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Growing Up in the Gutter: Diaspora & Comics is the first book-length exploration of contemporary graphic coming-of-age narratives written in the context of diasporic and immigrant communities in the United States by and for young, BIPOC, LGBTQ+, and diasporic readers. The book analyzes the complex identity formation of first- and subsequent-generation diasporic protagonists in globalized rural and urban environments and dissects the implications that marginalized formative processes have for the genre in its graphic version.
Indigenous communities are practicing de facto sovereignty to resolve public health issues that are a consequence of settler colonialism. This work delves into health and justice through a range of topics and examples and demonstrates the resilience of Indigenous communities.
Restoring the Pitchfork Ranch tells the story of a decades-long habitat restoration project in southwestern New Mexico. Rancher-owner A. Thomas Cole explains what inspired him and his wife, Lucinda, to turn their retirement into years dedicated to hard work and renewal on 11,300 acres of grass- and wetlands. The Pitchfork Ranch is an inspiring promise for the future in the face of crippling climate change.
Ojo en celo / Eye in Heat is a book about the burning desire to see beyond appearances and find meaning in the visible and the invisible.
Ancient Light is a timely and innovative collection by renowned Anishinaabe poet Kimberly Blaeser. It looks squarely at pressing social issues of our time while simultaneously invoking Indigenous pathways of kinship, healing, and renewal.
Yaguareté White is a lyrical exploration of Paraguayan whiteness, or white Latinidad, and what it means to see through a colored whiteness, with all of its tangled contradictions. Diego Báez's poems reconcile the incomplete, contradictory, and inconsistent experiences that reside between languages, nations, and generations.
'Āina Hānau / Birth Land is a powerful collection of new poems by Kanaka ʻŌiwi (Native Hawaiian) poet Brandy Nālani McDougall. These poems cycle through sacred and personal narratives while exposing and fighting ongoing American imperialism, settler colonialism, militarism, and social and environmental injustice to protect the ʻāina and its people.
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