Bøger udgivet af University of Chicago Press

The untold story of Chicago's pivotal role as a country and folk music capital. Chicago is revered as a musical breeding ground, having launched major figures like blues legend Muddy Waters, gospel soul icon Mavis Staples, hip-hop firebrand Kanye West, and the jazz-rock band that shares its name with the city. Far less known, however, is the vital role Chicago played in the rise of prewar country music, the folk revival of the 1950s and 1960s, and the contemporary offspring of those scenes. In Country and Midwestern, veteran journalist Mark Guarino tells the epic century-long story of Chicago's influence on sounds typically associated with regions further south. Drawing on hundreds of interviews and deep archival research, Guarino tells a forgotten story of music, migration, and the ways that rural culture infiltrated urban communities through the radio, the automobile, and the railroad. The Midwest's biggest city was the place where rural transplants could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, major record labels made Chicago their home and recorded legendary figures like Bill Monroe, The Carter Family, and Gene Autry. The National Barn Dance--broadcast from the city's South Loop starting in 1924--flourished for two decades as the premier country radio show before the Grand Ole Opry. Guarino chronicles the makeshift niche scenes like "Hillbilly Heaven" in Uptown, where thousands of relocated Southerners created their own hardscrabble honky-tonk subculture, as well as the 1960s rise of the Old Town School of Folk Music, which eventually brought national attention to local luminaries like John Prine and Steve Goodman. The story continues through the end of the twentieth century and into the present day, where artists like Jon Langford, The Handsome Family, and Wilco meld contemporary experimentation with country traditions. Featuring a foreword from Grammy-nominated singer-songwriter Robbie Fulks and casting a cross-genre net that stretches from Bob Dylan to punk rock, Country and Midwestern rediscovers a history as sprawling as the Windy City--celebrating the creative spirit that modernized American folk idioms, the colorful characters who took them into new terrain, and the music itself, which is still kicking down doors even today.

A potent re-examination of America's history of public disinvestment in mass transit. Many a scholar and policy analyst has lamented American dependence on cars and the corresponding lack of federal investment in public transportation throughout the latter decades of the twentieth century. But as Nicholas Dagen Bloom shows in The Great American Transit Disaster, our transit networks are so bad for a very simple reason: we wanted it this way. Focusing on Baltimore, Atlanta, Chicago, Detroit, Boston, and San Francisco, Bloom provides overwhelming evidence that transit disinvestment was a choice rather than destiny. He pinpoints three major factors that led to the decline of public transit in the United States: municipal austerity policies that denied most transit agencies the funding to sustain high-quality service; the encouragement of auto-centric planning; and white flight from dense city centers to far-flung suburbs. As Bloom makes clear, these local public policy decisions were not the product of a nefarious auto industry or any other grand conspiracy--all were widely supported by voters, who effectively shut out options for transit-friendly futures. With this book, Bloom seeks not only to dispel our accepted transit myths but hopefully to lay new tracks for today's conversations about public transportation funding.

How humans became so dependent on things and how this need has grown dangerously out of control. Over three million years ago, our ancient ancestors realized that rocks could be broken into sharp-edged objects for slicing meat, making the first knives. This discovery resulted in a good meal and eventually changed the fate of our species and our planet. With So Much Stuff, archaeologist Chip Colwell sets out to investigate why humankind went from self-sufficient primates to nonstop shoppers, from needing nothing to needing everything. Along the way, he uncovers spectacular and strange points around the world--an Italian cave with the world's first known painted art, a Hong Kong skyscraper where a priestess channels the gods, and a mountain of trash that rivals the Statue of Liberty. Through these examples, Colwell shows how humanity took three leaps that led to stuff becoming inseparable from our lives, inspiring a love affair with things that may lead to our downfall. Now, as landfills brim and oceans drown in trash, Colwell issues a timely call to reevaluate our relationship with the things that both created and threaten to undo our overstuffed planet.

