Bøger udgivet af The University Press of Kentucky

"Once described by the New York Times as "the quintessential French Romantic, half adventurer, half-intellectual," actor, singer, and political activist Yves Montand won the hearts of audiences around the world with a charisma and talent that transcended physical and linguistic borders. Born in Italy as Ivo Livi, Montand achieved international recognition for his singing and performances in films such as Salaire de la Peur (1952) and Let's Make Love (1960) with Marilyn Monroe, with whom he had a passionate but short-lived affair. An Oscar and BAFTA Award winner who was also twice nominated for a Câesar Award for best actor, Montand's success was not limited to his work in film. Discovered and mentored by Edith Piaf, his interpretations of French songs were intense and intoxicating. His mellow baritone voice led to Broadway stardom and sent him on tour, making him one of the best-known entertainers of his day. Yves Montand: The Passionate Voice profiles Montand's complex, dynamic, and extraordinary life. From his birth in an Italian village near Florence in 1921 to his "accidental" immigration to France, his international success as an actor, singer, and activist to his sudden death from a heart attack in 1991, Joseph Harriss covers every aspect of Montand's life and career. Drawing on foreign-language biographies, Montand's autobiography, specialized studies, interviews, and other archival materials, Yves Montand is a riveting and multidimensional account of Montand's story and legacy"--

Focusing on enslaved cooks at Virginia plantations including Thomas Jefferson's Monticello and George Washington's Mount Vernon, Deetz restores these forgotten figures to their rightful place in American and Southern history.

The auteur theory - the belief that a director's personal influence and artistic control over a movie are so great that the filmmaker is regarded as the key artist in making a film - was first popularized in America by film critic Andrew Sarris. In the New Hollywood Era of the 1960s and 1970s, as weakening studio control granted directors more artistic freedom, the theory gained traction, embraced by both the media and by directors themselves, and it came to be a significant factor in the filmmaking process. With its almost ubiquitous acceptance, the auteur theory also had, in hindsight, a negative effect. It undeniably played a role in establishing and romanticizing the dominance of the white heterosexual male point of view while ignoring the contributions of screenwriters and cinematographers, and worse, excluding marginalized aspiring filmmakers from the industry. Mavericks: Interviews with the World's Iconoclast Filmmakers amplifies the voices of a wide-ranging group of groundbreaking filmmakers whose identities, perspectives, and works don't conform to typical Hollywood standards. Author Gerald Peary, whose experience as a film studies professor, film critic, arts journalist, and director of documentaries culminates in a lifetime of film scholarship, presents a riveting collection of interviews with idiosyncratic directors - including Black, queer, female, and non-Western filmmakers-whose unconventional work is marked by their unique artistic points of view and molded by their social and political consciousness. Beginning in the 1970s and ending at the dawn of the new millennium, the collection includes Peary's talks with more than twenty film pioneers. Prior to Kathryn Bigelow's 2010 win as the first woman to receive an Oscar for best director, Peary interviewed cutting-edge female directors, including Iran's Samira Makhmalbaf (Blackboards, 2000), Poland's Agnieszka Holland (Europa, Europa, 1990), Norway's Liv Ullmann (Sofie,1992), and America's Roberta Findlay (Snuff, 1975), who is the first female director of pornographic films. While some of the collection's conversations focus on a single film, other interviews are an ambitious discussion of the filmmaker's whole career. Interviews with a disparate range of male filmmakers are also included: Howard Alk (The Murder of Fred Hampton, 1971), Ousmane Sembéne (Mandabi, 1968 and Emitai, 1971), Mel Brooks (The Producers, 1967, Young Frankenstein, 1974, and Blazing Saddles, 1974), Gus Van Sant (My Own Private Idaho, 1991, Good Will Hunting, 1997, and Milk, 2008), and John Waters (Pink Flamingos, 1972, Hairspray, 1988, and Pecker, 1998). With contextualizing introductions and insightful questions, Peary reveals the brilliance of these maverick directors and offers readers a lens into the minds of these incredible and engaging artists.

