Bøger udgivet af University of California Press

One of the most celebrated filmmakers of all time, Francois Truffaut was an intensely private individual who cultivated the public image of a man completely consumed by his craft. But his personal story--from which he drew extensively to create the characters and plots of his films--is itself an extraordinary human drama. Now, with captivating immediacy, Antoine de Baecque and Serge Toubiana give us the definitive story of this beloved artist. They begin with the unwanted, mischievous child who learned to love movies and books as an escape from sadness and confusion: as a boy, Francois came to identify with screen characters and to worship actresses. Following his early adult years as a journalist, during which he gained fame as France's most iconoclastic film critic, the obsessive prodigy began to make films of his own, and before he was thirty, notched the two masterpieces The 400 Blows and Jules and Jim. As Truffaut's dazzling body of work evolves, in the shadow of the politics of his day, including the student uprisings of 1968, we watch him learning the lessons of his masters Fellini and Hitchcock. And we witness the progress of his often tempestuous personal relationships, including his violent falling-out with Jean-Luc Godard (who owed Truffaut the idea for Breathless) and his rapturous love affairs with the many glamorous actresses he directed, among them Jacqueline Bisset and Jeanne Moreau. With Fanny Ardant, Truffaut had a child only thirteen months before dying of a brain tumor at the age of fifty-two. Here is a life of astonishing emotional range, from the anguish of severe depression to the exaltation of Oscar victory. Based on unprecedented access to Truffaut's papers, including notes toward an unwritten autobiography, de Baecque and Toubiana's richly detailed work is an incomparably authoritative revelation of a singular genius.

In this splendid profile, Luciano Canfora offers a radically new interpretation of one of the most controversial figures in history. Julius Caesar played a leading role in the culture and politics of a world empire, dwarfing his contemporaries in ambition, achievement, and appetite. For that, he has occupied a central place in the political imagination ever since. Yet Caesar, struck down by his own lieutenants because he could not be comprehended nor contained, remains an enigma. The result of a comprehensive study of the ancient sources, Julius Caesar: The Life and Times of the People's Dictator paints an astonishingly detailed portrait of this complex man and the times in which he lived. Based on his many years of research, Canfora focuses on what we actually know about Caesar, the man of politics and war, in a stylish, engaging narrative chronologically structured around the events in Caesar's life. The result is a rich, revelatory, full biographical portrait of the dictator whose mission of Romanization lies at the very heart of modern Europe. Copub: Edinburgh University Press

Although Amharic is the national language of Ethiopia and English its international language, until publication of this book in hardcover there was no concise Amharic-English, English-Amharic dictionary. Students of Amharic as well as visitors to Ethiopia and foreign workers will benefit from this concise dictionary with phonetic transcriptions that allow for its use by those unfamiliar with Amharic script.

In 1279, near what is now Hong Kong, Mongol ruler Khubilai Khan fulfilled the dream of his grandfather, Genghis Khan, by conquering China. The Grand Khan now ruled the largest empire the world has ever seen--one that stretched from the China Sea to the plains of Hungary. He also inherited the world's largest navy--more than seven hundred ships. Yet within fifteen years, Khubilai Khan's massive fleet was gone. What actually happened to the Mongol navy, considered for seven centuries to be little more than legend, has finally been revealed. Renowned archaeologist and historian James P. Delgado has gone diving with a Japanese team currently studying the remains of the Khan's lost fleet. Drawing from diverse sources--sunken ships, hand-painted scrolls, drowned bodies, and historical and literary records-- in this gripping account that moves deftly between the present and the past, Delgado pieces together the fascinating tale of Khubilai Khan's maritime forays and unravels one of history's greatest mysteries: What sank the great Mongol fleet? Copub: Douglas & McIntyre

Mark Whittow presents a clear, up-to-date reassessment of the Byzantine empire during a crucial phase in the history of the Near East. Against a geopolitical background (superbly illustrated with fourteen maps), his book covers the last decade of the Roman empire as a superpower, the catastrophic crisis of the seventh century, and the means whereby the embattled Byzantine empire hung on in Constantinople and Asia Minor until the Abbasid Caliphate's decline opened up new perspectives for Christian power in the Near East.A special feature is Whittow's coverage of Byzantium's neighbors, allies, and enemies in Europe and Asia. He stresses the geographical context of events, often overlooked in other accounts of this period. The origins of Russia, relations with the nomad powers of the steppe world, the competition between Bulgars, Romans, and Slavs in the Balkans, and the frequently ignored region of the Transcaucasus are all given extended treatment. No such wide-ranging work has appeared in English for nearly 30 years, and Whittow's book will be invaluable for all scholars, students, and enthusiasts of medieval history.

