Bøger udgivet af Stanford University Press

"Digital transformation is an ongoing process of the marketplace and one that requires continual strategic planning, reflection, and action. Organizations must constantly reconsider their digital transformation strategies in order to leverage new technologies and access to new data sets, as new competitors continue to emerge. In this environment, successful managers will constantly ask: how are you going to competitively position your organization in a digitally transforming marketplace? How will you create value for your business in new ways, including changing your value proposition by leveraging data and adopting new business models available in a digital world? How will you capture value in a world where the basis for competitive advantage is shifting, especially when marked by platforms and network externalities? And what capabilities do you need to secure this, and how will you develop them? Timely in its analysis, the book covers major topics such as big tech, data analytics, artificial intelligence, blockchain, cryptocurrency, autonomy, cybersecurity, data privacy, and antitrust. Michael Lenox delivers an insightful volume that offers a foundational understanding of this dynamic environment, and an action plan for those seeking a path to digital strategy implementation for their organization"--

"In this book, Amy R. Wong unravels the colonial and racial logic behind seemingly innocuous assumptions about "speech": that our words belong to us, and that self-possession is a virtue. Through readings of late-Victorian fictions of empire, Wong revisits the scene of speech's ideological foreclosures as articulated in postcolonial theory. Engaging Afro-Caribbean thinkers like âEduoard Glissant and Sylvia Wynter, Refiguring Speech reroutes attention away from speech and toward an anticolonial poetics of talk, which emphasizes communal ownership and embeddedness within the social world and material environment. Analyzing novels by Robert Louis Stevenson, Bram Stoker, George Meredith, Joseph Conrad, and Ford Madox Ford, Wong refashions the aesthetics of disordered speech--such as parroting, eavesdropping, profuse inarticulacy, and dysfluency--into alternate forms of communication that stand on their own as talk. Wong demonstrates how late nineteenth-century Britain's twin crises of territorialization--of empire and of new media--spurred narrative interests in capturing the sense that speech's tethering to particular persons was no longer tenable. In doing so, Wong connects this period to U.S. empire by constructing a genealogy of Anglo-American speech's colonialist and racialized terms of proprietorship. Refiguring Speech offers students and scholars of Victorian literature and postcolonial studies a powerful conceptualization of talk as an insurgent form of communication"--

"Over the last few decades, the decline of the public university has dramatically increased under intensified commercialization and privatization, with market-driven restructurings leading to the deterioration of working and learning conditions. A growing reserve army of scholars and students, who enter precarious learning, teaching, and research arrangements, have joined recent waves of public unrest in both developed and developing countries to advocate for reforms to higher education. Yet even the most visible campaigns have rarely put forward any proposals for an alternative institutional organization. Based on extensive fieldwork in Venezuela, The Alternative University outlines the origins and day-to-day functioning of the colossal effort of late President Hugo Châavez's government to create a university that challenged national and global higher education norms. Through participant observation, extensive interviews with policymakers, senior managers, academics, and students, as well as in-depth archival work, Mariya Ivancheva historicizes the Bolivarian University of Venezuela (UBV), the vanguard institution of the higher education reform, and examines the complex and often contradictory and quixotic visions, policies, and practices that turn the alternative university model into a lived reality. This book offers a serious contribution to debates on the future of the university and the role of the state in the era of neoliberal globalization, and outlines lessons for policymakers and educators who aspire to develop higher education alternatives"--

"Unexpected Routes chronicles the refugee journeys of six writers whose lives were upended by fascism in the aftermath of the Spanish Civil War and during World War II: Cuban-born Spanish writer Silvia Mistral, German-born Spanish writer Max Aub, German writer Anna Seghers, German author Ruth Rewald, Swiss-born political activist, photographer, and ethnographer Gertrude Duby, and Czech writer and journalist Egon Erwin Kisch. While these six writers came from different backgrounds, wrote in different languages, and enjoyed very different levels of recognition in their lifetimes and posthumously, they all made sense of their forced displacement in works that reveal their conflicted relationships with the people and places they encountered in transit as well as in Mexico, the country in which they all eventually found asylum. The literary output of these six brilliant, prolific, but also flawed individuals reflects the most salient contradictions of what it meant to escape from fascist occupied Europe. In a study that bridges history, literary studies, and refugee studies, Tabea Alexa Linhard draws connections between colonialism, the Spanish Civil War, and World War II and the Holocaust to shed light on the histories and literatures of exile and migration, drawing connections to today's refugee crisis and asking larger questions around the notions of belonging, longing, and the lived experience of exile"--

"The Philosophical Pathos of Susan Taubes offers a detailed analysis of an extraordinary figure in the twentieth-century history of Jewish thought, Western philosophy, and the study of religion. Drawing on close readings of Susan Taubes' writings, including her correspondence with her husband Jacob Taubes, scholarly essays, literary compositions, and poems, Elliot R. Wolfson plumbs the depths of a tragic worldview hovering between the poles of nihilism and hope. Susan Taubes presciently explored the hypernomian status of Jewish ritual and belief after the Holocaust, as well as the theopolitical challenges of Zionism and the dangers of ethnonationalism. She engaged with numerous other thinkers, analyzing the antitheological theology and gnostic repercussions of Heideggerian thought; and the mystical atheism and apophaticism of tragedy in Simone Weil. And she understood poetry as the means to face the faceless and to confront the silence of death in the temporal overcoming of time through time. Wolfson delves into the abyss that molded Susan Taubes's mytheological thinking, making a powerful case for the relevance of her work to the study of philosophy and religion today"--

"This book is the cultural history of an idea which now seems so self-evident as barely to be worth stating: through writing imaginative literature, an author can accrue significant and lasting economic and cultural power. We take for granted, now, that authority dwells in literature and in being its author. This state of affairs was not naturally occurring, but deliberately invented. This book tells the story of that invention. The story's central figures are Alexander Pope and Samuel Johnson. But its narrative begins in the 1680s, with the last gasp of the bond linking literary to political authority. While Jacobite poets celebrated (and mourned) the Stuart dynasty, Whig writers traced the philosophical and aesthetic consequences of the accession of William of Orange. Both groups left behind sets of literary devices ready-made to confer and validate authority. Claude Willan challenges the continued reign of the "Scriblerian" model of the period and shows how that reign was engineered. In so doing he historicizes the relationship between "good" and "bad" writing, and suggests how we might think about literature and beauty had Pope and Johnson not taken literary authority for themselves. What might literature have looked like, and what could we use it for, he provocatively asks"--

"Gay bars had been closing by the hundreds in recent decades, even before another global pandemic brought nightlife to its knees. The story goes that increasing mainstream acceptance of LGBTQ people, plus dating apps like Grindr and Tinder, have rendered these spaces obsolete. Beyond that, rampant gentrification in big cities has pushed gay bars out of the neighborhoods they helped make hip. Greggor Mattson's titular question Who Needs Gay Bars? plays on these narratives, accepting that the answer for some might be: maybe nobody. And yet... Inspired by the closing of his own favorite watering hole, Greggor Mattson embarked on a journey across and around the country to paint a much more complex picture of the cultural significance of these spaces. While they may no longer be the only places for LGBTQ patrons to openly socialize, he finds that their value has evolved--they are historical archives, safe spaces, community centers, and places of celebration, entertainment, and discovery. The question that frames this story is not asking whether these spaces are needed, but for whom, earnestly exploring the diversity of folks and purposes they serve today."--

"The Soviet Union was one of the most secretive states that ever existed. Defended by a complex apparatus of rules and checks administered by the secret police, the Soviet state had seemingly unprecedented capabilities based on its near monopoly of productive capital, monolithic authority, and secretive decision making. But behind the scenes, Soviet secrecy was double-edged: it raised transaction costs, incentivized indecision, compromised the effectiveness of government officials, eroded citizens' trust in institutions and in each other, and led to a secretive society and an uninformed elite. The result is what this book calls the secrecy/capacity tradeoff: a bargain in which the Soviet state accepted the reduction of state capacity as the cost of ensuring its own survival. This book is the first comprehensive, analytical, multi-faceted history of Soviet secrecy in the English language. Harrison combines quantitative and qualitative evidence to evaluate the impact of secrecy on Soviet state capacity from the 1917 Bolshevik Revolution to the collapse of the Soviet Union in 1991. Based on multiple years of research in once-secret Soviet-era archives, this book addresses two gaps in history and social science: one the core role of secrecy in building and stabilizing the communist states of the twentieth century; the other the corrosive effects of secrecy on the capabilities of authoritarian states"--

