Bøger udgivet af University of Chicago Press

Presents a powerful new vision of the history of science through the lens of disability studies. Disability has been a central--if unacknowledged--force in the history of science, as in the scientific disciplines. Across historical epistemology and laboratory research, disability has been "good to think with" an object of investigation made to yield generalizable truths. Yet disability is rarely imagined to be the source of expertise, especially the kind of expertise that produces (rational, neutral, universal) scientific knowledge. This volume of Osiris places disability history and the history of science in conversation to foreground disability epistemologies, disabled scientists, and disability sciencing (engagement with scientific tools and processes). Looking beyond paradigms of medicalization and industrialization, the volume authors also examine knowledge production about disability from the ancient world to the present in fields ranging from mathematics to the social sciences, resulting in groundbreaking histories of taken-for-granted terms such as impairment, infirmity, epidemics, and shōgai. Some contributors trace the disabling impacts of scientific theories and practices in the contexts of war, factory labor, insurance, and colonialism; others excavate racial and settler ableism in the history of scientific facts, protocols, and collections; still others query the boundaries between scientific, lay, and disability expertise. Contending that disability alters method, authors bring new sources and interpretation techniques to the history of science, overturn familiar narratives, apply disability analyses to established terms and archives, and discuss accessibility issues for disabled historians. The resulting volume announces a disability history of science.

An annual peer-reviewed law journal covering the legal implications of decisions by the Supreme Court of the United States. Since it first appeared in 1960, the Supreme Court Review (SCR) has won acclaim for providing a sustained and authoritative survey of the implications of the Court's most significant decisions. SCR is an in-depth annual critique of the Supreme Court and its work, analyzing the origins, reforms, and modern interpretations of American law. SCR is written by and for legal academics, judges, political scientists, journalists, historians, economists, policy planners, and sociologists.

"Originally published in Spanish in 1967, The Great Zoo by the Afro-Cuban poet NicolaáI p1 ss GuilleáI p1 sn (1902-1989) is a wry political project structured as though a fantastical bestiary of ideas and ideologies. Parodying the perceived authority and objectivity of zoological grammar, the poems present taxonomic-imagistic descriptions of caged entities in the voice of a dispassionate zoo tour guide explaining to the reader-as-visitor what appears inside each enclosure. These captive inhabitants include the Mississippi and Amazon Rivers as transmogrified snakes; a winged, singing guitar; clouds from around the world; a temperamental atomic bomb; blue-pelted police; and a bloodthirsty KKK. Newly translated by Aaron Coleman with a keen eye toward histories of colonial racialization, oppression, and exoticism, this bilingual edition of The Great Zoo establishes a creative mode in which the authority of language born of racial-colonial regimes in the so-called New World is critically, at times even comically, exposed and rewritten"--

"Every year, most forcefully when winter turns to spring, the chilly mistral wind blows through the Rhãone Valley of southern France over the northwest coast of the Gulf of Lion into the Mediterranean. Sometimes the winds are brisk and sustained, other times they are unleashed in violent gusts. Trees are knocked over or permanently bent to the east in the path of the wind, trains are swept off their tracks, crops are destroyed. Afterward the sky is clear and blue, as Provence is often pictured. The legendary wind is central to the area's regional identity, inspiring artists and writers near and far for centuries. This force of nature is the focus of Dunlop's Windswept, a beautifully written examination of the power of the mistral wind, and in particular the ways it has challenged central tenets of 19th century European society: order, mastery, predictability. As Dunlop shows, while the modernizing state sought liberation from environmental realities through scientific advances, land modification, and other technological solutions, the wind blew on, literally crushing attempts at control, and becoming increasingly integral to regional feelings of place and community"--

"Norman Holmes Pearson was a scholar and a spy. His scholarship brought him close to poets like Hilda Doolittle, Ezra Pound, William Carlos Williams, and W. H. Auden. But he also was close to the CIA, where he sponsored the careers of ambitious young men like James Jesus Angleton, the eventual director of counterintelligence during the cold war. Pearson's conception of American Studies meshed with the agendas of the CIA and other agencies that promoted American culture to the world. Greg Barnhisel gives us a clear and thorough understanding of the unassuming Pearson, a linchpin of America's cold war culture"--

