Bøger udgivet af University of Alberta Press

In there's more, Uchechukwu Peter Umezurike takes on the rich concepts of home and belonging: home lost and regained, home created with others and with the land, home as "anywhere we find something to love." Giving voice to the experiences of migrant and other marginalized citizens whose lives society tends to overlook, this collection challenges the oppressive systems that alienate us from one another and the land. Carefully built lyric meditations combine beauty and ugliness, engaging with violence, and displacement, while seeking to build kinship and celebrate imagination. Weaving domestic and international settings, salient observation and potent memory, Umezurike immerses the reader in rich, precise imagery and a community of voices, ideas, and recollections. there's more navigates immigrant life with a multifaceted awareness of joy, melancholia, loss, and hope.Sales Tips: -Uchechukwu Peter Umezurike takes on the rich concepts of home and belonging: home lost and regained, home created with others and with the land, home as "anywhere we find something to love."-The sense of longing that permeates the collection appeals to those who have had to leave a homeland behind, or whose ancestors have done the same, and who navigate their new lives with a multifaceted awareness of joy, melancholia, loss, and hope.-Umezurike examines themes of alienation, migration, citizenship, belonging, diaspora, and racial and social justice. -Some of the poems look at the realities of marginal lives in society; others explore questions about dispossession and the violence of extractive industries. -One of the great strengths of there's more is the poet's use of personal experience to present carefully arranged challenges to oppressive systems. -Umezurike's work connects with a long line of Canadian BIPOC poets who work within the autobiographical lyric form against monolithic, colonial notions of belonging, from George Elliott Clarke to Dionne Brand to Sky Dancer. -Weaving domestic and international settings, salient observation and potent memory, Umezurike immerses the reader in rich, precise imagery and a community of voices, ideas, and recollections.-The poet presents magnificently compact, moving, and beautiful lyric observations, combining well-shaped rhythms, images, and phrases with vernacular.-Umezurike interrogates the possibility (and the necessity) of holding multiple homes, and in a time of vastly increased displacement and immigration, this is a crucial topic. -Overall, the abiding question of the collection is how othering surfaces and perpetuates in our lives, in ways that alienate us from one another, from what it means to be human, and from the natural world that is our home. It also explores ways of building community. At the end of the day, it's a book that looks at what can be overcome in bringing people together, rather than pushing them apart.>Audience: -Readers of poetry and Canadian literature, particularly those who seek out, celebrate, and engage with autobiographical lyric work.-Readers who come from communities directly impacted by racism and their allies: the poems speak to issues of racial and social justice that fragment, as well as to a deep search for belonging and relationship.

A broad range of Canadian health care workers recount their experiences of the COVID-19 pandemic in prose and poetry.

Hekmat Al-Taweel's narrative sheds light on Muslim-Christian relationships in Gaza and contradicts Western stereotypes.

Sonja Ruth Greckol's Monitoring Station enters a slipstream of space and planetary language, circling time, embodying loss and longing, generating and regenerating in a faltering climate. Orbiting through a mother's death, a grandbaby's birth, and a pandemic summer, these poems loop and fragment in expansive and empathetic ways. The title poem locates a settler voice revisiting Treaties 6 and 7 and the Métis lands of her Alberta childhood, while the overall collection is tethered to Toronto shadowed by northland prairie. Nimble, energetic, and challenging, the book engages a dense kind of poetic thinking about belonging and responsibility to people and place, within both recent history and far-flung cosmic realities. Falling squarely within a Canadian feminist experimental lyric trajectory, and grounded in bodily, personal, and political experience, Monitoring Station embodies the passage of a damaged world across generations.Sales Tips: - Greckol is an established writer with three previous collections of poetry.- Monitoring Station is a Möbius strip of a book, navigating between the anchors of mothering/daughtering, a settler interrogation of place and history, and a chronicling of the fragmented first year of the COVID-19 pandemic. - Greckol purposefully engages a dense kind of poetic thinking to examine connections between what's come before, what's happening now, and what's coming next. - The book's stress on mothers and daughters and granddaughters is carefully partnered with a doubled view of our place, now, when settler cultures are finally being forced to think through their (our) own privileges, when COVID has highlighted the economic and structural inequalities existent in the setup of a global north vs. global south, and when climate change threatens to expose the blindness at the heart of contemporary capitalist systems. - Falling squarely within a Canadian feminist experimental lyric trajectory, and grounded in bodily, personal, and political experience, Monitoring Station embodies the passage of a damaged world across generations.>Audience: - It will appeal to readers of contemporary poetry who are attracted to conceptual, feminist, and eco-poetic models; to readers seeking to parse the pandemic in an intelligent, thoughtful way; to readers looking to interrogate their own place on treaty lands as settlers, or the violence enacted on BIPOC bodies around the world.- Readers will praise its attention to detail, celebrate its willingness to face difficult truths, and applaud its spirit of experimental lyricism.- The work is also connected to the central CanLit tradition of autobiographical free-verse lyricism.