A book highlighting the work of pioneering Black printmaker, sculptor, and activist Elizabeth Catlett. Accomplished printmaker and sculptor, avowed feminist, and lifelong activist Elizabeth Catlett (1915-2012) built a remarkable career around intersecting passions for formal rigor and social justice. This book, accompanying a major traveling retrospective, offers a revelatory look at the artist and her nearly century-long life, highlighting overlooked works alongside iconic masterpieces. Catlett's activism and artistic expression were deeply connected, and she protested the injustices of her time throughout her life. Her work in printmaking and sculpture draws on organic abstraction, the modernism of the United States and Mexico, and African art to center the experiences of Black and Mexican women. Catlett attended Howard University, studied with the painter Grant Wood, joined the Harlem artistic community, and worked with a leftist graphics workshop in Mexico, where she lived in exile after the US accused her of communism and barred her re-entry into her home country. The book's essays address a range of topics, including Catlett's early development as an artist-activist, the impact of political exile on her work, her pedagogical legacy, her achievement as a social realist printmaker, her work with the arts community of Chicago's South Side, and the diverse influences that shaped her practice.

A comprehensive history of masks in France from the seventeenth to the nineteenth century. Masks can conceal, disguise, or protect. They can announce status, inspire delight, or spread fear. They can also betray trust through insincerity, deceit, and hypocrisy. In Paris Concealed, historian James H. Johnson offers a sweeping history of masks both visible and unseen from the time of Louis XIV to the late nineteenth century, exploring the complex roles that masking and unmasking have played in the fashioning of our social selves. Drawing from memoirs, novels, plays, and paintings, Paris Concealed explores the many domains in which masks have been decisive. Beginning in the court of Versailles, Johnson charts the genesis of courtly politesse and its wide condemnation by Enlightenment philosophers and political thinkers. He narrates strategies in the French Revolution for unmasking traitors and later efforts to penetrate criminal disguises through telltale marks on the body. He portrays the disruptive power of masks in public balls and carnivals and, with the coming of modernity, evokes their unsettling presence within the unconscious. Compellingly written and beautifully illustrated, Paris Concealed lays bare the mask's transformations, from marking one's position in a static society to embracing imagined identities in meritocracies to impeding the elusive search for one's true self. To tell the history of masks, Johnson shows, is to tell the history of modern selfhood.

A provocative exploration of how America's democratic crisis is rooted in a dangerous mismatch between our Constitution and today's nationalized, partisan politics. The ground beneath American political institutions has moved, with national politics subsuming and transforming the local. As a result, American democracy is in trouble. In this paradigm-shifting book, political scientists Paul Pierson and Eric Schickler bring a sharp new perspective to today's challenges. Attentive to the different coalitions, interests, and incentives that define the Democratic and Republican parties, they show how contemporary polarization emerged in a rapidly nationalizing country and how it differs from polarization in past eras. In earlier periods, three key features of the political landscape--state parties, interest groups, and media--varied locally and reinforced the nation's stark regional diversity. But this began to change in the 1960s as the two parties assumed clearer ideological identities and the power of the national government expanded, raising the stakes of conflict. Together with technological and economic change, these developments have reconfigured state parties, interest groups, and media in self-reinforcing ways. The result is that today's polarization is self-perpetuating--and intensifying. Partisan Nation offers a powerful caution. As a result of this polarization, America's political system is distinctly and acutely vulnerable to an authoritarian movement emerging in the contemporary Republican Party, which has both the motive and the means to exploit America's unusual Constitutional design. Combining the precision and acuity characteristic of their earlier work, Pierson and Schickler explain what these developments mean for American governance and democracy.