"Our teenage years are a uniquely vulnerable and formative time as we lay the foundations for the people we will become. Our relationships with our peers, our families, and our mentors all shape these critical years, but one institution looms large, shaping our days and guiding our futures: school. This achingly sensitive book from sociologist Nora Gross examines what happens in a group of young men's lives after three of their peers die by gun violence. Looking to their interactions at and beyond school, as well as their vibrant lives online, Gross shows what happens when a school with the mission of supporting young Black men into college confronts the realities of their living amid gun violence. Initially, the school administration and teachers responded both through personal outreach (cookies, hugs, and memorials) and institutional resources (more lenient policies and two therapists from an anti-violence organization). This, Gross tells us, is the "easy hard." When pain is fresh, so is empathy. But as the immediate shock began to fade, teachers and administrators were faced with mandated testing on the horizon and the school's charter on the line, pushing a return to normalcy. Collective mourning was no longer a school-sponsored activity, and the initial sense of community gave way to factions: those teachers who made space for grief, and those who pushed for a return to normal. These are the days Gross calls the "hard hard." As the school year wore on, routines of daily life did resume, inaugurating a period Gross calls the "hidden hard," when students' unresolved grief is pushed into private spaces by the expectation of normalcy and the mythology around the boys' resilience. Most students continued to grieve silently and on their phones, with social media as their primary space for self-expression. These students were checking out through substance use, unable to plan for the future, and seeking solidarity through posts expressing their grief and checking in on each other-all reactions that their teachers and administrators failed to register. From these moments of pain and comfort, Gross highlights meaningful ways we can support young people as they navigate loss"--

"Our civilization has the odd habit of printing books full of lines. We call these notebooks "ruled". It's an orderly, lawful word, as befits an orderly, lawful document. Of course, in a ruled notebook, the rules are there to invite writing, drawing, and thinking. The rules are riverbanks, and the river flowing between them is whatever you want it to be. How might changing the lines change the flow of thoughts between them? What if the straight parallels gave way to curves, clusters, and criss-crosses? What if the once-identical pages began to individuate and develop personalities? What ideas might come to life, if the rules grew unruly? Mathematics, liked line notebooks, does not enjoy a reputation for playful spontaneity. If you want to create an unruly notebook for nonstandard thoughts, it might seem that algebra is the last place you'd turn. But creativity is not (as we sometimes imagine) a matter of shaking off all constraints. It is about playing against them. We need rules, if only for the sake of breaking them. Plotted, written, and overruled by mathematicians, educators, and popularizers Tim Chartier and Amy Langville, and with a foreword by Ben Orlin, this book reveals math's creative side. We will see how straight lines can form fractal crenelations; how circles can disrupt and unify; how waves can create complex landscapes and famous faces. The rules of mathematics, this book shows, are like the rules of a notebook: invitations to play"--

"Gioia Diliberto's fresh and timely take on the history of Prohibition focuses on four women who played central roles in promoting, enforcing, profiting from, and repealing the Eighteenth Amendment: Ella Boole, the head of the Women's Christian Temperance Union; Texas Guinan, a star of silent films and vaudeville who ran glitzy speakeasies; Mabel Walker Willebrandt, a genuine trailblazer tasked with enforcing Prohibition in the Department of Justice; and Pauline Sabin, a Chicago socialite who led the drive toward repeal. Cumulatively, Diliberto creates a varied and dynamic portrait of women in power, as both activists and institutionalists, in both politics and culture"--

"Postpartum depression and mental illness were long considered unfit for the public, psychological, or political discussion. Women were typically told their "baby blues" weren't important-or that they were failing as mothers. As Rachel Louise Moran shows, bringing these serious and common challenges into the open didn't just happen. It took activists, medical professionals, and countless everyday mothers to speak the unspeakable: motherhood is hard, and its burdens are often both heavy and unfair. Moran's groundbreaking work situates the changing cultural understanding of postpartum within larger women's health movements in America--a discussion that has constantly shifted amid the country's broader cultural and political transformations"--

"Of the Americans who have died of COVID-19, 20% have been elderly people residing in nursing facilities--even though they make up less than a percent of the overall US population. Throughout the pandemic, several argued that there was nothing to be done about the people dying in these facilities; they felt that, given the higher likelihood of serious disease and death among that population, younger, able-bodied, and more economically productive members of society should be prioritized instead. Meanwhile, elderly folks continued to be neglected. As Margaret Morganroth Gullette shows, nothing about this tragedy was inevitable. Gullette, an activist and scholar, argues that it was our collective indifference, fueled by ageism, that killed our elderly population, compounded by our fear of and disgust toward aging and our cultural enshrinement of youth-based decisions about life-saving care, even before sufficient data was available. Walking us through the decisions that lead to such discrimination, revealing how governments and media reinforced ageist biases, and collecting the ignored voices of the elderly, Gullette helps us understand the makings of what she powerfully calls an "eldercide." A chronicle of how ageism turned lethal, this book is an act of remembrance and a call to action that aims to prevent a similar outcome in the next pandemic"--

