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"For the first time, fish became our companions and a corner of many a Victorian parlour was given over to housing tiny fragments of their world enclosed in glass."The experience of seeing a fish swimming in a glass tank is one we take for granted now but in Victorian England this was a remarkable sight. People had simply not been able to see fish as they now could with the invention of the aquarium and everything that went with it.Goldfish in the Parlour looks at the boom in the building of public aquariums, as well as the craze for home aquariums and visiting the seaside, during the reign of Queen Victoria. Furthermore, this book considers how people see and meet animals and, importantly, in what institutions and in what contexts these encounters happen.John Simons uncovers the sweeping consequences of the Victorian obsession with marine animals by looking at naturalist Frank Buckland's Museum of Economic Fish Culture and the role of fish in the Victorian economy, the development of angling as a sport divided along class lines, the seeding of Empire with British fish and comparisons with aquarium building in Europe, USA and Australia.Goldfish in the Parlour interrogates the craze that took over Victorian England when aquariums "introduced" fish to parks, zoos and parlours.
Tiwi Textiles: Design, Making, Process tells the story of the innovative Tiwi Design centre on Bathurst Island in northern Australia, dedicated to the production of hand-printed fabrics featuring Indigenous designs, from the 1970s to today. Written by early art coordinator Diana Wood Conroy with oral testimony from senior Tiwi artist Bede Tungutalum, who established Tiwi Design in 1969 with fellow designer Giovanni Tipungwuti, the book traces the beginnings of the centre, and its subsequent place in the Tiwi community and Australian Indigenous culture more broadly. Bringing together many voices and images, especially those of little-known older artists of Paru and Wurrumiyanga (formerly Nguiu) on the Tiwi Islands and from the Indigenous literature, Tiwi Textiles features profiles of Tiwi artists, accounts of the development of new design processes, insights into Tiwi culture and language, and personal reflections on the significance of Tiwi Design, which is still proudly operating today.
Explores four mummies and three coffins from the Chau Chak Wing Museums Mummy Project, which has undertaken interdisciplinary research through a combination of scientific and Egyptological methods. - The mummies and coffins explored in the book are now on permanent display at the Chau Chak Wing Museum in Australias only dedicated Mummy Room. - These mummies constitute Australias most celebrated collection of Egyptian mummies, and are visited by over 100,000 people per year - There is significant demand in Australia and beyond for Egyptological research that is accessible to general audiences Speak my name so that I may live again was often written on the walls of Egyptian tombs, imploring visitors to speak the names of the dead and make offerings on their behalf. These acts of continued remembrance sustained the dead in the afterlife. Speak My Name: Investigating Egyptian Mummies explores the coffins and mummies of Meruah, Padiashaikhet, Horus and Mer-Neith-it-es, who lived in Egypt between 1200 BCE and 100 CE and whose mummies and/or coffins are now in the Chau Chak Wing Museum at the University of Sydney. A multidisciplinary team provides new insights into mummification and coffin manufacture in ancient Egypt through a combination of scientific and Egyptological methods, including CT imaging, skeletal analysis, radiocarbon dating, and digital modelling and illustration. Their discoveries illuminate the personhood of the individuals these mummies and coffins represent. Advances in technology allow us to respectfully learn about their daily lives, including nutrition, health and disease. Beautifully illustrated, Speak My Name demonstrates how science and archaeology work together to help us better understand the past. By studying the life and death of Meruah, Padiashaikhet, Horus and Mer-Neith-it-es, we speak their names again.