There are more than six thousand languages used around the world today, although linguists now estimate that by the year 2050 as many as half of those will be extinct. This beautifully designed, engagingly written reference takes us on a panoramic tour of the globe to explore this unique and endangered human gift. Generously illustrated throughout with color photographs, informative sidebars, and clear maps and graphics, One Thousand Languages illuminates the sources, characteristics, and interrelationships of the world's spoken tongues. It looks in detail at the eleven global languages, then delves into the major languages of each world region in turn. Each entry gives a history of the growth and development of the language, details the number of speakers, and traces its geographical spread. The volume also provides information on many extinct languages. A detailed map section tracks the migrations of the major languages, and the book also tells how to count to ten in more than 250 ways. Copub: Ivy Press Limited

Henry II was an enigma to contemporaries, and has excited widely divergent judgments ever since. Dramatic incidents of his reign, such as his quarrel with Archbishop Becket and his troubled relations with his wife, Eleanor of Aquitaine, and his sons, have attracted the attention of historical novelists, playwrights, and filmmakers, but with no unanimity of interpretation. That he was a great king there can be no doubt. Yet his motives and intentions are not easy to divine, and it is Professor Warren's contention that concentration on the great crises of the reign can lead to distortion. This book is therefore a comprehensive reappraisal of the reign based, with rare understanding, on contemporary sources; it provides a coherent and persuasive revaluation of the man and the king, and is, in itself an eloquent and impressive achievement.

Spanning four decades of meditation on the avant-garde in poetry, art, and philosophy, the essays collected in The Fire reveal Robin Blaser's strikingly fresh perspective on "New American" poets, deconstructive philosophies, current events, and the state of humanities now. The essays, gathered in one volume for the first time, include commentaries on Jack Spicer, Charles Olson, Robert Duncan, Mary Butts, George Bowering, Louis Dudek, Christos Dikeakos, and J. S. Bach. Blaser emerged from the "Berkeley Renaissance" of the 1940s and 1950s having studied under legendary medieval scholar Ernst Kantorowicz and having been a major participant in the burgeoning literary scene. His response to the cultural and political events of his time has been to construct a poetic voice that offers a singular perspective on a shareable world--and to pose that voice alongside others as a source of countermemory and potential agency. Conceived as conversations, these essays brilliantly reflect that ethos as they re-read the cultural events of the past fifty years.

Asylum Denied is the gripping story of political refugee David Ngaruri Kenney's harrowing odyssey through the world of immigration processing in the United States. Kenney, while living in his native Kenya, led a boycott to protest his government's treatment of his fellow farmers. He was subsequently arrested and taken into the forest to be executed. This book, told by Kenney and his lawyer Philip G. Schrag from Kenney's own perspective, tells of his near-murder, imprisonment, and torture in Kenya; his remarkable escape to the United States; and the obstacle course of ordeals and proceedings he faced as U.S. government agencies sought to deport him to Kenya. A story of courage, love, perseverance, and legal strategy, Asylum Denied brings to life the human costs associated with our immigration laws and suggests reforms that are desperately needed to help other victims of human rights violations.

Known as the greatest traveler of premodern times, Abu Abdallah ibn Battuta was born in Morocco in 1304 and educated in Islamic law. At the age of twenty-one, he left home to make the holy pilgrimage to Mecca. This was only the first of a series of extraordinary journeys that spanned nearly three decades and took him not only eastward to India and China but also north to the Volga River valley and south to Tanzania. The narrative of these travels has been known to specialists in Islamic and medieval history for years. Ross E. Dunn's 1986 retelling of these tales, however, was the first work of scholarship to make the legendary traveler's story accessible to a general audience. Now updated with revisions, a new preface, and an updated bibliography, Dunn's classic interprets Ibn Battuta's adventures and places them within the rich, trans-hemispheric cultural setting of medieval Islam.

Despite a quarter century of "nation building," most African states are still driven by ethnic particularism--commonly known as "tribalism." The stubborn persistence of tribal ideologies despite the profound changes associated with modernization has puzzled scholars and African leaders alike. The bloody hostilities between the tribally-oriented Zulu Inkhata movement and supporters of the African National Congress are but the most recent example of tribalism's tenacity. The studies in this volume offer a new historical model for the growth and endurance of such ideologies in southern Africa.