"Jolanda Insana (1937-2016) is a Sicilian poet who has long been under-recognized outside of Italy, and Catherine Theis's stellar translation of Insana's first full collection, Slashing Sounds, is the first book-length English-language edition of the poet's work. Originally published as Fendenti fonici in 1982, these poems channel an idiosyncratic, albeit carefully curated, Sicilian dialect that Insana used to capture the vernacular life and street-level spirit of the region. Through this specific voice, Insana nevertheless finds a full spectrum of possibilities for human expression-the vulgarity, hilarity, intimacy, and outrage of a population expressed through its slang, obscenities, and terms of endearment. Insana's daring, fiercely embodied work pushes the boundaries of the notion of poetry as an elitist institution. What makes Slashing Sounds so immensely satisfying is its irreverence toward all forms of literary piety whatsoever: these poems are as subversive, snarky, and funny as they were over forty years ago, and the result is a book that feels utterly and perennially contemporary"--

"The technology at the center of this book marks a milestone in computing history. Until the late nineteenth century, naval gun crews aimed and fired at virtually point-blank ranges, but as warship speeds and battle ranges grew, it became necessary to predict where the target would be when a projectile landed. Two British civilian inventors, Arthur Pollen and Harold Isherwood, insisted that the only way to predict with sufficient speed and accuracy to enable hits in battle was to incorporate all the relevant variables into mathematical equations and to develop instruments for solving them instantaneously and continuously. This insight led them to build an integrated, gyro-stabilized system for gathering data, calculating predictions, and transmitting the results to the gunners. At the heart of their system was the most advanced analog computer of the day. In addition to being a landmark technological achievement, Pollen and Isherwood's invention also took on legal significance. Its value was so evident that first Britain's Royal Navy and then the US Navy paid them the compliment of pirating it. The inventors' attempts to gain compensation in the courts had rippling effects on how the two leading liberal societies of the modern era struggled to reconcile their ideological commitment to private property rights with the perceived imperatives of national security. Their story shows that the modern American national-security state and secrecy regime, which are often associated with atomic energy during the mid-twentieth century, had longer, trans-Atlantic roots. It also shows that the United States, in its rise to global hegemony, relied heavily on the acquisition of British technology by fair means or foul-much as Americans accuse China of doing to the United States today"--

"On November 22, 1947, a fifteen-year-old prodigy from colonial Algeria named Baya exhibited her paintings and clay sculptures at the Parisian gallery of the art dealer Aimâe Maeght. Her opening attracted some of the most influential cultural figures of postwar Paris, including Albert Camus, Andrâe Breton, Henri Matisse, and Georges Braque. Alice Kaplan's biography begins on that November day, in that gallery, then moves from Baya's beginnings as a farmworker to her Parisian triumph, through her death in Algeria in 1998, by then a cultural icon of independent Algeria. Orphaned at age nine, Baya was working on a flower farm when she caught the eye of a French woman, Marguerite Caminat, whose interest in the girl changed her life. The relationship of support and affection between the indigenous Algerian artist and her French mentor was fraught with ambiguity. Baya worked as Caminat's maid but came to see herself as the woman's adoptive daughter; Caminat nurtured Baya's gift and saw the child as the artist she herself once aspired to be. The French press of 1947 celebrated the young artist with all the predictable clichâes: the orphan rescued by the white fairy godmother, the wild child civilized, the ignorant genius on display. In Seeing Baya: Portrait of an Algerian Artist in Paris, Kaplan considers the differences that Baya makes to the stories we have told about modern art and postwar culture in France. She unravels the human sentiments at play in this history, from the noble to the venal to the obscure, and probes the motivations of the characters surrounding Baya, scrutinizing them from different angles as they respond to the singular itinerary of the young artist. Seeing Baya reveals a fascinating and significant life, one of survival, resistance, and irrepressible talent"--

"LeRoy Neiman's story cuts a fascinating swath through the highs and lows-personal, professional, and cultural-of America over 90 years. He became a household name, his artwork saturated American culture for decades, and he rose high enough to be a pop culture punchline. Neiman was a keen self-promoter, saying later in life that even he didn't know who the real LeRoy Neiman was, but that all the fame and money that came his way was worth it. In this first biography of this captivating and off-putting man, Travis Vogan hunts for the real Neiman amid the America that made him"--

