Bøger udgivet af University of Exeter Press

This edition of Antonio Machado's work offers a complete revision of the interpretations advanced by critics on the first version of Soledades (1903). Based on Machado's original edition it will be the only reliable text on the market of this work, the very embodiment of Spanish modernism. It will offer, as well as the text, a substantial analysis of the changes made for the second edition of 1907 that reveal the progressive influence of Modernismo on Machado's conceptionsUsing new theoretical models, the editor has been able to tell us more about Machado's poetic practice, his evolution as a poet and, consequently, more about the development of Symbolism in Spain than has previously been possible.The text will be useful to specialists of Machado and the period (18901910) and to postgraduates and final-year students working on the period.

Gregoire Le Roy was at school in Ghent with Maeterlinck and Van Leberghe, and grew up in the same atmosphere of intellectual ferment. His first collection of published verse just pre-dates Maeterlinck's Serres chaudes. His fin-de-siecle poetry was highly considered at the time of its first appearance, and was widely published in reviews. He treats all the major themes of the period, with special emphasis on a melancholy tone, half-tint landscapes, overt musicality, and (almost obsessively) the destructive nature of time.This is the first edition since their original publication in 1889 and 1907 of the three collections of poems by a significant member of the Belgian Symbolist school.Republishing Le Roy's early work is an important step in recreating an accurate intellectual portrait of an important and influential movement.

From Goethe to Gide brings together twelve essays on canonical male writers commissioned from leading specialists from Britain and North America. These essays, aimed at final year undergraduates and postgraduates, focus on Rousseau, Goethe, Schiller, Hoffmann, Stendhal, Baudelaire, Flaubert, Heine, Fontane, Zola, Kafka, Gide.

This is the first translation into English of this Italian novel and the Introduction by Luisa Quartermaine includes background on the book.

A collection of original essays by distinguished historians on the works of topographical writers who described and recorded the landscape of South-West England in the period c. 1540-1900.

The Voice of a Giant looks at seven masterpieces of Russian nineteenth-century prose fiction. Each chapter concentrates primarily on a detailed analysis of one of these works but reference is also made to historical background, the seven author's general attitudes and the distinguishing characteristics of Russian literature.

Cornwall is quintessentially a maritime region. Almost an island, nowhere in it is further than 25 miles from the sea. Cornwall's often distinctive history has been moulded by this omnipresent maritime environment, while its strategic position at the western approachesjutting out into the Atlantichas given this history a global impact.It is perhaps surprising then, that, despite the central place of the sea in Cornwall's history, there has not yet been a full maritime history of Cornwall. The Maritime History of Cornwall sets out to fill this gap, exploring the rich and complex maritime inheritance of this unique peninsula.In a beautifully illustrated volume, individually commissioned contributions from distinguished historians elaborate on the importance of different periods, from the Middle Ages to the twentieth century.The Maritime History of Cornwall is a significant addition to the literature of international maritime history and is indispensable to those with an interest in Cornwall past and present.Winner of the Holyer an Gof Non-Fiction Award 2015.

This is a full-length novel written by Claude McKay in 1933-34, in the same key as the episodic "Banjo", but for which he was never able to find a publisher. Richard Bradbury, who discovered the manuscript in New York, provides a critical introduction.

The city of Exeter was one of the great provincial capitals of late medieval and early modern England, possessing a range of civic amenities fully commensurate with its size and importance. Among the most impressive of these was its highly sophisticated system of public water supply, including a unique network of underground passages. Most of these ancient passages still survive today.Water in the City provides a richly illustrated history of Exeter's famous underground passages-and of Exeter's system of public water supply during the medieval and early modern periods. Illustrated with full colour throughout, Mark Stoyle shows how and why the passages and aqueducts were originally built, considers the technologies that were used in their construction, explains how they were funded and maintained, and reveals the various ways in which the water fountains were used and abused by the townsfolk.

"An American in Victorian Cambridge" is a richly detailed account of student life in the Cambridge of the 1840s. The rationale for the book, which is as appealing today as it was then, is that this is pre-eminently a book about an American student at an English university. In this new edition, some substantial additions have been made.

This book analyses the diverse historical and geographical circumstances in which audiences have viewed American cinema. It looks at cinema audiences ranging from Manhattan nickelodeons to the modern suburban megaplex, and from provincial, small-town or rural America to the shanty towns of South Africa.

The Big Show looks at the role played by cinema in British cultural life during World War One.In writing the definitive account of film exhibition and reception in Britain in the years 1914 to 1918, Michael Hammond shows how the British film industry and British audiences responded to the traumatic effects of the Great War.The author contends that the War's significant effect was to expedite the cultural acceptance of cinema into the fabric of British social life. As a result, by 1918, cinema had emerged as the predominant leisure form in British social life. Through a consideration of the films, the audience, the industry and the various regulating and censoring bodies, the book explores the impact of the war on the newly established cinema culture. It also studies the contribution of the new medium to the public's perception of the war.