"The idea that wealthy people use their money to influence things, including politics, law, and media will surprise very few people. However, as Michael S. Kang and Joanna Shepherd argue in this readable and rich study of the state judiciary, the effect of money on judicial outcomes should disturb and anger everyone. In the current system that elects state judges, the rich and powerful can spend money to elect and re-elect judges who decide cases the way they want. Free to Judge is about how and why money increasingly affects the dispensation of justice in our legal system, and what can be done to stop it. One of the barriers to action in the past has been an inability to prove that campaign donations influence state judicial decision-making. In this book, Kang and Shepherd answer that challenge for the first time, with a rigorous empirical study of campaign finance and judicial decision-making data. Pairing this with interviews of past and present judges, they create a compelling and persuasive account of people like Marsha Ternus, the first Iowa state supreme court justice to be voted out of office after an intense her and her decision in a same-sex marriage case. The threat of such an outcome, and the desire to win reelection, results in judges demonstrably leaning towards the interests and preferences of their campaign donors across all cases. Free to Judge is thus able to identify the pieces of our current system that invite bias, such as judicial reelection, and what reforms should focus on. This thoughtful and compellingly written book will be required reading for anybody who cares about creating a more just legal system"--

"Shadow Negotiators is the first book to demonstrate that United Nations (UN) organizations have intervened to influence the discourse, agenda and outcomes of international trade lawmaking at the World Trade Organization (WTO). While UN organizations lack a seat at the bargaining table at the WTO, Matias E. Margulis argues that these organizations have acted as "shadow negotiators" engaged in political actions intended to alter the trajectory and results of multilateral trade negotiations. He draws on analysis of one of the most contested issues in global trade politics, agricultural trade liberalization, to demonstrate interventions by four different UN organizations - the Food and Agriculture Organization (FAO), World Food Programme (WFP), Office of the High Commissioner for Human Rights (OHCHR), and Special Rapporteur on the Right to Food (SRRTF). By identifying several novel intervention strategies used by UN actors to shape the rules of global trade, this book shows that UN organizations chose to intervene in trade lawmaking not out of competition with the WTO or ideological resistance to trade liberalization, but out of concerns that specific trade rules could have negative consequences for world food security--an outcome these organizations viewed as undermining their social purpose to reduce world hunger and protect the human right to food"--

Against the backdrop of ever-increasing nationalist violence during the last decade of the twentieth century, this book challenges standard analyses of nation formation by elaborating on the nation's dream-like hold over the modern social imagination. Stathis Gourgouris argues that the national fantasy lies at the core of the Enlightenment imaginary, embodying its central paradox: the intertwining of anthropological universality with the primacy of a cultural ideal.Crucial to the operation of this paradox and fundamental in its ambiguity is the figure of Greece, the universal alibi and cultural predicate behind national-cultural consolidation throughout colonialist Europe. The largely unpredictable institution of a modern Greek nation in 1830 undoes the interweaving of Enlightenment and Philhellenism, whose centrifugal strands continue to unravel the certainty of European history, down to the internal predicaments of the European Union or the tragedy of the Balkan conflicts.This 25th Anniversary edition of the book includes a new preface by the author in which he situates the book's original insights in retrospect against the newer developments in the social and political conditions of a now globalized world: the neocolonial resurgence of nationalism and racism, the failure of social democratic institutions, the crisis of sovereignty and citizenship, and the brutal conditions of stateless peoples.

