Bøger udgivet af Tulika Books

Pluriverse: A Post-Development Dictionary contains over one hundred essays on transformative initiatives and alternatives to the currently dominant processes of globalized development, including its structural roots in modernity, capitalism, state domination, and masculinist values.

This book tell the story of the the Kokani Muslims. A multiracial, multi-ethnic community whose tale begins 1,300 years ago.

This book argues that there is one element - the expression of masculine passion for a masculine object - that has shaped the ghazal historically and across languages.

These essays written since the catastrophic events of 9/11 try to come to terms with the violence that shapes our everyday lives.

Nausheen Jaffery brings to us the story of the remarkable Indian princess Jahan Ara.

This book demands reconfiguring the centre of knowledge generation by relocating disability from its present peripheral position to the centre.

This book advances contemporary debates on the evolution of patriarchal institutions in agrarian transitions and the struggles for women's liberation today. It focuses on the complexities of agrarian transitions in the Global South and the crisis of socia

This collection challenges the understanding of decolonization and humanism pervasive in post-Foucauldian postcolonial studies.

This book is a collection of papers presented at a colloquium, 'AfroAsian Musical Imaginaries' that was organized by the IIC-IRD in collaboration with a project titled 'RecentringAfroAsia: Musical and Human Migrations, 700-1500 AD' that started from Cape Town in South Africa.

This is the first study of the artist, and it tries to present her as a person and an artist of singular determination.

The book is a simple commemoration of the work of master potter Ira Chaudhuri over seven decades.

The book situates diverse lens-based practices within a larger orbit of South Asian visual culture.

Book argues that the social reform movement in Kerala contributed to the growth of progressive democratic movements there.

This volume of essays moves the historiography of ancient India in the service of a history of the present. The cultural onslaught of a brahmanical saffron culture within popular discourse, and the fight against entrenched class and caste interests led by women, dalits, and other marginalized groups, frame this battle for 'ancient' India. Through an in-depth analysis of myths and original sources, the author provides novel grounds for contesting the foundations of such charged concepts as 'nation', 'civilization, ' and 'womanly honour'. Reading against the grain of canonical sources, she presents a distinctive reading of lesser known Buddhist Pali texts, the Jataka stories, and even contemporary texts like the TV serials Chanakya and Ramayana, to demonstrate the stratifications in early Indian society. The book brings to light several crucial concepts and categories that make possible a sensitive delineation of social alienation, class antagonism and gendered violence in ancient Indian society. The everyday histories of dasas, karmakaras, 'a'grihinis, bhaktins, and gahapatis provide an understanding of ancient India away from the clichéd invocations of ideal kings, brahmanas, and pativratas.

This self-portrait of the iconic Indian painter Amrita Sher-Gil (1913-1941) represents more than a life. For this book in two volumes, Amrita's extant letters and writings are translated and reproduced from the originals in their entirety. The book draws on the primary text of these letters to open up a visual narrative around the artist's oeuvre, complemented by a parallel text of notes that not only annotate but also entangle the personal in the web of contemporaneity. The editorial intervention expands the setting to include the artist's voice, photographs from the Sher-Gil family album, a collation of reviews from contemporary art critics, and excerpts from autobiographies and testimonies that touched Amrita's life. There are full-colour reproductions of 147 paintings by the artist, representing the largest such collection in print, as well as of her early sketches and watercolors. This archival effort makes for a definitive volume on the life, art and writings of Amrita Sher-Gil. The book includes a foreword by Salman Rushdie; a prologue and an epilogue by Vivan Sundaram; a complete list of Amrita Sher-Gil's 172 known oil paintings with thumbnail sketches and detailed captions; and a select bibliography of writings by and on Amrita Sher-Gil.

This volume is a field report on surveys of agrarian relations in three villages in Andhra Pradesh conducted by scholars of the Foundation for Agrarian Studies. The study villages are Ananthavaram village in Kollur mandal, Guntur district; Bukkacherla village in Raptadu mandal, Anantapur district; and Kothapalle village in Thimmapur L.M.D. Mandal, Karimnagar district. This volume presents an analysis of statistical data collected through the village surveys with a special focus on differences across socio-economic classes and social groups. There are separate chapters on land and asset inequality, tenancy, household incomes, crop incomes, employment and wages, indebtedness, literacy and school education, and household amenities. The report attempts to contribute information, statistical data and analysis to the discussion on agrarian relations and economic distress in contemporary rural Andhra Pradesh and India.

The papers in this volume are informed by a perception that can be summarized as follows. A capitalist economy is a self-driven or 'spontaneous' system. State intervention in its functioning, driven by political compulsions, tends to make it dysfunctional. This necessitates either further interventions, leading to a transcendence of the system itself, or a progressive slide-back to the pre-intervention state. To say this is not to suggest that capitalism does not need the state. It does, not only for the maintenance of capitalist property relations and for providing it with the external, precapitalist surroundings that are necessary for its functioning; but also for accelerating, through its intervention, its immanent tendencies. But state intervention that is contrary to its immanent tendencies makes capitalism dysfunctional, setting up a dialectics either of subversion of or subservience to the logic of capital. It follows that all the shibboleths of capitalism, namely freedom, democracy and individual subjectivity, are actually unachievable under capitalism. They can be realized only if the spontaneity of the economic terrain is broken through the coming into being of socialism, where the nature of property relations is such that people can shape their economic lives through collective political intervention. The case for socialism arises precisely because capitalism is not a malleable but a spontaneous system.

Gauging and Engaging Deviance is at once a creative and challenging work. It is not just a critique of the sociological canon, but an imaginative reconstruction that is generous to all nooks and crannies of the planet. It is also a memorial to modernity's victims, whether they were perceived to be deviant or not. Its broad historical range, its geographical spread, and its attention to race and power create a conceptual grammar through which we can speak of the key challenges, traumas and violence of the contemporary period. Through its pages the Maroon and the Pirate meet Don Quixote, the Thug and the Apostate in a journey that takes the reader through slave factories, plantations, prisons, and extermination camps, gauging the price of what it has meant to struggle to be contrary or free.

This memoir takes us through modern Indian and Kerala history, both of which the author had a ringside view of.

This work establishes the monarchical form of the British empire between CE 1600 and 1900.

Labor bondage is discussed as a major feature of the peasant economies which have dominated the subcontinent of South Asia from an unrecorded precolonial past until the postcolonial present.

This book introduces Ulti, a secret language spoken by the Hijra-Koti community in West Bengal, from a sociolinguistic and formal linguistic perspective.

Cities Untold assembles diverse works to reconceptualize a 'southern urban' that is usually locked within predictable narratives of opportunity and dystopia.

Speech Acts contains select interviews that annotate Geeta Kapur's contributions to modern Indian art criticism and trace her interrogations of the contemporary through various historical conjunctures

This book on the Kasauli Art Center (1976-1991), contextualizes and examines the center within the broader framework of the cultural scene in India.

The essays in this book highlight how education as a component of cultural inheritance remains a contentious issue.

This book tells the history of the protest at the Film & Television Institute of India in 2015. Amid growing state totalitarianism, technological and political transformations a redefined cinema in India emerged that created a new era in political struggle.

This book discusses agrarian relations in the Lower Cauvery delta, historically part of the "rice bowl" of south India, based on socio-economic studies of two villages in the region.