Bøger udgivet af UNIV PR OF FLORIDA

Michèle Hayeur Smith uses Viking textiles as evidence for the little-known work of women in the Norse colonies that expanded from Scandinavia across the North Atlantic in the 9th century AD.

"This book illuminates how collaborations between dancers and painters shaped Mexico's postrevolutionary cultural identity, tracing this relationship throughout nearly half a century of developments in Mexican dance from the 1920s to the 1960s"--

Beginning in 1816, the American Colonization Society worked to send American blacks to resettle in Africa. From inception, however, its foundational ethos has been debated. These debates continued long after the effective end of the ACS during WWI through the Civil Rights movement to today, when even historians among the Press's own authors respectfully hold opposing views. In this volume, Beverly Tomek and Matthew Hetrick gather essays from scholars with different opinions and divergent methodologies, offering not only new research to address some of the old questions about American colonization and missionary activities but also new questions to spur further debate.

In Eating in the Side Room, Mark Warner uses the archaeological data of food remains recovered from excavations in Annapolis, Maryland, and the Chesapeake to show how African Americans established identity in the face of pervasive racism and marginalization.

This book examines the complexities of life for African Americans in Virginia's Shenandoah Valley from the antebellum period through Reconstruction, showing how enslaved and free African Americans resisted slavery and supported the Union war effort in a borderland that changed hands frequently during the Civil War.

"Key West is an island steeped in lore, from Hemingway to Fantasy Fest, but behind the façade of Margaritaville lie buried tensions and conflicts in need of examination. Kerstein provides a much-needed dose of reality in the form of a masterfully researched study of the island's tourism industry, from the shadowy power brokers who pull the strings to the underpaid workers who serve the drinks. From seedy bars to trendy discos, Kerstein has managed to capture the improbable mixture of this strange island, while offering a cautionary tale of tourism run amok."--Robert Lee Irby, author of 7,000 Clams "An exemplary study and a cautionary tale that should be read by everyone interested in the suicidal course of a society driven by an irrational and self-destructive compulsion to erase differences in the pursuit of the almighty dollar."--Brewster Chamberlin, author of Mario Sanchez: Once Upon a Way of Life "Refreshingly accurate account of how Key West invented the Conch Republic tourist economy from the ruins of the closed military complex. Highly recommended."--Tom Hambright, Monroe County Historian "For anyone who has visited Key West or hopes to do so one day, Bob Kerstein provides a splendid history of the larger-than-life people and powerful social forces that shaped this unique American city into what it is today. He chronicles the decades-long struggle and mixed success of Key West's efforts to avoid the homogenization that seems inevitably to accompany large-scale tourism."--Scott Keeter, Pew Research Center "Bob Kerstein's urban history of the 'Conch Republic' charts the evolution of Key West's quirky, nonconformist charm but also teases out long-running conflicts between its embrace of tourism and defense of authenticity. Alongside fascinating chronicles of the characters and capers that have made this city unique, Key West on the Edge presents a sobering consideration of the ways larger economic forces create tensions between the global and local, modernity and heritage, the power of the market and the power of place."--Rosemary Jann, George Mason University

Inside the reinvention of Florida politics "If I were asked to recommend just one book about my state that would remind us all of the power of real policy and real leadership, I would recommend this one. This is a fascinating history, with lessons for all of us, written by one of the best journalists this state has ever known."--David Lawrence Jr., publisher, Miami Herald (retired) "Perhaps no one alive has a better vantage point to write this book than Martin Dyckman. As Florida's premier legislative reporter in the 1960s-1980s, Dyckman covered the people and policies discussed here, and his skilled, smooth, fast-paced writing style shines through."--James M. Denham, director, Lawton Chiles Center for Florida History, Florida Southern College Reubin Askew was swept into the governor's office in 1970 as part of a remarkable wave of progressive politics and legislative reform in Florida. A man of uncompromising principle and independence, he was elected primarily on a platform of tax reform. In the years that followed, Askew led a group of politicians from both parties who sought--and achieved--judicial reform, redistricting, busing and desegregation, the end of the Cross Florida Barge Canal, the Sunshine Amendment, and much more. This period was truly a golden age of Florida politics, and Martin Dyckman's narrative is well written, fast paced, and reads like a novel. Dyckman also reveals how the return of special interests, the rise of partisan politics, unlimited campaign spending, term limits, gerrymandering, and more have eroded the achievements of the Golden Age in subsequent decades. Martin A. Dyckman, retired associate editor of the St. Petersburg Times, is the author of Floridian of His Century: The Courage of Governor LeRoy Collins and A Most Disorderly Court: Scandal and Reform in the Florida Judiciary. His series on Florida prison conditions circa 1971 won the Distinguished Service Award of the Florida Society of Newspaper Editors, the Silver Gavel of the American Bar Association, and the Associated Press Managing Editors Association Public Service Award. In 1984, the Florida Bar Foundation recognized his writing on judicial reform with its Medal of Honor Award.

The story of Frank and Ivy Stranahan, two individuals who shaped the development of one of Florida's major urban centers.

