Bøger udgivet af The Indigo Press

Should we become parents? This question forces us to reckon with what we love and fear most in ourselves, in our relationships, and in the world. When journalist Gina Rushton considered this decision, the choice was less straightforward than she had assumed. Rushton wrote the book needed to transform the discourse around the parenthood dilemma.

In Kyle Theory, cartoonist Lily O'Farrell addresses the pressing issues of the day through hilarious and relatable cartoons, from #metoo and the patriarchy, to racism, internet culture and how to deal with trolls. Feminism is for everybody, and so is this book.

In 1970s Switzerland, high up in the Valais mountains, is a village where everyone knows everything, and no one says anything. Jeanne learns from an early age to dodge her father's abuse, but her mother and sister resign themselves to his brutality. One day when she is eight he attacks her viciously, angered by her self-assurance. Convinced that the village doctor will put an end to their nightmare, she is shocked by his silence. From then on, Jeanne's hatred of her father and her disgust at the doctor's cowardice drive her on. At boarding school she experiences five years of respite, but is then triggered by an unbearable replica of the violence that started it all. Moving to Lausanne, unable to come to terms with her past and to engage fully with life, she nevertheless finds solace in the arms of lovers and in the waters of Lake Geneva, while further tragedy fuels her rage. My Favourite is a powerful novel about departure and return, of love, guilt and shame, and the paralysing effects of trauma. Sarah JollienFardel forcefully describes the price to be paid for Jeanne's hard-won emancipation, as history inexorably repeats itself.

Suzanne Joinson grew up in a 1980s council estate in Crewe, where her parents were followers of The Divine Light Mission cult. This clash of class and counterculture destroyed her family, leaving a legacy of turmoil and poverty.

Nashquitten, Massachusetts, is a coastal enclave that not even tourist season can revive, full of locals who have run the town's industries for generations. When a young woman dies at a house party, the circumstances around her death suspiciously unclear, the tight-knit community is shaken. As a mother grieves her daughter, a teacher her student, a best friend her confidante, the events around the tragedy become a lightning rod: blame is cast, secrets are buried deeper. Some are left to pick up the pieces, while others turn their backs, and all the while, a truth about that dreadful night begins to emerge. Told through the eyes of ten local women, Alina Grabowski's Women and Children First is an exquisite portrait of grief and a powerful reminder of life's interconnectedness. Touching on womanhood, class, sexuality, ambition, disappointment, and tragedy, this novel is a stunning rendering of love and loss, and a bracing lesson from a phenomenal new literary talent.

Marianne is eight years old when her mother goes missing. Left behind with her baby brother and grieving father in a ramshackle house on the edge of a small village, she clings to the fragmented memories of her mother's love; the smell of fresh herbs, the games they played, and the songs and stories of her childhood. As time passes, Marianne struggles to adjust, fixated on her mother's disappearance and the secrets she's sure her father is keeping from her. Discovering a medieval poem called Pearl and trusting in its promise of consolation, Marianne sets out to make a visual illustration of it, a task that she returns to over and over but somehow never manages to complete. Tormented by an unmarked gravestone in an abandoned chapel and the tidal pull of the river, her childhood home begins to crumble as the past leads her down a path of self-destruction. But can art heal Marianne? And will her own future as a mother help her find peace?

Can an eleven-year-old boy succeed where others have failed? Can he recover a kidnapped child, disprove a false accusation of assault or win a sleep-deprivation competition that has driven others mad with tragic consequences? He can, if he is accompanied by a black rooster, his protector and friend. And if he is Martin, orphaned after a massacre, full of wisdom, courage and a pure heart. Too good for the selfish and idiotic villagers around him, his integrity entrances an itinerant painter with whom he departs on a quest. His heroic adventures through a morally abhorrent landscape, physically ravaged by war and famine, keep the reader cheering for him and his companion as this fairy tale for adults unfolds. Set against a pseudo-medieval post-apocalyptic backdrop reminiscent of Cormac McCarthy, Angela Carter and Missouri Williams, this novel shines with the inner radiance of good deed in a naughty world that will leave you haunted, horrified, and completely riveted.

