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Chronicles the postwar development of the University of North Carolina at Charlotte from a temporary night school for returning veterans into a college, and eventually the fourth campus in the UNC system.
Cowboys in Love Valley. The Atlanta Cyclorama. Braceros of Ciudad Juarez. A natural history of Bonaventure. Freedom at McLeod Plantation. Food scarcity in East Asheville.
In the heat of June in 1943, a wave of destructive and deadly civil unrest took place in the streets of Detroit. With Run Home If You Don't Want to Be Killed, Rachel Marie-Crane Williams delivers a graphic retelling of the racism and tension leading up to the violence of those summer days.
Examines the threads connecting South and West America during the slaveholding era, and that undermined the radical promise of Reconstruction. Kevin Waite brings to light what contemporaries recognised but historians have described only in part: The struggle over slavery played out on a transcontinental stage.
Recounts the raucous history of how generations of northerners to moved to Florida cheaply, but at a price: high-pressure sales tactics begat fraud; poor urban planning begat sprawl; developers cleared forests, drained wetlands, and built thousands of miles of roads in grid-like subdivisions.
Assessing a unique collection of more than eighty images, this innovative study of visual culture reveals the productive organisation of plantation landscapes in the nineteenth-century Atlantic world. These landscapes demonstrate how the restructuring of the capitalist world economy led to the formation of new zones of commodity production.
Takes the reader deep inside faith and character-based correctional institutions, analysing the subtle meanings and difficult choices with which the incarcerated, prison administrators, staff, and chaplains grapple every day.
Unearths the deeper lineage of anti-war pacifist activists and thinkers from the early twentieth century who developed nonviolence into a revolutionary force for Black liberation. In telling this story, Anthony Siracusa challenges the idea that nonviolent freedom practices faded with the rise of the Black Power movement.
Aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Elizabeth Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics.
Drawing on decades of researching the ethnohistory of the coastal mid-Atlantic, Helen Rountree reconstructs the Indigenous world the Roanoke colonists encountered in the 1580s. Blending research with accessible narrative, Rountree reveals in detail the social, political, and religious lives of Native Americans before European colonization.
Oil palms are ubiquitous - grown in nearly every tropical country, they supply the world with more edible fat than any other plant and play a role in scores of packaged products, from lipstick and soap to margarine and cookies. And as Jonathan Robins shows, sweeping social transformations carried the plant around the planet.
Lays out a range of theories, terms, and concepts and shows how they work together to centre materiality in the study of religion. Integrating carefully curated visual evidence, Morgan applies these ideas and methods to case studies across a variety of religious traditions, modeling step-by-step analysis and emphasizing historical context.
How did the American colonies overcome long odds to create a durable union capable of declaring independence from Britain? In this powerful new history of the fifteen tense months that culminated in the Declaration of Independence, Robert Parkinson provides a troubling answer: racial fear.
In 1945, El Centro, California became home to the El Centro Immigration Detention Camp. The Shadow of El Centro tells the story of how that camp evolved into the Immigration and Customs Enforcement Service Processing Center of the 2000s and became a national model for detaining migrants.
Argues that tourism, nostalgia, and authenticity converge in the creation of 'salvage tourism', which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.
The rich history of North Carolina's Outer Banks is reflected in the names of its towns, geographic features, and waterways. A book over twenty years in the making, The Outer Banks Gazetteer is a comprehensive reference guide to the region's place names - over 3,000 entries in all.
Drawn from extensive archival research, Convulsed States offers insights into revivalism, nation remaking, and the relationship between religious and political authority across Native nations and the United States in the early nineteenth century.
Assessing the challenges that community groups faced in their attempts to advocate for improved living conditions, Tainted Tap offers a rich analysis of conditions and constraints that created the Flint water crisis.
This new history of the Christian right does not stop at national or religious boundaries. Benjamin Cowan chronicles the advent of a hemispheric religious movement whose current power and influence make headlines and generate no small amount of shock in Brazil and the United States.
For many Cubans, Fidel Castro's revolution represented deliverance from a legacy of inequality. For others, Cuba's turn to socialism made the prerevolutionary period look like paradise lost. Michael Bustamante unsettles this familiar schism by excavating Cubans' contested memories of the Revolution's roots and results over its first twenty years.
Every porn scene is a record of people at work. But on-camera labor is only the beginning of the story. Part labor history, part ethnography illuminating the lives of the performers who work in the medium, Porn Work takes readers behind the scenes to explore what porn performers think of their work and how they intervene to hack it.
Nellie McKay was a pivotal figure in contemporary American letters. She is best known for coediting the Norton Anthology of African American Literature. Shanna Greene Benjamin examines McKay's path through the professoriate to learn about the strategies, sacrifices, and successes of contemporary Black women in the American academy.
In this fascinating work, K. Stephen Prince sheds fresh light on both the history of the Robert Charles riots and the practice of history-writing itself. He reveals evidence of intentional erasures, both in the ways the riot and its aftermath were chronicled and in the ways stories were silenced or purposefully obscured.
Offers the first history of fatigue, one that is scrupulously researched but also informed by Emily Abel's own experiences as a cancer survivor. With her engaging and informative style, Abel gives us a synthetic history of fatigue and outlines how it has been ignored or misunderstood by medical professionals and American society as a whole.
Drawing on oral history interviews, correspondence, material objects, and archival sources, Susan Burch reframes the histories of institutionalized people and the places that held them. In so doing, Committed expands the boundaries of Native American history, disability studies, and US social and cultural history generally.
Mapping out a trajectory that links the sexist buffoonery of Bobby Riggs in the 1970s, the popularity of Rush Limbaugh's screeds against ""Feminazis"" in the 1990s, and the present day misogyny underpinning Trumpism, Julie Willett shows what can happen when we neglect or trivialize the political power of humour.
At turns lyrical, ironic, and sympathetic, Mario Filho's chronicle of ""the beautiful game"" is a classic of Brazilian sports writing. Filho - a famous Brazilian journalist after whom Rio's Maracana stadium is officially named - tells the Brazilian soccer story as a boundary-busting one of race relations, popular culture, and national identity.
For all that is known about the depth and breadth of African American history, we still understand surprisingly little about the lives of African American children. Drawing evidence Boston, New York, and Philadelphia, Crystal Webster's innovative research yields a powerful new history of African American childhood before the Civil War.
In this follow-up to his award-winning history of the Black Arts movement nationally, James Smethurst investigates the origins, development, maturation, and decline of the vital but under-studied Black Arts movement in the South from the 1960s until the early 1980s.
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