Eleanor Dark (1901-85) is one of Australia's most innovative 20th-century writers. Her extensive oeuvre includes ten novels published from the early 1930s to the late 1950s, and represents a significant engagement with global modernity from a unique position within settler culture. Yet Dark's contribution to 20th-century literature has been undervalued in the fields of both Australian literary studies and world literature. Although two biographies have been written about her life, there has been no book-length critical study of her writing published since 1976.Middlebrow Modernism counters this neglect by providing the first full-length critical survey of Eleanor Dark's writing to be published in over four decades. Focusing on the fiction that Dark produced during the interwar years and reading this in the context of her larger body of work, this book positions Dark's writing as important to the study of Australian literature and global modernism.Melinda Cooper argues that Dark's fiction exhibits a distinctive aesthetic of middlebrow modernism, which blends attributes of literary modernism with popular fiction. It seeks to mediate and reconcile apparent binaries: modernism and mass culture; liberal humanism and experimental aesthetics; settler society and international modernity. The term middlebrow modernism also captures the way Dark negotiated cosmopolitan commitments with more place-based attachments to nation and local community within the mid-20th century. Middlebrow Modernism posits that Dark's fiction and the broader phenomenon of Australian modernism offer essential case studies for larger debates operating within global modernist and world literature studies, providing perspectives these fields might otherwise miss.
Who keeps telling smokers they can't quit without help?For decades there have been far more ex-smokers than smokers, and an estimated 75% of smokers quit without drugs or professional help.But smoking cessation is a global phenomenon serviced by multibillion-dollar industries, including the pharmaceutical and e-cigarette sectors and health professionals. These industries try to denigrate unassisted cessation and promote their products and services - "weapons of mass distraction" - as essential to successful quitting.This contributes to the medicalisation of a process that, before these products were available, had a natural history where drugs and expertise were absent, yet millions of people around the world still quit.Simon Chapman AO is one of Australia's foremost experts on strategies to minimise harm from tobacco. In Quit Smoking Weapons of Mass Distraction, he reviews the early history of quitting smoking and the rise of assisted quitting, and gives insight into the forces that have tried to undermine smokers' agency to stop. Chapman also provides actionable policy solutions to help people actually quit smoking.
A fire kindling. The energy of industry. Sparks combines all this and more, through stories, poems, essays and photographs by twenty-six new writers and artists.
Australian Animal Law: Context and Critique provides comprehensive information about the legal and regulatory framework governing the interaction between humans and animals.By relating specific content areas to the discipline's broader characteristics and themes, researcher Elizabeth Ellis exposes the systemic nature of current problems and the consequent need for significant change. This book also illustrates the role of official animal protection narratives in legitimising the existing system despite the many factual flaws they contain.Ellis covers the major areas of animal law in detail, incorporating accessible contextual material and allowing readers to consolidate their understanding and build upon their knowledge. Key areas include the concept of unnecessary animal suffering, the effective exemption of most animals from the operation of cruelty laws, regulatory conflicts of interest, the hidden nature of animal use and the lack of transparency in animal law.Australian Animal Law is an essential resource, inviting reflection on the way the law helps to construct the relationship between human and non-human animals, including through its silences and omissions.
Made in Chinatown delves into a little-known aspect of Australia's past: its hundreds of Chinese furniture factories. These businesses thrived in the post-goldrush era, becoming an important economic activity for Chinese immigrants and their descendants and a vital part of Australia's furniture industry. Yet, owing to an exclusionary vision for Australia as a bastion of 'white' industry and labour, these factories were targeted by anti-Chinese political campaigns and legislative restrictions. Guided by Chinese manufacturers' and workers' own reflections and records, this book examines how these factories operated under the exclusionary vision of White Australia.Historian Peter Gibson uses previously untapped archival sources to investigate the local and international factors that boosted the industry, and the business and labour practices associated with factory operation. He explores the strategies employed in efforts to resist injustice, and the place of Chinese furniture factories within the contexts of Australian enterprise, work and consumerism more broadly. Made in Chinatown argues that Chinese Australian furniture manufacturers and their employees were far more adaptable, and the White Australia vision less pervasive, than most histories would suggest.
Since its publication in 1903, Joseph Furphy's Such is Life has become established as an Australian classic. But which version of the novel is the authoritative text, and what does its history reveal about Australian cultural life?From Furphy's handwritten manuscript through numerous editions, a controversial abridgement for the British market (condemned by A.D. Hope as a "mutilation"), and periods of obscurity and rediscovery, the text has been reshaped and repackaged by many hands. Furphy's first editors at the Bulletin diluted his socialist message and "corrected" his Australian slang to create a more marketable book. Later, literary players including Vance and Nettie Palmer, Miles Franklin, Kate Baker and Angus & Robertson all took an interest in how Furphy's work should be published.In a fascinating piece of literary detective work, Osborne traces the book's journey and shows how economic and cultural forces helped to shape the novel we read today.