Modernity has become a keyword in a number of recent intellectual discussions. In this book, Donald L. Donham shows that similar debates have long occurred, particularly among peoples located on the margins of world power and wealth. Based on extensive fieldwork in Ethiopia-conducted over a twenty-year period-Marxist Modern provides a cultural history of the Ethiopian revolution that highlights the role of modernist ideas.Moving between the capital, Addis Ababa, and Maale, the home of a small ethnic group in the south, Donham constructs a narrative of upheaval and change, presenting local people's understandings of events, as these echoed with and appropriated stories of other world revolutions. With the help of poststructuralist insights and theories of narrative, Donham locates a recurrent dialectic between modernist Marxism, local Maale traditionalisms, and antimodernist, evangelical Christianity. One of the most consequential outcomes of this interaction-until the late 1980s-was the creation of a more powerful state, one that penetrated peasant communities ever more deeply and pervasively.Combining sophisticated theory with fascinating ethnographic detail, this study contributes to the theory of revolution as well as the study of modernity. In doing so, it seeks to integrate ethnography and history in a new way.

A trove of traditional lore, this Icelandic prose epic tells of love, jealousy, vengeance, war, and the mythic deeds of the dragonslayer, Sigurd the Volsung. The saga is of special interest to admirers of Richard Wagner, who drew heavily upon this Norse source in writing his Ring Cycle. With its magical ring acquired by the hero, and the sword to be reforged, the saga has also been a primary source for writers of fantasy such as J.R.R. Tolkien and romantics such as William Morris. Byock's comprehensive introduction explores the history, legends, and myths contained in the saga and traces the development of a narrative that reaches back to the period of the great folk migrations in Europe when the Roman Empire collapsed.

Here, for the first time, is an annotated English translation of the eleven later panegyrics (291-389 C.E.) of the XII Panegyrici Latini, with the original Latin text prepared by R. A. B. Mynors. Each panegyric has a thorough introduction, and detailed commentary on historical events, style, figures of speech, and rhetorical strategies accompanies the translations. The very difficult Latin of these insightful speeches is rendered into graceful English, yet remains faithful to the original.

Flamboyant zoot suit culture, with its ties to fashion, jazz and swing music, jitterbug and Lindy Hop dancing, unique patterns of speech, and even risque experimentation with gender and sexuality, captivated the country's youth in the 1940s. The Power of the Zoot is the first book to give national consideration to this famous phenomenon. Providing a new history of youth culture based on rare, in-depth interviews with former zoot-suiters, Luis Alvarez explores race, region, and the politics of culture in urban America during World War II. He argues that Mexican American and African American youths, along with many nisei and white youths, used popular culture to oppose accepted modes of youthful behavior, the dominance of white middle-class norms, and expectations from within their own communities.

This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturity--Petrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"--the professional appropriation of motifs and style characteristics from folk art--and how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.

Spanning the years of civil war in Guatemala, Unfinished Conquest portrays an embattled country facing the third cycle of a conquest that began when the conquistadors arrived in the sixteenth century. As personal narrative weaves with reportage and oral testimony, we meet the victims, champions, and villains of a society torn apart by violence and injustice.

China is a vast nation comprised of hundreds of distinct ethnic communities, each with its own language, history, and culture. Today the government of China recognizes just 56 ethnic nationalities, or minzu, as groups entitled to representation. This controversial new book recounts the history of the most sweeping attempt to sort and categorize the nation's enormous population: the 1954 Ethnic Classification project (minzu shibie). Thomas S. Mullaney draws on recently declassified material and extensive oral histories to describe how the communist government, in power less than a decade, launched this process in ethnically diverse Yunnan. Mullaney shows how the government drew on Republican-era scholarship for conceptual and methodological inspiration as it developed a strategy for identifying minzu and how non-Party-member Chinese ethnologists produced a "scientific" survey that would become the basis for a policy on nationalities.

This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturity--Petrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"--the professional appropriation of motifs and style characteristics from folk art--and how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.

Ecologist Madhav Gadgil and historian Ramachandra Guha offer fresh perspectives both on the ecological history of India and on theoretical issues of interest to environmental historians regardless of geographical specialization.Juxtaposing data from India with the ecological literature on lifestyles as diverse as those of modern Americans and Amazonian Indians, the authors analyze the social conflicts that have emerged over environmental exploitation and explore the impact of changing patterns of resource use on human societies. They present a socio-ecological analysis of the modes of resource use introduced to India by the British, and explore popular resistance to state environmental policies in both the colonial and post-colonial periods.

