Bøger udgivet af University of Georgia Press

David Kline came upon a sleeping woodchuck one summer day as he walked the land near his farm. In a gesture that speaks eloquently of Kline's relationship with the natural world, he scratched the animal gently with his walking stick, and the sleeping creature arched its back with pleasure at the attention.Like its title, this collection of essays on nature, farming, animals, insects, and other topics bespeaks the gentle demeanor and appreciation for nature that shape the author's descriptions of the world around him. Whether sharing his fondness for watching clouds while he rests his horses or for planting flowers in his favorite spot in the woods, David Kline offers a view of life that few of us take time to experience. "Scratching the Woodchuck" resounds with knowledge, reverence, and a joyful spirit, and to follow Kline's explorations of the landscape and animals around his farm is to sense and come to share his respect for and unity with the earth.

From two leading historians of Bahamian history comes this groundbreaking work on a unique archipelagic nation. Islanders in the Stream is not only the first comprehensive chronicle of the Bahamian people, it is also the first work of its kind and scale for any Caribbean nation. This comprehensive volume details the full, extraordinary history of all the people who have ever inhabited the islands and explains the evolution of a Bahamian national identity within the framework of neighboring territories in similar circumstances. Divided into three sections, this volume covers the period from aboriginal times to the end of formal slavery in 1838. The first part includes authoritative accounts of Columbus's first landfall in the New World on San Salvador island, his voyage through the Bahamas, and the ensuing disastrous collision of European and native Arawak cultures. Covering the islands' initial settlement, the second section ranges from the initial European incursions and the first English settlements through the lawless era of pirate misrule to Britain's official takeover and development of the colony in the eighteenth century. The third, and largest, section offers a full analysis of Bahamian slave society through the great influx of Empire Loyalists and their slaves at the end of the American Revolution to the purported achievement of full freedom for the slaves in 1838. This work is both a pioneering social history and a richly illustrated narrative modifying previous Eurocentric interpretations of the islands' early history. Written to appeal to Bahamians as well as all those interested in Caribbean history, Islanders in the Stream looks at the islands and their people in their fullest contexts, constituting not just the most thorough view of Bahamian history to date but a major contribution to Caribbean historiography.

THROUGH THE SUMMER TWILIGHT in the Depression-era South, word begins to circulate of a black man accosting a white woman. In no time the awful forces of public opinion and political expediency goad the separate fears and frustrations of a small southern community into the single-mindedness of a mob.Erskine Caldwell shows the lynching of Sonny Clark through many eyes. Caldwell reserves some of his most powerful passages for the few who truly held Clark's life in their hands but let it go: people like Sheriff Jeff McCurtain, who did nothing to disperse the mob; Harvey Glenn, who found Clark hiding and turned him in; and Katy Barlow, who withdrew her false charge of rape only after Clark was dead.

Swift recalls his childhood home of Big Ticket, Texas--a mystical world of carnivals, talking fiddles, houses on wheels, atomic bombs, and total-immersion baptisms. 39 photos.

In searching American literary landscapes for what they can reveal about our attitudes toward nature and gender, The Green Breast of the New World considers symbolic landscapes in twentieth-century American fiction, the characters who inhabit those landscapes, and the gendered traditions that can influence the figuration of both of these fictional elements. In this century, says Louise H. Westling, American literary responses to landscape and nature have been characterized by a puzzling mix of eroticism and misogyny, celebration and mourning, and reverence and disregard. Focusing on problems of gender conflict and imperialist nostalgia, The Green Breast of the New World addresses this ambivalence. Westling begins with a "deep history" of literary landscapes, looking back to the archaic Mediterranean/Mesopotamian traditions that frame European and American symbolic figurations of humans in the land. Drawing on sources as ancient as the Sumerian Hymns to Innana and the Epic of Gilgamesh, she reveals a tradition of male heroic identity grounded in an antagonistic attitude toward the feminized earth and nature. This identity recently has been used to mask a violent destruction of wilderness and indigenous peoples in the fictions of progress that have shaped our culture. Examining the midwestern landscapes of Willa Cather's Jim Burden and Ernest Hemingway's Nick Adams, and the Mississippi Delta of William Faulkner's Thomas Sutpen and Isaac McCaslin and Eudora Welty's plantation families and small-town dwellers, Westling shows that these characters all participate in a cultural habit of gendering the landscape as female and then excusing their mistreatment of it by retreating into a nostalgiathat erases their real motives, displaces responsibility, and takes refuge in attitudes of self-pitying adoration.

In Rich Mans War historian David Williams focuses on the Civil War experience of people in the Chattahoochee River Valley of Georgia and Alabama to illustrate how the exploitation of enslaved blacks and poor whites by a planter oligarchy generated overwhelming class conflict across the South, eventually leading to Confederate defeat.This conflict was so clearly highlighted by the perception that the Civil War was a rich mans war and a poor mans fight that growing numbers of oppressed whites and blacks openly rebelled against Confederate authority, undermining the fight for independence. After the war, however, the upper classes encouraged enmity between freedpeople and poor whites to prevent a class revolution. Trapped by racism and poverty, the poor remained in virtual economic slavery, still dominated by an almost unchanged planter elite.The publication of this book was supported by the Historic Chattahoochee Commission.

Drawn from firsthand experience, A Circuit Rider's Wife is the fictionalized account of how Corra Harris sometimes followed, sometimes guided her husband through his missionary work in the north Georgia mountains. All along the hard-scrabble Redwine circuit the story vividly brings alive the strivings and strayings of an itinerant country preacher's restless flocks with warmth and humor.