How to Clean a Fish describes an extended family stay in Portugal, full of food, adventure, and the search for home. Offered the opportunity to live in Costa da Caparica for an extended period, Esmeralda Cabral jumped at the chance to return to the country of her birth. Together with her Canadian-born husband, children, and Portuguese Water Dog, Maggie, Cabral makes new and nostalgic discoveries--a labyrinth of cobblestone alleys and beautiful painted tiles, a delicious bica and pastel de nata, a classic fado concert, the gentle ribbing of local fishmongers, a damaging high tide--translating words and emotions for her family along the way. Packed with local cuisine and customs, tales of language barriers and bureaucracy, and threaded with that irresistible need to connect with the culture of our birth, How to Clean a Fish is for readers curious about life in Portugal and for anyone who has moved from one place to another and is seeking their own version of home.Sales Tips: - The author's family immigrated from Portugal to Canada in 1969, just as she started elementary school. - How to Clean a Fish chronicles Cabral's return to Portugal with her Canadian-born family and Portuguese Water Dog, Maggie. - It's an easy, engaging read about an extended family stay in Portugal, full of food, adventure, and colourful local characters.- Coastal mainland Portugal is a wonderful setting and Portugal is a hot tourist destination.- This is an exploration of identity and the theme of "home." - It's a story about the irresistible need to connect with the culture of her birth, and the desire to pass on her heritage to her children. - This book straddles several genres: travelogue, food, and memoir.>Audience: - Readers of travel writing, especially those who are interested in Portugal and its culture. - Portuguese Canadians curious about the country of their heritage and ancestral homeland.- People who have lived or aim to live in a foreign country for long periods of time with or without knowledge of the native language. - People who enjoyed Peter Mayle's Provence series, Frances Maye's Tuscany series, and Diana Marcum's The Tenth Island.- "Foodies" and dog lovers will like it too!

This exhibition catalogue traces a group of dynamic Chinese merchants and their business activities in big cities and small towns in Western Canada after they arrived from China, covering the mid-nineteenth century into the millennium. Their movements are illustrated on various maps and chronicled in many written accounts. By managing the flow of people, products, and money at the municipal, provincial, and global levels, these individuals added to the growth of the Canadian economy. Over a span of two years, curator Helen Kwan Yee Cheung met with these merchant families to record their migration footprints and eventual settlement. The catalogue features rare archival materials and valuable memorabilia, collected over a period of ten years, many of which were donated by the families featured in this publication. Through these efforts, she captures the heritage of Chinese merchants in Western Canada and fills a missing page in the region's history.

Explores efforts of rural citizens to counter intolerance, build inclusive communities, and become better neighbours.

Izdryk's Wozzeck is one of the masterpieces of contemporary Ukrainian literature and a cult classic for the Ukrainian 1990s generation. Discerning at the dusk of romanticism the thickening gloom of an ever more godless age, in 1836 Georg Buchner dramatized the story of the hapless and homicidal barber Woyzeck. On the ruins of an old Europe destroyed by the First World War, Alban Berg gave Buchner's hero voice in the shrieks and moans of his atonal opera, Wozzeck. In the 1990s, Yuri Izdryk, in turn, has made Wozzeck the Everyman of the turn of the third millennium. Anguished and disoriented, betrayed by love and the frailties of his body, Izdryk's Wozzeck is a victim of the phantoms of his mind and of the grotesque society that excludes him. In a world where nothing is certain but pain, he gropes vainly for an Other and for the solaces of knowledge and belief. Fortunately for the reader, his tragedy and his comedy play out in a tour de force of a novel that gleams with dark satire and revels in ingenious metaphors for the modern human condition.

