Bøger udgivet af University of Minnesota Press

Can humans and other species continue to inhabit the earth together?

Challenging the view that caring is only human

This deeply personal yet intellectually groundbreaking work develops the idea of companion species and deftly explores philosophical, cultural, and biological aspects of animal-human encounters.

Mary Siisip Geniusz has spent more than thirty years working with, living with, and using the Anishinaabe teachings, recipes, and botanical information she shares in "Plants Have So Much to Give Us, All We Have to Do Is Ask." Geniusz gained much of the knowledge she writes about from her years as an oshkaabewis, a traditionally trained apprentice,

Since the publication of Visions of Excess in 1985, there has been an explosion of interest in the work of Georges Bataille. The French surrealist continues to be important for his groundbreaking focus on the visceral, the erotic, and the relation of society to the primeval. This collection of prewar writings remains the volume in which Batailles¿s positions are most clearly, forcefully, and obsessively put forward.This book challenges the notion of a ¿closed economy¿ predicated on utility, production, and rational consumption, and develops an alternative theory that takes into account the human tendency to lose, destroy, and waste. This collection is indispensible for an understanding of the future as well as the past of current critical theory.Georges Bataille (1897-1962), a librarian by profession, was founder of the French review Critique. He is the author of several books, including Story of the Eye, The Accused Share, Erotism, and The Absence of Myth.

A personal account of the aging body and advanced technologies by a preeminent philosopher of technologyMedical Technics is a rigorous examination of how medical progress has modified our worlds and contributed to a virtual revolution in longevity. Don Ihde offers a unique autobiographical tour of medical events experienced in a decade, beginning in his 70s. Ihde offers experiential and postphenomenological analyses of technologies such as sonography and microsurgery, and ultimately asks what it means to increasingly become a cyborg. Forerunners: Ideas FirstShort books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

2018┬áJames Beard Award Winner:┬áBest American Cookbook Named one of the Best Cookbooks of 2017 by NPR,┬áThe Village Voice,┬áSmithsonian Magazine, UPROXX,┬áNew York Magazine,┬áSan Francisco Chronicle, Mpls. St. PaulMagazine and others Here is real food—our indigenous American fruits and vegetables, the wild and foraged ingredients, game and fish. Locally sourced, seasonal, “clean” ingredients and nose-to-tail cooking are nothing new to Sean Sherman, the Oglala Lakota chef and founder of The Sioux Chef. In his breakout book, The Sioux Chef’s Indigenous Kitchen, Sherman shares his approach to creating boldly seasoned foods that are vibrant, healthful, at once elegant and easy.┬áSherman dispels outdated notions of Native American fare—no fry bread or Indian tacos here—and no European staples such as wheat flour, dairy products, sugar, and domestic pork and beef. The Sioux Chef’s healthful plates embrace venison and rabbit, river and lake trout, duck and quail, wild turkey, blueberries, sage, sumac, timpsula or wild turnip, plums, purslane, and abundant wildflowers. Contemporary and authentic, his dishes feature cedar braised bison, griddled wild rice cakes, amaranth crackers with smoked white bean paste, three sisters salad, deviled duck eggs, smoked turkey soup, dried meats, roasted corn sorbet, and hazelnut–maple bites.The Sioux Chef’s Indigenous Kitchen is a rich education and a delectable introduction to modern indigenous cuisine of the Dakota and Minnesota territories, with a vision and approach to food that travels well beyond those borders.

The masterpiece of one of Scandinavia's preeminent literary figures and winner of the Nobel Prize in Literature

Global warming is perhaps the most dramatic example of what Timothy Morton calls "hyperobjects"-entities of such vast temporal and spatial dimensions that they defeat traditional ideas about what a thing is in the first place. Morton explains what hyperobjects are and their impact on how we think, how we coexist, and how we experience our politics, ethics, and art.

