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Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions-until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet. The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys's original as possible.

Volume I of this acclaimed series is now available in an abridged paperback edition. The result of years of work by scholars from all over the world, The UNESCO General History of Africa reflects how the different peoples of Africa view their civilizations and shows the historical relationships between the various parts of the continent. Historical connections with other continents demonstrate Africa's contribution to the development of human civilization. Each volume is lavishly illustrated and contains a comprehensive bibliography.

Following in the footsteps of the greatest Spanish adventurers, Michael Wood retraces the path of the conquistadors from Amazonia to Lake Titicaca, and from the deserts of North Mexico to the heights of Machu Picchu. As he travels the same routes as Hernán Cortés, and Francisco and Gonzalo Pizarro, Wood describes the dramatic events that accompanied the epic sixteenth-century Spanish conquest of the Aztec and Inca empires. He also follows parts of Orellana's extraordinary voyage of discovery down the Amazon and of Cabeza de Vaca's arduous journey across America to the Pacific. Few stories in history match these conquests for sheer drama, endurance, and distances covered, and Wood's gripping narrative brings them fully to life.Wood reconstructs both sides of the conquest, drawing from sources such as Bernal Diaz's eyewitness account, Cortés's own letters, and the Aztec texts recorded not long after the fall of Mexico. Wood's evocative story of his own journey makes a compelling connection with the sixteenth-century world as he relates the present-day customs, rituals, and oral traditions of the people he meets. He offers powerful descriptions of the rivers, mountains, and ruins he encounters on his trip, comparing what he has seen and experienced with the historical record. A wealth of stunning photographs support the text, drawing the reader closer to the land and its people.As well as being one of the pivotal events in history, the Spanish conquest of the Americas was one of the most cruel and devastating. Wood grapples with the moral legacy of the European invasion and with the implications of an episode in history that swept away civilizations, religions, and ways of life. The stories in Conquistadors are not only of conquest, heroism, and greed, but of changes in the way we see the world, history and civilization, justice and human rights.

"Lloyd-Jones here considers, in its general character, the outlook of early Greek religion from the Homeric poems to the end of the fifth century, through and analysis of what he takes to be its central constituent, the concept of Dike. The "justice of Zeus" turns out to be two things, the first basic, the second subsidiary: (1) something like natural law or "the divinely appointed order of the universe," an order not always or even usually open to human scrutiny, and (2) moral law, a concession to the insignificant creatures of a day that men are, whereby Zeus "punishes, late or soon, a man who has done injustice to another, either in his own person or in that of his descendants." Because Lloyd-Jones sees the first and basic notion of Dike as the prerequisite of the later rational speculation to which it led (smoothly and without violent discontinuities, as he claims), his book assumes the dimensions of Kulturgeschichte Griechenlands, and becomes the latest in a small but distinguished list of works with similarly broad scope . . ." From: Review The Justice of Zeus by Hugh Lloyd-Jones Review by: John Peradotto The Classical Journal Vol. 70, No. 3 (Feb. - Mar., 1975), pp. 61-68 Published by: The Classical Association of the Middle West and South

In the present work it has been the author's design to describe the remarkable half century from the accession of Diocletian to the death of Constantine in its quality as a period of transition. What was intended was not a history of the life and reign of Constantine, nor yet an encyclopedia of all worth-while information pertaining to this period. Rather were the significant and essential characteristics of the contemporary world to be outlined and shaped into a perspicuous sketch of the whole.

At the turn of the past century, the main function of a newspaper was to offer ';menus' by which readers could make sense of modern life and imagine how to order their daily lives. Among those menus in the mid-1910s were several that mediated the interests of movie manufacturers, distributors, exhibitors, and the rapidly expanding audience of fans. This writing about the movies arguably played a crucial role in the emergence of American popular film culture, negotiating among national, regional, and local interests to shape fans' ephemeral experience of moviegoing, their repeated encounters with the fantasy worlds of ';movieland,' and their attractions to certain stories and stars. Moreover, many of these weekend pages, daily columns, and film reviews were written and consumed by women, including one teenage girl who compiled a rare surviving set of scrapbooks. Based on extensive original research, Menus for Movieland substantially revises what moviegoing meant in the transition to what we now think of as Hollywood.