Clarence Brown: Hollywood's Forgotten Master explores the forces that shaped a complex man - part--dreamer, part-pragmatist - who left an indelible mark on cinema.

"Since the 1920s, fashion has played a central role in Hollywood. As the movie-going population consisted largely of women, studios made a concerted effort to attract a female audience by foregrounding fashion. Magazines featured actresses like Jean Harlow and Joan Crawford bedecked in luxurious gowns, selling their glamour as enthusiastically as the film itself. Whereas actors and actresses previously wore their own clothing, major studios hired costume designers and wardrobe staff to fabricate bespoke costumes for their film stars. Designers from a variety of backgrounds, including haute couture and art design, were offered long-term contracts to work on multiple movies. Though their work typically went uncredited, they were charged with creating an image for each star that would help define an actor both on- and off-screen. The practice of working long-term with a single studio disappeared when the studio system began unravelling in the 1950s. By the 1970s, studios had disbanded their wardrobe departments and auctioned off their costumes and props. In Designing Hollywood: Studio Wardrobe in the Golden Age, Christian Esquevin showcases the designers who dressed Hollywood's stars from the late 1910s through the 1960s and the unique symbiosis they developed with their studios in creating iconic looks. Studio by studio, Esquevin details the careers of designers like Vera West, who worked on Universal productions such as Phantom of the Opera (1925), Dracula (1931), and Bride of Frankenstein (1931); William Travilla, the talent behind Marilyn Monroe's dresses in Gentleman Prefer Blondes (1953) and The Seven Year Itch (1955); and Walter Plunkett, the Oscar-winning designer for film classics like Gone with the Wind (1939) and An American in Paris (1951). Featuring black and white photographs of leading ladies in their iconic looks as well as captivating original color sketches, Designing Hollywood takes the reader on a journey from drawing board to silver screen"--

"When considering the best dancers in Hollywood's history, some obvious names come to mind-Fred Astaire, Gene Kelly, and Bill Robinson. Yet often overlooked is one of the most gifted and creative dancers of all time, Eleanor Powell. Powell's effervescent style, unmatched technical prowess in tap, and free-flowing musicality led MGM to build top-rate musicals around her unique talents, including Born to Dance (1936) with James Stewart and Broadway Melody of 1940 (1940) with Fred Astaire, in which she became known as the only female tap dancer capable of challenging him. In a male-dominated industry, her fierce drive for perfection, sometimes to her detriment, earned her a place as one of the most accomplished performers in vaudeville, Broadway, and film. Powell's grace, precision, and power established her as one of the greatest American dancers. In 1943, she married actor Glenn Ford and largely stepped away from the spotlight for the duration of their tumultuous marriage. After their divorce, Powell made a courageous comeback, successfully performing in Las Vegas and on the nightclub circuit. Cancer claimed her life at the age of sixty-nine. Eleanor Powell: Born to Dance by Paula Broussard and Lisa Royáere is an all-encompassing work following the American dance legend from her premature birth into a single-parent home in Springfield, Massachusetts, to her first Broadway performance at age fifteen, through her days as a blazing icon in the world of Hollywood, and finally, to her inspiring comeback. With access to rare documents, letters, and production files, as well as drawing on the authors' intimate personal relationships with Powell, this is a thoroughly researched, comprehensive, and fascinating look at an incredibly talented and unforgettable woman"--

"In 1948 the United Nations launched the United Nations Truce Supervision Organization following the conflict that erupted between Israel and its Arab neighbors, who profoundly opposed the creation of a Jewish state. UNTSO quickly found itself overseeing the ceasefire lines between combatant parties. In the ensuing decades, as countries along the eastern Mediterranean engaged in a series of escalating military conflicts, UNTSO was continually challenged in its peacekeeping mission, often having to alter its configuration. Matters came to a head in 1982, when Israel invaded Lebanon for a second time, calling into question the efficacy of UN peacekeeping operations and US support for them. In Yanks in Blue Berets: American UN Peacekeepers in the Middle East, retired US Army colonel and former UN military observer L. Scott Lingamfelter chronicles the role of the US military in UN Middle East peacekeeping operations. Framed by his personal experiences, the book examines the difficulties faced by UN forces wedged between warring sides with limited trust in their authority as well as the challenging dichotomy of a soldier trained for combat yet immersed in unarmed peacekeeping. Yanks in Blue Berets is a "boots on the ground" perspective of the building Arab-Israeli tensions and geopolitics preceding the 1982 invasion of Lebanon"--

Uses historical case studies to explore restrained air warfare.

