Bøger udgivet af Sybertooth Inc

Promoted from the rank of Acting Temporary Captain in a Royal Flying Corps training squadron to that of very temporary Lieutenant-Colonel in the Air Ministry, ace pilot Bartholomew Wolfe Bandy blots his copybook with an ill-considered speech, flies to Ireland by mistake, and is sent back to the chaos of the Western Front as a lieutenant with the 13th Bicycle Battalion (also known as "Captain Craig and the Forty Thieves"). Reclaimed by the newly-hatched RAF that had just been born on April Fools' Day, Bandy -- now a major -- survives Irish gun-runners, Bolshevik spies, and his honeymoon with only minor injuries and major embarrassment. "That's Me in the Middle" won Jack the second of his three Leacock Medals for Humour.

The Great War may be finished, but Bartholomew Bandy isn't. After not quite succeeding in defeating communism in Russia, he's returning to the New World when he meets shy, awkward Cissie Chaffington, whose first glimmerings of interest in aviation appear when she sends a cooked duck soaring through the ship's first-class dining room.More than just terminal embarrassment stands in the way of their happiness, however. Her father, for example, takes a violent dislike to Bandy - even before Bandy blows up Cyril Chaffington's hotel. And then who should turn up but the diminutive Dasha, the former Bolshevik (sort of) nurse whom Bandy married (sort of) in Russia, where she betrayed him (more or less) to the mercy (or lack thereof) of the Red Cavalry.Between sorting all of this out, carrying airmail, and trying to start his own aviation business while dodging flappers and bootleggers, Bandy hardly has time to be a silent movie star...This edition includes Banner's Headline, a radio play by Donald Jack published here for the first time. In it we discover what happens when Arthur Banner, a rocket scientist, gets passed over for promotion one too many times, and decides to resign to work on a project of his own.

Love, death, music, and persistent depressive disorder...Millennial artists navigate the ever-present past that shapes and drives them, searching for a road they can travel into a future together.With his thirties looming, failed botanist Lindsey Quinlan finds himself unemployed and facing up to the truth: he’s been going nowhere all his adult life, and the simmering background depression he’s fought for years is threatening to drown him and destroy the last and only good thing he has, his relationship with his boyfriend, aspiring rock star Thomas Smith Gorev. Even his dead brother Raleigh is nagging him to get help.Guitarist Thomas “Tank” Gorev is ready for the bigtime, if his band can just find that one missing element to propel them beyond their indie cult status, but his partner’s worsening mental state is a growing concern. He misplaced Lindsey moments after their very first kiss, and having found him again seven years later, isn’t about to let him go so easily a second time, but is that going to mean putting his career and his bandmates’ futures on hold to watch over a man sinking down into the dark?

A collection of nine steampunk stories drawn from the archives of the Etheric Explorers Club, a Victorian society dedicated to exploring the mysteries of the etheric realm... The visions of a Russian painter in fin-de-siècle Paris... a terrible weapon that almost no-one has survived... a confession within a confession... a crime from antiquity resurfacing -beneath- the Thames... a desperate search for a lost sister... a contemporary horror entwined with an ancient manuscript... an experiment gone wrong... a lost world which should have remained lost... and a night of dining, death, and romance.

In August of 1913, a young University of New Brunswick graduate set out for Germany to study music at the renowned Royal Leipzig Conservatory. Helen VanWart was a vivacious, optimistic girl, eager to experience all that Europe had to offer. Her weekly letters home to her family paint a portrait of Europe's last months of peace, a time that, for Helen, passed all too quickly in classes, lessons, and practice, practice, practice, interspersed with many concerts, operas, and trips to such places as Dresden, Switzerland, and Rome. Despite her daily hours of practice - often five or six - she kept up an active social life, and her letters bring to life her fellow-students and boarders in her Pension, and perhaps most significantly, "Mr. Lochhead", a Canadian chemistry student about whom she is unaccustomedly reticent! The future Mrs. Lochhead, indeed, was so immersed in her music and her friends that politics rarely impinged upon her letters. As with so many others in Europe and the British Empire, the outbreak of war appears to have taken her utterly by surprise. Helen's letters are living social history, a vibrant testament of a time now hard to imagine, the last year of "Edwardian" innocence, and a portrait of a world that, both musically and socially, had nothing backward-looking about it. The future lay ahead and it was going to be golden.

Something is cutting off Spohrville's communication with the outside world. The phones don't work. There's no radio, no TV -- no internet. Are eco-terrorists trying to shut down the Mars Relay satellite? That's what the government says, but Jordan and Helen and the sentient virtual supercomputer Cassandra don't believe a word of it. The town is overrun with "birdwatchers" who can't tell a hawk from a heron. Jordan's old enemy, Harvey Number Two of the spy agency Bureau 6, is sneaking around pretending to be a cop on holiday. And archaeologist Uncle William has dug up a very strange black rock while excavating an Acadian settlement. With no land-lines to the site of the dig and wireless communication impossible, Jordan and Helen have no back-up from Cassandra. They've taken on corrupt government agents and industrial spies before, but they've always had Cassandra behind them. It's the twenty-first century. The bad guys have night-vision goggles and interference triangulators. How did Jordan and Helen get stuck with a bunch of musket-toting historical re-enactors as their only allies?

Once there was a prince who set off on a quest for a magic sword. He ran into a bit of trouble with a sorcerer -- who didn't like trespassers -- and the sorcerer's wolf-headed guards.... Once there was a young woman who decided to run away from home.... Luckily for the prince, who was in her father's dungeon by then, she decided to rescue him first. Luckily for both of them, Torrie came along as well. Cossypha's father, a reclusive sorcerer, seems to have gone mad. He's done something truly horrible to the servants and, since becoming obsessed with a mysterious Great Spell, hardly even notices Cossy's existence. She's had enough of being treated like a child and forbidden to study sorcery, so when she discovers Prince Rufik in the dungeon, she decides to steal him. Rufik, though he doesn't like being forced to believe in magic, is on a quest for a legendary, dragon-slaying sword. His father's kingdom is being laid waste by a dragon and the Sword Wormbane may be their last hope. Among some of the creatures in the Wild Forest, there's a story that the sword was forged by a sorcerer long ago and hidden, against the day when it would be needed to save the kingdom of Erythroth. Torrie begins to suspect that the story of the sorcerer and the Sword Wormbane is bound up with his own past. Did his friend Wren foresee some terrible fate for him, or why didn't she ever tell him about the sword? Even if they survive the dragon, Torrie and Cossypha may still be bound by Torrie's promise to return to Mistglom Castle and set things right. And a mad sorcerer who can do ... that ... to his servants is not a man to trifle with.