Bøger udgivet af UNIV OF NORTH TEXAS PR

In western New Mexico in 1905 there rode a notorious outlaw from the Mexican border named Henry Coleman. With a Colt .45 strapped to his hip, Coleman (alias Street Hudspeth from the well-to-do Texas family) came to be either despised as a deceitful rustler and ruthless murderer or admired as a man of honor and great courage, a popular and charismatic cowman who was fast with a gun. No one seemed indifferent. In less than a decade, Coleman, who was fluent in Spanish and popular with many of the Hispanics of the area, became as famous in the western part of the state as Billy the Kid was in Lincoln County. Sheriff Elfego Baca of Socorro County, who was careful not to confront Coleman, referred to him as the last of the "bad men of New Mexico." Especially spellbinding are the recollections of how Coleman came to be associated with several murders. Also intriguing is how he died so violently at the hands of a posse of cattlemen in October 1921. From her ranch on Largo Creek, not far from where Coleman was said to have committed more than one murder, Eleanor Williams worked hard to interview anyone who had known him or had any knowledge of his daring deeds. Williams first published Coleman's story in the New Mexico Electric News, a monthly electrical co-op magazine, from 1964 to 1965. Award-winning historian Jerry Thompson edited and annotated it with additional historical context; also included is a short biography of Williams by her daughter, Helen Cress.

"This collection is a record of one man's navigation of loss, addiction, and labor. At once a meditation on the allure of a legacy in self-destruction and a giving over to hope, Felling is an exploration in honesty. Rendered in direct language and through clear eyes, this book, as its title indicates, is concerned with tensions of agency, creation, and destruction- upward and downward motion. "After the 1940 publication of Native Son, Richard Wright shared some of his stylistic goals in the novel. 'I wanted the reader to feel that Bigger's story was happening now,' he writes, 'like a play upon the stage or a movie unfolding upon the screen. Action follows action, as in a prize fight.' Kelan Nee's poetry delivers the immediacy and punch that Wright demanded of literature. Nee has the head for poetry, the heart for poetry, and above all, the guts. This debut collection holds back nothing and leaves me reeling with high hopes for Nee's future in the craft."-Gregory Fraser, judge and author of Designed for Flight and Answering the Ruins "

Write and Communicate Like a Professional is for the introductory technical writing student seeking to improve their writing and communication. The book covers how to improve professional style and tone, develop professional documents, work in teams, and plan and execute multiweek projects. It also includes various types of professional writing-such as letters, texts, handbooks, reports, agendas, press releases, and newsletters-while focusing on those communication forms used most often: emails, memos, and short reports. Professional writing is typically divided into three categories. First, instructional writing seeks to tell someone how to do something via, for example, employee handbooks, videos, infographics, and memos outlining new office procedures. Second, informational writing provides information about a specific subject, such as in reports, financial statements, meeting minutes, or a memo outlining changes in management. Lastly, persuasive writing seeks to convince someone to take a desired action through proposals, press releases, advertisements, and memos requesting cooperation.Authors Kathryn Raign and Jake VanderVaate also cover such important communications skills as collaborative writing in a chapter on sharing and giving feedback-especially if the feedback is a difficult message to deliver-in a chapter on responding. With clear graphics, clever problem-solution rubrics, and the latest coverage of informal technical writing delivered through social media formats of email and text, Write and Communicate Like a Professional is essential reading for your professional success.

When Ella Szabó fled her homeland during the Hungarian Revolution of 1956, she never dreamed that someday she would become a member of the US Olympic swimming team, an accomplished baker in America, and the author of a cookbook about Hungarian desserts. But a chance encounter with a fellow Hungarian in Connecticut led to Ella's becoming the custodian of a collection of heirloom recipes that form the core of this book. More than fifty recipes tell you how to bake Hungarian tortes, cookies, pastries, and cakes, from elegant old-world pastry-shop classics like Linzer Torte and Esterhazy Torte to easy homestyle desserts, many of them from recipes that have never been published before. Try your hand at delicate nut-flour tortes made from walnuts, almonds, and hazelnuts: Almond Meringue Torte with Coffee-Cream Filling, Walnut Wedding Torte with Hazelnut Filling, and Chocolate Roulade with Hazelnut Cream. Enjoy easy-to-make Hungarian Almond Biscotti, Orange Kugelhopf, and Cherry Sponge Cake. And delight in devouring Walnut-Apricot-Lemon Bars, traditional Hungarian Cheese Biscuits, and Beigli, a festive Hungarian pastry roll filled with walnuts or poppy seeds, always eaten at Christmas. You'll also find a complete section on ingredients, equipment, and techniques, as well as several historical and contemporary photographs. And a bonus: most of the recipes for nut-flour tortes are naturally gluten-free.

