Bøger udgivet af Syracuse University Press

Gertrude Bell lived an extraordinary life. Her adventures are the stuff of novels. Bell numbered among her friends T.E. Lawrence, St. John Philby, and Arabian sheiks. In this volume of three of her notebooks, Rosemary O'Brien preserves Bell's elegant prose, and presents her as a brilliant tactician fearlessly confronting her own vulnerability.

This study emphasizes the pattern of literary change in Iran, as it focuses on the relationship between the constructive elements of literary creativity, literary movement, ideology, and metaphorical language of modern Persian authors.

A narrative of a Buddhist nun's training and spiritual awakening. In this book, the author relays the challenges a new ordinand faces in adapting to Buddhist monastic life: the spicy food, the rigorous daily schedule, the distinctive clothes and undergarments, and the misunderstandings inevitable between a French woman and her Korean colleagues.

This volume presents a cultural record of the Jewish folk music of Eastern Europe, through the eyes of ethnomusicologist, Moshe Beregovski. It includes contextual responses to Jewish folk music, essays on musical influences, and notes and lyrics of nearly 300 folk songs.

The Pulse of Contemporary Turkish offers a unique glimpse into the vibrant world of Turkish poetry, featuring 172 poems by more than 60 poets, most of whom are still active today. From neo-lyrical verses to avant-garde experiments, this anthology reflects the rich tapestry of voices emerging from Turkey's literary scene. With a balanced representation of gender, sexual orientation, and ethnicity, this collection brings together works from poets associated with 25 different publishing houses, including both major literary institutions and smaller presses nurturing fresh talent. Oxford Turkologist Laurent Mignon provides the foreword, complemented by two introductory essays that contextualize the sociopolitical climate and literary trends shaping Turkish poetry in the new millennium and highlight key events, journals, and manifestos that have influenced the art form.

"This book contains close readings of ten Israeli novels, exploring how issues of loss and grief, vengeance, and defeat are reflected in fiction"--

This is the first major book to explore uniquely Haudenosaunee (Iroquois), and specifically Oneida, components in the Native American oral narrative as it existed around 1900. Drawn largely from early twentieth-century journals by non-Indigenous scholar Hope Emily Allen, much of which was published in Oneida Iroquois Folklore, Myth, and History for the first time.Even as he studies time-honored themes and such stories as the Haudenosaunee account of creation, Anthony Wonderley breaks new ground examining links between legend, history, and everyday life. He pointedly questions how oral traditions are born and develop. Uncovering tales told over the course of 400 years, Wonderley further defines and considers endurance and sequence in oral narratives.. Finally, possible links between Oneida folklore and material culture are explored in discussions of craft works and archaeological artifacts of cultural and symbolic importance. Arguably the most complete study of its kind, the book will appeal to a wide range of professional disciplines from anthropology, history, and folklore to religion and Native American studies.

Salt Journals is a compelling collection of essays by Tunisian women, sharing their personal experiences with dictatorship and oppression. While rooted in the history and culture of Tunisia, these narratives reflect universal feelings of isolation, pain, and the indomitable quest for freedom. Drawn from a variety of different professions, including a lawyer, an engineer, a nurse, a student, and a city council member, among others, these women are contesting the culture of silence surrounding women's prison narratives. Employing words as their weapons of nonviolent resistance, the authors recount the harsh realities of a militarized state and its oppressive prison system. Their creative defiance against state repression emerges not just as a means of survival, but as a profound act of dissidence, reclaiming control from the brutality imposed upon their lives. A testament to the power of self-representation, Salt Journals opens a vital space for dialogue on the necessity of empathy, resilience, and the importance of speaking out in the face of tyranny.

Issues of sexuality in the Middle East and North Africa have served as a lightning rod for international discussions surrounding the treatment of those who identify as LGBTQ+, sexual and reproductive health, and the prevention of sexual violence. While a growing body of scholarship and internal advocacy groups have brought more open dialogue within the MENA region, this volume is the first of its kind to provide critical insights and academic analysis into a broad range of complex and controversial issues dealing with sexuality. Spanning a wide array of countries from Algeria to Yemen, Egypt, Iran, Israel, and Saudi Arabia, this volume offers a comprehensive regional analysis that transcends the limitations of country-specific studies. Three themes guide the volume's organization: sexual politics, rights, and movements; gender and sexual minorities; and sexual health, identity, and well-being. Drawing on contemporary scholarship and ethnographic fieldwork, the contributors shed light on the ways in which sexuality is a foundational element of national and regional discourses, serves as a political tool for marking difference, and has the possibility to enlighten, restrict, liberate, or oppress the millions of individuals living in the region. This volume is essential reading for scholars, policymakers, and anyone interested in the intersection of sexuality, identity, and human rights in the Middle East and North Africa.