"The most potent weapon in the hands of the oppressor is the mind of the oppressed." Like all of Steve Biko's writings, those words testify to the passion, courage, and keen insight that made him one of the most powerful figures in South Africa's struggle against apartheid. They also reflect his conviction that black people in South Africa could not be liberated until they united to break their chains of servitude, a key tenet of the Black Consciousness movement that he helped found. I Write What I Like contains a selection of Biko's writings from 1969, when he became the president of the South African Students' Organization, to 1972, when he was prohibited from publishing. The collection also includes a preface by Archbishop Desmond Tutu; an introduction by Malusi and Thoko Mpumlwana, who were both involved with Biko in the Black Consciousness movement; a memoir of Biko by Father Aelred Stubbs, his longtime pastor and friend; and a new foreword by Professor Lewis Gordon. Biko's writings will inspire and educate anyone concerned with issues of racism, postcolonialism, and black nationalism.

Here the great Danish linguist Otto Jespersen puts forward his views on grammatical structure in a kind of shorthand formalism, devising symbols that represent various grammatical elements and then analyzing numerous sentences in terms of these symbols. The contemporaneity of these analyses is remarkable, for they allude to concepts that were uncongenial to linguists in 1937 when the book was first published, but which have come to be generally accepted in the linguistics community during the past twenty-five years.

In Beyond the Miracle, a distinguished South African journalist provides a wide-ranging and unflinching account of the first nine years of democratic government in South Africa. Covering both the new regime's proud achievements and its disappointing failures, Allister Sparks looks to South Africa's future, asking whether it can overcome its history and current global trends to create a truly nonracial, multicultural, and multiparty democracy. Sparks sees South Africa as facing many of the same challenges as the rest of the world, especially a widening gap between rich and poor, exacerbated by the forces of globalization. While the transition government has done much to establish democracy and racial equality in a short time, as well as bring basic services such as clean water to millions who did not have them before, many blacks feel it has not done enough to redress the continuing imbalance of wealth in the country. Many whites, meanwhile, feel disempowered and confused about what role they have to play as a racial minority in a country they used to rule and regard as theirs by divine right. Sparks also covers other burning issues, such as the HIV/AIDS epidemic, high crime rates, the diamond wars, the Congo conflict, and the Zimbabwean land crisis. Writing vividly and often quite movingly, Sparks draws on his decades of journalistic experience and his recent insider access to key figures in the liberation government to take stock of where South Africa has been, where it's going, and why the rest of the world should not turn away from this country where the First and Third Worlds meet. As Sparks persuasively argues, the success of Mandela's vision of a peaceful "rainbow nation" is crucial not just for the salvation of Africa, but also for the world. "Sparks, a grandfather of South African journalism, has fired one of the first volleys in the 10-year assessment. . . . It is an even-handed work, almost encyclopedic in its breadth. Sparks traverses all the important political terrain."--Mail & Guardian "It is as good a guide to the new South Africa as any."--Economist

There was a time in America when two men pictured with their arms wrapped around each other, or perhaps holding hands, weren't necessarily seen as sexually involved-a time when such gestures could be seen simply as those of intimate friendship rather than homoeroticism. Such is the time John Ibson evokes in Picturing Men, a striking visual record of changes in attitudes about relationships between gentlemen, soldiers, cowboys, students, lumberjacks, sailors, and practical jokers. Spanning from 1850 to 1950, the 142 everyday photographs that richly illustrate Picturing Men radiate playfulness, humor, and warmth. They portray a lost world for American men: a time when their relationships with each other were more intimate than they commonly are today, regardless of sexual orientation. Picturing Men starkly contrasts the calm affection displayed in earlier photographs with the absence of intimacy in photos from the mid-1950s on. In doing so, this lively, accessible book makes a significant contribution to American history and cultural studies, gender studies, and the history of photography.

This witty sequel to Jane Austen's Pride and Prejudice follows the fate of Georgiana Darcy, Mr. Darcy's younger sister, who must choose between two suitors, a well-placed navy captain and a brash young architect. Masterfully adapted to Austen's original nineteenth-century style, Presumption brings back to life the book's most memorable characters, the Bennets, Darcys, Collins, and de Bourghs. "An elegant emulation and continuation of Pride and Prejudice. . . . Jointly composed by two admirers of Jane Austen, the book often achieves crisp replication of her style. . . . Presumption shows how sequel-writing can, like parody, be a sharp exercise in literary appreciation."--Peter Kemp, Times Literary Supplement Julia Barrett is a pseudonym for Julia Braun Kessler and Gabrielle Donnelly.