Throughout her lifetime, Marianne Moore was an avid editor of her own verse. The bulk of her poems appear in numerous, at times vastly different published versions. For Moore, no text was ever stable or finished; each opportunity to publish offered an opportunity to revise. Becoming Marianne Moore gives scholars and readers access to the multiple variant versions of Moore's poems published between 1907 and 1924. An innovative, deeply contextualized facsimile edition of the poet's published early verse, it brilliantly demonstrates that modernist textuality is not a fixed, static product but an ongoing, fluid process.Becoming Marianne Moore offers readers a full facsimile reprint of the first edition of Observations (1924), the book that garnered Moore the Dial Award for Literature and solidified her reputation as a modernist poet of note. The reprint is followed by a collection of facsimiles that presents each of Moore's poems published between 1907 and 1924 as it first appeared in a modernist little magazine. Each facsimile is accompanied by a variorum table that gives scholars quick access to all of the published changes that Moore made to each poem and a series of brief bibliographical notes that supply information about the immediate publication contexts of all of the presentations of the poem. These notes, in turn, point readers to narrative accounts of Moore's associations with her early publishers that offer a range of historical, contextual, biographical, and bibliographic information about the publication events of Moore's poems and explore her attempts to shape her literary career in concert with some of her most famous modernist peers--Richard Aldington, H.D., Harriet Monroe, Ezra Pound, and William Carlos Williams.A wonderful fusion of historical research and critical sensitivity, Becoming Marianne Moore will change the way people think about Moore's verse and modernist textuality in general. A powerful intervention into Moore studies, it gives readers a broader sense of the poet's complex and brilliant career.

Henry Moore's writings constitute a vivid and comprehensive record of his life and work, of the influences that shaped his vision, and of his reactions to the work of other artists, periods, and cultures. Spanning some seventy years, Moore's writings and conversations are much more than documentary records of his life and times: they have considerable literary merit in their own right.This fascinating collection of Moore's written and spoken words is the most comprehensive yet compiled, and contains much previously unpublished material. It includes over 150 illustrations: photographs of the sculptures, drawings and prints discussed in the text, illustrations of works by other artists, and photographs of the sculptor and his environment at various stages of his life.Henry Moore: Writings and Conversations completes and complements the catalogues of his sculpture, drawings, and prints. It will be indispensable for scholars and engrossing reading for Moore enthusiasts worldwide.

Stephen Greenblatt has been at the center of a major shift in literary interpretation toward a critical method that situates cultural creation in history. Shakespearean Negotiations is a sustained and powerful exemplification of this innovative method, offering a new way of understanding the power of Shakespeare's achievement and, beyond this, an original analysis of cultural process.

Mayan literature is among the oldest in the world, spanning an astonishing two millennia from deep pre-Columbian antiquity to the present day. Here, for the first time, is a fully illustrated survey, from the earliest hieroglyphic inscriptions to the works of later writers using the Roman alphabet. Dennis Tedlock-ethnographer, linguist, poet, and award-winning author-draws on decades of living and working among the Maya to assemble this groundbreaking book, which is the first to treat ancient Mayan texts as literature. Tedlock considers the texts chronologically. He establishes that women were among the ancient writers and challenges the idea that Mayan rulers claimed the status of gods. 2000 Years of Mayan Literature expands our understanding and appreciation not only of Mayan literature but of indigenous American literature in its entirety.

In the 1920s, Asakusa was to Tokyo what Montmartre had been to 1890s Paris and Times Square was to be to 1940s New York. Available in English for the first time, The Scarlet Gang of Asakusa, by Nobel Prize winner Yasunari Kawabata, captures the decadent allure of this entertainment district, where beggars and teenage prostitutes mixed with revue dancers and famous authors. Originally serialized in a Tokyo daily newspaper in 1929 and 1930, this vibrant novel uses unorthodox, kinetic literary techniques to reflect the raw energy of Asakusa, seen through the eyes of a wandering narrator and the cast of mostly female juvenile delinquents who show him their way of life. Markedly different from Kawabata's later work, The Scarlet Gang of Asakusa shows this important writer in a new light. The annotated edition of this little-known literary gem includes the original illustrations by Ota Saburo. The annotations illuminate Tokyo society and Japanese literature, bringing this fascinating piece of Japanese modernism at last to a wide audience.