Bøger udgivet af University of Minnesota Press

William Styron - American Writers 98 was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Vladimir Nabokov - American Writers 96 was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

William James - American Writers 88 was first published in 1970. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Van Wyck Brooks - American Writers 71 was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Wright Morris - American Writers 69 was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

William D. Howells - American Writers 63 was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Willa Cather - American Writers 36 was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Washington Irving - American Writers 25 was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

William Carlos Williams - American Writers 24 was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Wallace Stevens - American Writers 11 was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Walt Whitman - American Writers 9 was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

William Faulkner - American Writers 3 was first published in 1959. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

These are some of the items that Adrian Hoover jotted down on his to-do list, soon after he and his wife, Helen, gave up urban comforts for the deeper delights of the wilderness in 1954. The Years of the Forest by Helen Hoover elaborates on that deceptively short list and describes the difficulties inherent in accomplishing each of those tasks. In fact, it would take sixteen years to check off every item. This is the story of the Hoovers' education in wilderness housekeeping, and of the surprising challenges they faced at each step.There are priceless hints and how-to's for solving the problems of living close to nature and on good terms with one's neighbors -- bluejays, weasels, field mice, and deer. There is plenty of magic in this guide, delightfully illustrated by Adrian Hoover. Now in paperback for the first time, this book tells the story of going bark to the land, with all its rough edges and incomparable rewards.

How we respond to pain, what we think about it, what we say, and what we do, is the focus of this work. It discusses biomedical responses, surgical interventions, pharmacology and positions that embrace pain. Each section includes analyses, poetic and literary texts, and discussions by activists.

Intended for students and researchers in social and political theory, this book offers a critique of theoretical approaches to social action, and rethinking of contemporary notions of human agency.

This work is a critical look at the cultural politics behind the quest for a cure for aids.

A powerful analysis of the social construction of "whiteness". The book examines and documents the unique experiences of white women and their coming to racial consciousness.

Verbal Art, Verbal Sign, Verbal Time was first published in 1985. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Roman Jakobson, one of the most important thinkers of our century, was bet known for his role in the rise and spread of the structural approach to linguistics and literature. His formative structuralism approach to linguistics and literature. His formative years with the Russian Futurists and subsequent involvement in the Moscow and Prague Linguistic Circles (which he co-founded) resulted in a lifelong devotion to fundamental change in both literary theory and linguistics. In bringing each to bear upon the other, he enlivened both disciplines; if a literary work was to a him a linguistic fact, it was also a semiotic phenomenon - part of the entire universe of signs; and above all, for both language and literature, time was an integral factor, one that produced momentum and change. Jakobson''s books and articles, written in many languages and published around the world, were collected in a monumental seven-volume work, Selected Writings (1962 -1984), which has been available only to a limited readership. Not long before his death in 1982, Jakobson brought together this group of eleven essays—Verbal Art, Verbal Sign, Verbal Time — to serve as an introduction to some of his linguistic theories and especially, to his work in poetics. Jakobson''s introductory article and the editor''s preface together suggest the range of his work and provide a context for the essays in this book, which fall into three groups. Those in the first section reflect his preoccupation with the dynamic role of time in language and society. Jakobson challenges Saussure''s rigid distinction between language as a static (synchronic) system and its historical (diachronic) development - a false opposition, in his view, since it ignores the role of time in the present moment of language. The essays on time counter the notion that structuralism itself, as heir to Saussure''s work, has discarded history; in Jakabson''s hands, we see a struggle to integrate the two modes. In central group essays, on poetic theory, he shows how the grammatical categories of everyday speech become the expressive, highly charged language of poetry. These essays also deal with the related issues of subliminal and intentional linguistic patterns of poetry. These essays also deal with the related issues of subliminal and intentional linguistic patterns in poetry—areas that are problematic in structural analysis—and provide exemplary readings of Pushkin and Yeats. The last essays, on Mayakovsky and Holderlin, make clear that Jakobson was aware of the essential (and in these instances, tragic) bond between a poet''s life and art. The book closes with essays by Linda Waugh, Krystyna Pomorska, and Igor Melchuk that provide a thoughtful perspective on Jakobson''s work as a whole.

A provocative peek into this complicated film as a space for subversion, activism, and imaginative powerWhile both fans and foes point to Mad Max: Fury Road’s feminist credentials, Furious Feminisms asks: is there really anything feminist or radical happening on the screen? The four authors—from backgrounds in art history, American literature, disability studies, and sociology—ask what is possible, desirable, or damaging in theorizing feminism in the contested landscape of the twenty-first century. Can we find beauty in the Anthropocene? Can power be wrested from a violent system without employing and perpetuating violence?┬áThis experiment in collaborative criticism weaves multiple threads of dialogue together to offer a fresh perspective on our current cultural moment.┬áForerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

Nationality is not enough to understand “Latin”-descended populations in the United States LatinX has neither country nor fixed geography. LatinX, according to Claudia Milian, is the most powerful conceptual tool of the Latino/a present, an itinerary whose analytic routes incorporate the Global South and ecological devastation. Milian’s trailblazing study deploys the indeterminate but thunderous “X” as intellectual armor, a speculative springboard, and a question for our times that never stops being asked. LatinX sorts out and addresses issues about the unknowability of social realities that exceed our present knowledge.Forerunners: Ideas FirstShort books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

"Grocery Activism looks back to the 1970s, when the mission of cooperative grocery stores shifted from political activism to the promotion of natural and organic foods"--

Using philosophical and scientific work to engage the perennial question of human nature  This book takes a look at the formation, and edges, of states: their breakdowns and attempts to repair them, and their encounters with non-state peoples. It draws upon anthropology, political philosophy, neuroscience, evolutionary biology, child developmental psychology, and other fields to look at states as projects of constructing “bodies politic,” where the civic and the somatic intersect. John Protevi asserts that humans are predisposed to “prosociality,” or being emotionally invested in social partners and patterns. With readings from Jean-Jacques Rousseau and James C. Scott; a critique of the assumption of widespread pre-state warfare as a selection pressure for the evolution of human prosociality and altruism; and an examination of the different “economies of violence” of state and non-state societies, Edges of the State sketches a notion of prosocial human nature and its attendant normative maxims. Forerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

Steve Mentz is professor of English at St. John’s University. He is the author of Shipwreck Modernity (Minnesota, 2015), At the Bottom of Shakespeare’s Ocean (2009), and Romance for Sale in Early Modern England (2006).

Tracing the erosion of democratic norms in the US and the conditions that make it possible Jonathan Beecher Field tracks the permutations of the town hall meeting from its original context as a form of democratic community governance in New England into a format for presidential debates and a staple of corporate governance. In its contemporary iteration, the town hall meeting models the aesthetic of the former but replaces actual democratic deliberation with a spectacle that involves no immediate electoral stakes or functions as a glorified press conference. Urgently, Field notes that though this evolution might be apparent, evidence suggests many US citizens don’t care to differentiate. Forerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead