Bøger udgivet af Syracuse University Press

Focusing on themes of feminism, gender identity, and mental health, contributors explore the ways in which the CW dramedy Crazy Ex-Girlfriend challenged viewer expectations, as well as the role television critics play in identifying a show's ""authenticity"" or quality.

Investigates why writers during the long eighteenth-century so often turned to the rogue narrative to discuss Ireland. With consideration for themes of conflict, migration, religion, and gender, Lines offers up a compelling connection between the rogue themselves and the ever-popular rogue narrative in this early period of Irish writing.

Invites readers to explore the daunting and often unsung work of literary translators. With wry humour and an engaging conversational style, Sellin shares his insight on the art and science of translation, including the many nuanced solutions he's developed for some of the more sensitive problems that frustrate translators of formal poetry.

Despite their significant contributions, women are largely absent from studies on the Iran-Iraq war. Drawing on primary sources such as memoirs, wills, interviews, print media coverage, and oral histories, Farzaneh chronicles in copious detail women's participation on the battlefield, in the household, and everywhere in between.

Shahrokh Meskoob was one of Iran's leading intellectuals and a preeminent scholar of Persian literary traditions, language, and cultural identity. In The Ant's Gift, Meskoob applies his insight and considerable analytical skills to the Shahnameh, the national epic of Iran completed in 1010 by the poet Abul-Qusem Ferdowsi.

In his Cullercoats paintings, Winslow Homer took as his main subject the lives and labours of the village's women and their strong sense of community. These paintings display his masterly uses of watercolor. The Cullercoats paintings show Homer in a new light, and Tatham's revelatory account provides the long-overdue attention they deserve.

The collected essays in this volume capture the history and significance of Arab American women, addressing issues of migration, transformation, and reformation as these women invented occupations, politics, philosophies, scholarship, literature, arts, and, ultimately, themselves.

Tells the story of the Palestinian citrus industry from its inception until 1950, tracing the shifting relationship between Palestinian Arabs and Zionist Jews. Kabha and Karlinsky portray the industry's social fabric, detail its economic history, and analyse the conditions that enabled the formation of a unique binational organisation.

In 1928, Hilton Edwards and Micheal mac Liammoir founded the Dublin Gate Theatre. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate became a site of avant-garde nationalism in the Ireland's tumultuous first post-independence decades.

When celebrated mahjar writer Ameen Rihani returned to his native Lebanon from his long stay in New York, he set out on nine journeys through the Lebanese countryside, from the rising mountains to the shores of the Mediterranean, to experience and document the land in intimate detail.

Buffalo's 1977 blizzard, the first snowstorm to be declared a disaster in US history, came after a century of automobility, suburbanization, and snow removal guidelines. Kneeland offers a compelling examination of whether the 1977 storm was an anomaly or the inevitable outcome of years of city planning.

Considered one of Morocco's most important contemporary writers, Muhammad Zafzaf created stories of alterity, compassionate tales inhabited by prostitutes, thieves, and addicts living in the margins of society. In The Elusive Fox, Zafzaf's first novel to be translated into English, a young teacher visits the coastal city of Essaouira in the 1960s. There he meets a group of European bohemians and local Moroccans and is exposed to the grittier side of society.More than a novel, The Elusive Fox is a portrait of a city during a time of fluidcultural and political mores in Morocco.

Although decades of scholarship have critiqued traditional binaries of developed and undeveloped in Arab studies, the narrative of 1798 symbolizing the coming of the modern west to the rescue of the static east endures. This book takes stock of this dominant paradigm, interrogating its origins and the ways in which scholarship perpetuates it.

Offering a fresh perspective, this volume traces the rich history of the Irish American diaspora press, uncovering the ways in which a lively print culture forged significant cultural, political, and even economic bonds between the Irish living in America and the Irish living in Ireland.

Examines spor meraki as an object of desire shared by a broad and diverse group of Istanbulite women. Sehlikoglu follows the latest anthropological scholarship that defines desire beyond the moment it is felt, experienced, or even yearned for, and as something that is formed through a series of social and historical makings.

The Hudson Review has always had an international focus. Travel and reports from abroad have figured prominently in the journal. Places Lost and Found is a treasury of distinctive and compelling essays selected from six decades of the Hudson Review.

Offering a fresh perspective, this volume traces the rich history of the Irish American diaspora press, uncovering the ways in which a lively print culture forged significant cultural, political, and even economic bonds between the Irish living in America and the Irish living in Ireland.

Irish crime fiction, long present on international bestseller lists, has been knocking on the door of the academy for a decade. With a wide range of scholars addressing some of the most essential Irish detective writing, Guilt Rules All confirms that this genre has arrived.

Situated in the fields of contemporary literary and cultural studies, the ten essays collected in Generations of Dissent shed light on the artistic creativity, cultural production, intellectual movements, and acts of political dissidence across the Middle East and North Africa.

Contrary to the prevailing opinion that autocratic parliaments are meaningless, token institutions, Weipert-Fenner's long-term analysis shows that parliament can be an indicator, catalyst, and agent of change in an authoritarian regime.

In Egypt, something that fails to live up to its advertised expectations is often called a watermelon. The political transition in Egypt after protests overthrew Husni Mubarak is one such watermelon. Stacher examines the uprising and its aftermath to show how the country's new ruling incumbents deferred the democratic dreams of the people of Egypt.

After the 1979 Islamic Revolution, constitutionalist leaders represented a diverse composite of beliefs, yet they all shared a similar vision of a new Iran, one that included far-reaching modernizing reforms. Mangol Bayat provides a much-needed detailed analysis of this historic episode.

Explores the art and influences of eleven artists who enlarged the parameters of Jewish American art through their varied approaches to subject matter, to feminist concerns, and to finding contemporary relevance in the ancient texts. Along with detailed essays on each artist, the book includes nearly one hundred stunning illustrations.

Irish crime fiction, long present on international bestseller lists, has been knocking on the door of the academy for a decade. With a wide range of scholars addressing some of the most essential Irish detective writing, Guilt Rules All confirms that this genre has arrived.

The first book of its kind, Literary Drowning explores depictions of the drowned body in twentieth-century Irish and Caribbean postcolonial literature, uncovering a complex transatlantic conversation that reconsiders memory, forgetfulness, and the role that each plays in the making of the postcolonial subject and nation.

Situated in the fields of contemporary literary and cultural studies, the ten essays collected in Generations of Dissent shed light on the artistic creativity, cultural production, intellectual movements, and acts of political dissidence across the Middle East and North Africa.

In this innovative volume, Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted.

Set in late nineteenth-century Benghazi, Najwa Bin Shatwan's powerful novel tells the story of Atiqa, the daughter of a slave woman and her white master. Shortlisted for the 2017 International Prize for Arabic Ficiton, Bin Shatwan's unforgettable novel offers a window into a dark chapter of Libyan history.

The Hudson Review has always had an international focus. Travel and reports from abroad have figured prominently in the journal. Places Lost and Found is a treasury of distinctive and compelling essays selected from six decades of the Hudson Review.

Quietly transformative, Reservoir Year encourages readers to find their own ways to unplug and slow down, reconnecting with nature, reviving old passions and sparking some new ones along the path.