Bøger udgivet af The MIT Press

"This book unpacks the organizing metaphor of the "decisionscape," examining how psychological distance alters our decisions by dictating what we foreground and what we diminish, how our personal worldview influences how we interpret information, how the overall "composition" of the decisions we are faced with has an effect on how we react to them, and how our decisions are bounded and framed by the invisible forces of culture and context"--

"An argument for the inclusion of the human perspective within science and how it makes science possible"--

"This book explores how tools of the Digital Age might be mobilized to solve our most pressing environmental challenges, from climate change to biodiversity loss. It argues that digital technology might accelerate environmental sustainability and that engaging with environmental issues may transform Big Tech for the better, if the sector successfully addresses spiraling energy use, pollution, privacy and surveillance issues"--

"Sluts, the first publication from vulgarian queer publisher Dopamine Books, is an exploration of what it means to be sexually promiscuous in contemporary American culture. Featuring personal essays, spilled secrets, fiction, memoir, and experimental works, Sluts asks writers and readers to investigate the many ways the notion of the slut impacts our inner and outer lives, as a threat or an identity, a punishment or an aspiration, a lifestyle, an aesthetic, a philosophy and rallying cry. From hideous and terrifying first encounters to postapocalyptic polyamory, from unionizing sex workers to backstage tableaux of sex and drugs and rock and roll, Sluts's stories probe the liberating highs and abject lows of physical abandon. Featuring work from performer Miguel Gutierrez, hailed by the New York Times as 'an artist of ordered excess'; former Nylon magazine editor in chief Gabrielle Korn; award-winning author Brontez Purnell; Whore of New York author Liara Roux; National Book Critics Circle Award winner Jeremy Atherton Lin; and a host of additional artists and writers, Sluts reveals the knowledges provoked by a dalliance with desire."--

A study of contemporary music in light of transformations to work and social life.The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall—Take This Hammer shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself.

On the rich history of video art and its enduring relevance to today’s artistic and critical practices.The New Television delves into the rich history of video art, reexamining the pivotal Open Circuits conference held at MoMA in 1974 and exploring its enduring relevance to today’s artistic and critical practices. Open Circuits was an important event in establishing video art in American museums and articulated a range of conflicting teloses for the medium, some which materialized (like local cable television) and others that remain unrealized. The conference proceedings were published in 1977 as The New Television: A Public/Private Art, and the radical design of the book reflected the conference’s utopian aims. This two-part publication includes a facsimile of the long-out-of-print conference proceedings and new essays and discussions by over a dozen scholars and artists. The new scholarly texts and previously unpublished archival documents in The New Television illuminate the network of institutional histories of video art, consider global televisual contexts and alternative critical approaches, and examine contemporary video art and its continued relevance from new perspectives.

An archive and annotation of Black music-performance culture, produced alongside Harmony Holiday’s first solo museum exhibition, Black Backstage.Life of the Party is an archive and annotation of Black music-performance culture—its poetics and its realities and its ruins, both seen and unseen. Produced concurrent with Black Backstage, Harmony Holiday’s first solo museum exhibition, the book acts as a blueprint, a script, and a ledger for this exhibition as well as a stand-alone record of the territory it covers. Holiday assembles artifacts from this tradition, especially found photographs taken of artists backstage, to tell the story of the culture within the culture, retrieving a secret history of the gestures, murmurs, shouts, and reversals that occur offstage and off the record. Colliding image, text, and even audio (in an album accompaniment to the book that Holiday will also produce as part of this series of works), Life of the Party reveals the backstage as by turns mundane, vulgar, and glorious: a site of sacred ritual behind the spectacle of performance.

A manifesto reclaiming the wives and mistresses of literary modernism that inspired a generation of writers and scholars, reissued after more than a decade.

"A guide for organizations to improve their diversity, equity, and inclusion efforts, focusing specifically on the experiences of women of color"--

"How the new science of the heart is using biology, engineering, and mathematics to help prevent and cure heart disease"--

"A history of and a hymn to the diversities of living beings, to understand that imperfection is promise of change and fuel of creativity"--

"This book tells the story of how scientific ocean drilling, a crowning achievement of science and engineering in the 20th century, transformed our understanding of Earth's history"--

The first exhibition catalogue of the acclaimed queer, feminist curatorial initiative Ridykeulous, marking the occasion of their first institutional presentation in Europe at Nottingham Contemporary.Founded in 2005, Ridykeulous mounts exhibitions and events primarily concerned with queer and feminist art. This publication will be the first exhibition catalogue by Ridykeulous, joined by Sam Roeck, and will accompany the fall 2023 exhibition Ridykes’ Cavern of Fine Inverted Wines and Deviant Videos at Nottingham Contemporary. With newly commissioned texts by curator Lia Gangitano and Alexandro Segade of the artist collective My Barbarian, the catalogue will be complemented by a conversation between Ridykeulous members Nicole Eisenman, A.L. Steiner and Sam Roeck, providing insights into the collective's thinking, politics, behind-the-scenes notations, and methods of exploration, as well as an introduction by Nottingham Contemporary's Chief Curator Nicole Yip.Using humor to critique the art world and heteropatriarchal culture at-large, Ridykeulous often reinvents language to reflect their sensibilities and concerns—composing communiqués, screeds, and diatribes across various media. The exhibition features an intergenerational mix of 30 contemporary visual artists working across film, video installation, sculpture, and performance. Playfully proposing queer fabulosity as a critical intervention in the capitalist spectacle, the exhibition seeks to erode the secondary positioning of LGBTQ+ art and artists as “alternative.” Designed by the Zürich-based Studio Marie Lusa, the publication will evoke the textual feeling of a zine, with over 100 full-color and black-and-white image plates.