To escape an overprotective family and an abusive partner, a young lawyer accepts an assignment in the Amazonian border town of Cruzeiro do Sul. There, she meets Carla, a local prosecutor, and Marcos, the son of an indigenous woman, and learns about an epidemic of violence against women that seems beyond comprehension. What she finds in the jungle is not only relentless oppression, but a deep longing for answers to an unsolved crime from her past. Through the ritual use of ayahuasca, she meets a chorus of warrior women on a path of revenge and recovers the painful details of her mother''s death. The Simple Art of Killing a Woman is a psychological trip with a twist. It''s about the strength of individuals in the face of overwhelming violence, the problem of femicide in Brazil, and the haunting of a cold case.

An extraordinary memoir of anticipatory grief, seventy-two minutes of life and a silent maternity leave, from artist and academic Tamarin Norwood.

Moscow, 1985. Four teenagers - Anya, Milka, Petya and Aleksey, whose lives, like those of their Western counterparts, are fuelled by sex, alcohol and cigarettes - yearn for a world of Levi's, Queen, foreign travel and the freedom to choose their fates. Instead, they encounter heartbreak and tragedy, while all around them Soviet policies, cruel but familiar, are giving way to untested concepts such as glasnost and perestroika and a brief flourishing of hope before the next repressive regime take root. This is the hour between dog and wolf, twilight, when one state has ended and another has not quite begun. Although it depicts a chaotic and desperate era, this exceptional debut novel pulsates with life. It is radiant with friendship and love, the power of international literature, values and politics, as its characters try to save their country and one another.

An unflinching look at Charleston, a beautiful, endangered port city, founded by English settlers in 1669 as a hub of the sugar and slave trades, which now, as the waters rise, stands at the intersection of climate and race.

Luminous and full of longing, Constance is a novel of teenage fragility, male blindness and everyday complicity set in a world of climate collapse.

A contemporary pastoral novel about a young girl trying to understand the disappearance of her beloved mother.

Who are you, when you come from two places? Ennatu Domingo was adopted from Ethiopia at the age of seven and transplanted to Barcelona where she learned to flourish. But she never forgot her nomadic childhood in the mountains and meadows of Gondar, near the northern border with Eritrea. Having witnessed the hardships of Ethiopian rural women at an early age, she was inspired to study the patriarchal structures that underpinned her individual experiences, both in Europe and in contemporary Ethiopia. She has lived in Kenya, Belgium and the UK, and has traveled across five continents, but keeps returning to the country of her childhood, to re-construct a lost identity guided by the echo of her first language Amharic and the weight of a rich cultural heritage. Torn between forgetting and remembering, Ennatu explores the dilemma of international adoptees and migrant kids and their quest for belonging in a book destined to be a classic of its genre.

Fifteen-year-old Noemi has no choice but to leave school and work in the house of the wealthy De Grandbourg family, just across the road from the Mauritian slums where she grew up. She encounters a world that is starkly different from her own yet one which would have been all too familiar to her ancestors. Bewitched by a pair of green eyes and haunted by echoes, her life begins to mirror those of girls who have gone before her. In Riambel, Priya Hein invites us to protest, to rail against longstanding structures of class and ethnicity. She shows us a world of natural enchantment contrasted with violenceand the abuse of power, a flawed paradise undergoing slow but unstoppable change. This seemingly simple tale of servitude, seduction and abandonment blisters with a fierce sense of injustice.

The Consequences is set in the Mexican-American community of California''s Central Valley, depicting the lives of farmworkers and their children who contend with limited opportunities, queerness and the challenges of intimacy. Manuel''s ongoing project has been to write about people like those he grew up with who don''t otherwise turn up in American fiction or get considered as part of the history and mythology of California, although he''s not out to merely represent Mexican and Mexican-American lives, but rather to allow them their complications and contradictions.

