Bøger udgivet af The University Press of Kentucky

"Since the 1920s, fashion has played a central role in Hollywood. As the movie-going population consisted largely of women, studios made a concerted effort to attract a female audience by foregrounding fashion. Magazines featured actresses like Jean Harlow and Joan Crawford bedecked in luxurious gowns, selling their glamour as enthusiastically as the film itself. Whereas actors and actresses previously wore their own clothing, major studios hired costume designers and wardrobe staff to fabricate bespoke costumes for their film stars. Designers from a variety of backgrounds, including haute couture and art design, were offered long-term contracts to work on multiple movies. Though their work typically went uncredited, they were charged with creating an image for each star that would help define an actor both on- and off-screen. The practice of working long-term with a single studio disappeared when the studio system began unravelling in the 1950s. By the 1970s, studios had disbanded their wardrobe departments and auctioned off their costumes and props. In Designing Hollywood: Studio Wardrobe in the Golden Age, Christian Esquevin showcases the designers who dressed Hollywood's stars from the late 1910s through the 1960s and the unique symbiosis they developed with their studios in creating iconic looks. Studio by studio, Esquevin details the careers of designers like Vera West, who worked on Universal productions such as Phantom of the Opera (1925), Dracula (1931), and Bride of Frankenstein (1931); William Travilla, the talent behind Marilyn Monroe's dresses in Gentleman Prefer Blondes (1953) and The Seven Year Itch (1955); and Walter Plunkett, the Oscar-winning designer for film classics like Gone with the Wind (1939) and An American in Paris (1951). Featuring black and white photographs of leading ladies in their iconic looks as well as captivating original color sketches, Designing Hollywood takes the reader on a journey from drawing board to silver screen"--

"When considering the best dancers in Hollywood's history, some obvious names come to mind-Fred Astaire, Gene Kelly, and Bill Robinson. Yet often overlooked is one of the most gifted and creative dancers of all time, Eleanor Powell. Powell's effervescent style, unmatched technical prowess in tap, and free-flowing musicality led MGM to build top-rate musicals around her unique talents, including Born to Dance (1936) with James Stewart and Broadway Melody of 1940 (1940) with Fred Astaire, in which she became known as the only female tap dancer capable of challenging him. In a male-dominated industry, her fierce drive for perfection, sometimes to her detriment, earned her a place as one of the most accomplished performers in vaudeville, Broadway, and film. Powell's grace, precision, and power established her as one of the greatest American dancers. In 1943, she married actor Glenn Ford and largely stepped away from the spotlight for the duration of their tumultuous marriage. After their divorce, Powell made a courageous comeback, successfully performing in Las Vegas and on the nightclub circuit. Cancer claimed her life at the age of sixty-nine. Eleanor Powell: Born to Dance by Paula Broussard and Lisa Royáere is an all-encompassing work following the American dance legend from her premature birth into a single-parent home in Springfield, Massachusetts, to her first Broadway performance at age fifteen, through her days as a blazing icon in the world of Hollywood, and finally, to her inspiring comeback. With access to rare documents, letters, and production files, as well as drawing on the authors' intimate personal relationships with Powell, this is a thoroughly researched, comprehensive, and fascinating look at an incredibly talented and unforgettable woman"--

"In 1948 the United Nations launched the United Nations Truce Supervision Organization following the conflict that erupted between Israel and its Arab neighbors, who profoundly opposed the creation of a Jewish state. UNTSO quickly found itself overseeing the ceasefire lines between combatant parties. In the ensuing decades, as countries along the eastern Mediterranean engaged in a series of escalating military conflicts, UNTSO was continually challenged in its peacekeeping mission, often having to alter its configuration. Matters came to a head in 1982, when Israel invaded Lebanon for a second time, calling into question the efficacy of UN peacekeeping operations and US support for them. In Yanks in Blue Berets: American UN Peacekeepers in the Middle East, retired US Army colonel and former UN military observer L. Scott Lingamfelter chronicles the role of the US military in UN Middle East peacekeeping operations. Framed by his personal experiences, the book examines the difficulties faced by UN forces wedged between warring sides with limited trust in their authority as well as the challenging dichotomy of a soldier trained for combat yet immersed in unarmed peacekeeping. Yanks in Blue Berets is a "boots on the ground" perspective of the building Arab-Israeli tensions and geopolitics preceding the 1982 invasion of Lebanon"--

