern Tantric painter. Born in 1932 in Punjab, India, Qadri began his quest for his true self through Tantric yoga and spent long periods of time silently meditating in remote temples in the Himalayas and Tibet. His isolation propelled his urge to paint. He received his MFA in 1960 from the Government College of Art in Simla, India, but soon discovered that academic trappings were not for him. Shortly after his first exhibition in 1965, he left India for the West. In Qadri¿s work, there is a tranquil coexistence of binary opposites ¿ male and female, known and unknown, physical and spiritual. Although he clearly has Western influences, such as Mark Rothko and Clyfford Still, his work is uniquely Eastern. His paintings are monochrome surfaces with structural effects that, in their repetition, convey the rhythmic expressions of colour energies. The vibrations created by these energies are endless and break the boundaries between the inner space of the image and the external space of the viewer. Heinrich Böll, the 1972 Nobel Prize winner in Literature, said that Qadri, ¿with his painting liberates the word meditation from its fashionable taste and brings it back to its proper origin uninfluenced by Western propaganda, misunderstandings and corruptions.¿

The life, style and colours of the master of the 16th-century Venetian painting. Tiziano Vecellio was a painter, equally comfortable with a range of genres and subjects. Unlike many artists from history whose work has been appreciated only after their death, Titian enjoyed fame and success throughout his career, which spanned over seven decades.

The ever recurring motif in author's art is the dolls mask, factory made and entirely standardized. In this title, she uses it as a symbol of mans need for disguise, of the restraints each of us has to impose upon our individuality in order to exist and to function socially.