A powerful and provocative collection of essays that offers poignant reflections on living between society' s most charged, politicized, and intractably polar spaces- between black and white, rich and poor, thin and fat.Savala Nolan knows what it means to live in the in-between. Descended from a Black and Mexican father and a white mother, Nolan' s mixed-race identity is obvious, for better and worse. At her mother' s encouragement, she began her first diet at the age of three and has been both fat and painfully thin throughout her life. She has experienced both the discomfort of generational poverty and the ease of wealth and privilege.It is these liminal spaces- of race, class, and body type- that the essays in Don' t Let It Get You Down excavate, presenting a clear and nuanced understanding of our society' s most intractable points of tension. The twelve essays that comprise this collection are rich with unforgettable anecdotes and are as humorous and as full of Nolan' s appetites as they are of anxieties. Over and over again, Nolan reminds us that our true identities are often most authentically lived not in the black and white, but in the grey of the in-between.

A "e;boisterous and high-spirited debut"e; (Kirkus starred review)"e;that enthralls the reader through their every twist and turn"e; (Publishers Weekly starred review), named one of the Most Anticipated Books for Brittle Paper, The Millions, and The Rumpus, penned by a finalist for the AKO Caine PrizeIn her powerful, genre-bending debut story collection, Nana Nkweti's virtuosity is on full display as she mixes deft realism with clever inversions of genre. In the Caine Prize finalist story "e;It Takes a Village, Some Say,"e; Nkweti skewers racial prejudice and the practice of international adoption, delivering a sly tale about a teenage girl who leverages her adoptive parents to fast-track her fortunes. In "e;The Devil Is a Liar,"e; a pregnant pastor's wife struggles with the collision of western Christianity and her mother's traditional Cameroonian belief system as she worries about her unborn child.In other stories, Nkweti vaults past realism, upending genre expectations in a satirical romp about a jaded PR professional trying to spin a zombie outbreak in West Africa, and in a mermaid tale about a Mami Wata who forgoes her power by remaining faithful to a fisherman she loves.

Richard Seymour is one of the UK's leading public intellectuals and a regular contributor to periodicals including the Guardian, The New York Times, the FT, and the LRB. This collection of essays, many originally from his Patreon blog, demonstrates his ecological awakening and brings his radical perspective to the spectre of climate collapse.

Arrival is a story of domestic abuse; the unnamed narrator moves to London from Bulgaria to escape her abusive father, has a child, and leaves the child's father after feeling bullied into a new life with him. Lyrical and moving, it is interspersed with folk tales and flashbacks.

In Tomorrow Is Too Late, Grace Maddrell collects testimonies of activism and hope from young climate strikers, from Brazil and Burundi to Pakistan and Palestine. These youth activists are experiencing the reality of the climate crisis, including typhoons, drought, flood, fire, crop failure, and ecological degradation, and are all engaged in the struggle to bring these issues to the centre of the world stage. Their strength and determination show the urgency of their cause, and their understanding that the generations above them have failed to safeguard their environment. With contributors aged between eight and twenty-five, this is an inspiring collection of essays from the most vital generation of voices in the global struggle for climate justice, and offers a manifesto for how you can engage, educate, and inspire change for a more hopeful future.

In her electric debut, Anna Wood skips through the decades of a woman's life, meeting friends, lovers, shapeshifters and doppelgangers along the way. Delights and regrets pile up, time becomes non-linear, characters stumble and shimmy through moments of rupture, horror and joy.

Inspired by the author's personal experiences of hate crime and bookended with essays which contextualise the story within a lifetime of microaggressions, Lessons in Love and Other Crimes is a heart-breaking, hopeful, and compulsively readable novel about the most quotidian of crimes.

The latest addition to The Indigo Press's Mood Indigo series of polemical essays sees Sam Mills, author of the acclaimed novel The Quiddity of Will Self, investigate the phenomena of what she terms 'chauvo-feminism', where men pose as 'woke' feminists, in order to advance their careers, while privately exhibiting chauvinistic attitudes.