"The rumors are true; there are more barrels of bourbon than there are people in Kentucky. In fact, statistics tell us there are nearly two barrels of aging bourbon for every Bluegrass State citizen. With a population of nearly 4.5 million and each barrel yielding close to 200 bottles, it's safe to say the average Kentuckian doesn't have to look far for a bottle of amber gold. While Kentucky may be known as bourbon's home base, for bourbon lovers everywhere, the act of drinking bourbon is about more than just its acquisition. It is a lore and an experience, but most of all it is a legacy. As people across the United States and the world begin to wake up to the allure of Kentucky's state beverage, bourbon is having its moment-the act of coveting, collecting and savoring bottles is now a worthy passion to pursue. With budding enthusiasts clamoring to know more about this American-born creation, finding an entry point into the history and culture of the spirit is a task not easily undertaken. Bourbon 101 offers a distinctive and introductory approach to learning about the world of bourbon. Award-winning author Albert W. A. Schmid takes students through a crash-course in all-things bourbon including its history, production, and enduring cultural identity. Schmid introduces new enthusiasts to the lexicon of bourbon and provides a starting point for those wanting to develop their palate and find the bourbon that best suits their own taste. Told through the lens of Schmid's own experiences and interactions with experts in the bourbon world, the book is as much a handbook as it is a love letter to a beverage that has left an indelible impression on those who've dared to take the first sip"--

"In the early days of motion pictures-before superstars, before studio conglomerates, before even the advent of sound-there was a woman named Pearl White (1889-1938). A quintessential beauty of the time, with her perfectly tousled bob and come-hither stare, White's rise to stardom was swift; her assumption of the title of queen of American motion picture serials equally deserved. Born the youngest of five children in a small, rural Missouri farm town, White left high school at only 15, taking on jobs to help keep her family financially afloat, work that included small parts in plays for a local stock company. At 18 she began a three-year stage career with the Trousdale Stock Company, touring on the road and sinking her teeth into leading roles in productions such as Jane Eyre. As she continued to build her professional repertoire, White joined the Powers Film Company in New York and made her film debut in 1910. Her reputation for fearless performances and her penchant for doing her own stunt work soon set her apart from her female colleagues. It was that same daring attitude that would put her on the map internationally as an actress. From flying airplanes to swimming across rapid rivers, to racing cars in serials like The Perils of Pauline (1914), White was undaunted by the demands of her onscreen career. She would go on to star in popular serial classics such as The Exploits of Elaine (1915), Pearl of the Army (1916), The House of Hate (1918), and The Lightning Raider (1919). As active socially as she was professionally, White would also translate her audacious spirit outside of her career by playing a part in the early feminist movement. Her projection of a positive image of bravery on screen served as a model for suffragettes battling for women's rights in the US. William M. Drew's The Woman Who Dared: The Life and Times of Pearl White, Queen of the Serials, is the first full-length biography of this pioneering star. A study in film and female agency, Drew delves into the cultural impact of Pearl White's work and how it evolved along a concurrent trajectory with the social upheavals of the Progressive Era"--

