Bøger udgivet af Unicorn Publishing Group

, Legend has it that if a star leaps from the sky to the earth, and if it can accurately leap into the sea, it will turn into a very large fish. There is such a pair of twin stars in the sky and younger brother wanted to embark the journey to oceans on earth. During the journey Crossbow realised that true dreams and freedom also contain love and responsibility..,

, A Thousand Fates explores the afterlife of medieval monasticism in England and Wales, a thousand years monasticism in England and Wales came to an abrupt end in the mid-sixteenth century with the Dissolution of the Monasteries. At its peak two hundred years earlier, many people chose the contemplative life, while the rich sought salvation through the foundation or embellishment of religious houses. Much of the nation's wealth was locked into these complexes through elaborate rebuilding, gifts of precious objects, property donations and flourishing libraries of rare books. Then in just four years all of the eight hundred plus houses were closed and ten thousand people dispersed with the monastic fortune liquidated and passed to the crown. Today we are left with echoes of a time dominated by an enclosed elite, their homes repurposed or derelict or obliterated. Some of these foundations still thrive as churches, schools, homes or tourist attractions. Others though have left little physical trace, the casual viewer ignorant of their existence. This book is not an account of why the monasteries closed or what happened to the people displaced. Instead it focuses on the monastic buildings and their numerous fates and brings life to their stories,

A Black Cat Abroad is the untold WWII story of a 'Terrier' nicknamed 'Oscar' R.E.H. Hadingham (1915-2004), CBE, MC & Bar TD, better known as 'Buzzer', who was later chairman of Slazenger's and then the All England Lawn Tennis Club, Wimbledon. Beginning with his work in London and Territorial Army training, it describes life in Wimbledon under the cloud of impending war. On 29th July 1939, Buzzer was commissioned into 167 Brigade, 67th (East Surrey) Anti-Tank Regiment R.A. T.A., the 'Black Cats'. Three years later he embarked from Liverpool, carrying a sun-helmet, destination unknown. Momentous challenges followed, not least a 3-year separation from his family. Here are fresh aspects of an epic 3,000-mile journey from Iraq to action in North Africa, before conflicts in Italy: Salerno, Anzio, and the lesser-known 'Monte Cassino of the Adriatic' Gemmano. Leading toward the 80th Anniversary of the Italian Campaign (1943-1945), relevant historic anecdotes and key operational recollections reveal a young, energetic 303 Anti-Tank Battery Commander's personal perspectives, and the first officer in his Territorial Regiment to receive a batt le honour. This remarkable, first-hand account by the 'poet of Wimbledon' is intended as a special tribute to all brave men who served in the 'Black Cats' - and as a commemoration of the fallen

, Contemporary Chinese art has played a significant role in contributing to art globalisation; meanwhile, the trajectory of modernisation of art in China has not been rendered explicitly. This book aims to explore the context of Chinese art from the 20th to the 21st century, from three aspects: society, the individual and art forms. It is hoped to inject new vitality into the current obscure art historiography. The complicated issue regarding how to position globalisation and national identity is well discussed throughout the book, addressing the hardcore research questions in the field. This research selects the nine most representative artists: Lin Fengmian, Wu Dayu, Sanyu, Zao Wou-ki, Wu Guanzhong, Su Tianci, Wang Jieyin, Zhang Enli and Chen Yujun.,

, Told in his own words, in response to questions from the writer and art critic Andrew Lambirth, this book chronicles Andrew Logan's life and work through expressive anecdote and factual recollection. Reflections is a look back, but also a look at the present and a look forward: it is about the meaning of Andrew's world and the sculpture he has made to fill it, and about his approach to art, to friendship and to living in London and Wales. The Alternative Miss World, founded by Andrew in 1972, is at the heart of his philosophy, not just the world's greatest drag act (though it is this too), but an exhilarating celebration of the transformative power of the imagination. Andrew's work, which is all about joy and beauty, is inspiring and uplifting. This book, based upon discursive interviews dealing with all periods of his career, explains and contextualises it fully for the first time.,

Born in 1852 in a small coastal town in Scotland, Helen D'Oyly Carte, through academic brilliance and an incredible talent for 'managing chaos', developed and ran the world's foremost top entertainment and hospitality organisation with her husband, Richard D'Oyly Carte (known as D'Oyly). By the age of 30, she was running five Gilbert & Sullivan companies for the Savoy Group in the United States, crossing the Atlantic thirty times, and for the next three decades she ran the Savoy Theatre, the Savoy Hotel, Claridges and Simpson's-in-the-Strand. She was the only one trusted by the prickly, brilliant William Gilbert and Arthur Sullivan, to keep them from breaking apart, as they so regularly wanted to do. From a conventional upbringing, she chose to remain in London after the emigration of her family to Australia, first as an actress, then working alongside D'Oyly - she took over the reins as he became ill in the late 1880s. Until her death in 1913, she flourished and was famous, interviewed and admired, in a competitive, vibrant London that was the centre of world power and commerce. Queen of The Savoy charts Helen's course from Wigtown to the West End, where running a company with hundreds of employees, led to her fame and fortune. The artists Whistler and Sickert were friends and immortalised her in portraits. She was known in her time as the true founder of the Gilbert and Sullivan franchise and this biography will bring to light, some 110 years after her death, the extraordinary role that she played in one of Britain's greatest success stories.