Private money, public good, and the original fight for control of America's energy industry. Until the 1930s, financial interests dominated electrical power in the United States. That changed with President Franklin D. Roosevelt's New Deal which restructured the industry. The government expanded public ownership, famously through the Tennessee Valley Authority, and promoted a new kind of utility: the rural electric cooperative that brought light and power to millions in the countryside. Since then, public and cooperative utilities have persisted as an alternative to shareholder control. Democracy in Power traces the rise of publicly governed utilities in the twentieth-century electrification of America. Sandeep Vaheesan shows that the path to accountability in America's power sector was beset by bureaucratic challenges and fierce private resistance. Through a detailed and critical examination of this evolution, Vaheesan offers a blueprint for a publicly led and managed path to decarbonization. Democracy in Power is at once an essential history, a deeply relevant accounting of successes and failures, and a guide on how to avoid repeating past mistakes.

Innovative new approaches for improving GDP measurement to better gauge economic productivity. Official measures of gross domestic product (GDP) indicate that productivity growth has declined in the United States over the last two decades. This has led to calls for policy changes from pro-business tax reform to stronger antitrust measures. But are our twentieth-century economic methods actually measuring our twenty-first-century productivity? The Measure of Economies offers a synthesis of the state of knowledge in productivity measurement at a time when many question the accuracy and scope of GDP. With chapters authored by leading economic experts on topics such as the digital economy, health care, and the environment, it highlights the inadequacies of current practices and discusses cutting-edge alternatives. Pragmatic and forward-facing, The Measure of Economies is an essential resource not only for social scientists, but also for policymakers and business leaders seeking to understand the complexities of economic growth in a time of rapidly evolving technology.

A new account of racial logics in premodern Islamic literature. In Black Knights, Rachel Schine reveals how the Arabic-speaking world developed a different form of racial knowledge than their European neighbors during the Middle Ages. Unlike in European vernaculars, Arabic-language ideas about ethnic difference emerged from conversations extending beyond the Mediterranean, from the Sahara to the Indian Ocean. In these discourses, Schine argues, Blackness became central to ideas about a global, ethnically inclusive Muslim world. Schine traces the emergence of these new racial logics through popular Islamic epics, drawing on legal, medical, and religious literatures from the period to excavate a diverse and ever-changing conception of Blackness and race. The result is a theoretically nuanced case for the existence and malleability of racial logics in premodern Islamic contexts across a variety of social and literary formations.

A celebration of the radical poetics of invention from Charles Bernstein. For more than four decades, Charles Bernstein has been at the forefront of experimental poetry, ever reaching for a radical poetics that defies schools, periods, and cultural institutions. The Kinds of Poetry I Want is a celebration of invention and includes not only poetry but also essays on aesthetics and literary studies, interviews with other poets, autobiographical sketches, and more. At once a dialogic novel, long poem, and grand opera, The Kinds of Poetry I Want arrives amid renewed attacks on humanistic expression. In his polemical, humorous style, Bernstein faces these challenges, head-on and affirms the enduring vitality and attraction of poetry, poetics, and literary criticism.

A rediscovery of Thoreau's interactions with everyday objects and how they shaped his thought. Though we may associate Henry David Thoreau with ascetic renunciation, Thoreau accumulated a variety of tools, art, and natural specimens throughout his life as a homebuilder, surveyor, and collector. In some of these objects, particularly Indigenous artifacts, Thoreau perceived the presence of their original makers, and he called such objects "mindprints." Thoreau believed that these collections could teach him how his experience, his world, fit into the wider, more diverse (even incoherent) assemblage of other worlds created and recreated by other beings every day. In this book, Gaskell explores how a profound environmental aesthetics developed from this insight and shaped Thoreau's broader thought.

The story of how one scholar's experiences in Sri Lanka shaped the contours of the Buddhist visual canon. An early interpreter of Buddhist art to the West, Ananda Kentish Coomaraswamy laid the foundation of what would become the South Asian visual canon, particularly through his efforts to understand how Buddhist art emerged and developed. In Making a Canon, Janice Leoshko examines how Coomaraswamy's experience as the director of a mineralogical survey in Sri Lanka shaped his understanding of South Asian art and religion. Along the way, she reveals how Coomaraswamy's distinctive repetition of Sri Lankan visual images in his work influenced the direction of South Asia's canon formation and left a lasting impression on our understanding of Buddhist art.

