Bøger udgivet af UNIV OF MINNESOTA PR

The emotional, epic story of James “Cornbread” Harris—a self-proclaimed “blessed dude” and one of Minneapolis’s most influential musicians From the heart of the Minnesota blues comes the story of James “Cornbread” Harris Jr., the songwriter, pianist, and consummate bluesman whose seventy years making music helped to shape the Minneapolis Sound. “I am a blessed dude,” Cornbread tells Andrea Swensson, taking us along on his musical journey from a first “gig” entertaining his fellow soldiers during World War II to his subsequent years playing music for audiences across Minnesota. Following Cornbread’s extraordinary life story, Deeper Blues is a unique history of Minnesota music that evolves into a heartfelt tale of reconciliation and forgiveness, all to the tune of the legendary musician’s signature sound. Cornbread’s career started in the 1950s, when he played with the Augie Garcia Quintet and cowrote their hit “Hi Ho Silver.” A tireless entertainer, he has been performing live ever since, influencing an entire generation of musicians credited with putting Minneapolis on the map in the 1980s—including his long-estranged son, Grammy-winning Rock and Roll Hall of Famer James “Jimmy Jam” Harris III. Going beyond the music, Deeper Blues turns toward family, atonement, and peace when Cornbread reunites with Jimmy Jam after a five-decade separation and they perform together on stage. Through conversations with Cornbread, Jimmy Jam, and many others, Swensson reveals a story of perseverance and unfailing grace, a firsthand account of making music in the face of racism and segregation, and a hard-won acceptance of the personal sacrifices that are often required when dedicating one’s life to making music. As the man himself says, “All of my hardships ended up to be blessings.” A rich mix of present-day anecdotes and historical vignettes, animated by voices from Cornbread’s life and the Twin Cities music scene, underscored by the bluesman’s original lyrics of heartache and hope, and featuring never-before-seen photographs of Cornbread and Jimmy Jam, Deeper Blues tells a singular story—one imprinted on the history, heart, and soul of the Minneapolis Sound.

Formative writings by French avant-garde filmmaker Chris Marker   It is hard to imagine French cinema without La Jetée (1962), the time-travel short feature by the reclusive French filmmaker Christian François Bouche-Villeneuve, better known as Chris Marker. He not only influenced artists ranging from David Bowie to J. G. Ballard but also inspired the cult film 12 Monkeys. Marker’s influence expanded beyond his own films through his writings for the French monthly Esprit as well as anthologies and newly founded film publications.   This first English translation of Marker’s early writings on film brings together reviews and essays, published between 1948 and 1955, that span the topics of film style, adaptation, and ideology, as well as animation and the debates surrounding 3-D and wide-screen technologies, ranging from late silent-era films to postwar Hollywood’s efforts to contend with the rise of television. Readers will find commentary on Laurence Olivier’s 1944 screen adaptation of Henry V, a scathing review of Robert Montgomery’s Lady in the Lake (1947), critiques of Walt Disney productions, a discussion of the pitfalls of prioritizing commercial success over aesthetic values, and more.   An indispensable resource for cinephiles and scholars alike, these texts document the emergence of Marker’s critical voice and situate him alongside such contemporaries as André Bazin and Eric Rohmer, as well as the future French New Wave figures Jean-Luc Godard and François Truffaut. They show how his remarks on individual films open onto his engagement with films as social and cultural phenomena.

"When Gary Goodman wandered into a run-down, used-book shop that was going out of business in East St. Paul in 1982, he had no idea the visit would change his life. In The Last Bookseller Goodman describes his sometimes desperate, sometimes hilarious career as a used and rare book dealer in Minnesota-the early struggles, the travels to estate sales and book fairs, the remarkable finds, and the bibliophiles, forgers, book thieves, and book hoarders he meets along the way. As both a memoir and a history of booksellers and book scouts, criminals and collectors, The Last Bookseller offers an ultimately poignant account of the used and rare book business during its final Golden Age"--

"Margie Robineau, fighting for her family's long-held allotment land, uncovers events connected to a long-ago escape plan, and the burial--at once figurative and painfully real--of not one crime but two. While Margie pieces the facts together, Dale Ann is confronted by her own tightly held secrets and the truth that the long ago and the now are all indelibly linked, no matter how much we try to forget"--

This delightful storybook by the incomparable d’Aulaires, based on a poem by Hans Christian Andersen, will charm a whole new generation of little readers Don’t count your chickens before they hatch, as the saying goes—but what about counting your eggs?! A woman with a good little house, a cat and a dog, and a fine hen who lays an egg every day (and even with a rooster who crows as if he’d laid the egg) sets off for town with a basket of fresh eggs. How much will she get for them? the woman wonders. Soon she is dreaming and scheming and beaming, counting the eggs and the coins they will fetch . . .  and the hens the money will buy . . . and the eggs the new hens will lay! What bounty those eggs will bring her!  She will buy two geese and a little lamb, which will give her wool . . . why not? Wait and see what happens in this playful take on a beloved Hans Christian Andersen poem. A true classic, Don’t Count Your Chicks brings a timeless story to vivid life with all the old-world charm, humor, and brilliant colors that have made so many of the d’Aulaires’ children’s books perennial favorites.