This collection brings together ten studies by scholars from various countries on a wide array of topics related to the history, culture, and ritual practice of Eastern Christians in the Habsburg Empire from the eighteenth to early twentieth century. This book represents a contribution to the development of newer perspectives on the Habsburg Monarchy emerging in recent years. These newer tendencies seek to understand the dynamics of the Monarchy's pluralism by marrying local and transnational analyses and examining shared experiences across crown lands within the context of the empire. This approach proves to be valid for the religious pluralism of the Habsburg Empire, where self-professed confessional identity could not be delimited either within a crown land or within a specific ethnic milieu. The studies in this volume explore just such shared practices and experiences encompassing a larger collection of territories within the Monarchy by focusing on those areas that contained large numbers of Christians whose faith and rituals derived from Byzantium rather than Rome, that is, Eastern Orthodox and Greek Catholics (Uniates). The volume also aims to provide a corrective in Eastern Christian studies by looking outside Russia and Greece at the often hybrid practices and cultural and religious experiences of Europe's westernmost Orthodox and Byzantine Catholic faithful. Several chapters deal with the sacral art of the Habsburg Monarchy's Ukrainians and Rusyns.- Ten studies on the history, culture, and ritual practice of Eastern Christians in the Habsburg Empire.- The contributing scholars are from various countries and the chapters cover a wide array of topics in the period from the eighteenth to early twentieth century. - This book represents a contribution to the development of newer perspectives on the Habsburg Monarchy. The contributors seek to understand the dynamics of the Monarchy's pluralism through local and transnational analyses as well as across different ethnic groups.- The studies in this volume focus on areas that contained large numbers of Christians whose faith and rituals derived from Byzantium rather than Rome, that is, Eastern Orthodox and Greek Catholics (Uniates). - The volume also aims to provide a corrective in Eastern Christian studies by looking outside Russia and Greece at the often hybrid practices and cultural and religious experiences of Europe's westernmost Orthodox and Byzantine Catholic faithful. - As well, several chapters deal with the sacral art of the Habsburg Monarchy's Ukrainians and Rusyns.

A critical edition of a Norwegian free trader's account of the fur trade in Manitoba.

Offers a series of critical perspectives concerning reconciliation and reconciliatory efforts between Canadian and Indigenous peoples in the field of education.

Documents how the West came to have an ideology that has promoted environmentally destructive economic expansion.

Interrogates nationalism in the context of literary production across several geo-cultural contexts.

Scholars suggest innovations in sustainability in higher education designed to empower students to address global environmental challenges.

Based on over thirty years of working with children and adults dying from cancer, LeBaron's memoir contains stories of longing, confusion, love, and humility, helping readers find solace and confidence.

Four centuries of playscripts and archival material challenge us to rethink Canadian theatre and performance.

Explores the challenges and opportunities for advancing human, Indigenous, housing, property, and various other forms of rights in the neoliberal city.

A perfect guide for those curious about recent forces and events that have shaped modern Canada.

This catalogue documents a multi-year art-science project called Immune Nations, produced on the occasion of its exhibition at the McMaster Museum of Art in Hamilton, Ontario, Canada. Initiated in 2014 and co-led by Steven Hoffman (York University), Sean Caulfield (University of Alberta), and Natalie Loveless (University of Alberta), Immune Nations brought together scientists, policy experts, academic scholars, and artists to work on an interdisciplinary and collaborative research-creation project tackling complex issues related to the use and distribution of vaccines in the world today. The project launched at the Trondheim Academy of Fine Art's Galeri KiT (2017), moved to the Joint United Nations Programme on HIV/AIDS (UNAIDS) headquarters building in Geneva, Switzerland (2017), and concluded at the McMaster Museum of Art at McMaster University (2021).Contributors: Jesper Alvær, Sean Caulfield, Timothy Caulfield, Susan Colberg, Patrick Fafard, Caitlin Fisher, Steven Hoffman, Johan Holst, Annemarie Hou, Alison Humphrey, Jude Kang Hwirin, Rachelle Viader Knowles, Kaisu Koski, Vicki Sung-yeon Kwon, Natalie Loveless, Patrick Mahon, Tegan Moore, Carol Podedworny, Sergio Serrano, Florian Schneider, Lathika Sritharan, Mkrtich Tonoyan, Lalaine Ulit-Destajo, Susan Rogers Van Katwyk, Morgan Wedderspoon, Arman Yeritsyan