"Is it possible for two combatants who possess equally strong air forces to conduct limited warfare by restraining air operations? In Restraining Air Power, Robert C. Owen and contributing authors aim to answer this question by providing theoretical and empirical assessments of restrained air warfare through five historical case studies since 1945. Through an objective analysis of the past, this collection evaluates the principles of escalation and escalation management in conventional warfare scenarios to better understand when, why, and how peer opponents in past conflicts have expanded or restrained air operations. The surge in cyber warfare, the development of artificially intelligent weaponry, and the founding of the United States Space Force in 2019 mean that analysts and military planners must be prepared to think about escalation management and peer conflict in increasingly complicated and arduous ways. This comprehensive study provides readers with refined theoretical visions of the possibilities and challenges of managing escalation as a powerful mode of warfare between opponents who believe they must choose between sacrificing their own national interests or risking escalated destruction of their economies, military forces, and governing authority. The analysis within the pages of this volume updates our understanding of air warfare within a world of unprecedented military complexity and, as such, will hold immense value for specialists in advanced military studies as well as those studying international relations and history"--

"The rumors are true; there are more barrels of bourbon than there are people in Kentucky. In fact, statistics tell us there are nearly two barrels of aging bourbon for every Bluegrass State citizen. With a population of nearly 4.5 million and each barrel yielding close to 200 bottles, it's safe to say the average Kentuckian doesn't have to look far for a bottle of amber gold. While Kentucky may be known as bourbon's home base, for bourbon lovers everywhere, the act of drinking bourbon is about more than just its acquisition. It is a lore and an experience, but most of all it is a legacy. As people across the United States and the world begin to wake up to the allure of Kentucky's state beverage, bourbon is having its moment-the act of coveting, collecting and savoring bottles is now a worthy passion to pursue. With budding enthusiasts clamoring to know more about this American-born creation, finding an entry point into the history and culture of the spirit is a task not easily undertaken. Bourbon 101 offers a distinctive and introductory approach to learning about the world of bourbon. Award-winning author Albert W. A. Schmid takes students through a crash-course in all-things bourbon including its history, production, and enduring cultural identity. Schmid introduces new enthusiasts to the lexicon of bourbon and provides a starting point for those wanting to develop their palate and find the bourbon that best suits their own taste. Told through the lens of Schmid's own experiences and interactions with experts in the bourbon world, the book is as much a handbook as it is a love letter to a beverage that has left an indelible impression on those who've dared to take the first sip"--

"In the early days of motion pictures-before superstars, before studio conglomerates, before even the advent of sound-there was a woman named Pearl White (1889-1938). A quintessential beauty of the time, with her perfectly tousled bob and come-hither stare, White's rise to stardom was swift; her assumption of the title of queen of American motion picture serials equally deserved. Born the youngest of five children in a small, rural Missouri farm town, White left high school at only 15, taking on jobs to help keep her family financially afloat, work that included small parts in plays for a local stock company. At 18 she began a three-year stage career with the Trousdale Stock Company, touring on the road and sinking her teeth into leading roles in productions such as Jane Eyre. As she continued to build her professional repertoire, White joined the Powers Film Company in New York and made her film debut in 1910. Her reputation for fearless performances and her penchant for doing her own stunt work soon set her apart from her female colleagues. It was that same daring attitude that would put her on the map internationally as an actress. From flying airplanes to swimming across rapid rivers, to racing cars in serials like The Perils of Pauline (1914), White was undaunted by the demands of her onscreen career. She would go on to star in popular serial classics such as The Exploits of Elaine (1915), Pearl of the Army (1916), The House of Hate (1918), and The Lightning Raider (1919). As active socially as she was professionally, White would also translate her audacious spirit outside of her career by playing a part in the early feminist movement. Her projection of a positive image of bravery on screen served as a model for suffragettes battling for women's rights in the US. William M. Drew's The Woman Who Dared: The Life and Times of Pearl White, Queen of the Serials, is the first full-length biography of this pioneering star. A study in film and female agency, Drew delves into the cultural impact of Pearl White's work and how it evolved along a concurrent trajectory with the social upheavals of the Progressive Era"--

"Seventy-five years ago, the Hollywood blacklist ruined lives, stifled creativity, and sent waves of proscription and censorship throughout United States culture. When the Hollywood Ten refused to answer the questions of the House Committee on Un-American Activities about their membership in the Communist Party, they were sentenced to prison, the five who were under contract were fired by their studios, and all were blacklisted from reemployment until they "purged themselves of their communist taint." By the 1950s, this blacklist publicly stigmatized nearly three hundred other Americans in the entertainment industry who invoked the First and Fifth Amendments in their refusal to apologize for their Communist ties or provide the names of other members. Dozens of others were graylisted, as the result of rumors. The Hollywood Motion Picture Blacklist: Seventy-Five Years Later offers new insights on the origins of the blacklist, the characteristics of those blacklisted, and the probability of future proscriptions of the blacklist type. Author Larry Ceplair draws on previously published work while introducing new material to vigorously recount the events that took place between the US government, Hollywood unions, and motion picture studios. Ceplair thoroughly examines the role of Jewish identity in many anti-communist efforts-a concept that has never been fully examined by scholars-and analyzes the actions of subpoenaed witnesses who were forced to choose between cooperating with the House Committee or joining the blacklist. This fascinating book is an illuminating examination of a dark period in American history and the fragility of our rights to free speech and due process. The book includes a comprehensive annotated bibliography and filmography"--

The colloquial dialogue brings to life a community attached to the land on which they had lived for generations and the victuals and rituals that kept their world in motion amidst uncertainty.

