Bøger udgivet af University of California Press

A quiet revolution in knowledge separated the early modern period in Japan from all previous time. After 1600, self-appointed investigators used the model of the land and cartographic surveys of the newly unified state to observe and order subjects such as agronomy, medicine, gastronomy, commerce, travel, and entertainment. They subsequently circulated their findings through a variety of commercially printed texts: maps, gazetteers, family encyclopedias, urban directories, travel guides, official personnel rosters, and instruction manuals for everything from farming to lovemaking. In this original and gracefully written book, Mary Elizabeth Berry considers the social processes that drove the information explosion of the 1600s. Inviting readers to examine the contours and meanings of this transformation, Berry provides a fascinating account of the conversion of the public from an object of state surveillance into a subject of self-knowledge.Japan in Print shows how, as investigators collected and disseminated richly diverse data, they came to presume in their audience a standard of cultural literacy that changed anonymous consumers into an "e;us"e; bound by common frames of reference. This shared space of knowledge made society visible to itself and in the process subverted notions of status hierarchy. Berry demonstrates that the new public texts projected a national collectivity characterized by universal access to markets, mobility, sociability, and self-fashioning.

Does the scientific "e;theory"e; that HIV came to North America from Haiti stem from underlying attitudes of racism and ethnocentrism in the United States rather than from hard evidence? Award-winning author and anthropologist-physician Paul Farmer answers with this, the first full-length ethnographic study of AIDS in a poor society. First published in 1992 this new edition has been updated and a new preface added.

In comparative tastings, wines from California's Central Coast rival those from such renowned regions as Bordeaux, Burgundy, and Napa, yet they also offer superb value. This is the first comprehensive guide to one of the world's most dynamic and beautiful wine regions-and the setting for the award-winning movie Sideways. An excellent, one-stop resource for touring and tasting at convenient wineries located from Monterey to Santa Barbara, the guide is organized into county-by-county alphabetical listings for this up-and-coming region.Wines and Wineries of California's Central Coast includes:* Profiles of nearly 300 wineries personally visited by the author* Profiles of individual vintners* 5 maps* Winery ratings, plus author and winemaker recommendations* Visitors' and contact information for each winery* Discussions of regional wine history and terroir* Descriptions of designated American Viticultural Areas and grape varietals

Why does the human brain insist on interpreting the world and constructing a narrative? In this ground-breaking work, Michael S. Gazzaniga, one of the world's foremost cognitive neuroscientists, shows how our mind and brain accomplish the amazing feat of constructing our past-a process clearly fraught with errors of perception, memory, and judgment. By showing that the specific systems built into our brain do their work automatically and largely outside of our conscious awareness, Gazzaniga calls into question our everyday notions of self and reality. The implications of his ideas reach deeply into the nature of perception and memory, the profundity of human instinct, and the ways we construct who we are and how we fit into the world around us.Over the past thirty years, the mind sciences have developed a picture not only of how our brains are built but also of what they were built to do. The emerging picture is wonderfully clear and pointed, underlining William James's notion that humans have far more instincts than other animals. Every baby is born with circuits that compute information enabling it to function in the physical world. Even what helps us to establish our understanding of social relations may have grown out of perceptual laws delivered to an infant's brain. Indeed, the ability to transmit culture-an act that is only part of the human repertoire-may stem from our many automatic and unique perceptual-motor processes that give rise to mental capacities such as belief and culture.Gazzaniga explains how the mind interprets data the brain has already processed, making "e;us"e; the last to know. He shows how what "e;we"e; see is frequently an illusion and not at all what our brain is perceiving. False memories become a part of our experience; autobiography is fiction. In exploring how the brain enables the mind, Gazzaniga points us toward one of the greatest mysteries of human evolution: how we become who we are.

The kea, a crow-sized parrot that lives in the rugged mountains of New Zealand, is considered by some a playful comic and by others a vicious killer. Its true character is a mystery that biologists have debated for more than a century. Judy Diamond and Alan Bond have written a comprehensive account of the kea's contradictory nature, and their conclusions cast new light on the origins of behavioral flexibility and the problem of species survival in human environments everywhere.New Zealand's geological remoteness has made the country home to a bizarre assemblage of plants and animals that are wholly unlike anything found elsewhere. Keas are native only to the South Island, breeding high in the rigorous, unforgiving environment of the Southern Alps. Bold, curious, and ingeniously destructive, keas have a complex social system that includes extensive play behavior. Like coyotes, crows, and humans, keas are "e;open-program"e; animals with an unusual ability to learn and to create new solutions to whatever problems they encounter.Diamond and Bond present the kea's story from historical and contemporary perspectives and include observations from their years of field work. A comparison of the kea's behavior and ecology with that of its closest relative, the kaka of New Zealand's lowland rain forests, yields insights into the origins of the kea's extraordinary adaptability. The authors conclude that the kea's high level of sociality is a key factor in the flexible lifestyle that probably evolved in response to the alpine habitat's unreliable food resources and has allowed the bird to survive the extermination of much of its original ecosystem. But adaptability has its limits, as the authors make clear when describing present-day interactions between keas and humans and the attempts to achieve a peaceful coexistence.