The stirring speech given by Peter Sloterdijk in Lucerne in October 2022.From time immemorial, humanity has had to organize their “metabolism with nature.” For Marx, the most important factor in this process was labor. When Prometheus, according to the myth, brought fire to earth, another crucial input was added. Fire has been used to cook food and harden tools for hundreds of thousands of years. In this sense, it can be said that all history implies the history of the uses of fire.But whereas trees could only be burnt once, labor and fire shifted with the discovery of underground deposits of coal and oil. Modern humanity, according to Peter Sloterdijk, can be considered a collective of arsonists who set fire to the underground forests and moors. If Prometheus were to return to earth today, he might regret his gift; after all, what looms is nothing less than Ekpyrosis, the demise of the world in fire. And only a new, energetic pacifism can prevent this catastrophe.

Science fiction as a vital bridge between technoscience and culture, an early warning system, a method for imagining differently.In the new millennium, science fiction has moved from the margins to the mainstream. At the same time, it has undergone massive transformations. No longer can it be derided as indigestible technobabble or escapist trash or a white man’s playground—not that it ever really was. Sf is rich and diverse, serious, and fun. A vital bridge between technoscience and culture, it is an early warning system, a method for imagining differently, and a way of experiencing our increasingly science-fictional world. It is the vernacular of the 21st century. This Is Not A Science Fiction Textbook brings together leading sf scholars, including some of the most exciting new critical voices, to introduce the genre for the general reader. Its first part outlines some key ideas used to think about sf, such as Estrangement, Extrapolation, and Alterity. Its second part maps some of the genre’s global history, from the Enlightenment and European colonialism to Indigenous and African Futurisms. Its third part surveys sf at the turn of the 2020s, organised by concepts, movements and new academic disciplines, from Afrofuturism and Animal Studies to Queer Theory and the Weird—and each chapter, whether it is on Climate Fiction or Neurodiversity, is accompanied by an introduction to a major contemporary novel and film.

"An EKS book describing the arguments for and against a universal basic income, drawing on research from around the world, with a particular focus on likelihood of adoption within the United States"--

Gestures often convey meanings that transcend borders, but sometimes they bear vastly different meanings from one continent to another. This illustrated dictionary of gestures from around the world explains the way we go about joining words to gestures throughout the world in our everyday lives, with a side interest in the fact that there are no universals in the realm of the gesture. Entries are illustrated in drawings utilizing men, women, and children from all cultures, with illustrations from other sources showing gestures being performed in various cultural contexts throughout history. Entries are organized by body parts and body regions, with an index for intention and interpretation of the different gestures that makes for a different means of taxonomy. -- adapted from publisher info

"Using the non-human construct of the cyborg, this book address the problems inherent in difference and oppression, like gender, race, class, disability, sexuality, human exceptionalism and global borders"--

"Psychological insights into weird beliefs and experiences"--

"Taking its point of departure from the writings of Karl Marx, Walter Benjamin, and Fredric Jameson, this book is a kind of training manual for understanding the role and place of reading and writing within the political domain, and for imagining-across time but without losing the specificity of particular historical moments-the grounds for a collective political imagination able to extract hope from what Cadava and Melsio call the archives of communal grief"--

Contains articles published in Cahiers du cinâema, 1970-1981.

"A new translation of Karel Capek's 1920 play, R.U.R. (Rossum's Universal Robots), with essays from contemporary writers and scientists"--

"The early writings of renowned poet and critical theorist Jackie Wang, drawn from her early zines, indie-lit crit, and prolific early 2000s blog."--

An ode to mad love, awarded the Prix de Flore in 1999.Published in 1999 and awarded that year’s Prix de Flore, Nicolas Pages marks a departure from the Sadean preoccupations of Guillaume Dustan’s first three novels; it is, in essence, a love story. Inspired by a failed romance with the Swiss artist-writer Nicolas Pages and collaging texts that Dustan initially produced for a wide variety of other occasions (magazine articles, short stories, project notes, shopping lists, and more), the “auto-/bio-/porno-graphic” prose of Nicolas Pages is by turns trashy and encyclopedic, corporeal and philosophical. Here Dustan inaugurates a “gay literature” that is no longer painful or shameful, but epicurean and cheerful without ever lapsing into idealism. A vibrant plea for gay rights and a tapestried text that is more than the sum of its many styles, Nicolas Pages is a call to explore the body, sexuality, and writing in all their variety; it is a hymn to life, humanity, pleasure, and desire.

"A collection of stories about possible future communications platforms: how those technologies might affect social and political structures, and how they play out differently in various geographies and social strata"--

"Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--

"This book tells the stories of women physicists from around the world who transformed science. Many of them discovered invisible objects in the universe, and all wore a cloak of invisibility throughout their careers. Their remarkable stories of scientific innovation, inspirational leadership and overcoming invisibility deserve to go viral"--

The scholarship, research, and criticism of women who developed key theories of communication and methods for the study of media.The Ghost Reader: Recovering Women’s Contributions to Media Studies offers a fresh perspective on the intellectual history of the field of media studies, a broad scholarly field that encompasses the interdisciplinary and overlapping fields of media studies, cultural studies, and communication studies. By recovering the work of the diverse group of women who labored at the margins of media studies as it took shape during the formative years of communication research between the 1930s and the 1950s, and providing scholarly contexts for this work, The Ghost Reader shows that “intersectional considerations” were key modes of engagement for intellectuals, academics, and activists who happened to be women. They did so decades before feminist perspectives were reintegrated into histories of the field.

"Boldly illustrated mix of essays, poems, surveys, and manifestos that deliver an inclusive, celebratory, finger-on-the-pulse revelation of gender in the act of transforming"--

"The non-fiction of J. G. Ballard: statements, essays, articles, commentaries, lists, reviews, tributes, and more"--