Bøger udgivet af Third Man Books

Vienna in the 1880s. Paris in the 1920s. Memphis in the 1950s. These are the paradigm shifts of modern culture. Memphis then was like Seattle with grunge or Brooklyn with hip-hop-except the change was more than musical: Underground Memphis embraced African American culture when dominant society abhorred it. The effect rocked the world. We're all familiar with the stars' stories, but It Came From Memphis runs with the the kids in that first rock and roll audience, where they befriended the older blues artists, the travails of blazing a rock and roll career path where one had not existed (nor did society welcome it), and the adventures-sometimes drug-fueled, often accidental, always pushing the envelope-that epitomize the rock and roll experience. Stars pass through-Elvis, Aretha, Jerry Lee-but the emphasis is on the singular achievements of Alex Chilton, Jim Dickinson, Furry Lewis and wrestler Sputnik Monroe. This is a book about the weirdos, winos and midget wrestlers who forged the rock and roll spirit, unwittingly changing the fabric of America. Music liberated that Memphis audience, and the world followed.

“We were the best worst band. We died but we died in style.” – Speedy KeenThunderclap Newman stunned the music world in the summer of 1969 with the success of their wonderfully odd debut single ‘Something In The Air’, which ousted none other than the Beatles from the top of the charts. They followed up with an LP described by Nik Cohn as “one of the finest, most truly bizarre albums of the era” before disintegrating just a few months after its release. This is the story of one of the most unlikely combos in popular music history, and of the four disparate characters who formed its core: Pete Townshend, principal songwriter and guitarist for The Who; his best friend and driver, the singer/songwriter/drummer John ‘Speedy’ Keen; a fifteen-year-old wunderkind guitarist named Jimmy McCulloch; and finally, an enigmatic telephone engineer who also happened to be a brilliant improvisational jazz pianist: Andy ‘Thunderclap’ Newman. Rife with both triumph and tragedy, the story intersects with seismic cultural events such as the Apollo 11 moon landing and the massive Woodstock Music and Arts festival, and with legendary artists such as Jimi Hendrix, Johnny Thunders, Motorhead, Paul McCartney and The Who. Drawing from exhaustive research and more than fifty interviews with those who were there, Hollywood Dream: The Thunderclap Newman Story provides a detailed, exacting look at the fascinating story of a band who everyone has forgotten but everyone knows.“I will turn to Wilkerson’s book again and again to be reminded of my three dear friends who comprised the band Thunderclap Newman. It’s carefully and devotedly researched with lots of input from all kinds of other friends of mine who shared their journey.” — Pete Townshend“Hollywood Dream reveals much of the mystery behind the trio’s brief but fascinating journey, with an impressive blend of exhaustive first-hand research and deftly entertaining writing and storytelling.” — Richie Unterberger, author of Won’t Get Fooled Again: The Who from Lifehouse to Quadrophenia

Nashville has three unsolved integration-era bombings: Hattie Cotton Elementary School on September 10, 1957, the Jewish Community Center on March 16, 1958, and the home of Civil Rights attorney and Nashville city councilmember, Z. Alexander Looby, on April 19, 1960. Using FBI files, some of which the FBI denied even having, archival materials from all over the Southeast, and interviews with witnesses and a racist bomber, Betsy Phillips attempts to piece together what really happened and why those bombings have never been solved.

The White Stripes Complete Lyrics is a deluxe new 300+ page hardbound book documenting all of Jack White’s original words written for the 6x Grammy Award-winning duo he and Meg White formed in 1997 through the release of their final album in 2007. The first-time-ever lyric collection also features never-before-seen and rare rough drafts, alternate lyrics, and photographs, alongside exclusive essays by Hanif Abdurraqib, Ben Blackwell, and Caroline Randall Williams.