"[Parrenas's] nuanced accounts and fresh analysis challenge the reader to think deeply, not just about the suffering of immigrant domestic workers and their families, but about the entire global system that creates such labor, and how that arrangement damages all women--even first-worlders. . . . Remarkable."--The Women's Review of Books"Offers rich and timely analysis to reveal the lives of migrant domestic workers in the shadow of globalization. . . . Brilliant feminist sociological scholarship with theoretical sophistication, emotional sensitivity, and political committment."--Work and Occupations

How can science be brought to connect with experience? This book addresses two of the most challenging problems facing contemporary neurobiology and cognitive science. Firstly, understanding how we unconsciously execute habitual actions as a result of neurological and cognitive processes that are not formal actions of conscious judgment but part of a habitual nexus of systematic self-organization. Secondly, attempting to create an ethics adequate to our present awareness that there is no such thing as a transcendental self, a stable subject or soul. The author combines researches in cognitive science and phenomenology with two representatives of what he calls the wisdom traditions: Confucianism and Buddhist epistemology.

As a wave of transitions from authoritarian rule swept across Latin America in the 1980's, the idea of "deepening democracy" emerged as a guiding principle of the political Left and social movements in much of the region. With its emphasis on grass-roots participation and popular empowerment, this idea gained force among social and political actors who sought to reconcile the Left's traditional commitment to radical change with its newfound respect for representative democracy. The vision of progressive democratic reform helped revive leftist parties whose revolutionary dreams had been crushed by military repression and whose traditional political and economic models had lost appeal with the world-wide crisis of communism.Through a comparative analysis of two very different cases, this book shows why the deepening of democracy proved so difficult to achieve in practice. Although the Chilean Left helped defeat a military dictator and form a new democratic regime in 1990, it faced great odds in promoting reforms because of the structural and institutional constraints bequeathed by the dictatorship. In Peru, a powerful leftist coalition with close links to social movements failed to build upon its success in municipal elections, and was ultimately undermined by political and economic crises that tore apart the Left's social networks.Deepening Democracy? suggests that the new project of the Left is heavily contingent on the organization of collective actors in civil society, a process that has been disrupted by the effects of economic crises, market liberalization, and electoral competition. The book sheds new theoretical light on the structural and institutional forces that have not only hampered the political success of the Left, but also limited the scope and quality of democratic practices in contemporary Latin America. Thus, it shifts scholarly attention from the conditions for democratic transition and consolidation in Latin America to the character and consequences of democratic rule.

This work explores significant physical aspects of the printed book in late imperial China to reconstruct the changing assumptions with which Chinese popular novels were originally read from the sixteenth through nineteenth centuries. It focuses on the previously neglected areas of book format, varieties of illustrations and their significance, and the theory and practice of reading illustrated narratives.The author first considers the physical book itself, as a vehicle for reading and as an object for visual enjoyment, tracing the development of the format commonly used for popular reading materials, the blockprinted book in sewn volumes with illustrations. He describes the technological progress that made book production efficient and economical by the middle of the sixteenth century, and makes extensive comparisons between the physical characteristics of novels and books of more artistically refined content.The focus of the study then shifts to the illustrations that accompanied virtually all printed materials during the period when popular fiction became common. They are found to consist of a range of conventional elements that are related to images in more refined arts, such as the paintings of the literati and the decorations produced by commercial artists. Close parallels in both content and pictorial motifs between these various levels of painting and book illustrations suggest a continuum of the arts on which the pictures in mass-produced fiction initially held a respectable position.The final chapters assert, from a theoretical perspective, the function of illustrations in narratives as a guide or a hindrance to reading. The author demonstrates the correspondencebetween the later decline of fiction illustrations and the growth in reading audiences, explaining this connection as a function of flagging interest in pictures -- which often interfere with, rather than promote, the visualization so essential to reading for pleasure in other cultures as well.Throughout, the author incorporates findings from the history of technology, new explorations in the development of commerce in cultural objects, recent research on the commercial arts, and the latest theories of reading for pleasure to situate -- and explain -- the numerous changes in popular literary trends during the last several centuries of imperial Chinese rule.