The Transition to Retirement program describes how people with mental or physical disabilities can transition more easily from their working lives to a successful retirement.
This book demystifies many of the practices of academic writing for students in an Australian university. It covers the major types of academic texts and guides students through carefully annotated examples. These are supported by a broad selection of strategies and easy-to-follow practical activities.
Drilling down through layers of theory, policy and politics, Amanda Walsh surveys how globalisation has played out in regional Australia.
In Ambivalent Macbeth,renowned Shakespeare scholar R.S. White explores how radical ambivalence permeates the atmosphere,imagery, themes and characterisation of 'the Scottish play'. Heconsiders Shakespeare's historical context and source material, andexamines key cinematic, theatrical and other adaptations of the play.
The natural resources of New Guinea and nearby islands have attracted hunters, traders and collectors for generations. Among the most sought-after items of the twentieth century was the bird of paradise: their magnificent plumes bedecked women's hats and provided regalia for kings and military men.
Using archaeological fieldwork, detailed analysis of satellite images, and Google Earth, David Thomas reassesses the Ghurids and generates a more nuanced understanding of this early Islamic polity.
One of the giants of Australian literature and the only Australian writer to have won the Nobel Prize for Literature, Patrick White received less acclaim when he turned his hand to playwriting.In Patrick White's Theatre, Denise Varney offers a new analysis of White's eight published plays, discussing how they have been staged and received over a period of 60 years. From the sensational rejection of The Ham Funeral by the Adelaide Festival in 1962 to 21st-century revivals incorporating digital technology, these productions and their reception illustrate the major shifts that have taken place in Australian theatre over time. Varney unpacks White's complex and unique theatrical imagination, the social issues that preoccupied him as a playwright, and his place in the wider Australian modernist and theatrical traditions.
Though many works on the achievements of Chinese people exist, women rarely feature. This volume contains over 300 biographies of Chinese women including foreigners with significance in China. The book features revolutionaries, activists, novelists, poets, scientists, lawyers and many other significant women of the twentieth century.
COUNT YOUR DEAD is the first novel written about the Vietnam War by a professional soldier. John Rowe served in Vietnam as an Australian Major attached to the 173rd US Airborne Brigade and as a Senior Intelligence Officer for the Australian Task Force. A fictional story with drama, violence, strong characters and poignant moments.
Game drives of the Aralo-Caspian region is a translated and revised edition of Yagodin's Strelovidnye Planirovki Ustyurta, originally published in Tashkent in 1991. Based on extensive fieldwork, the volume investigates arrow-shaped structures used for hunting in remote areas of Central Asia between the seventh and 14th centuries AD.
"Do not be fooled, if we write we are writers. Simple as that. Our styles, purposes and viewpoints may be different but we are all writers. We do not need qualifications, we simply need a story to tel
A year after its 2008 resurrection from the archives, ARNA is back to stimulate and literate with analytical essays of depth and insight, creative stories of humour and intelligence, poetry of loss an
Playing in the bush is an engaging account of the ways the national parks of New South Wales have been used over the past 130 years. Researched and written by seven young historians from the University of Sydney, the book weaves together stories of diverse experiences in our national parks
Australia and the World celebrates the pioneering role of Neville Meaney in the formation and development of foreign relations history in Australia and his profound influence on its study, teaching and application.
As a poet, editor and author, Richard Appleton was driven by a love of language and ideas, and a desire that Australians might better understand their country and themselves.
John Shaw Neilson (1872-1942) is Australia's great lyric poet. A new introduction by Dr Helen Hewson explores some of the influences which have shaped Neilson's poetry.
Ecologies of Invention is the first collection of essays that brings together writers and scholars of international standing from the University of Sydney and beyond to examine assumptions underlying notions of inventiveness.
The essays in Australia and the Wider World bring together a lasting contribution to the story of Australia and the history of ideas in this country.Since the 1960s Neville Meaney has been asking
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