Bøger udgivet af Soho Press

"Though it took some time to settle into his new life in Gravigna, Italy, following the death of his wife, Nico Doyle has figured a thing or two out. The locals have not only welcomed him, but are giving him rave reviews on his contributions to the menu at Sotto il Fico, and his budding relationship with Nelli is healing old wounds. When Nico receives a phone call late at night, he tries to ignore it. A phone call at that time could only mean trouble. But the ringing is persistent, and at Nelli's urging, he answers. It's Perillo of the local carabinieri. A woman was found dead in her home, and the only person at the scene of the crime only speaks English, which presents a complication for Perillo. Though Nico would rather leave his days as a homicide detective for the NYPD behind him, he reluctantly agrees, once again, to help out Perillo with the case. Signora Nora was found, slumped dead over her piano, by her English friend, who was visiting the lavish villa for the week. Nora, the friend says, was not a pleasant woman, but she was intriguing. Judging by the crime scene, Perillo and Nico determine foul play was likely, and they don't have to look long or hard for suspects. Following the death of her husband, Nora had taken on a number of lovers, her two daughters aren't on the best terms with her, and there's a lot to be gained from the sale of her residence--not to mention the rich paintings and expensive jewelry that filled it. Nico and Perillo have their hands full as they try to solve the murder and restore peace to the cyprus-lined roads of Gravigna."--

"Parisian private investigator Aimâee Leduc has been framed for the murder of her daughter's father-now she's on the lam, and must find the real killer to clear her name in this thrilling 21st installment of Cara Black's New York Times bestselling mystery series. Aimâee Leduc's ex Melac, her daughter's father, has been hounding her for weeks, pressuring her to move little Chloe to Brittany, threatening to take her to court for custody-all but stalking her. Harassed and fed up, Aimâee has stopped taking his calls. That's why she doesn't know as she's leaving a client's office late one night that Melac is waiting for her by the Bassin de la Villette-where an assailant attacks him just in time for Aimee to find his still-bleeding body in the canal. Interrupted, the killer knocks Aimâee unconscious and plants the bloody knife in her hands for the police to find. Now Aimâee is in police custody, debilitated by her concussion, with overwhelming evidence working against her. She has to figure out who set Melac up-but he was a man with many pasts, a former homicide investigator and the target of criminal grudges. Cut off from her typical network and forced to operate under multiple layers of cover, Aimâee must go deep into the underbelly of Paris's 19th arrondissement, where she rubs shoulders with biker gangs, paranoid journalists, grieving parents, and frustratingly tight-lipped ex-cops on her hunt for truth and justice"--

" In 2019, newly widowed baker Mercedes Spivey flies from Miami to her native Cuba to care after her ailing paternal grandmother. Mercedes's life has been shaped by loss, beginning with the mysterious unsolved disappearance of her mother when Mercedes was a little girl. Returning to Cuba revives Mercedes's hopes of finding her mother as she attempts to piece together the few scraps of information she has. Could her mother still be alive? Thirty-three years earlier, an American college student with endless political optimism falls deliriously in love with a handsome Cuban soldier while on a spontaneous visit to the island. She decides to stay permanently, but soon discovers that nothing is as it seems in Havana. The two women's stories proceed in parallel as Mercedes gets closer to discovering the truth about her mother, uncovering shocking family secrets in the process . . "--

"Stonebridge High's resident bad boy, Wesley 'Big Mac' Mackenzie, is failing senior year--thanks to his unchecked anger, rowdy friends, and a tendency to ditch his homework for skateboarding and a secret photography obsession. So when his mom drags him to a production of The Nutcracker, Wes isn't interested at all---until he sees Tristan Monroe. Mr. Nutcracker himself. Wes knows he shouldn't like Tristan; after all, he's a ballet dancer, and Wes is as closeted as they come. But when they start spending time together, Wes can't seem to get Tristan out of his head. Driven by a new sense of purpose, Wes begins to think that--despite every authority figure telling him otherwise--maybe he can change for the better and graduate on time"--

