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Unemployed and frustrated in 1932, Addie Sumner stumbles across a scheme to get rich-or less poor-quickly. If she can just locate a lost painting by renowned but reclusive artist Armstrong Perzie, she'll be able to sell it for enough profit to make her money problems a distant memory. But once Addie and her friend, Zep Decker, find Perzie and learn of his tragic history, the search for the painting proves to be more challenging-and potentially more rewarding-than either of them had expected. Can Addie and Zep reunite a broken family and give the drunken old artist a renewed will to create, all while making a tidy profit for themselves? Addie Sumner is a witty, fast-paced ride that packs an unexpected emotional wallop.
As a self-styled press agent, the audacious Exlee Ellis makes it his business to know who's doing what, to whom, and why-so he can sell the juicy tidbits to the daily papers of Stout City, Iowa. It's a living, and as the Depression ravages the nation, that's no small thing. When Exlee comes up with a tantalizing story about the city's biggest employer-Pinwheel Coffee-Stout City Sun editor Deacon Lowe knows it might boost circulation and save the floundering paper from doom. But if the story turns out to be a scam-as Deacon fears-the Sun might never recover. It seems that someone is scheming, but who and why? A funny, charming story about life, love, and making the social scene in the 1930s Midwest, the third installment in Brett Perkins's delightful Stout City series mixes up a fizzy, intoxicating cocktail.
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