"In this book, historian Rosemary Wakeman brings to life the frenzied, crowded streets, markets, ports, and banks of Bombay, London, and Shanghai, cities that, in the early twentieth century, were at the forefront of the sweeping changes taking the world by storm as it entered an era of globalized commerce and the unprecedented circulation of goods, people, and ideas. Wakeman explores these cities and the world they helped transform through the life of Victor Sassoon, who in 1924 gained control of his powerful family's trading and banking empire. She tracks his movements between these three cities as he grows his family's fortune and transforms its holdings into a global juggernaut. Using his life as its point of entry, this book paints a broad portrait not just of wealth, cosmopolitanism, and leisure, but also of the discrimination, exploitation, and violence wrought by a world increasingly driven by the demands of capital"--

"In this book, historian Kate Merkel-Hess examines the lives and personalities of the wives of the warlords who held control over regional factions in China from 1916 to 1928. Posing for candid photographs and sitting for interviews, these women did not just advance their husbands' agendas. They advocated for social and political changes, gave voice to feminist ideas, and shaped how the public perceived them. As the first publicly political wives in modern China, the women close to Republican warlords changed how people viewed elite women's engagement in politics. Drawing on popular media sources including magazine profiles and gossip column items, Merkel-Hess draws unexpected connections between militarism and domestic life, and she provides an insightful new account of gender and authority in early twentieth-century China"--

"What do we mean when we talk about sea level? How and why did people begin to measure it? With Wilko Graf von Hardenberg as our guide, we follow these questions and more to the muddy littoral spaces of Venice and Amsterdam, the coasts of the Baltic Sea, the Panama and Suez canals, and through the expansion of European colonial empires and the science funding boom of the Cold War. This book is the first history of sea level as a concept and of its theoretical and practical uses. It breaks new ground by offering an innovative outlook on how human societies worldwide have revisited and reinterpreted the relationship between land and sea in modern times. What is more, as a conceptual history of one of the most widely used baselines of environmental change, Sea Level provides a much-needed historical contextualization of anthropogenic sea level rise and its impact on the global coast. By narrating how sea level has morphed from a stable geodetic baseline to a marker of anthropogenic change, von Hardenberg sheds new light on the Anthropocene itself"--

Novelist Ha Jin raises questions about language, migration, and the place of literature in a rapidly globalizing world. Consisting of three interconnected essays, The Writer as Migrant sets Ha Jin's own work and life alongside those of other literary exiles, creating a conversation across cultures and between eras. He employs the cases of Alexander Solzhenitsyn and Chinese novelist Lin Yutang to illustrate the obligation a writer feels to the land of their birth, while Joseph Conrad and Vladimir Nabokov-who, like Ha Jin, adopted English for their writing-are enlisted to explore a migrant author's conscious choice of a literary language. A final essay draws on V. S. Naipaul and Milan Kundera to consider the ways in which our era of perpetual change forces a migrant writer to reconceptualize the very idea of home. Throughout, Jin brings other celebrated writers into the conversation as well, including W. G. Sebald, C. P. Cavafy, and Salman Rushdie-refracting and refining the very idea of a literature of migration. Simultaneously a reflection on a crucial theme and a fascinating glimpse at the writers who compose Ha Jin's mental library, The Writer as Migrant is a work of passionately engaged criticism, one rooted in departures but feeling like a new arrival.

A compelling and pragmatic argument: solutions to yesterday's environmental problems reveal today's path forward. We solved planet-threatening problems before, Susan Solomon argues, and we can do it again. Solomon knows firsthand what those solutions entail. She first gained international fame as the leader of an expedition to Antarctica in 1986, making discoveries that were key to healing the damaged ozone layer. She saw a path--from scientific and public awareness to political engagement, international agreement, industry involvement, and effective action. Solomon, an atmospheric scientist and award-winning author, connects this career-defining triumph to the inside stories of other past environmental victories--against ozone depletion, smog, pesticides, and lead--to extract the essential elements of what makes change possible. The path to success begins when an environmental problem becomes both personal and perceptible to the general public. Lawmakers, diplomats, industries, and international agencies respond to popular momentum, and effective change takes place in tandem with consumer pressure when legislation and regulation yield practical solutions. Healing the planet is a long game won not by fear and panic but by the union of public, political, and regulatory pressure. Solvable is a book for anyone who has ever despaired about the climate crisis. As Solomon reminds us, doom and gloom get us nowhere, and idealism will only take us so far. The heroes in these stories range from angry mothers to gang members turned social activists, to upset Long Island birdwatchers to iconoclastic scientists (often women) to brilliant legislative craftsmen. Solomon's authoritative point of view is an inspiration, a reality check, a road map, and a much-needed dose of realism. The problems facing our planet are Solvable. Solomon shows us how.