"Los Angeles, 1953. It has been five years since British journalist John Russell struck a deal with a high-ranking Soviet official, relieving Russell of his duty as double-agent for Soviet and American intelligence. Now Russell lives a life of relative comfort in Los Angeles alongside his wife, Effi, a star on an American sitcom, and their adopted daughter, Rosa, a young artist on the cusp of adulthood. He has just begun work on a book investigating American firms that did business with Germany during Nazi occupation when he notices someone is tailing him--and his wife--all around Los Angeles. Has someone not taken kindly to his research? Is it a McCarthyist freelancer, trying to dig up dirt on Effi and her family? Or, could it be that in the leadership struggle following Stalin's death, the deal Russell struck all those years ago has put him at risk yet again? When Effi is invited to the Third Annual Berlin Film Festival as a guest of honor, the two make the decision to attend-thrusting them into the political disorder of a city that was once their home and which they now struggle to recognize. It is here that Russell will come face to face with the forces that have followed him, from Hollywood to Berlin and back again"--

"Fifteen-year-old âAmbar has never known any parent other than her father, Vâictor Mondragâon, nor any life other than his--the life of a criminal. On any given Friday night, âAmbar longs to be at the arcade or a rock concert, but she's more likely to be patching up Vâictor's latest bullet hole in a dingy motel or creating a new set of fake identities for the both of them. Although she has come to terms with the realities of her life and enjoys aspects of the freedom from societal constraints that lawlessness offers her, she yearns for love and stability. ... When a tattooed mercenary kills Vâictor's best friend and vows that Vâictor is next, father and daughter set off on a joyride across Argentina in search of bloody retribution"--

"Superintendent Teresa Battaglia, a trailblazing criminal detective on the Italian police force, is on sick leave, recovering from her recent brush with death in pursuit of a killer. But none of her colleagues-not even her partner, Inspector Marini-know that her Alzheimer's is getting worse, and that Teresa is unsure she will ever return to work. Teresa's plans for retirement are shelved, however, when she is urgently summoned to meet with serial killer Giacomo Mainardi. Refusing to speak with anyone but Teresa, whose investigative work twenty-seven years prior landed him in maximum security prison, Mainardi has disconcerting news: somebody is after him, and only Teresa holds the key to keeping everyone, including herself, safe. To solve the case, Teresa must come face to face with a past she thought she'd buried, back to when Giacomo first began to kill, and Teresa-newly pregnant and married to an abusive man-did everything she could to catch him"--

A short story collection as relentlessly intense and darkly compelling as Batacan’s debut, the Filipino crime landmark Smaller and Smaller CirclesF.H. Batacan’s first novel, Smaller and Smaller Circles, was an instant classic when it was published in 1999, a masterpiece of Filipino crime that won the Philippine Book Award. In this, her second work of fiction, she gives us a far-ranging collection that explores the darkest corners of human experience, depicting with pitch black humor the systems of class and politics that her characters are trapped in, and the moments violence—accidental or otherwise—that can, at any moment, shatter their lives.The driver for a wealthy family witnesses the aftermath of the disappearance of the family’s twelve-year-old son. A field investigator for the World Health Organization travels the world giving presentations about a biomedical enzyme that will lead to the extinction of the human race. And Father Augusto Saenz, the Jesuit priest and forensic anthropologist from Smaller and Smaller Circles, returns to investigate the murder of a woman whose secretive life holds the key to her death.Sure to cement Batacan’s status as a crime writer of global status, Accidents Happen is a probing and relentless series of dark excursions into worlds where the smallest moments are infused with life and vibrating with menace, and death is always close at hand.

"Father Michael Grabowski, a Franciscan priest who has tended the spiritual needs of Detroit's Mexicantown for forty years, has suddenly retired. August Snow, who has known the priest his whole life, finds the circumstances troubling--especially in light of the recent suspicious suicide of another local priest. What dark history is Father Grabowski hiding? The situation takes a turn for the deadly with the appearance at the Detroit diocese of a mysterious priest and combat vet calling himself Francis Dominioni Petra. The man comes from the Vatican, and as his armored guard circles closer and closer to Father Grabowski and his friends, August wants to know why. A terrible crime has been committed in the name of faith-but who is seeking justice, and who is trying to bury the truth and any of its witnesses? August grapples with his own ideas about his faith and his chosen family in this action-packed fourth installment in the Hammett Prize-winning series"--

When seventeen-year-old trans guy Max meets Gloss, he loses himself in an all-consuming relationship, but after his ex-summer romance turned bully turns up dead and Gloss takes the blame, Max veers dangerously close to being implicated as he desperately tries to uncover the truth.