Fanny Cornforth was a Victorian supermodel whose face epitomised the vision and life of the Pre-Raphaelite artist Dante Gabriel Rossetti. In their twenty-five years together, she played many parts from muse, medium and lover to housekeeper and nurse. Due to her care of the artist, he was able to create some of the best known and celebrated art works of the nineteenth century, however at his death Fanny became an outcast, accused of stealing, lying and even murder. Her journey from rural poverty to celebrated beauty gave her a life she could never have dreamed of, but her choice of love above security saw her end her days in an asylum. Her afterlife, in the imagination of those who knew her and those that followed saw her cast as a villainess; RossettiΓÇÖs folly, an illiterate prostitute who could crack walnut shells in her teeth. ItΓÇÖs finally time that the truth is separated from the swirl of lies and that the life of one of the most infamous women of Bohemian London is told, from canvas to asylum.

Robbie is lonely at home with his parents in the Port of Arlen, his father is strict, his school is brutal and he lives in a world of his own, an imaginary place in which he is a detective, finding out secrets. When he gets a pair of binoculars, this world expands to show him a place full of shadows, of mysteries and of menace. He has to face difficult challenges, fight for what he thinks is right and stay loyal to those he loves.

A woman lies unconscious on the carpet of a smart Westminster apartment, one red high-heeled shoe has fallen off... A younger woman lies with her eyes closed, half-hidden under a drinks cabinet... Her fingers clutch an empty bottle... What happens when a mother withholds her love? When she has no love to withhold? When she sees her three daughters as obstacles to her own formidable career? This is the story of three sisters, Millie, Di and Cleo. They are the war babies. Growing up in a world still in turmoil, hungover from war, the sisters struggle to leave behind their mother and build their own lives. Each sister is lost in her own world where extreme need leads to extreme behaviour. Then a tragic event forces Cleo, the youngest and wildest, to become the catalyst to smash the pattern. Who will adapt and survive in this new world? Who will find peace? From London to New York and to Vietnam, the focus shifts from one sister to the next, putting human nature, its flaws and its virtues, under the spotlight. With elements of a psychological thriller, Rachel Billington observes her characters with clinical detachment, but also with wit and understanding. Yet there is hope at the heart of this story which will leave the reader wondering long after the final twist is revealed.

In 1903, after a fire completely destroyed her family home in Norfolk, UK, the 27- year-old Constance helped her mother redesign their house and recreate the garden. It was an experience from which she never looked back, going on to become an internationally recognised garden expert and connoisseur. A rich woman herself, she was attracted to the most spectacular and extravagant gardens in the world. From Shalimar Bagh, Lahore, to Nishat Bagh, Srinagar, to La Granja near Madrid, Constance earned her reputation studying Mughal and Moorish gardens as well as those in Great Britain, France, Italy and northern Europe. Between 1910 and 1955 she wrote about them, painted and photographed them and lectured on them. She produced two successful illustrated books, and numerous articles for magazines, including Country Life, Vogue, The Burlington Magazine, Harpers Bazaar, and The Times. When she died in 1966, she left paintings, photographs, diaries, press cuttings and scrapbooks to her grandchildren. It is upon this fascinating and hitherto unseen archive of memorabilia that 'Constance Villiers Stuart: In Pursuit of Paradise' is based --

Anarchy in the Art Gallery is a humorous and thought provoking illustrated book, a re-imagined and irreverent trip through western art and cultural history.

In 'Is That Really True, Sir?', the artist, barrister, schoolmaster, musician, journalist and explorer Michael Aubrey negotiates a succession of improbable events and narrow escapes. Starting with a vivid account of his wartime childhood, Aubrey shares the joys, hazards, surprises and often hilarious disasters of his colourful experiences in many countries, encountering a range of unusual people along the way. With a comic lightness of touch, he revels in life's absurdities at the same time as celebrating the beauty and harmony of the various worlds which he has inhabited.The memoir is lavishly illustrated, including over eighty of the author's vibrant watercolours. His acute eye for the ridiculous, keen observation of character, lyrical accounts of unfamiliar places and illuminating insights make this a joyous book, one to lift the spirits even on the dullest of days.