"e;America's road to disaster in Vietnam has been endlessly chronicled, but Sean L. McLaughlin takes a fresh approach to that familiar story."e; -James Hershberg, George Washington UniversityDespite French President Charles de Gaulle's persistent efforts to constructively share French experience and use his resources to help engineer an American exit from Vietnam, the Kennedy administration responded to de Gaulle's peace initiatives with bitter silence and inaction.The administration's response ignited a series of events that dealt a massive blow to American prestige across the globe, resulting in the deaths of over fifty-eight thousand American soldiers and turning hundreds of thousands of Vietnamese citizens into refugees.This history of Franco-American relations during the Kennedy presidency explores how and why France and the US disagreed over the proper western strategy for the Vietnam War. France clearly had more direct political experience in Vietnam, but France's postwar decolonization cemented Kennedy's perception that the French were characterized by a toxic mixture of shortsightedness, stubbornness, and indifference to the collective interests of the West.At no point did the Kennedy administration give serious consideration to de Gaulle's proposals or entertain the notion of using his services as an honest broker in order to disengage from a situation that was rapidly spiraling out of control. Kennedy's Francophobia, the roots of which appear in a selection of private writings from Kennedy's undergraduate years at Harvard, biased his decision-making. This book explores how the course of action Kennedy chose in 1963, a rejection of the French peace program, all but handcuffed Lyndon Johnson into formally entering a war he knew the United States had little chance of winning.

American historians such as Frederick Jackson Turner have argued that the West has been the region that most clearly defines American democracy and the national ethos. Throughout the twentieth century, the "e;frontier thesis"e; influenced film and television producers who used the West as a backdrop for an array of dramatic explorations of America's history and the evolution of its culture and values. The common themes found in Westerns distinguish the genre as a quintessentially American form of dramatic art. In Hollywood's West, Peter C. Rollins, John E. O'Connor, and the nation's leading film scholars analyze popular conceptions of the frontier as a fundamental element of American history and culture. This volume examines classic Western films and programs that span nearly a century, from Cimarron (1931) to Turner Network Television's recent made-for-TV movies. Many of the films discussed here are considered among the greatest cinematic landmarks of all time. The essays highlight the ways in which Westerns have both shaped and reflected the dominant social and political concerns of their respective eras. While Cimarron challenged audiences with an innovative, complex narrative, other Westerns of the early sound era such as The Great Meadow (1931) frequently presented nostalgic visions of a simpler frontier era as a temporary diversion from the hardships of the Great Depression. Westerns of the 1950s reveal the profound uncertainty cast by the cold war, whereas later Westerns display heightened violence and cynicism, products of a society marred by wars, assassinations, riots, and political scandals. The volume concludes with a comprehensive filmography and an informative bibliography of scholarly writings on the Western genre. This collection will prove useful to film scholars, historians, and both devoted and casual fans of the Western genre. Hollywood's West makes a significant contribution to the understanding of both the historic American frontier and its innumerable popular representations.

A debut collection of poetry combining the scientific and the fantastic with Japanese culture. A honeycomb long vacated by honeybees still possesses an ';echo of the swarm, / a lingering song.' Living things are made and make themselves: ';My bones came first. / Like long needles, / they knitted muscle / and tendon / and tissue and skin. / Filled themselves / with marrow.' In her debut collection, Brianna Noll fuses the scientific and fantastic, posing probing questions that explore the paradoxes of experience. Interweaving themes of creation, art, and nature, the poet gives voice to animate and inanimate figures such as woolly mammoths, star-nosed moles, cells, mylar balloons, and puzzle boxes. Her vivid poems obscure the line between what is literal and what is figurative. The result is alchemic and etherealeach verse intricately layered with sharp observation as well as emotional and intellectual exploration and questioning. Collectively, the poems draw significantly on Japanese culture and language in their imagery, with cultural nuances and implications embedded in words and expressions. They tend to be tied, not to subjects, but to ways of seeing and considering the world. Noll's lyrical voice reflects a curious and imaginative approach that results in tight poems, typically enjambed, which build together into a thoughtful collection. Her work offers ways of seeing and considering the world that exceed our lived experience, begging the reader to consider how far we are willing to go when faced with roadblocks, doubts, and uncertainties.Named one of the best books of 2017 by the Chicago Review of Books Praise for The Price of Scarlet ';Brianna Noll's vivid, haunting collection contains poetry wide-ranging and deep, with a brilliance reminiscent of Marianne Moore, and a similar interest in creation.' Lisa Williams, author of Women Reading to the Sea and Gazelle in the House Brianna Noll is on the find-out committee. Like an Emily Dickinson for the twenty-first century, she rules out nothing. These quiet, powerful poems tells us that the world is connected, that all we need to see those connections is what Noll has in abundance: openness, patience, and an eye for beauty.' David Kirby, author of Get Up, Please ';The Price of Scarlet doesn't sneak up on the reader as much as it swallows the reader whole, pushes us out at the other end, more erudite than upon entrance. There's a certainty in every poem, whether she is investigating the nature of the wind or invoking the Kraken from the deep. This is a remarkable first book of poems. From the first poem to the last these solid poems feel polished to a fine gloss. Read The Price of Scarlet, it will intoxicate you.' Todays Book of Poetry