Hounds on the Mountain allows today's audiences to appreciate Still's first published book as both literature and as a treasured cultural symbol of Appalachian life then and now.

"#NiUnaMenos #Aufschrei #LoSHA Before #MeToo became a massive global movement, these were the hashtags that represented activists from Ukraine to Peru who demanded accountability for the sexual violence and racism, xenophobia, and misogyny inflicted on women, transgender people, and girls. Led by activists such as Tarana Burke, who popularized the phrase "me too," these movements provided a call to action for survivors across the world to speak out about their experiences. In #MeToo and Beyond, M. Cristina Alcalde and Paula-Irene Villa bring together scholars and activists from various backgrounds to approach #MeToo from multiple spaces, positionalities, and areas of expertise, many from regions and contexts often overlooked and understudied in the mediascapes of the global North. This volume includes perspectives from around the world and touches on diverse topics spanning masculinity studies, transgender people's heightened risk of suffering sexual harassment and violence, the internal conflict in American Jewish communities as activists began speaking out against prominent members who relied on shared cultural values to shame their victims, as well as many other significant aspects of the first all-inclusive international effort to end gender-based violence. The editors and contributors heed Burke's call to amplify marginalized voices so that instead of becoming footnotes, these voices guide activists to frame polyphony as central to understanding past, current, and future forms of gender-based violence and resistance. The goal of #MeToo and Beyond is to examine both profoundly universal and specific experiences of sexual violence, as well as the collective effort to stop gender-based violence wherever it occurs. Activists and scholars will find this book an important and necessary contribution to current and future discussions on sexual violence and global movements"--

"In War & Homecoming: Veteran Identity and the Post-9/11 Generation, Travis L. Martin explores how a new generation of veterans is redefining what it means to come home. More than 2.7 million veterans served in Iraq and Afghanistan. Their homecomings didn't include parades or national celebrations. Instead, when the last US troops left Afghanistan, American veterans raised millions of dollars for the evacuation of Afghan refugees, especially those who'd served alongside them. This brand of selflessness is one reason civilians regard veterans with reverence and pride."--

"#NiUnaMenos #Aufschrei #LoSHA Before #MeToo became a massive global movement, these were the hashtags that represented activists from Ukraine to Peru who demanded accountability for the sexual violence and racism, xenophobia, and misogyny inflicted on women, transgender people, and girls. Led by activists such as Tarana Burke, who popularized the phrase "me too," these movements provided a call to action for survivors across the world to speak out about their experiences. In #MeToo and Beyond, M. Cristina Alcalde and Paula-Irene Villa bring together scholars and activists from various backgrounds to approach #MeToo from multiple spaces, positionalities, and areas of expertise, many from regions and contexts often overlooked and understudied in the mediascapes of the global North. This volume includes perspectives from around the world and touches on diverse topics spanning masculinity studies, transgender people's heightened risk of suffering sexual harassment and violence, the internal conflict in American Jewish communities as activists began speaking out against prominent members who relied on shared cultural values to shame their victims, as well as many other significant aspects of the first all-inclusive international effort to end gender-based violence. The editors and contributors heed Burke's call to amplify marginalized voices so that instead of becoming footnotes, these voices guide activists to frame polyphony as central to understanding past, current, and future forms of gender-based violence and resistance. The goal of #MeToo and Beyond is to examine both profoundly universal and specific experiences of sexual violence, as well as the collective effort to stop gender-based violence wherever it occurs. Activists and scholars will find this book an important and necessary contribution to current and future discussions on sexual violence and global movements"--

One of the last living legends of the golden age of the screen, Marlene Dietrich has reigned supreme in the history of motion pictures since she was first swept to stardom as Lola in The Blue Angel. Her long-awaited autobiography tells of her fabulous life from early days in Berlin to her Hollywood career and beyond. 24 pages of photos.

A collection of the iconic actress's surprising and heartfelt thoughts on topics A-to-Z, plus recipes.

The fascinating history of Paramount from one of the biggest studios of the Golden Age of Hollywood to today's corporate commodity.

A thoughtful analysis of John Mellencamp's numerous contributions to American popular culture over more than forty years.

The Little Book of Whiskey Cocktails features history and recipes for one of the world's most beloved libations. Bartender and whiskey connoisseur Bryan Paiement brings whiskey's terminology and mixology to any home bar.

George Stevens Jr. As a result of Stevens Sr.'s position in the Screen Directors' Guild during the height of McCarthyism, Stevens Jr. Under Stevens Jr.'s direction, AFI also issued grants to support the work of young, independent filmmakers and established the AFI Conservancy, a school for film arts.