Abram Tertz, one of the most important writers to emerge in the Soviet Union since World War II, came to prominence in 1959 when On Socialist Realism was published in the West. It was the first important critique of the central dogma of Soviet literature. It arrived with a novel. The Trial Begins, which was published in 1960. Other books followed these into the West, until in 1965 a respected literary scholar at the Gorky Institute, Andrei Sinyavsky was arrested, revealed to be Abram Tertz, tried, and sentenced to seven years in a forced labor camp.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

The richest place in America's musical landscape is that fertile ground occupied by jazz. Scott DeVeaux takes a central chapter in the history of jazz-the birth of bebop-and shows how our contemporary ideas of this uniquely American art form flow from that pivotal moment. At the same time, he provides an extraordinary view of the United States in the decades just prior to the civil rights movement. DeVeaux begins with an examination of the Swing Era, focusing particularly on the position of African American musicians. He highlights the role played by tenor saxophonist Coleman Hawkins, a "progressive" committed to a vision in which black jazz musicians would find a place in the world commensurate with their skills. He then looks at the young musicians of the early 1940s, including Charlie Parker, Dizzy Gillespie, and Thelonious Monk, and links issues within the jazz world to other developments on the American scene, including the turmoil during World War II and the pervasive racism of the period. Throughout, DeVeaux places musicians within the context of their professional world, paying close attention to the challenges of making a living as well as of making good music. He shows that bebop was simultaneously an artistic movement, an ideological statement, and a commercial phenomenon. In drawing from the rich oral histories that a living tradition provides, DeVeaux's book resonates with the narratives of individual lives. While The Birth of Bebop is a study in American cultural history and a critical musical inquiry, it is also a fitting homage to bebop and to those who made it possible.

Mao Zedong, leader of the revolution and absolute chairman of the People's Republic of China, was also a calligrapher and a poet of extraordinary grace and eloquent simplicity. The poems in this beautiful edition (from the 1963 Beijing edition), translated and introduced by Willis Barnstone, are expressions of decades of struggle, the painful loss of his first wife, his hope for a new China, and his ultimate victory over the Nationalist forces. Willis Barnstone's introduction, his short biography of Mao and brief history of the revolution, and his notes on Chinese versification all combine to enrich the Western reader's understanding of Mao's poetry.

Rachel Laudan tells the remarkable story of the rise and fall of the world's great cuisines--from the mastery of grain cooking some twenty thousand years ago, to the present--in this superbly researched book. Probing beneath the apparent confusion of dozens of cuisines to reveal the underlying simplicity of the culinary family tree, she shows how periodic seismic shifts in "culinary philosophy"--beliefs about health, the economy, politics, society and the gods--prompted the construction of new cuisines, a handful of which, chosen as the cuisines of empires, came to dominate the globe. Cuisine and Empire shows how merchants, missionaries, and the military took cuisines over mountains, oceans, deserts, and across political frontiers. Laudan's innovative narrative treats cuisine, like language, clothing, or architecture, as something constructed by humans. By emphasizing how cooking turns farm products into food and by taking the globe rather than the nation as the stage, she challenges the agrarian, romantic, and nationalistic myths that underlie the contemporary food movement.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.

We expose it, cover it, paint it, tattoo it, scar it, and pierce it. Our intimate connection with the world, skin protects us while advertising our health, our identity, and our individuality. This dazzling synthetic overview, written with a poetic touch and taking many intriguing side excursions, is a complete guidebook to the pliable covering that makes us who we are. Skin: A Natural History celebrates the evolution of three unique attributes of human skin: its naked sweatiness, its distinctive sepia rainbow of colors, and its remarkable range of decorations. Jablonski begins with a look at skin's structure and functions and then tours its three-hundred-million-year evolution, delving into such topics as the importance of touch and how the skin reflects and affects emotions. She examines the modern human obsession with age-related changes in skin, especially wrinkles. She then turns to skin as a canvas for self-expression, exploring our use of cosmetics, body paint, tattooing, and scarification. Skin: A Natural History places the rich cultural canvas of skin within its broader biological context for the first time, and the result is a tremendously engaging look at ourselves.

