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Die vorherrschende Farbe in Orhan Pamuks neuem Fotobuch ist Orange. Wenn der Literaturnobelpreisträger die tägliche Schreibarbeit beendet hat, nimmt er seine Kamera und durchstreift die verschiedenen Viertel seiner Heimatstadt Istanbul. Häufig erkundet er die abgelegenen Gassen, in die sich keine Touristen verirren, Orte, die vernachlässigt und vergessen scheinen, in ein ganz bestimmtes Licht getaucht. Es ist das orange Licht von Straßenlampen und aus Häusern, das Orhan Pamuk so gut aus seiner Kindheit in Istanbul kennt. Doch das vertraute, warme Licht verschwindet. Moderne, billige Leuchtmittel haben Einzug gehalten und nachts leuchtet es zu- nehmend eisig-weiß aus den Fenstern. Die Lichter der Nacht haben sich so schleichend und beinahe unmerklich verändert wie die sozialen Strukturen der ganzen Stadt. Über Jahrzehnte hat Orhan Pamuk die nächtliche Stadtlandschaft fotografiert und so in seinen Bildern ein Istanbul bewahrt, das allmählich verschwindet.
Regardless of his sitter-whether family member or influential celebrity-Nadav Kander's portraiture shows what makes that particular individual human. His aim is to move beyond capturing an accurate likeness-to access the emotions within, the uncertainty, the shadow as much as the light, the complex sense of self that otherwise lays hidden. "Revealed and concealed, beauty and destruction, ease and disease, shame and shameless," explains Kander, "These paradoxes are essential to all my work and represent what is common to all my varied subject matter..." This collection, the first book dedicated his portraiture, shows the range and nuance of Kander's work.With his minimal and intuitive approach, Kander shows his interest in universal experience, which transcends the specificity of public persona or status. His enigmatic depictions of actors, artists, musicians, authors, sports icons and political leaders-from Barack Obama, John le Carré, Alexander McQueen, to Tracey Emin, Robert Plant and Prince Charles-are layered and penetrating, revealing unexpected moments of reverie and vulnerability.
This book is the latest of Anders Petersen's award-winning City Diaries, the first three of which are now out of print. Throughout his career Petersen has traveled extensively and documented life beyond the margins of polite society, a shadowy world of pleasure and sin including prostitutes, transvestites, alcoholics, nighttime lovers and adult conflict. Through his candid, empathetic yet somewhat detached eye, he discloses difficult realities such as drug addiction with a sense of bewilderment and currency. City Diary #4 shows Petersen's ongoing photographic engagement with the gritty and beautiful in life as it unfolds before him.
For some, life in Australia's outback is a life-long routine. This book explores life and work among the cattlemen of the Northern Territory in Australia. It is about men and women working intensely hard while seeking some kind of solitude and sense of space in the midst of harsh conditions.
Brings togeather a body of photographs which Robert Frank made in Paris in the early 1950's. The 80 photographs selected in this book suggest that Frank's experience of the new world had sharpened his eye for European urbanism.
Unlike many photographers who maintain a strict divide between their commercial and private work, the author has always combined the two. This book contains the photographs of author's life at and around his house in Suffolk: landscapes, portraits of family and friends.
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