A new analysis of Mahler's symphonies, placing each within the context of his musical way of being in and experiencing the world. Between 1888 and 1909 Gustav Mahler completed nine symphonies; the tenth was left incomplete at his death in 1911. Mahler's Symphonic World makes a radical claim: that over his lifetime, the composer pursued a single vision, a single ideal symphony, striving to capture in his music a philosophical outlook on human existence. Writing at the turn of the twentieth century, Mahler found himself in a spiritual situation in which all trust in firm foundations had evaporated. In Karol Berger's analysis, each of Mahler's symphonies reflects his preoccupation with human suffering and transience and his search for sources of possible consolation. Through detailed analysis of individual symphonies, Berger traces how the same images and plots appear in different works and how the borderlines between symphonies can become porous. Mahler's Symphonic World uncovers the single ideal symphony that Berger asserts the composer was pursuing all his life, locates Mahler's music within the matrix of intellectual currents that defined his epoch, and offers a revelatory picture of his musical way of being in the world.

A uniquely blended personal family history and history of the changing definitions of race in America. A zealous eugenicist, who regarded himself as white, ran Virginia's Bureau of Vital Statistics in the first half of the twentieth century, misusing his position to reclassify people he suspected of hiding their "true" race. But in addition to being blinded by his prejudices, he and his predecessors were operating more by instinct than by science. Their whole dubious enterprise was subject not just to changing concepts of race but outright error, propagated across generations. This is how Michael O'Malley, a descendant of a Philadelphia Irish-American family, came to have "colored" ancestors in Virginia. In The Color of Family, O'Malley teases out the various changes made to citizens' names and relationships over the years, and how they affected families as they navigated what it meant to be "white," "colored," "mixed race," and more. In the process, he delves into the interplay of genealogy and history, exploring how the documents that establish identity came about, and how private companies like Ancestry.com increasingly supplant state and federal authorities--and not for the better. Combining the personal history of O'Malley's own family with the broader history of racial classification, The Color of Family is an accessible and lively look at the ever-shifting and often poisoned racial dynamics of the United States.

Decoding conspiracy thinking at the nexus of sexuality, Freemasonry, and the occult. In this book, anthropologists Rogers Orock and Peter Geschiere examine the moral panic over a perceived rise in homosexuality that engulfed Cameroon and Gabon beginning in the early twenty-first century. As they uncover the origins of the conspiratorial narratives that fed this obsession, they argue that the public's fears were grounded in historically situated assumptions about the entanglement of same-sex practices, Freemasonry, and illicit enrichment. This specific panic in postcolonial Central Africa fixated on high-ranking Masonic figures thought to lure younger men into sex in exchange for professional advancement. The authors' thorough account shows how attacks on elites as homosexual predators corrupting the nation became a powerful outlet for mounting populist anger against the excesses and corruption of the national regimes. Unraveling these tensions, Orock and Geschiere present a genealogy of Freemasonry, taking readers from London through Paris to Francophone Africa and revealing along the way how the colonial past was articulated with local assumptions linking same-sex practices to enrichment.

The first book to lay bare the life of a Nazi camp guard who settled in a Chicago suburb and to explore how his community and others responded to discoveries of Nazis in their midst. Reinhold Kulle seemed like the perfect school employee. But in 1982, as his retirement neared, his long-concealed secret finally came to light. The chief custodian at Oak Park and River Forest High School outside Chicago had been a Nazi, a member of the SS, and a guard at a brutal slave labor camp during World War II. Similar revelations stunned communities across the country. Hundreds of Reinhold Kulles were gradually discovered--men who had patrolled concentration camps, selected Jews for executions, and participated in mass shootings--now living ordinary suburban lives. As the Office of Special Investigations raced to uncover Hitler's men in the United States, neighbors had to reconcile horrific accusations with the helpful, kind, and soft-spoken neighbors they knew. Though Nazis loomed in the American consciousness as evil epitomized, in Oak Park--a Chicago suburb renowned for its liberalism--people rose to defend Reinhold Kulle, war criminal. Drawing on archival research and insider interviews, Oak Park and River Forest High School teacher Michael Soffer digs into his community's tumultuous response to the Kulle Affair. He explores the uncomfortable truths of how and why onetime Nazis found allies in American communities after their gruesome pasts were uncovered.