"During my first post-lockdown massage, I willingly engaged in the requisite chit chat about lockdown experiences with my therapist. He gushed behind his mask: 'Oh man. It was so great. Every day I woke up, drank coffee, read, rode my bike'My therapist's description did sound pretty great. But it was nothing like my own anxiety-ridden ordealHad I done the lockdown wrong?"In Next Time There's a Pandemic, artist Vivek Shraya reflects on how she might have approached 2020 and the COVID-19 pandemic differently, and how challenging and changing pervasive expressions, attitudes, and behaviours might transform our experiences of life in--and after--the pandemic. What might happen if, rather than urging one another to "stay safe," we focused instead on being caring? What if, instead of striving to "make the best of it" by doing something, we sometimes chose to do nothing? With generosity, Shraya captures the dissonances of this moment, urging us to keep showing up for each other so we are better prepared for the next time...and for all times.

You Might Be Sorry You Read This is a stunning debut, revealing how breaking silences and reconciling identity can refine anger into something both useful and beautiful. A poetic memoir that looks unflinchingly at childhood trauma (both incestuous rape and surviving exposure in extreme cold), it also tells the story of coming to terms with a hidden Indigenous identity when the poet discovered her Métis heritage at age 38. This collection is a journey of pain, belonging, hope, and resilience. The confessional poems are polished yet unpretentious, often edgy but humorous; they explore trauma yet prioritize the poet's story. Honouring the complexities of Indigenous identity and the raw experiences of womanhood, mental illness, and queer selfhood, these narratives carry weight. They tell us "You need / only be the simple / expression of the divine / intent / that is your life." There is a lifetime in these poems.

Arborophobia, the latest collection by award-winning poet Nancy Holmes, is a poetic spiritual reckoning. Its elegies, litanies, and indictments concern wonder, guilt, and grief about the journey of human life and the state of the natural world. When a child attempts suicide and western North America burns and the creep of mortality closes in, is spiritual and emotional solace possible or even desirable? Answers abound in measured, texturally intimate, and often surprising ways. The title sequence, named for a word that means "hatred of trees," sassily blurs the boundaries between human beings and Ponderosa pines, reminding us how fragile our conceptual frameworks really are. Another sequence responds to Julian of Norwich's writing and call "to practise the art / of letting things happen." Saints' lives interlace with our quotidian experience, smudging connections between the spiritual and the earthly. Taking a hard look at what we have done to this beautiful planet and to those we love, Arborophobia is a companion for all who grapple with the problem of hope in times of crisis.

This poignant debut by Gavin Bradley explores the emotional toll of different kinds of separation: from a partner, a previously held sense of self, or a home and the people left behind. The main narrative describes the deterioration of a long-term relationship, interweaving poems dealing with the loneliness of immigration and the anxiety of separation from Northern Ireland, the poet's homeland. These personal poems enter their stories through a variety of characters and places, from dock builders to dogs, from shorelines to volcanoes, to "mouths soft and humming like beehives." Other sections of the collection examine a post-Troubles' experience in Northern Ireland (evoking the lived-experience of growing up with bombs and domineering Catholicism), tell grandfather stories, and show a lasting love for the people, the language, and the land. Separation Anxiety ultimately conveys a message of hope, reminding us that "we'll be remembered for / ourselves, and not the spaces we / leave behind."

Balancing an ambivalent relationship to the past, and fear and hope for the future, Kasia Van Schaik's portraits of female interiority, immigrant identity, dislocation, and desire trace the transitions from girlhood to adulthood, grappling with the struggle to understand what it means to live on earth.

Using the richness of braided essays, Theresa Kishkan thinks deeply about the natural world, mourns and celebrates the aging body, gently contests recorded history, and considers art and visual phenomena. Gathering personal genealogies, medical histories, and early land surveys together with insights from music, colour theory, horticulture, and textile production, Kishkan weaves a pattern of richly textured threads, welcoming readers to share her intellectual and emotional preoccupations. With an intimate awareness of place and time, a deep sensitivity to family, and a poetic delight in travel, local food and wine, and dogs, Blue Portugal and Other Essays offers up a sense of wonder at the interconnectedness of all things.

Amy Kaler explores the changing consciousness and confusion of life during the COVID-19 pandemic's first year. Reflexive and relatable, she captures fine-grained, everyday experiences from an extraordinary year.

Indigenous Elders, healers, Western physicians, and scholars seek complementarities between Indigenous practices and Western biomedicine.

The provocative concept of a "right to be rural" illuminates challenges facing rural communities worldwide.