Bøger udgivet af Univ of Chicago Behalf of Univ of Alabama

"Patton's Shadow by Nathan C. Jones, a leading authority on George S. Patton, offers a definitive account of the creation of the Patton legend and what it illuminates about American culture and the worship of heroes. Jones traces how the persona of Patton, a brash and brilliant general in the European theater of World War II, transcended the individual man and became a cultural icon and byword for triumphal American might. Patton was a hero lionized and celebrated in his own time. Patton as well as the US Army cultivated his persona during and after the war. His image was used to promote patriotism, commercial goods, and military recruitment. The 1970 Academy Award-winning film starring George C. Scott cemented his iconic image for millions of Americans, further embellishing Patton's persona and introducing him to entirely new generations of young Americans. Patton's Shadow is an intellectually omnivorous tour de force that draws on ideas about heroes from sources as timeless as ancient mythology and as contemporary as Abraham Maslow, Max Weber, and Carl Jung. Jones artfully locates the honored altar that heroes occupy in the human heart and then answers insightful questions about what America's embrace of Patton in particular as a military hero illuminates about the United States, about Patton's generation, and about our own. Jones's engrossing work will fascinate readers interested in American history, military history, and the psychology of heroism"--

A fascinating survey of the history of political and economic ideas in the US that have led to an increasingly entrenched ultra-rich class of oligarchs

"Drawing upon the mythic figure of William F. Cody, or "Buffalo Bill," the Buffalo Bill Center of the West (BBCW) is complex of five museums in Cody, Wyoming, that celebrate the "spirit of the West." The authors of The Haunted West use the BBCW as a prism through which readers can view the center's complex ethos: Anglo-American guilt along with a reverence for Native American culture, a sacred and sublime vision of the region embodied in Western art, a vexed celebration of the West's endangered natural resources, and the ever-presence of violence in the weaponry on display. The BBCW includes the Buffalo Bill Museum, the Plains Indian Museum, the Whitney Western Art Museum, the Draper Museum of Natural History, and the Cody Firearms Museum. The Haunted Westexplores the way that the multiple histories of the American West in these installations disrupt and erupt into the present, like apparitions whose forgotten and suppressed stories return to contest and unsettle familiar contemporary narratives. Through the powerful interplay of presence and absence in its displays, the ethos of the center functions as a haunt for American identity even as it is haunted by horrors of the nation's colonial past. A product of two decades of work, The Haunted West offers a rich interpretive approach to memory spaces everywhere, and museums in particular"--

A comprehensive and richly illustrated survey of one of the most significant and intriguing quilters of the 21st century, featuring 109 color plates of Wells's narrative quilts with intimate commentaries by Wells herself

"William Balâee has studied Amazonian societies and their tropical rainforests over his forty-year career. He is a world-renowned expert on the cultural and historical ecology of the Amazon basin. His 2013 book with The University of Alabama Press, Cultural Forests of the Amazon: A Historical Ecology of People and Their Landscapes, framed a number of his previously published articles (some from what he termed "obscure" journals) with new chapter contributions to present a powerful account of how indigenous people of the Amazon intentionally and rationally transformed the landscapes and managed the resources of the rainforests before Europeans arrived. Sowing the Forest is a companion volume in this model, combining refashioned, previously published articles with new material. It is a work of historical ecology and delves heavily into linguistics. It deals with how, over centuries, Amazonian people and their cultures have interacted with rainforests, making the landscapes of palm forests and other kinds of forests, and how these and related forests have fed back into the vocabulary and behavior of current indigenous occupants of the remotest parts of the vast Amazonian hinterlands. The book describes specific interrelationships between tropical peoples and those landscapes in terms of the forests they live in and manage (rather than adapt to). In general, the volume describes how their language and vocabulary are reflected in the landscape transformations that their ancestors and other past peoples have effected, and in some cases vocabulary has been completely lost because of colonialism. The book is divided into two parts. Part 1, "Substrate of Intentionality," comprises chapters on historical ecology, indigenous palm forests, plant names in Amazonia, origins of the Amazonian plantain, and unknown "Dark Earth People" of thousands of years ago and their landscaping. Balâee notes that these chapters "reflect how the feedback between culture and environment ends up as a complete, coherent, explicable phenomenon in and of itself." In part 2, "Scope of Transformation," Balâee lays out his theory of landscape transformation, which he terms "primary" and "secondary." Primary landscape transformation involves humans effecting complete species turnover, and secondary landscape transformation involves humans effecting partial species turnover. He provides examples of both kinds of landscape transformation and various specific effects. He also compares environmental and social interrelationships, for example, in an Orang Asli group in Malaysia and the Ka'apor people of eastern Amazonian Brazil. Another chapter covers loss of language and culture resulting from primary landscape transformation in the Bolivian Amazon. A final chapter addresses the controversial topic of monumentality (does it exist?) in the rainforest. His on-the-ground research has shown that monumentality indeed exists in great numbers (e.g., Bolivian mounds, the Brazil nut groves of the Xingu Basin, and the Acre geoglyphs), with more examples being discovered apace with deforestation. Balâee ends by emphasizing the common thread in Amazonian historical ecology: the long-term phenomenon of encouraging diversity for its own sake, not just for economic reasons"--

"Frogs and Toads of Alabama is the most comprehensive taxonomy of the anuran fauna gathered since Robert H. Mount's seminal 1975 volume on the reptiles and amphibians of Alabama. This richly illustrated guide provides an up-to-date summary of the taxonomy and life history of frogs and toads both native and introduced to the state. Alabama possesses one of the most species-rich biotas in north temperate areas and this richness is reflected in its frogs and toads. The authors examine all known species within the state and describe important regional variations in each species, including changes in species across the many habitats that comprise the state. Significant field studies, especially of Alabama's species of conservation concern, have been performed and are used to inform discussion of each account. The life-history entry for each species is comprised of scientific and common names, full-color photographs, a morphological description, discussion of habits and life cycle, and a distribution map depicting the species range throughout the state, as well as notes on conservation and management practices. The illustrated taxonomic keys provided for families, genera, species, and subspecies are of particular value to herpetologists. This extensive guide will serve as a single resource for understanding the rich natural history of Alabama by shedding light on an important component of that biodiversity. Accessible to all, this volume is valuable to both the professional herpetologist and the general reader interested in frogs and toads"--