"The stories in What Did You Do Today? explore the ordinary and the offbeat as if they were one and the same, asking what it's like to be alive and what makes us human. With warmth, humor, and wonder, these stories suggest that the past is always alive in the present and that even the most fleeting relationships have the power to change us forever. In these short narratives, nothing is negligible, and all experience is transformative. "--

"On November 22, 1963, the author of Behind the Scenes was a young Dallas Times Herald reporter who sprinted from his newspaper desk to Dealey Plaza minutes after shots were fired at President John F. Kennedy. Thus began Darwin Payne's close involvement in covering one shocking event after another on this history-making weekend. Eyewitnesses he found at Dealey Plaza included Abraham Zapruder, who insisted from the first moments that the president could not have survived the serious wounds he had seen so clearly through his camera viewfinder. Payne interviewed detectives outside the School Book Depository that early afternoon as they brought down evidence of the shooter's location, as well as his rifle, and he was among several journalists taken to the assassin's sixth-floor window from where fatal shots had been fired. Before the day ended, Payne was in the Oak Cliff rooming house where the suspect had been living briefly apart from his Russian wife, Marina. Payne learned that the alleged assassin, now in police custody after being charged with the murder of officer J. D. Tippit, was known as O. H. Lee instead of Lee Harvey Oswald. On Payne's regular Saturday night police-beat duty, he was among the growing number of assertive journalists from throughout the nation who saw and heard Oswald being led to and from his jail cell to the homicide office for interrogation. As detectives pushed their way with him through the crowd of reporters, he responded to their questions with defiant claims of innocence. The mind-boggling weekend was still not over, for the next morning nightclub owner Jack Ruby shot and killed Oswald. Behind the Scenes presents a compelling, intimate account of a hometown reporter who found himself involved in one of America's greatest tragedies"--

Although spare, sweeping landscapes may appear "empty," plains and prairies afford a rich, unique aesthetic experience--one of quiet sunrises and dramatic storms, hidden treasures and abundant wildlife, infinite horizons and omnipresent wind, all worthy of contemplation and celebration. In this series of narratives, photographs, and hand-drawn maps, Tyra Olstad blends scholarly research with first-hand observation to explore topics such as wildness and wilderness, travel and tourism, preservation and conservation, expectations and acceptance, and even dreams and reality in the context of parks, prairies, and wild, open places. In so doing, she invites readers to reconsider the meaning of "emptiness" and ask larger, deeper questions such as: how do people experience the world? How do we shape places and how do places shape us? Above all, what does it mean to experience that exhilarating effect known as Zen of the plains?

"US Air Force Forward Air Controllers (FACs) bridge the gap between air and land power. They operate in the grey area of the battlefield, serving as an aircrew who flies above the battlefield, spots the enemy, and relays targeting information to control close air support attacks by other faster aircraft. When done well, Air Force FACs are the fulcrum for successful employment of air power in support of ground forces. Unfortunately, FACs in recent times have been shunned by both ground and air forces, their mission complicated by inherent difficulty and danger, as well as by the vicissitudes of defense budgets, technology, leadership, bureaucracy, and doctrine. Eagles Overhead is the first complete historical survey of the US Air Force FAC program from its origins in World War I to the modern battlefield. Matt Dietz examines their role, status, and performance in every US Air Force air campaign from the Marne in 1918, World War II, Korea, Vietnam, and finally Mosul in 2017. With the remaking of the post-Vietnam US military, and the impact of those changes on FAC, the Air Force began a steady neglect of the FAC mission from Operation Desert Storm, through the force reductions after the Soviet Union's collapse, and into the post 9-11 wars in Iraq and Afghanistan. Eagles Overhead asks why FACs have not been heavily used on US battlefields since 2001, despite their warfighting importance. Dietz examines the Air Force FAC's theoretical, doctrinal, institutional, and historical frameworks to assess if the nature of air warfare has changed so significantly that the concept and utility of the FAC has been left behind. From these examinations, Eagles Overhead draws conclusions about the potential future of Air Force FACs"--