Originally published in 2020, Hassouna Mosbahi's riveting novel explores the human psyche amidst the turbulent aftermath of the Arab Spring in Tunisia. Through the experiences of three friends, Mosbahi narrates the profound impact of violence and cultural change in Tunisian society and the ways in which those shifts are reflected in their personal lives. We meet Saleem, on the brink of turning fifty, whose once blissful marriage teeters on the edge as his mental health deteriorates. Aziz, a retired postal clerk with an unassuming appearance, finds solace in literature and international cinema. And Omran, a well-traveled writer and public intellectual, navigates a complex relationship with a young Franco-Tunisian woman who lives in Paris. As these men forge an unlikely friendship over drinks at a coastal bar in Bizerte, and through long walks along the beach, they grapple with the increasing political extremism that surrounds them. Repelled by the Jihadist rhetoric and the brand of masculinity it represents, the three friends question their relationship to their country, which is both their home and a place they feel alienated from. We Never Swim in the Same River Twice offers an alternative narrative of the Arab Spring, one that challenges Western media's depiction of a "blessed revolution," and gives readers an intimate and elegiac portrait of Tunisian history.

As a young man in interwar Warsaw, newspaperman Ber Kutscher threw himself into the city's vibrant Jewish arts and culture scene from the headquarters of the Association of Jewish Writers and Journalists at Tlomkatse 13. In Once There Was Warsaw, Kutsher's achingly human depictions of writers, cabbies, artists, neighbors, and more are translated from the Yiddish into English for the first time, painting a tangible portrait of a moment in Polish history too quickly buried by the horrors of World War II. Kutsher viewed his memoir, originally published in 1955 after witnessing the devastation of his home and relocating to France, as something of a holy mission, an opportunity to present the lives of the people who brought Warsaw to life while still making room to mourn the past. Written with humor, heart, and a deeply felt grief, Once There Was Warsaw is a complex and layered portrayal of a city and its people and the pain in remembering just how much was lost in its absence.

Edith Wharton's The Decoration of Houses (1897), co-written with the architect Ogden Codman Jr., brought transatlantic fame to a writer best known as a chronicler of Gilded Age New York. In their decorating guidebook, Wharton and Codman, who collaborated on the design of the author's Massachusetts home, The Mount, advocated for simple but classically informed choices that resonate profoundly today. The book crystallizes what Wharton found to be troubling in Americans' enthusiasm for ostentation at the turn of the twentieth century-the late Victorian equivalent of the modern "McMansion."This annotated edition includes a comprehensive introduction that provides relevant biographical information on Wharton, as well as her literary work and how her perspectives on homeownership and décor informed her writing. The reproduction of the book's original illustrations alongside new annotations allows readers to visualize how Wharton's aesthetic preferences informed her writing, life, and charitable works. Valuable to Wharton scholars as well as students of design, The Decoration of Houses presents a definitive look at the tastes of a literary icon.

Celebrated Iranian novelist Ghazeleh Alizadeh's The House of the Edrisis is a novel deeply rooted in historical and cultural significance inviting readers into a world of revolution, power, and societal transformation. The story revolves around a once-affluent aristocratic family and their majestic house, a decaying and melancholy backdrop for the unfolding drama among a colorful cast of disgraced family members and disillusioned revolutionaries. Set in Central Asia, Alizadeh's story cleverly parallels the Islamic Revolution in Iran and offers an intimate portrait of both young ideologues-turned-tyrants and jaded women whose hope for change slowly fades. With a sardonic tone and elements of black comedy and farce, The House of the Edrisis offers an engrossing reflection on a turbulent history and the enduring spirit of men and women living through it.

As universities rethink their approach to student and faculty mental health, Mad Scholar showcases academics who proudly embrace the label of the "mad scholar." In twenty-three essays from contributors working in nearly a dozen disciplines across three continents, the volume explores the infinite richness of neurodivergent scholars' lived experiences, centering their stories in opposition to hegemonic sanism and ableism in the academy. These essays, valuable to any "mad scholar" at any point in their career, highlight the challenges of simply existing within the traditional university model as well as showcase celebrations of community building, self-identification, and connection with students. A corrective for neurodivergent scholars too used to having their experiences and stories told for them, this collection examines how a more open-minded administrative approach to academics who identify at the intersection of various marginalized identities would be a boon both to students and faculty. The essays provide an opportunity to envision a more hopeful, inclusive, and optimistic view of university culture and pedagogy, while offering concrete steps and strategies that radically reimagine the current landscape. Mad Scholars boldly dreams of a better future for anyone who claims the label, seeking to find fellowship, accommodation, and acceptance both within and outside of academia.