The collapse of Communism in Central and Eastern Europe opened the doors to cultural treasures that for decades had been hidden, forgotten, or misinterpreted. Thomas DaCosta Kaufmann looks at Central Europe as a cultural entity while chronicling more than three hundred years of painting, sculpture, and architecture in Germany, Poland, the Czech Republic, Slovakia, Hungary, Austria, Ukraine, Lithuania and western parts of the Russian Federation. Kaufmann surveys a remarkable range of art and artifacts created from the coming of the Renaissance through to the Enlightenment. "Kaufmann throws considerable light on one of the more neglected and least understood periods in art history."--Philadelphia Inquirer "A wonderful book which does justice both to a formal analysis of the art and to an explanation of broader political and economic forces at work."--Virginia Quarterly Review "Important and stimulating, Kaufmann's study examines the cultural legacy of a region too little known and understood."--Choice "Peaks of the creative heritage which [Kaufmann] describes reserve their message--and their surprises--for those who visit them in situ. But invest in Kaufmann's volume before you go."--R. J. W. Evans, New York Review of Books

"Philosophical anthropology on the grandest scale. . . .Gellner has produced a sharp challenge to his colleagues and a thrilling book for the non-specialist. Deductive history on this scale cannot be proved right or wrong, but this is Gellner writing, incisive, iconoclastic, witty and expert. His scenario compels our attention."--Adam Kuper, New Statesman "A thoughtful and lively meditation upon probably the greatest transformation in human history, upon the difficult problems it poses and the scant resources it has left us to solve them."--Charles Larmore, New Republic

Weaving early accounts of witchcraft-trial records, ecclesiastical tracts, folklore, and popular iconography-into new and startling patterns, Carlo Ginzburg presents in Ecstasies compelling evidence of a hidden shamanistic culture that flourished across Europe and in England for thousands of years.

With the rise of women's suffrage, challenges to marriage and divorce laws, and expanding opportunities for education and employment for women, the early years of the twentieth century were a time of social revolution. Examining British novels written in 1890-1914, Jane Eldridge Miller demonstrates how these social, legal, and economic changes rendered the traditional narratives of romantic desire and marital closure inadequate, forcing Edwardian novelists to counter the limitations and ideological implications of those narratives with innovative strategies. The original and provocative novels that resulted depict the experiences of modern women with unprecedented variety, specificity, and frankness. Rebel Women is a major re-evaluation of Edwardian fiction and a significant contribution to literary history and criticism. "Miller's is the best account we have, not only of Edwardian women novelists, but of early 20th-century women novelists; the measure of her achievement is that the distinction no longer seems workable." --David Trotter, The London Review of Books

Together at last. Under the pseudonym Richard Stark, Donald E. Westlake, one of the greats of crime fiction, wrote twenty-four fast-paced, hard-boiled novels featuring Parker, a shrewd career criminal with a talent for heists and a code all his own. With the publication of the last four Parker novels Westlake wrote--Breakout, Nobody Runs Forever, Ask the Parrot, and Dirty Money--the University of Chicago Press pulls the ultimate score: for the first time ever, the entire Parker series will be available from a single publisher. Parker's got a new fence and a new plan to get the loot back from a botched job in Dirty Money, but a bounty hunter, the FBI, and the local cops are on his tail. Only his brains, his cool, and the help of his lone longtime dame, Claire, can keep him one step ahead of the cars and the guns. Featuring new forewords by Chris Holm, Duane Swierczynski, and Laura Lippman--celebrated crime writers, all--these masterworks of noir are the capstone to an extraordinary literary run that will leave you craving more. Written over the course of fifty years, the Parker novels are pure artistry, adrenaline, and logic both brutal and brilliant. Join Parker on his jobs and read them all again or for the first time. But don't talk to the law.