Magic stops. Men vanish. Worlds end. Life goes on. The stories in The Last Vanishing Man start with the end of the world, as a narrator seeks to imagine how the actions of an American terrorist ripple through his family. American violence and masculinity are topics that weave through these stories, as characters of various genders and sexualities get scarred by the wounds of manhood. But though these stories bounce similar themes off each other, they are not narrow in focus or tone. Hard-edged realism lives alongside ghost stories and weird tales; the lyrical tragedy of "A Suicide Gun" sits beside the wild, filthy, absurdist romp that is "The Ballad of Jimmy and Myra", a murder ballad that might be a lost Weird Al song for a John Waters movie. The collection winds down with an expatriot American living in the melting tundra of Siberia, seeking liberation from the forces that deranged his life, the same forces that shaped and warped the lives of all the other characters in the book. The Last Vanishing Man is organized in four sections. The first section tells tales of people seeking to make sense of history and their place in it, whether the history of a queer sanctuary in Canada or of the unfulfilled dreams of the Warhol star Candy Darling. The second section gives us characters who are each on a quest to understand someone who is gone, vanished into memory or worlds beyond, their stories closer to myth than history. In the third section, lonely men seek meaning in a world where they have lost their way. Their quests become philosophical, even spiritual, as they wander toward something greater than their own transient desires. The final section breaks the book open with extremes: extremes of feeling, extremes of strangeness, extremes of horror. The fiercely disturbing story "Patrimony" portrays a post-apocalypse where male power renders the procreation of humanity into torture. "On the Government of the Living" is also a post-apocalyptic story, also a story of children and humanity, but more haunting parable than horror, more Samuel Beckett than Clive Barker. The Last Vanishing Man is a book for readers seeking more than familiar genre conventions, readers seeking stories that challenge, unsettle, surprise, and sing. These are stories aware of the sufferings of the world, stories of characters tormented by unfulfilled desires and unfathomable violence, but also stories of compassion, of community, of humor, and of infinite possibilities beyond the prison of the self.

In this remarkable tale of creativity and chaos, do-it-yourself innovation and extraordinary attempts at world domination, Needles and Plastic tells the inside story of one of New Zealand - and the world's - great independent music labels. Hundreds of full color & black and white photos illustrate the story! Founded in 1981 by Roger Shepherd in Christchurch, New Zealand, Flying Nun Records unleashed an extraordinary wave of music that had an impact around the world.Needles and Plastic is the first comprehensive history of the early years of the label and its bands covering the critical period from 1981-1988 when many of the most influential and critically acclaimed artists emerged on Flying Nun, bands like - from The Clean, The Chills, The Verlaines, Straitjacket Fits and Bailter Space. The influence of the obscure label became apparent in the 1990s, when big-time indie acts like Pavement, Cat Power or Yo La Tengo started covering Flying Nun bands. In entries on over 140 records from The Clean's 'Tally Ho!' 7" in 1981 to The Verlaines Bird-Dog LP in 1988, Matthew Goody tells the story through the records themselves. His book draws on years of in-depth research to reveal the stories of the bands, the recordings, the songs, and the audience, with a host of significant characters contributing along the way - Shepherd, Chris Knox, Doug Hood, Hamish Kilgour and many more. In this remarkable tale of creativity and chaos, do-it-yourself innovation and extraordinary attempts at world domination, Needles and Plastic tells the inside story of one the world's great independent music labels.

Grammy nominated musician Valerie June¿s Somebody to Love: The Story of Valerie June''s Sweet Little Baby Banjolele is a children¿s book based on the story of how June wrote the song "Somebody to Love" from her album Pushin'' Against a Stone. In the book, Valerie is a child given a toy banjolele. A banjolele is a very unique four-stringed musical instrument. It has a body like a small banjo, and the neck is like a ukulele. At the beginning, the baby banjolele dreams that its voice will soar and be heard all throughout the world, but very soon its musical journey meets with challenges and doubts. The little banjolele just could not play through a whole song! Valerie and banjolele want to play with the other instruments at school, but the others make fun of the banjolele saying " You''re just a toy". Embarrassed the banjolele, once more, can not finish the song. But ¿I have a dream, and I want to sing,¿ the toy banjolele stubbornly refuses to give up. Finally, the toy finds the courage, and belief, and love it needs, coughs out a last bit of dust, and belts out a gorgeous a song. Valerie names the banjolele Baby and both go on to perform all over the world together forever. Valerie June the adult says of her banjolele: ¿As I traveled the world telling the story of my banjolele, I always knew it would make an uplifting children¿s book. It wasn¿t until I got a call from the President¿s Committee on the Arts and the Humanities that I was encouraged to sit down and write it out. One of the nation¿s most historical dreamers is Dr. Martin Luther King Jr. As a black female artist, his message taught me the power of dreams at an early age. He was a light for me. Each time I¿ve shared this story with students, I watch as their eyes light up with wonder. It¿s been thrilling to witness that same light awakening within them. Believing you can achieve your dream is a way to be an inspiration for your community, like a great Nigerian proverb teaches us, ''Thoughts and dreams are the foundation of our being.

The first book telling Iggy Pop's story of The Stooges from his own words. Features a treasure-trove of unseen photos. Updated paperback version features a new chapter of photos plus a new interview with Henry Rollins by author Jeff Gold about The Stooges.

