Bøger udgivet af Sternberg Press

This book is the first overall presentation of Silberkuppe. Since it's founding in May 2008, Silberkuppe has become one of Berlin's most outstanding independent spaces for contemporary art. Dominic Eichler and Michel Ziegler run the space from a twenty-five square metre room in a former concierge's office. Over the last two years they have initiated around twenty projects including exhibitions, lectures, presentations, film screenings, concerts and performances, which together have involved more than fifty cultural producers with diverse interests and backgrounds, including contemporary artists, architects, actors, dancers, designers, musicians and writers. This catalogue comes as a result of the exhibition "Under One Umbrella" (2010) in Bergen Kunsthall, a project that was the culmination of a series of institutional group exhibitions in which Silberkuppe extended their practice out from their own micro-space. It takes the form of a "photographic report" documenting all of Silberkuppe's main exhibitions and events, as well as presenting several essays related to the projects.Co-published with Bergen KunsthallContributorsAnonymous, Endre Aalrust, Nairy Baghramian, Phyllida Barlow, basso, Dirk Bell, Gerry Bibby, Juliette Blightman, Kaucyila Brooke, Sabeth Buchmann, Anders Clausen, Maria Cruz, Alice Creischer, Enrico David, Etienne Descloux PE-P, Martin Ebner, Isa Genzken, Julian Göthe, Adrian Hermanides and Andrew Verster, Jennifer Higgie, Janette Laverrière, Matthew Lutz-Kinoy, Ryan McLaughlin, Motherland, Ariane Müller, Christian Philipp Müller, Sarah McCrory, Sean McNanney, Shahryar Nashat, Henrik Olesen, Kirsten Pieroth, Josephine Pryde, Rebecca Quaytman, Mathilde Rosier, André Rottmann, Andreas Siekmann, Nicolas Siepen, Starship, Oliver Tepel, Till by Turning, Danh Vo and Dr. Joseph Carrier, Stephen Willats, Susanne M. WinterlingTexts by Silberkuppe, Alice Creischer and Andreas Siekmann, Kaucyila Brooke, Vivian Rehberg, Jennifer Higgie, MAP magazine, Martin Ebner, basso, a.o.

Antje Majewski became best known through her series of photorealistic, figurative paintings, which grapple with existential questions like friendship, love, masquerade, and death. Her topics also revolve around the psychology of individuals in relation to society, history, and social norms. This comprehensive catalogue traces the many stages of her work, including paintings, photographs, videos, film, installation, and dance theatre.The art critic Dominic Eichler highlights the most important thematic threads in Majewski's oeuvre and shows "that in terms of thinking about the fantasy figures, performance, roles and costumes ..., the theoretical backdrop is informed by a progressive form of feminism. In particular, Judith Butler's thesis about the importance of performance and performativity in the construction of gender should be taken into account." The author Ingo Niermann claims that "whether (she) paints people in their everyday appearance or a staged one, she subordinates herself. Whatever can be seen stays with the people. They are the actual images whose real presentation is only a fleeting one." Curator Sebastian Cichocki contributes a fierce foray into the supernatural world of a psychic, while Majewski's conversation with art historian Tanja Widmann reveals some of the personal and philosophical concerns underlying her practice.Published on the occasion of Majewski's same-titled exhibition at the Salzburger Kunstverein, September 25 - November 30, 2008.

The seven most exciting hours... is an adventure novel based on a true story told in a televised interview by the notorious Danish filmmaker Lars von Trier. It describes seven hours in the life of Tibor Klaus Trier-Lars von Trier's father-from the moment that his wife goes into labor early in the morning until Lars is born.The setting is Copenhagen, dominated by a hospital that recalls von Trier's television series "The Kingdom." The plot is thick: Tibor arrives with his wife Margaret at the Maternity Ward of Mercy General Hospital, only to realize that he must return home to retrieve a forgotten mobile-his only link to a sister in distress. On the way, he stops to get gas and gets involved in a car robbery. A cancer takes root in his body. Back at home, he sneaks a peak at Margaret's e-mail and a great secret is revealed that makes him rush back to the hospital to kill her and her son. En route he crashes his new car and his body breaks into pieces and he loses his memory. Mercy General is haunted by a great ghost and the day is Armageddon when the ghost needs to challenge the living with an army of zombie children-all born within its walls. Who is this great ghost? What does Margaret hold in her body? Will Tibor survive his one day old cancer? All and more will be revealed...

"This is undoubtedly a moment marked by a serious interest in the actions America is taking on the world stage--actions that have been described as a cause for 'grave concern.' We do not attempt to authoritatively engage these concerns here nor do we wish to insinuate that elevated interest in America's cultural affairs is somehow unique to our present historical moment. We do, however, think that this sampling of discourse by and about a country's visual artists leads to insights about its politics and society not gained elsewhere. [...] At the very least, it gives a sense of what it is like to live in the United States today, and results in some inspired debate. We hope that this book serves not only as a valuable compendium of recent writing about contemporary art, but also as inspiration to seek further understanding of these 'Uncertain States.'" So Noah Horowitz and Brian Sholis note in the introduction to this unique compilation of writing around art and cultural politics in America since 2000. Published in collaboration with the Serpentine Gallery, London, and the Astrup Fearnley Museum of Modern Art, Oslo, as an addendum to the traveling exhibition Uncertain States of America, curated by Daniel Birnbaum, Gunnar Kvaran, and Hans Ulrich Obrist, the USA Reader was designed by Dexter Sinister. It is a thought-provoking collection that will become an important sourcebook on American culture at the start of the new millennium. ContributorsGiorgio Agamben, Dora Apel, Jack Bankowsky, David Barringer, Bernadette Corporation, John Bowe et al., Johanna Burton, Paul Chan, Critical Art Ensemble, Trisha Donnelly, Andrea Fraser, Isabelle Graw, Tim Griffin, Matthew Jesse Jackson, Chris Kraus, Miwon Kwon, Robert Morris, Molly Nesbit, Seth Price, Kymberly N. Pinder, Retort, Ralph Rugoff, Gregory Sholette, Julian Stallabrass, Kirk Varnedoe, Hamza Walker, and Matt Wolf