Henri Michaux defies common critical definition. Critics have compared his work to such diverse artists as Kafka, Goya, Swift, Klee, and Beckett. Allen Ginsberg called Michaux "e;genius,"e; and Jorge Luis Borges wrote that Michaux's work "e;is without equal in the literature of our time."e; This anthology contains substantial selections from almost all of Michaux's major works, most never before published in English, and allows readers to explore the haunting verbal and pictorial landscape of a twentieth-century visionary.

Here is a major work by a Chilean poet thought by many to be the most brilliant and important new voice in the Spanish language. In its first American edition, this poetry is presented in Spanish and Enlgish, so that readers of both languages may listed to Zurita's voice.Anteparadise can be read as a creative response, an act of resistance by a young artist to the violence and suffering during and after the 1973 coup that toppled the democratically elected Allende government. Zurita thus follows the example of several Latin American pets such as the Peruvian Cesar Vallejo and Chilean Nobel laureate Pablo Neruda, sharing their passion and urgency, but his voice is unique.

This epic biography, a gripping insider's account, is a long-overdue chronicle of the life and times of Mohammad Reza Shah, who ruled from 1941 to 1979 as the last Iranian monarch. Gholam Reza Afkhami uses his unparalleled access to a large number of individuals-including high-ranking figures in the shah's regime, members of his family, and members of the opposition-to depict the unfolding of the shah's life against the forces and events that shaped the development of modern Iran. The first major biography of the Shah in twenty-five years, this richly detailed account provides a radically new perspective on key events in Iranian history, including the 1979 revolution, U.S.-Iran relations, and Iran's nuclear program. It also sheds new light on what now drives political and cultural currents in a country at the heart of today's most perplexing geopolitical dilemmas.

Horace Silver is one of the last giants remaining from the incredible flowering and creative extension of bebop music that became known as "e;hard bop"e; in the 1950s. This freewheeling autobiography of the great composer, pianist, and bandleader takes us from his childhood in Norwalk, Connecticut, through his rise to fame as a musician in New York, to his comfortable life "e;after the road"e; in California. During that time, Silver composed an impressive repertoire of tunes that have become standards and recorded a number of classic albums. Well-seasoned with anecdotes about the music, the musicians, and the milieu in which he worked and prospered, Silver's narrative-like his music-is earthy, vernacular, and intimate. His stories resonate with lessons learned from hearing and playing alongside such legends as Art Blakey, Charlie Parker, and Lester Young. His irrepressible sense of humor combined with his distinctive spirituality make his account both entertaining and inspiring. Most importantly, Silver's unique take on the music and the people who play it opens a window onto the creative process of jazz and the social and cultural worlds in which it flourishes.Let's Get to the Nitty Gritty also describes Silver's spiritual awakening in the late 1970s. This transformation found its expression in the electronic and vocal music of the three-part work called The United States of Mind and eventually led the musician to start his own record label, Silveto. Silver details the economic forces that eventually persuaded him to put Silveto to rest and to return to the studios of major jazz recording labels like Columbia, Impulse, and Verve, where he continued expanding his catalogue of new compositions and recordings that are at least as impressive as his earlier work.

"Roberts provides the first comprehensive account of the intellectual and social milieu in Antioch during the Byzantine reconquest of the city, focusing on the outstanding theologian and translator Abdallah ibn al-Fadl. Much of Roberts's analysis is completely fresh, often based on manuscripts that he has edited and translated for the first time. This book is a veritable tour de force."--Alexander Treiger, Associate Professor of Religious Studies, Dalhousie University. "A fascinating book revealing the importance of intellectual exchanges between Byzantium and the Islamic Empire. Ibn al-Fadl translated Greek religious and theological texts, but his notations highlight the impact of the Arabic Aristotelian philosophical tradition and its vocabulary. Roberts shows the unique role Antioch played in these exchanges, making a welcome contribution to an emerging area of research."--Thérèse-Anne Druart, Professor of Medieval Philosophy in Islamic Lands, The Catholic University of America