A romance inspired by true events, Maria and her sisters are thrust into the heady pre-war atmosphere of Brussels in 1815 and encounter love, scandal and drama whilst bearing witness to the most important battle of the 19th Century.

In 1976, Argentina is governed by a military junta bankrolled by former Nazis. It is the anniversary of a mysterious village fire in the jungle. The lone survivor, a Guarani boy, is now a Jesuit priest. A Jewish journalist, Ariel Guzman, interviews him at his mission. The man claims Adolf Hitler escaped from Berlin with Eva Braun and made a secret camp near the Iguacu Falls. The Fuhrer ordered the village's destruction, but the priest refuses to say why. He mentions the codename Edelweiss and will only reveal the person's identity if he dies. Argentina's most powerful man is billionaire and Waffen-SS veteran Tiago Hecht. He is searching for Edelweiss so that he can establish a Fourth Reich. Hecht now has confirmation Hitler's son is alive. But so does the Mossad and they have sent an agent to eliminate him. The only sanctuary for 'Edelweiss' is at the Vatican, but time is running out. The hunt is on...

The Poverty Alleviation programme is seen as one of the great successes of the present Chinese Government, proposed by President Xi in 2013 and in the intervening years, lifting millions of people out of poverty.

The Poverty Alleviation Series Volume Three - Red, Red Azalea

Russian Edition. There is surprisingly little, and certainly nothing comprehensive, written about the contemporary Russian scene now. What appear in the West are mostly reports about so-called dissidents, not about what is happening in this vast culture, taken as a whole. Too oen, these reports seem to be primarily inspired by a desire to demonstrate Western cultural and political superiority. e aim of Russian Art in the New Millennium is not to support any one cause, but to look at the situation as it now exists objectively and to give as wide and truthful a view as possible. Russian art during the period under review the last two

This new publication examines early 20thcentury gender politics and development of the emerging art market in Russia.

, Where do we come from? What are we? Where are we going? These questions form the title of an 1897 painting by the French artist Paul Gauguin. He knew he was pushing the limits of human knowledge by asking them. He also knew they are not new questions. Our ancestors began to ask them on the African savannah. The Roman poet Lucretius posed them in his long poem On the Nature of Things, written just before the Christian era. He sought natural explanations for the behaviour of matter, without recourse to gods. But he also knew that the world we see is largely a creation of our mind. Since then, science has answered most of his 'how' questions, almost to the point of offering us a 'Theory of Everything'. But Gauguin's 'why' questions remain largely unanswered. They require a personal response from us, without which, as Lucretius intuited, nothing can be joyous or lovely. In The Stupendous Story of Us, we consider the narrative from all angles: our mastery of the realm of things, our exploration of our inner world, and our connectedness to each other. The pace is frantic because life is short, knowledge is infinite, and the challenges ahead are pressing.,

, The Few Who Flew is an evocative memoir written by one of the last young men to train as a RAF pilot, gaining his 'Wings' in April 1957 just days before the end of National Service. Michael Morris as he was then (he is now Lord Naseby) was selected to do his flying training in Canada alongside fellow British and NATO pilots from seven different countries. Initial training was on Harvards at Moose Jaw in the Prairies and then jet flying on the world's best trainer at the time, the T-33 Canadair Silver Star. The Few Who Flew reflects Michael's inherent love of all aspects of aviation. The last three chapters cover 'Churchill's Secret Airfield', RAF Tempsford, Bedfordshire near Michael's home; his views on the future of aviation in a low carbon world, and then finishing with some provocative thoughts of a one-year 'Service to the Nation ' for all young school leavers.,

Soldiering is a serious, frequently bloody business. That aspect has been documented endlessly. But behind the blood, thunder and de-humanising aspects of conflict are people - people in uniform and people supporting them. All of them have personal feelings and aspirations and they experience the humdrum assortment of daily occurrences that closely match those of their counterparts in civil society. Those aspects of their lives are not widely reported, or appreciated, and it is on those that this book has its focus.'Life Wasn't Boring' relates the life, times, successes, failures and, most importantly, the personal inter-actions and loves of a professional infantry officer and his family, over more than a third of the century that was his service. Some parts are as serious as can be expected of a military account. Other parts might surprise, entertain and even amuse the reader. Together they hold up a mirror to reveal the human side of being a soldier.