"Powerfully illustrates that Bahia has a vibrant black political history worthy of documentation, re-centering the scholarship on race and politics to the northeast where the black population is the majority."--Keisha-Khan Y. Perry, author of Black Women against the Land Grab: The Fight for Racial Justice in Brazil "English-language work has rarely paid such attention to discourses in Afro-Brazilian communities on civil society inclusion and the process of democratization. This book is a significant contribution to understanding that movement for change and social justice."--Clarence Lusane, author of The Black History of the White House Brazil's black population, one of the oldest and largest in the Americas, mobilized a vibrant antiracism movement from grassroots origins when the country transitioned from dictatorship to democracy in the 1980s. Campaigning for political equality after centuries of deeply engrained racial hierarchies, African-descended groups have been working to unlock democratic spaces that were previously closed to them. Using the city of Salvador as a case study, Kwame Dixon tracks the emergence of black civil society groups and their political projects: claiming new citizenship rights, testing new anti-discrimination and affirmative action measures, reclaiming rural and urban land, and increasing political representation. This book is one of the first to explore how Afro-Brazilians have influenced politics and democratic institutions in the contemporary period. Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

A decade ago, Johnny Molloy spent months canoeing, kayaking, and camping in Everglades National Park, paddling more than 500 miles in one season to research the first edition of A Paddler's Guide to Everglades National Park. Last year he returned and did it all again in order to comprehensively update this ultimate authority to the park's designated paddling routes.

Eighteen of Florida's best-loved writers here share with you their affection for Florida's wild side--the beautiful heart of a state under siege from development. Carl Hiaasen, Randy Wayne White, Al Burt, Patrick Smith, the late Archie Carr, and others evoke a Florida thick with pinewoods, alligators, and palmetto scrub; ribboned by miles of coast and dune; blessed with backcountry lakes, rivers, creeks, and springs. Strip malls and concrete cannot tame this wild Florida, but they can kill it. These essays offer passionate argument why that should not be allowed to happen. Coming from a variety of backgrounds--fiction, journalism, poetry, and environmental writing--the writers turn their talent to one thing they have in common--a love for Florida's natural beauty and a commitment to preserve it. Their essays--some old favorites, most appearing here for the first time--are both a celebration and a pointed reminder of what we stand to lose. Many of the areas singled out (the Lake Wales Ridge, the Panhandle's Topsail Hill, Goethe State Forest, and Tampa's Brooker Creek) were purchased through Florida's Preservation 2000, one of the nation's foremost land acquisition programs. All royalties from the book are being donated to the Florida chapter of The Nature Conservancy.Printed on recycled paper with soy ink.Jeff Ripple, natural history writer and photographer, is the author of five books of interpretive natural history, including Sea Turtles, Florida--The Natural Wonders, and Southwest Florida's Wetland Wilderness: Big Cypress Swamp and the Ten Thousand Islands (UPF, 1996). He lives in Gainesville, Florida.Susan Cerulean, writer and biologist, is co-author of Florida Wildlife Viewing Guide. In 1997, the Governor's Council for a Sustainable Florida honored her with an Individual Environmental Educator Award. She lives in Tallahassee, Florida.

This volume collects, for the first time, the twenty-three published short stories of the Pulitzer Prize-winning novelist, Marjorie Kinnan Rawlings. Scribner's printed Rawlings's first short story, "Cracker Chidlings," in 1931, just three years after she moved to an orange grove in the backwoods of north-central Florida. With a mix of frontier morality, ingenuity, and humor, the story introduced readers to Fatty Blake's squirrel pilau and 'Shiner Tim's corn liquor. Just as important, it brought her work to the attention of Maxwell Perkins, who recognized her talent for storytelling and her eye for detail and who encouraged her to capture human drama in more "Cracker" stories. Often at her best combining satire and sarcasm, Rawlings is merciless in "Gal Young 'Un" as she bores in on two women, both competing for the same man and struggling for their dignity. The story, published in Harper's, was awarded the O. Henry Memorial Prize for best short story of 1932 and was made into a prize-winning movie in 1979. Her most autobiographical story, "A Mother in Mannville," describes the sense of personal loss endured by a childless woman writer. She also wrote a series of comic stories that featured Quincey Dover, her alter ego.

Idella Parker's recollections of Marjorie Kinnan Rawlings are as intimate and frank as their ten years together. This long-awaited memoir, written by the black woman who was cook, housekeeper, and comfort to the famous author from 1940 to 1950, tells two stories - one of their spirited friendship, the other of race relations in rural Florida in the days before integration. Personal details - Marjorie's abandon behind the wheel of her cream-colored Oldsmobile, her boiled egg for breakfast, her shoe size, and her penchant for wearing mismatched ankle socks - accompany accounts of visits from Julia Scribner and Zora Neale Hurston, of Marjorie's unconventional marriage to Norton Baskin, and of their moves back and forth from Cross Creek to St. Augustine, Florida, and to Van Hornesville, New York. Idella describes Marjorie's work habits on the porch at Cross Creek - as time went by, she notes, a whiskey bottle, wrapped in a paper bag, often sat alongside the typewriter. By turns kind and generous, moody and depressed, Rawlings emerges as a woman of contrasts - someone "with few friends and many visitors . . . who seldom smiled". Promises to stop drinking were made and broken repeatedly, and Rawlings' emotional demands on Idella escalated. Idella quit working for her three times, leaving for good three years before Rawlings' death. "I loved her then, and I love her still, but what could I do?" she asks. Idella's own life is part of this memoir, too, as she describes her courtship and marriage, her family lineage back to Nat Turner, and what it was like to grow up in a segregated society.