"Editors, you're not done when you've read the fourth edition of The Copyeditor's Handbook. Do every single exercise in the comprehensive Workbook. You have to love a workbook that has an exercise with an editor's version of the classic lightbulb joke."--Katharine O'Moore-Klopf, ELS, owner of KOK Edit "The Copyeditor's Workbook is a dream come true for teachers and students, a major expansion on (but including) Amy Einsohn's original exercises. Thorough and (yes) often entertaining, the Workbook offers more than forty strategic drills--most of them new--in print and digital form. Perfect for training meticulous yet insightful copyeditors."--Carol Saller, author of The Subversive Copy Editor "The Workbook triples the number of exercises from the origin Handbook and offers far more scope for classroom settings, solo learning, and informal study groups."--Pm Weizenbaum, 2018 president of the Northwest Editors Guild "I'm really excited about The Copyeditor's Workbook. It fills a gap in editor education and will help students develop that most elusive of skills--editorial judgment. With reminders that often there is no one right answer and exposure to different editing techniques and editor resources, the Workbook is an excellent addition to any copyediting course using The Copyeditor's Handbook."--Erin Brenner, owner of Right Touch Editing and former owner of Copyediting.com

Praise for The Copyeditor's Handbook "Absolutely required for students in publishing programs, the volume will also be valuable for those working with copyeditors and those interested in becoming freelance editors.... Essential."--CHOICE"[A]n indispensable classic."--Technical Communications"Marilyn Schwartz has incisively and thoroughly updated and expanded The Copyeditor's Handbook, adding best-practice advice on editorial ethics, accessibility, digital sources, plain language, ESL, and more. Amy Einsohn would be so pleased! Pair this rigorous yet amiable handbook with The Copyeditor's Workbook for a complete course in manuscript editing."--Carol Saller, author of The Subversive Copy Editor "Marilyn Schwartz has crafted a worthy revision of this revered classic. Much here is new, taking us fully into the twenty-first century. Further thoughts and explication from both Amy Einsohn's posthumous notes and Schwartz's own experience are so skillfully woven in that Einsohn's voice continues to sing through."--Pm Weizenbaum, 2018 president of the Northwest Editors Guild "The Copyeditor's Handbook remains the best guide for copyeditors. Marilyn Schwartz has done a thorough job of addressing the 'tectonic shifts' in editing, using Amy Einsohn's copious notes and her own deep experience. It's as though she read the minds of editing instructors everywhere when we've said, 'I wish Einsohn covered . . .'"--Erin Brenner, owner of Right Touch Editing and former owner of Copyediting.com "The fourth edition does the well-loved Amy Einsohn proud, especially with the new material covering digital editing, helpful software, and indie authors. Editors everywhere will greatly appreciate the editing code of ethics added at the end of chapter 1. Reading this book is the next best thing to having a good mentor."--Katharine O'Moore-Klopf, ELS, owner of KOK EditPraise for The Copyeditor's Workbook"Editors, you're not done when you've read the fourth edition of The Copyeditor's Handbook. Do every single exercise in the comprehensive Workbook. You have to love a workbook that has an exercise with an editor's version of the classic lightbulb joke."--Katharine O'Moore-Klopf, ELS, owner of KOK Edit "The Copyeditor's Workbook is a dream come true for teachers and students, a major expansion on (but including) Amy Einsohn's original exercises. Thorough and (yes) often entertaining, the Workbook offers more than forty strategic drills--most of them new--in print and digital form. Perfect for training meticulous yet insightful copyeditors."--Carol Saller, author of The Subversive Copy Editor "The Workbook triples the number of exercises from the origin Handbook and offers far more scope for classroom settings, solo learning, and informal study groups."--Pm Weizenbaum, 2018 president of the Northwest Editors Guild "I'm really excited about The Copyeditor's Workbook. It fills a gap in editor education and will help students develop that most elusive of skills--editorial judgment. With reminders that often there is no one right answer and exposure to different editing techniques and editor resources, the Workbook is an excellent addition to any copyediting course using The Copyeditor's Handbook."--Erin Brenner, owner of Right Touch Editing and former owner of Copyediting.com

Here, for the first time, is a collection of short speeches by the charismatic doctor and social activist Paul Farmer. One of the most passionate and influential voices for global health equity and social justice, Farmer encourages young people to tackle the greatest challenges of our times. Engaging, often humorous, and always inspiring, these speeches bring to light the brilliance and force of Farmer's vision in a single, accessible volume.A must-read for graduates, students, and everyone seeking to help bend the arc of history toward justice, To Repair the World:* Challenges readers to counter failures of imagination that keep billions of people without access to health care, safe drinking water, decent schools, and other basic human rights; * Champions the power of partnership against global poverty, climate change, and other pressing problems today; * Overturns common assumptions about health disparities around the globe by considering the large-scale social forces that determine who gets sick and who has access to health care;* Discusses how hope, solidarity, faith, and hardbitten analysis have animated Farmer's service to the poor in Haiti, Peru, Rwanda, Russia, and elsewhere;* Leaves the reader with an uplifting vision: that with creativity, passion, teamwork, and determination, the next generations can make the world a safer and more humane place.