A reintroduction to the myth of Amphion, recovering an overlooked sphere of lyric tradition. Amphion is the figure in Greek mythology who played so skillfully on a lyre that stones moved of their own accord to build walls for Thebes. While Amphion still presides over music and architecture, he was once fundamental to the concept of lyric poetry. Amphion figured the human power to inspire action, creating and undoing polities by means of language. In contrast to the individual inspiration we associate with the better-known Orpheus, Amphion represents the relentless, often violent, play of order and disorder in human social life. His lyre was a powerful metaphor in the age of European imperial expansion. In this wide-ranging study, Leah Middlebrook introduces readers to Amphion-inspired poetics and lyrics and traces the tradition of the Amphionic from the Renaissance through modernist and postmodern poetry and translation from the Hispanic, Anglophone, French, Italian, and ancient Roman worlds. Amphion makes a significant contribution to scholarship on the connection between poetry and politics and the history of the lyric, offering an account well-suited to our times.

A unique study of the only physical manuscript containing Sir Gawain and the Green Knight as both a material and literary object. In this book, Arthur Bahr takes a fresh look at the four poems and twelve illustrations of the so-called "Pearl-Manuscript," the only surviving medieval copy of two of the best-known Middle English poems: Pearl and Sir Gawain and the Green Knight. In Chasing the Pearl-Manuscript, Bahr explores how the physical manuscript itself enhances our perception of the poetry, drawing on recent technological advances (such as spectroscopic analysis) to show the Pearl-Manuscript to be a more complex piece of material, visual, and textual art than previously understood. By connecting the manuscript's construction to the intricate language in the texts, Bahr suggests new ways to understand both what poetry is and what poetry can do.

An expanded narrative of the rich, unique history of the University of Chicago. One of the most influential institutions of higher learning in the world, the University of Chicago has a powerful and distinct identity, and its name is synonymous with intellectual rigor. With nearly 170,000 alumni living and working in more than one hundred and fifty countries, its impact is far-reaching and long-lasting. With The University of Chicago: A History, John W. Boyer, Dean of the College from 1992 to 2023, thoroughly engages with the history and the lived politics of the university. Boyer presents a history of a complex academic community, focusing on the nature of its academic culture and curricula, the experience of its students, its engagement with Chicago's civic community, and the resources and conditions that have enabled the university to sustain itself through decades of change. He has mined the archives, exploring the school's complex and sometimes controversial past to set myth and hearsay apart from fact. Boyer's extensive research shows that the University of Chicago's identity is profoundly interwoven with its history, and that history is unique in the annals of American higher education. After a little-known false start in the mid-nineteenth century, it achieved remarkable early successes, yet in the 1950s it faced a collapse of undergraduate enrollment, which proved fiscally debilitating for decades. Throughout, the university retained its fierce commitment to a distinctive, intense academic culture marked by intellectual merit and free debate, allowing it to rise to international acclaim. Today it maintains a strong obligation to serve the larger community through its connections to alumni, to the city of Chicago, and increasingly to its global community. Boyer's tale is filled with larger-than-life characters--John D. Rockefeller, Robert Maynard Hutchins, and many other famous figures among them--and episodes that reveal the establishment and rise of today's institution. Newly updated, this edition extends through the presidency of Robert Zimmer, whose long tenure was marked by significant developments and controversies over subjects as varied as free speech, medical inequity, and community relations.