How do you spell "Mendelssohn"? Where do you place the hyphen in "Beethoven" if it breaks between two lines? Is it "premiere" or "premiere"? The answers and much more can be found in this completely revised and updated resource for authors, students, editors, concert producers--anyone who deals with classical music in print. This essential volume covers some of the thorniest issues of musical discourse: how to go about describing musical works and procedures in prose, the rules for citations in notes and bibliography, and proper preparation of such materials as musical examples, tables, and illustrations. One section discusses program notes, another explains the requirements for submitting manuscripts and electronic files. A new section outlines best practices for student writers. An appendix lists common problem words.

Stephen Walsh's magisterial, engagingly written two-volume Stravinsky is the most detailed and extensive work available on the life of the man widely regarded as the greatest composer of the twentieth century. This second volume takes up the composer's story in 1934, in a Europe growing ever more chaotic in the lead-up to World War II. Walsh follows Stravinsky's emigration to the United States, where he courted Hollywood, associated with writers and artists including Aldous Huxley, W.H. Auden, and George Balanchine, began a career as a conductor and recording artist, and composed a string of masterpieces that changed the course of twentieth-century music. Stravinsky: The Second Exile takes full account of Russian-language sources, including much correspondence, made available since the composer's death and since the fall of the Soviet Union, and is the first work to thoroughly assess the authenticity of many of the writings published under Stravinsky's name.

One of the most influential collections of music ever published, Style and Idea includes Schoenberg's writings about himself and his music as well as studies of many other composers and reflections on art and society. An interpretive essay by Joseph Auner, Chair and Professor of Music at Tufts University, augments this anniversary edition.

One of the earliest and most important port cities in the New World, Havana quickly became a model for the planning and construction of other colonial cities. Beyond the Walled City tells the story of how Havana was conceived, built, and managed. Examining imperial efforts to police urban space from the late sixteenth century onward, Guadalupe Garca shows how the production of urban space was explicitly centered on the politics of racial exclusion and social control. Connecting colonial governing practices to broader debates on urbanization, the regulation of public spaces, and the racial dislocation of urban populations, Beyond the Walled City points to the ways in which colonialism is inscribed on modern topographies.

Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions-until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet. The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys's original as possible.

Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions-until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet. The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys's original as possible.

Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions-until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet. The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys's original as possible.

In this handsome and engaging book, Clive Coates, one of the world's leading authorities on wine, gives us the most up-to-date, comprehensive, and detailed study of the wines of France ever written. Coates's vast knowledge of his subject together with his natural gift as a storyteller make An Encyclopedia of the Wines and Domaines of France as informative as it is entertaining. He discusses every appellation and explains its character, distinguishes the best growers, and uses a star system to identify the finest estates. With more than forty specially commissioned maps that show the main appellations and wine villages of France in detail and a format that invites browsing as well as in-depth study, this book will be essential reading for anyone, professional or amateur, interested in wine. Coates gives ample reasons for his belief that France produces the finest wines in the world, in a volume and variety no other country can match. He shows how, despite savage competition from other countries, France holds its own. It not only creates great wines, he says, it also produces affordable wines. The outcome of thirty-five years of traveling around the French vineyards, this book displays a continuing love and respect for French wines and the vignerons of this remarkable country. In discussing each region and its wines in detail, Coates leaves no stone unturned. His encyclopedic knowledge is evident, bringing the places and the people where these great wines are created to life.