Traces the main developments in Greek philosophy during the period which runs from the death of Alexander the Great in 323 BC to the end of the Roman Republic (31 BC). This book helps to remove misconceptions.

Offers a statement of a perspective in social thought, a synthesis and elaboration of ideas. This book is suitable for those concerned with the basic issues in contemporary social theory.

Recognized as a major figure in postwar American painting, Richard Diebenkorn (1922-1993) was an artist strongly identified with California but whose work is beloved throughout the United States and the rest of the world. This catalogue covers Diebenkorn's career and focuses on the artist's inner life and purposes as revealed in his paintings.

Exploring the complex interweaving of race, national identity, and the practice of sculpture, Amy Lyford takes us through a close examination of the early US career of the Japanese American sculptor Isamu Noguchi (1904-1988). The years between 1930 and 1950 were perhaps some of the most fertile of Noguchi's career. Yet the work that he produced during this time has received little sustained attention. Weaving together new archival material, little-known or unrealized works, and those that are familiar, Lyford offers a fresh perspective on the significance of Noguchi's modernist sculpture to twentieth-century culture and art history. Through an examination of his work, this book tells a story about his relation to the most important cultural and political issues of his time.

'Fanatic', 'dogmatic', 'fundamentalist' - these are the words most often used in the West to describe the Ayatollah Khomeini. This book challenges that view, arguing that Khomeini and his Islamic movement should be seen as a form of Third World political populism.

The concept of terroir is one of the most celebrated and controversial subjects in wine today. Most will agree that well-made wine has the capacity to express "somewhereness," a set of consistent aromatics, flavors, or textures that amount to a signature expression of place. But for every advocate there is a skeptic, and for every writer singing praises related to terroir there is a study or a detractor seeking to debunk terroir as a myth. Wine and Place examines terroir using a multitude of voices and multiple points of view--from science to literature, from winemakers to wine critics--seeking not to prove its veracity but to explore its pros, its cons, and its other aspects.

A comprehensive volume of essays selected to enrich world history teaching and scholarship. It features forty-four articles that take stock of the history, evolving literature, and the trajectories of new world history.

A biographical account of the physical barrier that divides the United States of America from the United Mexican States. This is a journey along a wall that cuts through a "third nation"- the Divided States of America.

Born to a prominent family in Havana but exiled to the United States as a girl, Ana Mendieta (1948-1985) is regarded as one of the most significant artists of the postwar era. This illustrated catalogue presents a series of color stills from each of twenty-one original Super 8 films that have been preserved and digitized for the 2015 exhibition.

"A wide-ranging anthology of ethnopoetry including origin texts, visionary texts, texts about death, texts about events--collected from Africa, the Americas, Asia, Europe and the Ancient Near East, and Oceania."--Provided by publiher.

A museum survey to historicize art made in the United States during the pivotal decade. This book includes installations, paintings, sculptures, drawings, video, sound, and digital art. It offers an overview of art made in the United States between 1989 and 2001, a period bookended by two indelible events: the fall of the Berlin Wall and 9/11.

Arguing that Americans have misconceived the relation between democracy, private property, and the economic order, this book contends that we can achieve a society of real democracy and political equality without sacrificing liberty by extending democratic principles into the economic order.

An autobiography of George Grosz, one of the twentieth century's greatest satirical artists. It presents a graphic portrait of Germany in chaos after the Treaty of Versailles. It includes a chapter on Grosz's experience in the Soviet Union as well as writings about his twenty-year self-imposed exile in America, and a fable written in English.

In the aftermath of the 1992-1995 Bosnian war, the discovery of unmarked mass graves revealed Europe's worst atrocity since World War II: the genocide in the UN "e;safe area"e; of Srebrenica. To Know Where He Lies provides a powerful account of the innovative genetic technology developed to identify the eight thousand Bosnian Muslim (Bosniak) men and boys found in those graves and elsewhere, demonstrating how memory, imagination, and science come together to recover identities lost to genocide. Sarah E. Wagner explores technology's import across several areas of postwar Bosnian society-for families of the missing, the Srebrenica community, the Bosnian political leadership (including Serb and Muslim), and international aims of social repair-probing the meaning of absence itself.

Explores the rise, fall, and rebirth of one of the nation's most important urban public landscapes, and more significantly, the role public spaces play in shaping people's relationships with the natural world. This book describes the impact of floods, disease, and changing technologies on New Orleans's interactions with the Mississippi.