, Life Linesis a celebration of how our ordinary, organic and often imperfect handwriting is not just a living form of expression and mode of communication, but also a relevant and poignant way of understanding ourselves and the people around us. Life Lines contains a carefully curated collection of real-life, deeply personal and often raw human-interest stories, drilling down into the nuts and bolts and complexities of our psyches. This ground-breaking book presents a different dialogue about uncovering our hidden selves through the analysis of handwriting. The journey traverses some difficult terrain, lucidly illustrating how our darkest moments can be seen plainly in our writing, but also teaches us some life-enhancing lessons along the way.,

During his 1920s heyday, Arnold Bennett was one of Britain's most celebrated writers. As the author of The Old Wives' Tale and Clayhanger he was a household name, writing just as much for the common man as London's literati. His face was plastered over theatre hoardings and the sides of West End omnibuses. His life represents the ultimate rags-to-riches story of a man who 'banged on the door of Fortune like a weekly debt collector' as one of his obituaries so vividly put it.Yet for all his success, few were aware how cursed Bennett felt by his life-long stutter and other debilitating character traits. In the years running up to his death in 1931, his affairs were close to collapse as he fought a losing battle on three fronts: with his estranged wife; with his disenchanted mistress; and from a literary perspective with Virginia Woolf.As the first full length biography of Bennett since 1974, the work draws on a wealth of unpublished diaries and letters to shed new light on a personality who can be considered a 'Lost Icon' of early Twentieth Century Britain.

, The significant influence of the periodical Signature on fine art has long been overlooked. While few people nowadays will have read it, no journal has greater claim to have stimulated the taste that became British neo-romanticism in the mid-20th century. Oliver Simon, its editor, publisher, patron and printer was something of an enigma. Although shy, he somehow knew 'everyone' in the London literary and arts scene during the 1930s and 40s. So outwardly conservative to be dubbed 'the archbishop' by Ben Nicholson, Oliver elicited adventurous art from his artist contributors to Signature. The Signature artists were fellow travellers on a journey: young artists working in commercial art to pay the bills. Having mastered graphic techniques for applied purposes they then began to apply what they learned to their own artwork. Then they went off to War... Those interested in the work of Paul Nash, John Piper, Graham Sutherland, Edward Bawden, and Barnett Freedman will enjoy the story of the influence and fellowship of Oliver Simon, Signature, and the Curwen Press, on their art.,

This is a lavishly illustrated, engagingly written yet forensic analysis of that most contemplative of garden features which challenges the widely accepted view of the transition from formality to informality in the development of the English landscape garden.

, Out of Isolation is a collection of writing from the COVID-19 pandemic. From famous names such as Julian Fellowes, Tom Felton, Derren Brown and Alexander McCall Smith to historians, travel authors, poets, screenwriters, actors, the Dean of Canterbury and a Junior Doctor, the pieces range from personal reflections on life during the pandemic, to poems on love, to the diary of a journalist in Goma. This interesting and wide-ranging collection provides a fascinating insight into what was being written whilst the world was in isolation. > Susie Coreth will donate £1 from the sale of each book to Mental Health Innovations (reg charity no 1175670) to support its Shout 85258 24/7 mental health support service.,

In the Line of Fire is the personal memoir of Antony Thomas, a documentary filmmaker whose work has won international acclaim and many prestigious awards. From the full range of documentaries made over a fifty-two-year career, the author focuses on subjects that affected him deeply and remain relevant to this day; the pernicious effects of racism, the 'seamless border' between intelligence and crime, the last colonial wars in Africa, the conflicts in the Middle East, the rise of Islamic extremism, the politicisation of Evangelical Christians in the United States and the origins of fake news - to mention just a few. Thomas brings these disparate experiences together by taking a very personal approach and using every opportunity to take the reader 'behind the camera' where he shares the difficulties, the moral problems and the dangers that he and his colleagues sometimes faced, including the moment when the entire team was condemned to death in a military camp in Zambia. Eleven years later, Thomas was back in the line of fire, coping with vicious attacks from MPs and sectors of the press, following the broadcast of his controversial docudrama Death of a Princess.

, Many of the most inspiring characters in comics and graphic novels began their epic journeys as orphaned or abandoned children. In these stories, the loss of a parent inflicts challenges that even superpowers cannot easily resolve. For over a century and millions of readers, the comic strip is a space in which this narrative has been continuously reimagined. Superheroes, Orphans & Origins: 125 Years in Comics offers a richly illustrated and thought-provoking exploration of the representation of orphans, foundlings, adoptees and foster children in sequential art. Surveying 125 years of creative practice and an international cast of characters, this book examines how care-experience is depicted in early comic strips like Little Orphan Annie, celebrated superhero narratives including Superman and Batman, and popular Japanese manga, among other examples. The complex issues and identities that feature in these stories are considered from a variety of perspectives, ranging from art historical to activist. Contributing authors include Lemn Sissay, MBE and award-winning artists Carlos Giménez and Lisa Wool- Rim Sjöblom, all drawing inspiration from their own experiences in care. Bringing together critical essays, candid conversations and outstanding artwork, this book encourages a new way to experience comics. This book is published on the occasion of the first major exhibition to focus on the representation of care experience in comics, produced by the Foundling Museum in London (April - August 2022).,