Bøger udgivet af UNIV OF IOWA PR

The Atlas of Iowa examines the state's geography, demographics, agriculture, and political/cultural patterns. Drawing upon archival materials and synthesizing little-known secondary sources, the authors of this thematic atlas have pulled together a comprehensive map series that depicts Iowa's complex, unique story of challenging human-environmental interaction.

"Shane Book's All Black Everything lyrics shine with work and the freedom of young people. Full of menace and humor, objects of warfare and luxury consumption are transformed with his blade of caustic irony against the world-wide nihilism of cash payments, guns, and disease. In their syncopated, slangy, and musically enjambed flow of the digital world, a poet known for singular collections has produced his most inventive and uncompromising volume yet. The political sublime of Caribbean poetics ebb and flood in this contagious new voice of borrowings, hijacking the trap house. An original collection, daring to assume the voice of the system and its death drives, having fun, mixing it up, throwing hands, too. If old pirates rob I, then Shane Book has stolen back something from them. All Black Everything is redemption song"--

"Anthem Speed, Christopher Bolin's third collection with Kuhl House Poets, affirms Bolin's emergence as a singular stylist in 21st century American poetry. By turns austere, gritty, futuristic and visionary, Bolin's poems trace the romance between beauty and destruction like vapor trails, seeming to emerge from nowhere and yielding a lucid, unearthly glow, an evocation of absent presences and scattered signs: "among/ the disinformation of the distress feeds," Bolin writes, "a pilot hears his coordinates/ being called by other planes." Hypnotically lyrical, unfolding as a series of languorous, cascading fragments of song, Anthem Speed evokes the vividly mysterious remnants of a lost civilization. Its preoccupations, though, are unnervingly familiar: war, injustice, brutalization of land, air, water and species, technologies of terror and dehumanization. Simultaneously antique and space-age, inhabiting a world of elemental rites and of artificial imaginations, Anthem Speed tests the acoustics of operating rooms, battlefields, courtrooms and mountainsides, and envisions-with animal acuity-a world imperiled and empowered by its leaders and myths. Surveying a field in which the sacred has been commodified, Bolin's work moves towards re-enchantment, a poetry that preserves and aims to renew possibilities for humane action, and for humility. Anthem Speed scaffolds new ways of thinking, acting, and hungering, and invites us to imagine that "the mind was the seventh summer of an unfound planet; until the mind was the fruit dusted by antlered collisions, below.""--

"The characters in these stories have been forced into conditions of life which they find unbearable, and the stories chart their (often tragically misguided) attempts to relieve their suffering through attempts to connect with other people or through the pursuit of addictive attachments (to opiates in one story, to sleep in another). The collection encompasses diverse genres, from ecologically informed realism ... to a Kafka-esque fairy tale, ... from fabulist 'weird fiction' ... to a meditation on what distinguishes human beings from animals in the form of a re-envisioning of an episode from The Odyssey--this time from a decidedly unheroic perspective. ... The collection also shows stylistic range"--

Readers love to sink into Neil Gaiman's medieval worlds--but what makes them "medieval"? Shiloh Carroll offers an introduction to the idea of medievalism, how the literature and culture of the Middle Ages have been reinterpreted and repurposed over the centuries, and how the layers of interpretation have impacted Gaiman's own use of medieval material.

Lo maps the deprivation and richness of a rural girlhood and offers an intimate portrait of the woman--tender, hungry, hopeful--who manages to emerge. In a series of lyric odes and elegies, Lo explores the notion that we can be partially constituted by lack--poverty, neglect, isolation. The child in the book's early sections is beloved and lonely, cherished and abused, lucky and imperiled, and by leaning into this complexity the poems render a tentative and shimmering space sometimes occluded, the space occupied by a girl coming to find herself and the world beautiful, even as that world harms her.

Part wunderkammer, part grimoire, Maggie Queeney's In Kind is focused on survival. A chorus of personae, speaking into and through a variety of poetic forms, guide the reader through the aftermath of generations of domestic, gendered, and sexual violence, before designing a transformation and rebirth. These are poems of witness, self-creation, and reclam

"An Influencer's World pulls back the curtain and reveals what's behind social media influencing - an exploding and often misunderstood industry. It's an unconventional look at both the business side of influencing and the personal lives of influencers and creators. What's the influencer lifestyle and how do they win their fight for relevance? How do influencers create an authentic brand that catches fire, while still leading an authentic, healthy life? Influencing is a business built around likes and hate creating a big psychological toll for those who choose to play in the game. The purpose of An Influencers World is to get an insider's look at influencing and how the game is played by showcasing a diverse set of voices from within the industry, including interviews with dozens of trending influencers, CEOs and other leading industry insiders, brands, mental health professionals and celebrities. It's a complete picture that explores the business, history, culture, and psychology of influencing like no other book before it"--

2023 Midwest Book Awards in Nonfiction - Nature, winner In a straightforward, friendly style, Iowa's premier scientists and experts consider what has happened to our land and outline viable solutions that benefit agriculture as well as the state's human and wild residents.

Hajar Hussaini's poems in Disbound scrutinize the social, political, and historical traces inherited from one's language. The traces she finds--the flow of international commodities implied in a plosive consonant, an image of the world's nations convening to reject the full stop--retrieve a personal history between countries (Afghanistan and the United States) and languages (Persian and English) that has been constantly disrupted and distorted by war, governments, and media. Hussaini sees the subjectivity emerging out of these traces as mirroring the governments to whom she has been subject, blurring the line between her identity and her legal identification. The poems of Disbound seek beauty and understanding in sadness and confusion, and find the chance for love in displacement, even as the space for reconciliation in politics and thought seems to get narrower.

At once playfully dark and slyly hopeful, Stories No One Hopes Are about Them explores convergences of power, privilege, and place. Big things happen in this collection. But it's also a collection of small intimacies: misremembered names, chipped teeth, and private rituals; unexpected alliances and barely touched knees beneath uniform skirts; minutiae of the natural world; incidents that quietly, achingly, and delightfully transgress the familiar.

Nashville native Drew Bratcher writes musically about memory and memorably about music in uncommonly beautiful essays that announce the arrival of a major new voice. Seamlessly blending memoir and arts criticism and aiming at both the heart and the head, Bub is about listening closely to stories and songs, about leaving home in order to find home, and about how the melodies and memories absorbed along the way become "a living music that advances and prevails upon us at formative moments, corralling chaos into the simple, liberating stockade of verse, chorus, verse."