"In this book, first published as Troldskab in 1892, Theodor Kittelsen spins tales of wonder around creatures rumored to haunt the fields, forests, and waterfalls of Norway. Striding, gamboling, and slithering across these pages are witches and gnomes and sea monsters, fiery dragons waking from their stiff-winged slumber, mermaids rising from the deep, and sly shapeshifting n²kk. But first and foremost are the trolls, hapless, horrible, or just plain silly, working their spells and making their mischief to the terror and delight of the presumably human reader"--

The account of one radically new school year for a Teacher of the Year and for his nonbinary, art-obsessed, brilliant child  Seven-year-old Ollie was researching local advanced school programs—because every second grader does that, right? Ollie, who used to hate weekends because they meant no school, was crying on the way to school almost every day. Sure, there were the slings and arrows of bullies and bad teachers, but, maybe worse, Ollie, a funny, anxious, smart kid with a thing for choir and an eye for graphic art, was gravely underchallenged and also struggling with identity and how to live totally as themselves. Ollie begged to switch to a new school with “kids like me,” where they wouldn’t feel so alone, or so bored, and so they made the change. Raising Ollie is dad Tom Rademacher’s story (really, many stories) of that eventful and sometimes painful school year, parenting Ollie and relearning every day what it means to be a father and teacher. As Ollie—who is nonbinary and uses they/them pronouns, and prefers art to athletics, vegetables to cake, and animals to most humans—flourishes in their new school, Rademacher is making an eye-opening adjustment to a new school of his own, one that’s whiter and more suburban than anywhere he has previously taught, with a history of racial tension that he tries to address and navigate. While Ollie is learning to code, 3D model, animate, speak Japanese, and finally feel comfortable at school, Rademacher increasingly sees how his own educational struggles, anxieties, and childhood upbringing are reflected in his teaching, writing, and parenting, as well as in Ollie’s experience. And with this story of one anything-but-academic year of inquiry and wonder, doubt and revelation, he shows us how raising a kid changes everything—and how much raising a kid like Ollie can teach us about who we are and what we’re doing in the world.

"An in-depth look at life in the "smart" city"--

Arne De Boever is faculty in the School of Critical Studies and director of the MA Aesthetics and Politics program at the California Institute of the Arts. His works include States of Exception in the Contemporary Novel, Narrative Care, Plastic Sovereignties, and Finance Fictions.

Joanna Zylinska is professor of new media and communications at Goldsmiths, University of London. She is a photomedia artist, curator, and author of several books.

Wendy Hui Kyong Chun is Canada 150 Research Chair in New Media,¿Simon Fraser¿University.¿She is the author of Update to Remain the Same: Habitual New Media.Hito Steyerl is professor of experimental film and video at the Berlin University of the Arts. She is the author of Duty Free Art: Art in the Age of Planetary Civil War.Florian Cramer is applied research professor of new media and their impact on art and design at Rotterdam University of Applied Sciences. He is the author of What Is Post-Digital.Clemens Apprich is visiting professor at the Institute of Culture and Aesthetics of Digital Media, Leuphana University of Lueneburg. He is the author of¿Technotopia: A Media Genealogy of Net Cultures.

Peter Christen Asbjørnsen (1812–1885) and Jørgen Moe (1813–1882) were energetic writers and researchers best known for their monumental collection Norske folkeeventyr (Norwegian Folktales), which introduced the lively traditions of Norwegian storytelling to readers around the world. Tiina Nunnally is an award-winning translator of Norwegian, Danish, and Swedish literature. Her many translations include Sigrid Undset’s first novel, Marta Oulie; the Minnesota Trilogy by Vidar Sundstøl; and Ola Larsmo’s Swede Hollow, all published by the University of Minnesota Press. She translated fairy tales by Hans Christian Andersen, and her translation of Kristin Lavransdatter: The Cross by Sigrid Undset won the PEN/Book-of-the-Month Club Translation Prize. In 2013 she was appointed Knight of the Royal Norwegian Order of Merit for her efforts on behalf of Norwegian literature in the United States. Neil Gaiman is a New York Times best-selling author of award-winning titles including Norse Mythology, American Gods, The Graveyard Book, Good Omens, The View from the Cheap Seats, and the groundbreaking Sandman graphic novels. He is a prolific creator of works of prose, poetry, film, journalism, comics, song lyrics, and drama. Several of his titles have been adapted for television, including the critically acclaimed, Emmy-nominated adaptation of American Gods and his miniseries of Good Omens, based on the novel he co-wrote with the late Sir Terry Pratchett. Originally from England, he now lives in the United States.

"First published in 2003 by Da Capo Press"--Title page verso.

Exploring the idea that plants can think, feel, and communicate as a way of reconfiguring our relationship with the natural world

The first comprehensive account of Bitcoin's underlying right-wing politics

A landmark anthology opens video game studies to queer culture