The final volume of the critically acclaimed mystery series featuring Jane Austen as amateur sleuthMarch 1817: As winter turns to spring, Jane Austen’s health is in slow decline, and threatens to cease progress on her latest manuscript. But when her nephew Edward brings chilling news of a death at his former school, Winchester College, not even her debilitating ailment can keep Jane from seeking out the truth. Arthur Prendergast, a senior pupil at the prestigious all-boys’ boarding school, has been found dead in a culvert near the schoolgrounds—and in the pocket of his drenched waistcoat is an incriminating note penned by the young William Heathcote, the son of Jane’s dear friend Elizabeth. Winchester College is a world unto itself, with its own language and rites of passage, cruel hazing and dangerous pranks. Can Jane clear William’s name before her illness gets the better of her?   Over the course of fourteen previous novels in the critically acclaimed Being a Jane Austen Mystery series, Stephanie Barron has won the hearts of thousands of fans—crime fiction aficionados and Janeites alike—with her tricky plotting and breathtaking evocation of Austen’s voice. Now, she brings Jane’s final season—and final murder investigation—to brilliant, poignant life in this unforgettable conclusion.

A quirky group of seniors attempts to solve one murder while covering up another—with the help of an enterprising tortoise—in this twisty, darkly funny mystery from the author of Three Bags Full.It has been an eventful morning for Agnes Sharp and the other inhabitants of Sunset Hall, a house share for the old and unruly in the sleepy English countryside. Although they have had some issues (misplaced reading glasses, conflicting culinary tastes, decreasing mobility, and gluttonous grandsons), nothing prepares them for an unexpected visit from a police officer with some shocking news. A body has been discovered next door. Everyone puts on a long face for show, but they are secretly relieved the body in question is not the one they’re currently hiding in the shed (sorry, Lillith).It seems the answer to their little problem with Lillith may have fallen right into their laps. All they have to do is find out who murdered their neighbor, so they can pin Lillith’s death on them, thus killing two (old) birds with one stone (cold killer).With their plan sorted, Agnes and her geriatric gang spring into action. After all, everybody likes a good mystery. Besides, the more suspicion they can cast about, surely the less will land on them. To investigate, they will step out of their comfort zone and tangle with sinister bakers, broken stairlifts, inept criminals, the local authorities, and their own dark secrets.

"Delhi, the near future: a former journalist goes in search of answers after she finds herself stripped of identity and citizenship and thrust into a vast conspiracy involving secret detention centers, government sanctioned murders, online rage, nationalist violence, and a figure of shifting identifies known as the "New Delhi Monkey Man." Bhopal, 1984: an assassin hunts a whistleblower through a central Indian city that will shortly be the site of the worst industrial disaster in history. Calcutta, 1947: a veterinary student's life and work connect him to an ancient Vedic aircraft. And in 1859, a detachment of British soldiers rides toward the Himalayas in search of the last surviving leader of an anti-colonial rebellion. These timelines interweave to form a kaleidoscopic, epic novel in which each section is a pursuit, centered around a character who must find or recover crucial but hidden truths in their respective time. Mirroring the future and the past, these narratives illuminate and reimagine Indian identity and history. The Light at the End of the World, Siddhartha Deb's first novel in a decade and a half, is an astonishing work that brilliantly reimagines the structure of one of the world's oldest civilizations.Delhi, the near future: a former journalist goes in search of answers after she finds herself stripped of identity and citizenship and thrust into a vast conspiracy involving secret detention centers, government sanctioned murders, online rage, nationalist violence, and a figure of shifting identifies known as the "New Delhi Monkey Man." Bhopal, 1984: an assassin hunts a whistleblower through a central Indian city that will shortly be the site of the worst industrial disaster in history. Calcutta, 1947: a veterinary student's life and work connect him to an ancient Vedic aircraft. And in 1859, a detachment of British soldiers rides toward the Himalayas in search of the last surviving leader of an anti-colonial rebellion. These timelines interweave to form a kaleidoscopic, epic novel in which each section is a pursuit, centered around a character who must find or recover crucial but hidden truths in their respective time. Mirroring the future and the past, these narratives illuminate and reimagine Indian identity and history. The Light at the End of the World, Siddhartha Deb's first novel in a decade and a half, is an astonishing work that brilliantly reimagines the structure of one of the world's oldest civilizations"--