Here is the ultimate American road book, one with a perspective unlike that of any other. In January 1947 Simone de Beauvoir landed at La Guardia airport and began a four-month journey that took her from one coast of the United States to the other, and back again. Embraced by the Condé Nast set in a swirl of cocktail parties in New York, where she was hailed as the "prettiest existentialist" by Janet Flanner in The New Yorker, de Beauvoir traveled west by car, train, and Greyhound, immersing herself in the nation's culture, customs, people, and landscape. The detailed diary she kept of her trip became America Day by Day, published in France in 1948 and offered here in a completely new translation. It is one of the most intimate, warm, and compulsively readable texts from the great writer's pen.Fascinating passages are devoted to Hollywood, the Grand Canyon, New Orleans, Las Vegas, and San Antonio. We see de Beauvoir gambling in a Reno casino, smoking her first marijuana cigarette in the Plaza Hotel, donning raingear to view Niagara Falls, lecturing at Vassar College, and learning firsthand about the Chicago underworld of morphine addicts and petty thieves with her lover Nelson Algren as her guide. This fresh, faithful translation superbly captures the essence of Simone de Beauvoir's distinctive voice. It demonstrates once again why she is one of the most profound, original, and influential writers and thinkers of the twentieth century.On New York: "I walk between the steep cliffs at the bottom of a canyon where no sun penetrates: it's permeated by a salt smell. Human history is not inscribed on these carefully calibrated buildings: They are closer to prehistoric caves than to the houses of Paris or Rome."On Los Angeles: "I watch the Mexican dances and eat chili con carne, which takes the roof off my mouth, I drink the tequila and I'm utterly dazed with pleasure."

The ancient Greeks and Romans were not shy about sex. Phallic imagery, sex scenes, and the lively activities of their promiscuous gods adorned many objects, buildings, and sculptures. Drinking cups, oil-lamps, and walls were decorated with scenes of seduction; statues of erect penises served as boundary-stones and signposts; and marble satyrs and nymphs grappled in gardens. Caroline Vout examines the abundance of sexual imagery in Greek and Roman culture. Were these images intended to be shocking, humorous, or exciting? Are they about sex or love? How are we to know whether our responses to them are akin to those of the ancients? The answers to these questions provide fascinating insights into ancient attitudes toward religion, politics, sex, gender, and the body. They also reveal how the ancients saw themselves and their world, and how subsequent centuries have seen them. Beautifully illustrated throughout, this lively and thought-provoking book not only addresses theories of sexual practice and social history, it is also a visual history of what it meant and still means to stare sex in the face.

Over the past few centuries, as Western civilization has enjoyed an expansive and flexible geographic domain, Westerners have observed other cultures with little interest in a return gaze. In turn, these other civilizations have been similarly disinclined when they have held sway. Clearly, though, an external frame of reference outstrips introspection--we cannot see ourselves as others see us. Unprecedented in its scope, What the Rest Think of the West provides a rich historical look through the eyes of outsiders as they survey and scrutinize the politics, science, technology, religion, family practices, and gender roles of civilizations not their own. The book emphasizes the broader figurative meaning of looking west in the scope of history. Focusing on four civilizations--Islamic, Japanese, Chinese, and South Asian--Nader has collected observations made over centuries by scholars, diplomats, missionaries, travelers, merchants, and students reflecting upon their own "Wests." These writings derive from a range of purposes and perspectives, such as the seventh-century Chinese Buddhist who goes west to India, the missionary from Baghdad who travels up the Volga in the tenth century and meets the Vikings, and the Egyptian imam who in 1826 is sent to Paris to study the French. The accounts variously express critique, adoration, admiration, and fear, and are sometimes humorous, occasionally disturbing, at times controversial, and always enlightening. With informative introductions to each of the selections, Laura Nader initiates conversations about the power of representational practices.

During the Principate (roughly 27 BCE to 235 CE), when the empire reached its maximum extent, Roman society and culture were radically transformed. But how was the vast territory of the empire controlled? Did the demands of central government stimulate economic growth or endanger survival? What forces of cohesion operated to balance the social and economic inequalities and high mortality rates? How did the official religion react in the face of the diffusion of alien cults and the emergence of Christianity? These are some of the many questions posed here, in the new, expanded edition of Garnsey and Saller's pathbreaking account of the economy, society, and culture of the Roman Empire. This second edition includes a new introduction that explores the consequences for government and the governing classes of the replacement of the Republic by the rule of emperors. Addenda to the original chapters offer up-to-date discussions of issues and point to new evidence and approaches that have enlivened the study of Roman history in recent decades. A completely new chapter assesses how far Rome's subjects resisted her hegemony. The bibliography has also been thoroughly updated, and a new color plate section has been added.