Six-year-old Sam, with his Liberian dad and African American mom, finds a way to bring everyone in his cross-cultural family together at the dinner tableRice and okra soup: Sam’s auntie from Liberia made it, and it’s Dad’s favorite. Mom, homegrown in Minnesota, made spaghetti and meatballs. And Sam? He’s just hungry, but no matter what he chooses to eat, someone will be disappointed. Caught in the middle of his family’s African and American food fight, Sam gets a little help from his grumbling stomach—and readers of this seriously funny book by Shannon Gibney get a peek at cultures colliding in a family kitchen that work out in a very delicious way. Charly Palmer’s vibrant and captivating illustrations make this gentle lesson in getting along a bright and colorful visual feast as well.Cassava leaf torbogee or homemade sausage pizza? Sam’s family recipes bring Sam and the Incredible African and American Food Fight to an apt and happy ending—and readers can decide which dinner is best. But, really, why not both?

This is a musician’s tale: the story of a boy growing up on the Iron Range, playing his guitar at family gatherings, coming of age in the psychedelic seventies, and honing his craft as a pro in Minneapolis, ground zero of American popular music in the mid-eighties. “There is a drop of blood behind every note I play and every word I write,” Paul Metsa says. And it’s easy to believe, as he conducts us on a musical journey across time and country, navigating switchbacks, detours, dead ends, and providing us the occasional glimpse of the promised land on the blue guitar highway.His account captures the thrill of the Twin Cities when acts like the Replacements, Husker Dü, and Prince were remaking pop music. It takes us right onto the stages he shared with stars like Billy Bragg, Pete Seeger, and Bruce Springsteen. And it gives us a close-up, dizzying view of the roller-coaster ride that is the professional musician’s life, played out against the polarizing politics and intimate history of the past few decades of American culture. Written with a songwriter’s sense of detail and ear for poetry, Paul Metsa’s book conveys all the sweet absurdity, dry humor, and passion for the language of music that has made his story sing.

The son of a Black mother and white father overcomes family trauma to find the courage of compassion in veterinary practice Rising to accept a prestigious award, Jody Lulich wondered what to say. Explain how he’d been attracted to veterinary medicine? Describe how caring for helpless, voiceless animals in his own shame and pain provided a lifeline, a chance to heal himself as well? Lulich tells his story in In the Company of Grace, a memoir about finding courage in compassion and strength in healing—and power in finally confronting the darkness of his youth.Lulich’s white father and Black mother met at a civil rights rally, but love was no defense against their personal demons. His mother’s suicide, in his presence when he was nine years old, and his sometimes brutal father’s subsequent withdrawal set Lulich on a course from the South Side of Chicago to the Tuskegee School of Veterinary Medicine in Alabama to an endowed chair at the University of Minnesota, forever searching for the approval and affection that success could not deliver. Though shadowed by troubling secrets, his memoir also features scenes of surprising light and promise—of the neighbors who take him in, a brother’s unlikely effort to save Christmas, his mother’s memories of the family’s charmed early days, bright moments (and many curious details) of veterinary practice. Most consequentially, at Tuskegee Lulich rents a room in the home of a seventy-five-year-old Black woman named Grace, whose wholehearted adoption of him—and her own stories of the Jim Crow era—finally gives him a sense of belonging and possibility.Completing his book amid the furor over George Floyd’s murder, Lulich reflects on all the ways that race has shaped his life. In the Company of Grace is a moving testament to the power of compassion in the face of seemingly overwhelming circumstances.

"The Streel is the story of Brigid Reardon and her brother Seamus, who leave Ireland in 1880 and make their way across the United States. Brigid ends up working at a mansion on Summit Avenue in St. Paul and Seamus continues on to Deadwood, SD to find his fortune. Shortly after, Brigid goes out to meet him, arriving on Christmas Eve only to find a young woman dead the next morning outside of Seamus' house. Because he is suspected of the murder, Seamus goes on the run and Brigid decides she must stay in Deadwood and clear his name"--

One Good Story, That One is a collection steeped in native oral tradition and shot through with Thomas King’s special brand of wit and comic imagination. These highly acclaimed stories conjure up Native and Judeo-Christian myths, present-day pop culture, and literature while mixing in just the right amount of perception and experience..

"Originally published in French as Au bonheur des morts, Râecits de ceux qui restent. Copyright âEditions La Dâecouverte, Paris, 2015, 2017."

"In prose that is evocative and sensual, unabashedly queer and visceral, raw and autobiographical, Joshua Whitehead writes of an Indigenous body in pain, coping with trauma. Intellectually audacious and emotionally compelling, Whitehead shares his devotion to the world in which we live and brilliantly-even joyfully-maps his experience on the land that has shaped stories, histories, and bodies from time immemorial"--

Previously published in English as: Tribute to Lotte Eisner.