In this fascinating memoir, the anti-apartheid activist recounts his lifelong fight for emancipation and the years he endured in a South African prison.From June 1963 to October 1964, ten antiapartheid activists were tried at South Africa's Pretoria Supreme Court. Standing among the accused were Nelson Mandela, Ahmed Kathrada, Walter Sisulu, was Denis Goldberg. Charged under the Sabotage and Suppression of Communism Acts for "e;campaigning to overthrow the government by violent revolution,"e; Goldberg was found guilty and sentenced to life imprisonment. The only white man convicted during the infamous Rivonia trial, he played a historic role in the struggle for justice in South Africa.Goldberg grew up acutely aware of the injustice permeating his homeland. He joined the South African Communist Party and helped found the Congress of Democrats. But it was his role as an officer in the armed underground wing of the African National Congress that led to his life sentence-which left him behind bars for twenty-two years. While in prison, the dogma of apartheid imposed complete separation from his black comrades, a segregation that denied him both the companionship and the counsel of his fellow accused.Recounted with humor and humility, Goldberg's story provides a sweeping overview of life in South Africa during and after apartheid. It also illuminates the experiences of the activists and oppressors whose fates were bound together.

The military expert and author of Leadership presents ';the most thoughtful analysis yet of America's recent conflictsand future challenges' (Gen. Stanley A.McChrystal). Why have the major post-9/11 US military interventions turned into quagmires? Despite huge power imbalances in America's favor, capacity-building efforts, and tactical victories, the wars in Afghanistan and Iraq turned intractable. The US government's fixation on zero-sum, decisive victory in these conflicts is a key reason why these operations failed to achieve favorable and durable outcomes. In Zero-Sum Victory, retired US Army colonel Christopher D.Kolenda identifies three interrelated problems that have emerged from the government's insistence on zero-sum victory. First, the US government has no way to measure successful outcomes other than a decisive military victory, and thus, selects strategies that overestimate the possibility of such an outcome. Second, the United States is slow to recognize, modify, or abandon losing strategies. Third, once the United States decides to withdraw, bargaining asymmetries and disconnects in strategy undermine the prospects for a successful transition or negotiated outcome. Relying on historic examples and personal experience, Kolenda draws thought-provoking and actionable conclusions about the utility of American military power in the contemporary worldinsights that serve as a starting point for future scholarship as well as for important national security reforms.

Richard Lukas's book, encompassing the wartime recollections of sixty "e;ordinary"e; Poles under Nazi occupation, constitutes a valuable contribution to a new perspective on World War II. Lukas presents gripping first-person accounts of the years 1939-1945 by Polish Christians from diverse social and economic backgrounds. Their narratives, from both oral and written sources, contribute enormously to our understanding of the totality of the Holocaust. Many of those who speak in these pages attempted, often at extreme peril, to assist Jewish friends, neighbors, and even strangers who otherwise faced certain death at the hands of the German occupiers. Some took part in the underground resistance movement. Others, isolated from the Jews' experience and ill informed of that horror, were understandably preoccupied with their own survival in the face of brutal condition intended ultimately to exterminate or enslave the entire Polish population. These recollections of men and women are moving testimony to the human courage of a people struggling for survival against the rule of depravity. The power of their painful witness against the inhumanities of those times is undeniable.