Celebrating the creativity of the African American poet, this volume contains over 200 pieces by some of the best poets of the last decade. These span the entire range of African American experience in tanka and sonnets, in the oral tradition, and in lyrics that echo of jazz, hip hop and rap.

"On March 27, 1933, representatives from across the American religious spectrum came to Madison Square Garden, united in a shared purpose to speak out against the rise of fascism in Germany and Adolph Hitler's seizure of power. This rally-the first of several held at the Garden before, during, and after World War II-represents an unexplored moment of Jewish and Christian relations. This work shines a light on these pivotal rallies, and unearths the united religious front in the face of the horror of Nazism. It traces the impact of these rallies through the years, and draws a clear line to the partnership between Christian and Jewish Zionists and the rhetorical use of "Judeo-Christian values.""--

Covering a range of critical subjects, the essays in Jerusalem: A City and Its Future address practical issues of concern and offer possible solutions for peace in Jerusalem. The perspectives are unique and many have never been published for a wider audience. Contributors consider aspects of the "politics of religion"--an issue rarely explored objectively in existing literature--as well as issues of law and politics, law and religion, the TempleMount, and law and governance.

Reflects the rise of literature in modern-day Israel and the problematic reception of literature in America and within the American Jewish community. Israeli literature provides a unique lens for viewing th inner dynamics of this small but critically important society. In addition, its leading writers such as S. Y. Agnon, Yehuda Amichai, Amos Oz, and A. B. Yehoshua, among others, are recognized internationally as major world literary figures. Despite this international recognition, the rich literarytradition of Israeli literature has failed to reverberate and find significant readership or a following in America even among the American Jewish community. Alan L. Mintz traces the reception of Israeli literature in America from the 1970s to the present. He analyzes the influences that have shaped modern Israeli literature and reflects on the cultural differences that have impeded American and American Jewish appreciation of Israeli authors. Mintz then turns his attention to specific writers, examining their reception or lack thereof in America and places them within the emerging unfolding critical dialogue between the Israeli and American literary culture.

Explores poetry, critical essays, personal narrative, dialogue, and political speech of diverse ethnic groups in America's history. This anthology - the first of its kind - considers the poetry, critical analysis of literature and language, personal narrative, dialogue and political speech by African American, Asian American, and European American authors. Racing and (E)Racing explores geners in American literature from the 1850s through the 1990s - from work songs to poetry; from fiction to theater. This book sheds light on many kinds of American language and throws into relief the written word as a shifting common ground - a charged and unpredictable space - where different voices, ethnic groups, and classes exert different kinds and varying degrees of influence on one another.

Maintaining that the memoir requires a more personal relationship with its readers and critics, Janet Mason Ellerby calls for "intimate readings." She begins this work with her own memoir, narrating a long-held secret-her pregnancy at age sixteen, her life in the Florence Crittendon Home for Unwed Mothers, and the birth and adoption of her first daughter. She goes on to tell about the aftermath of this pivotal time in and the painful consequences of keeping a secret. Included are detailed analyses of more than a dozen contemporary memoirs by American women, all of which share a common purpose: the disclosure of secrets. Ellerby describes the costs of this secrecy and explores the possibilities of breaking intractable codes of silence. It is a study that is germane to the intellectual and e otionallives of all women. This book is the first serious exploration of a genre that has gained acceptance with an expanding audience of readers. Ellerby maintains that the efforts of memoirists to plumb their painful pasts has cultural significance and precipitates important social work. The memoir joins fiction and autobiography as an important commentary onmodem life.

In this deftly turned story, author Frances Khirallah Noble presents a story that is at once sublimely comic yet surprisingly erudite in the subjects it tackles. Its hero, Kahlil Gibran Hourani, is an ordinary, in fact rather bumbling, middle-aged Syrian American optician. On the eve of his fifty-third birthday Kali finds himself confronting seminal questions. "I face the last third of my life, he reflects, "and I don't know what to do with myself. Every day I ask how should I be living now? What should I do with the end in sight? Can I come to terms with it?" Enter his dead grandmother, the wisely sardonic Situe. Although she appears in a dream at first and reappears at whim, Situe's presence will turn Kali's life upside down. Through a series of misadventures Kali is abducted and wrongly suspected of being a terrorist by apparent rogue government agents. His darkly absurd experiences force Kali to question his own perceptions, inviting the reader to do the same. Part myth, part magical realism, always knowing, the book offers a biting critique on issues of race, constitutional rights, and the realities of Arab American life in a post 9/11 world.

A comprehensive investigation into the nature of strategic cooperation in autocracies.

Resistance and activism in the shadow of the Lebanese Civil War.

A critical edition of Playboy of the Western World-A New Version along with commentary from leading scholars in the field.