Paul Froese explores the nature of religious faith in a provocative examination of the most massive atheism campaign in human history. That campaign occurred after the 1917 Russian Revolution, when Soviet plans for a new Marxist utopia included the total eradication of all religion. Even though the Soviet Union's attempt to secularize its society was quite successful at crushing the institutional and ritual manifestations of religion, its leaders were surprised at the persistence of religious belief. Froese's account reveals how atheism, when taken to its extreme, can become as dogmatic and oppressive as any religious faith and illuminates the struggle for individual expression in the face of social repression.

"An elegantly written account of Turkey's history by one of the greatest living authorities on the subject. . . . The historically minded visitor would be well advised to pack this beguiling book."--British Archaeological NewsSeton Lloyd's lively account of Turkey's early history is for the increasing number of people visiting the ancient sites of this fabled land. Written by an archaeologist who spent much of his life in the Near East, the book is not a conventional "guide" to the antiquities of Anatolia. It is instead Lloyd's attempt to share his profound interest in an antique land, its inhabitants, and the surviving monuments that link the present to the past.

This first translation of the complete poetry of Peruvian Cesar Vallejo (1892-1938) makes available to English speakers one of the greatest achievements of twentieth-century world poetry. Handsomely presented in facing-page Spanish and English, this volume, translated by National Book Award winner Clayton Eshleman, includes the groundbreaking collections The Black Heralds (1918), Trilce (1922), Human Poems (1939), and Spain, Take This Cup from Me (1939). Vallejo's poetry takes the Spanish language to an unprecedented level of emotional rawness and stretches its grammatical possibilities. Striking against theology with the very rhetoric of the Christian faith, Vallejo's is a tragic vision--perhaps the only one in the canon of Spanish-language literature--in which salvation and sin are one and the same. This edition includes notes on the translation and a fascinating translation memoir that traces Eshleman's long relationship with Vallejo's poetry. An introduction and chronology provide further insights into Vallejo's life and work.

Written for those who want to know more about the Middle East than the mainstream media is willing or able to tell, this book begins by examining a question that has been asked by numerous commentators since September 11, 2001: "Why do they hate us?" Jeremy Salt offers the background essential for understanding the Middle East today by chronicling the long and bloody history of Western intervention in Arab lands. In lucid detail, he examines the major events that have shaped the region--ranging from the French in Algeria and the British in Egypt in the nineteenth century to the Palestinian-Israeli conflict and to the continuing war in Iraq. Linking all of these together, Salt paints a damning picture of a sustained campaign by Western powers to dominate the Middle East by whatever means necessary. Throughout, he emphasizes the human cost of the policies put in place to preserve "Western interests" or in the name of bringing civilization, democracy, or freedom to the region. Making use of extensive research in U.S. and British archives that reveals what politicians were deciding behind closed doors, and why, this is a book that will change the way we see the Middle East.

This monumental biography of one of the most intriguing figures of the twentieth century, written by his grandson, is the first to give a complete and balanced account of Mahatma Gandhi's remarkable life, the development of his beliefs and his political campaigns, and his complex relations with his family. Written with unprecedented insight and access to family archives, it reveals a life of contrasts and contradictions: the westernized Inner Temple lawyer who wore the clothes of India's poorest and who spun cotton by hand, the apostle of nonviolence who urged Indians to enlist in the First World War, the champion of Indian independence who never hated the British. It tells of Gandhi's campaigns against racial discrimination in South Africa and untouchability in India, tracks the momentous battle for India's freedom, explores the evolution of Gandhi's strategies of non-violent resistance, and examines relations between Muslims and non-Muslims, a question that attracted Gandhi's passionate attention and one that persists around the world today. Published to rave reviews in India in 2007, this riveting book gives North American readers the true Gandhi, the man as well as the legend, for the first time.