A collaboration of visual art and poetry inspired by Funkadelic's classic albums Standing on the Verge of Getting It On and Maggot Brain. Adrian Matejka's (Pulitzer Prize finalist in poetry for The Big Smoke) new book Standing On the Verge & Maggot Brain is a chorus of poems and visual art that is psychedelic and bright, full of quarter notes disguised as words. The poems bend like a solo bends the big ideas of Funkadelic's glitter and unrepentant funk. The colletion also bends the design of books themselves. Standing On the Verge & Maggot Brain is more accurately described as a double-chapbook, featuring two front covers and no back cover. Essentially, it is a two-in-one book. For the Standing On the Verge section of the two chaps, sculptor and artist Kevin Neireiter translates music into stained glass graffiti in honor of the landmark record. For Maggot Brain, Nicholas Galanin's (also front man of the Sub Pop band Ya Tseen) art creates musical compositions from monochromatics in response to the quintessential album. Matejka's collection of poems is synesthesia for the ear and alchemy for the eyes and heart. Standing On the Verge & Maggot Brain is both a tribute to the iconic band Funkadelic and deep introspection of the contrasts in poet Matejka's celebrant hips and maggot brain. Just as the album Standing on the Verge of Getting It On is a celebration of energy and action, Maggot Brain is a place of deep sorrow. Matejka explores both the light and dark within the original visual art by Kevin Neireiter and Nicholas Galanin, reflecting the poet's radiances and shadows.

Prison teacher, former bar mitzvah dancer, and feminist erotica writer Kendra DeColo takes us through back alleyways, exploring desire, fetish, and intimacy.

A violently poetic English western inspired by the true story of the Cragg Vale Coiners and as wild as the moors on which it is set. "Not only one of my books of the year, butÉthe best thing Myers has done."--Robert Macfarlane, author of Underlandderland

This beautiful volume of 30 stories and 3 poems about the theme of water contains work by best selling, award winning and emerging writers: 1 creator of bestselling Pleasure Activism and Emergent Strategy - adrienne maree brown5 Marvel/Disney BLACK PANTHER writers - Linda D. Addison, Maurice Broaddus, Danian Darrell Jerry, Sheree Renée Thomas, Troy L. Wiggins1 Grandmaster of Science Fiction and 1 Grandmaster of Poetry - Nalo Hopkinson, Linda D. Addison1 new MacMillan frontlist author w/ 5 multibook deal - Andrea Hairston1 DC Comics writer personally selected by Neil Gaiman - Nalo Hopkinson (Sandman¿s House of Whispers series) who completed issue #221 AMC series creator of Sorcerers - Maurice Broaddus w/ Otis Whitaker and Jim Mahfood1 new Editor of The Magazine of Fantasy & Science Fiction founded in 1949 - Sheree Renee Thomas 1 bestselling memoirist & TV writer featured in The New York Times & NPR - Jaquira Diaz 1 breakout screenwriter selected by Dee Rees (via Sarah Broome) & Barry Jenkins - Jamey Hatley1 publisher of FIYAH Magazine & FIYAHcon - Troy L. Wiggins

Car Ma is Alison Mosshart's first collection in print of her art, photography, and writing. Mosshart is the lead singer for bands such as The Kills and Dead Weather. Her mother was a high school art teacher and her father a used car dealer-both influenced Car Ma's images, poems, and stories. Mosshart describes the book: "It's a book about America, performance, and life on the road. It's a book about fender bender portraiture, story tellin' tire tracks, and the never-ending search for the spirit under the hood."

Willie Nelson sang for Farm Aid and it didn't work: this won't either: yet this is a book: a book about farming and a family man and a familiar county--stung body; stung land--as told by a tweaked-to-warble farm machine that ate a human arm, and the chicken ate what's left, and the hawk ate what's left, and then the hawk died of old age.

A heartfelt tale describing the beauty of friendship and love, and the true story of musician Ikey Owens.

Jack White's new children's book based on the internationally loved White Stripes song.

Poetry by the homeless vendors of the Nashville street paper The Contributor. All proceeds donated to The Contributor.

The first book telling Iggy Pop's story of The Stooges from his own words. Features a treasure-trove of unseen photos

From the Frank Stanford archives: unpublished poems, drafts, letters, and audio.

Ex-mortician and two time National Haiku Champion Janaka Stucky writes fifty-four poems of heartbreak, ritual, and resurrection.

Each poem's title comes from a Stevie Wonder song and sings a family's song of race versus culture in America.