The eleventh volume in the acclaimed paperback series . . . the only county series that can legitimately claim to represent the past and present of a nation.

This book provides a panoramic survey of the responses of over one hundred leading Jewish and Christian Holocaust thinkers. Beginning with the religious challenge of the Holocaust, the collection explores a range of thinking which seek to reconcile God's ways with the existence of evil.

The thirteenth volume in this acclaimed paperback series includes articles on Cornish emigration, Cornish literature, the novelist Virginia Woolf, the poet Jack Clemo, Cornish mining history, Cornish folklore, the medieval Cornish-language miracle plays, and William Scawen: the seventeenth-century Cornish patriot and language revivalist.

The birth of cinema coincided with the heyday of the short story. This book studies the relationship between popular magazine short stories and the very early British films.

The decline of the Liberal party is one of the most controversial subjects in twentieth-century British politics, and this book makes a distinctive contribution to the debate by focusing on the South West, where Liberalism remained a powerful force after 1918.

This is a new critical edition of an unjustly forgotten drama by Alphonse de Lamartine, written in the early 1840s but only given its first, and last, performance in Paris in 1850. It draws a compelling image of Toussaint Louverture, the father of Haitian Independence. Lamartine proved something of a visionary by stressing his hero's search for a coherent racial and national ideology, a theme which has become fundamental in Negritude and post-colonial literatures.This edition is the first to provide a critical apparatus covering the history of the text, the political and social background against which it should be read, the reception of the work from the time of its original performance to today, and to offer notes on the historical figures included in the cast of characters, as well as a selection of variants, explanatory footnotes and an extensive bibliography.This volume is in the series Textes littraires/Exeter French Texts. The text, intorudcution and essential notes are all in French.

This volume provides new insights into some of the best examples of this form of writing in the twentieth century and also includes a chapter which explores ways in which the genre is evolving as the century draws to a close.

Brings together primary texts from influential Jewish and Christian writers, providing an accessible overview of the major issues and movements in the Christian-Jewish dialogue. The book includes key topics such as anti-Semitism, Jesus, Israel, women and the Holocaust.

This new edition of Bernardin de Saint-Pierre's play Empsael et Zoraide, presented in a modernised spelling, makes available a text which illustrates his abolitionist stance through its central irony: the masters are black and their slaves white, joining forces in the antislavery debate which reached its height with the French Revolution.

This is the first critical edition of a neglected version of the Life of Saint Alexis found in a late twelfth century manuscript written in England containing several other saints' lives, and now, after many adventures, in the Bibliotheque nationale.

La Soeur (1645) is one of the liveliest and most successful comedies by Jean Rotrou. The introduction to this new edition assesses the originality of Rotrou's adaptation. The notes are devoted above all to linguistic questions and to the many exotic allusions found in the text.

This is the eighteenth volume in the acclaimed paperback series...the only county series that can legitimately claim to represent the past and present of a nation.

This is a comparative and interdisciplinary book exploring a variety of perspectives on the artistic culture of France, and its neighbours, in the period 1870-1914. Part One centres on France, and assembles essays on the prose, poetry and painting of Symbolism and Decadence, on avant-garde dance and performance, on women's writing and on early cinema.Part Two explores the relations between France and several cultures in which the debt to France was amply and originally repaid, ranging from the Anglo-Celtic "e;Rhymers' Club"e; to the Italian "e;Crepusculari"e;. The essays consistently point beyond the late nineteenth century and into the twentieth, as they explore the multiple beginnings-as well as the false starts-that characterize the period. All foreign language quotations are translated.

The World According to Hollywood examines the world-wide influence of the American film industry during its golden age - the 1920s and 1930s - and investigates the business policies that shaped the fictional universe of Hollywood movies.

The twentieth volume in the acclaimed paperback series . . . the only county series that can legitimately claim to represent the past and present of a nation.

The 'coming of age' edition of this acclaimed paperback series discusses contemporary Cornish Studies, as well the Cornish language, medieval and early modern Cornwall, the Duchy of Cornwall, the establishment of the Cornish diocese, Cornish folklore, together with an overview of Cornish nationalism and a postscript on John Betjeman and Cornwall.

Charles Urban was a renowned figure in his time, and he has remained a name in film history chiefly for his development of Kinemacolor, the world's first successful natural colour moving picture system. He was also a pioneer in the filming of war, science, travel, actuality and news, a fervent advocate of the value of film as an educative force, and a controversial but important innovator of film propaganda in wartime.The book uses Urban's story as a means of showing how the non-fiction film developed in the period 1897-1925, and the dilemmas that it faced within a cinema culture in which the entertainment fiction film was dominant. Urban's solutions - some successful, some less so - illustrate the groundwork that led to the development of documentary film. The book considers the roles of film as informer, educator and generator of propaganda, and the social and aesthetic function of colour in the years when cinema was still working out what it was capable of and how best to reach audiences.Luke McKernan also curates a web resource on Charles Urban at www.charlesurban.com