Bøger udgivet af University of Minnesota Press

"Brian Jefferson explores the history of digital computing and criminal justice, revealing how big tech, computer scientists, university researchers, and state actors have digitized carceral governance over the past forty years."--

An in-depth account of the life and career of Minnesota’s first modern architect  Elizabeth “Lisl” Scheu Close (1912–2011) left an indelible mark on Minnesota’s built landscape during her six decades as an architect. In 1938, with her husband, Winston Close, she founded the state’s first architecture firm dedicated to modernism. In addition to designing the first International Style house in Minneapolis, the firm also created more than 250 handsome and efficiently planned modern residences. One of few women who were practicing architects in the mid-twentieth century, she blazed a trail for future generations of women in the profession.As Jane King Hession shows, the trajectory of Lisl’s architectural career was shaped by the political, economic, and aesthetic upheavals of the twentieth century. Raised in a renowned modern house in Vienna, Austria, Lisl was exposed to revolutionary ideas in art and architecture at a young age. Forced to emigrate to the United States as the Nazis rose to power in Europe, she completed her architectural education at MIT. During the Depression, she struggled to find work and encountered challenges as a young woman in the field. In her pursuit of and devotion to a singular and successful career as a modern architect, she proved herself to be talented, determined, and adept at negotiating obstacles.Through documentation of Lisl’s projects, this personal and professional biography also explores multiple aspects of modern architecture, including the innovative use of new materials and technologies, the design of prefabricated houses, and the relationship between residential design and changing American lifestyles.

"A long-awaited translation on the philosophical relation between technology, the individual, and milieu of the living"--

A hilarious saga of fishing, family, and three generations of tough, independent women—the first in a trilogy  Having fled the testosterone-soaked world of professional sport fishing, thirty-something RayAnne Dahl is navigating a new job as a consultant for the first all-women talk show about fishing on public television (or, as one viewer’s husband puts it, “Oprah in a boat”). After the host bails, RayAnne lands in front of the camera and out of her depth at the helm of the show. Is she up for the challenge? Meanwhile, her family proves as high-maintenance as her fixer-upper house and her clingy rescue dog. Her dad, star of the one-season Big Rick’s Bass Bonanza, is on his sixth wife and falling off the wagon and into RayAnne’s career path; her mother, a new-age aging coach for the menopausal rich, provides endless unwanted advice; and her beloved grandmother Dot—whose advice RayAnne needs—is far away and far from well. But as RayAnne says, “I’m a woman, I fish. Deal with it.” And just when things seem to be coming together—the show is an unlikely hit; she receives the admiration of a handsome sponsor (out of bounds as he is, but definitely in the wings); ungainly house and dog are finally in hand—RayAnne’s world suddenly threatens to capsize, and she’s faced with a gut-wrenching situation and a heartbreaking decision. First published in 2015 under a pseudonym, this first installment in a trilogy filled with hilarity and heartbreak unspools with the gentle wit and irresistible charm that readers of Sarah Stonich have come to expect. Fishing! eases us into unsuspected depths as it approaches the essential question . . . when should life be steered by the heart, not the rules?

"Curiosity Studies marshals scholars from more than a dozen fields not only to define curiosity but also to grapple with its ethics as well as its role in technological advancement and global citizenship."--

"Curiosity Studies marshals scholars from more than a dozen fields not only to define curiosity but also to grapple with its ethics as well as its role in technological advancement and global citizenship."--

"Collected essays by a leading philosopher situating the question of the animal in the broader context of a relational ontology"--

Travel with Olympic gold medalist Jessie Diggins on her compelling journey from America’s heartland to international sports history, navigating challenges and triumphs with rugged grit and a splash of glitter  Pyeongchang, February 21, 2018. In the nerve-racking final seconds of the women’s team sprint freestyle race, Jessie Diggins dug deep. Blowing past two of the best sprinters in the world, she stretched her ski boot across the finish line and lunged straight into Olympic immortality: the first ever cross-country skiing gold medal for the United States at the Winter Games. The 26-year-old Diggins, a four-time World Championship medalist, was literally a world away from the small town of Afton, Minnesota, where she first strapped on skis. Yet, for all her history-making achievements, she had never strayed far from the scrappy 12-year-old who had insisted on portaging her own canoe through the wilderness, yelling happily under the unwieldy weight on her shoulders: “Look! I’m doing it!”           In Brave Enough, Jessie Diggins reveals the true story of her journey from the American Midwest into sports history. With candid charm and characteristic grit, she connects the dots from her free-spirited upbringing in the woods of Minnesota to racing in the bright spotlights of the Olympics. Going far beyond stories of races and ribbons, she describes the challenges and frustrations of becoming a serious athlete; learning how to push through and beyond physical and psychological limits; and the intense pressure of competing at the highest levels. She openly shares her harrowing struggle with bulimia, recounting both the adversity and how she healed from it in order to bring hope and understanding to others experiencing eating disorders. Between thrilling accounts of moments of triumph, Diggins shows the determination it takes to get there—the struggles and disappointments, the fun and the hard work, and the importance of listening to that small, fierce voice: I can do it. I am brave enough.

The compassionate and redemptive story of a prominent Black woman in the Twin Cities literary community Carolyn Holbrook’s life is peopled with ghosts—of the girl she was, the selves she shed and those who have caught up to her, the wounded and kind and malevolent spirits she’s encountered, and also the beloved souls she’s lost and those she never knew who beg to have their stories told. “Now don’t you go stirring things up,” one ghostly aunt counsels. Another smiles encouragingly: “Don’t hold back, child. Someone out there needs to hear what you have to say.” Once a pregnant sixteen-year-old incarcerated in the Minnesota juvenile justice system, now a celebrated writer, arts activist, and teacher who helps others unlock their creative power, Holbrook has heeded the call to tell the story of her life, and to find among its chapters—the horrific and the holy, the wild and the charmed—the lessons and necessary truths of those who have come before. In a memoir woven of moments of reckoning, she summons stories born of silence, stories held inside, untold stories stifled by pain or prejudice or ignorance. A child’s trauma recalls her own. An abusive marriage returns to haunt her family. She builds a career while raising five children as a single mother; she struggles with depression and grapples with crises immediate and historical, all while countenancing the subtle racism lurking under “Minnesota nice.” Here Holbrook poignantly traces the path from her troubled childhood to her leadership positions in the Twin Cities literary community, showing how creative writing can be a powerful tool for challenging racism and the healing ways of the storyteller’s art.

"Alison Mountz traces the global chain of remote detention centers used by states of the Global North to confine migrants fleeing violence and poverty, using cruel measures that, if unchecked, will lead to the death of asylum as an ethical ideal"--

"This critical history examines the work of zoological and science film pioneers Jean Painlevae and Geneviaeve Hamon from 1924-1949, illuminating the significant contributions that their wildlife cinema made to philosophical and political thought"--

Lowell W. Adams reviews the impact of urban and suburban growth on natural plant and animal communities.