Bøger udgivet af University of Nebraska-Lincoln Libraries

This book is a study of the career and ministry of Ruth Duvall Crawford (1916-1986), the wife of prominent evangelist Percy Crawford (1902-1960). As pianist for Percy's evangelistic team and director of music for his various evangelistic enterprises, Ruth put together an ensemble of 40-50 musicians, and produced hundreds of high-quality music programs, geared to Percy's nationwide radio and television audiences. These programs set a new standard of performance in evangelical circles in the Northeast and Central United States in the 1930s and 40s. In the process of building this musical program, Ruth developed a format and an original style of gospel music that proved to be highly effective in communicating the gospel to a wide audience. Even with the constraints placed upon her as a woman, Ruth was able to carve out her own identity and realize her full potential as a musical artist. Throughout their twenty-nine year ministry together, Ruth devoted herself fully and faithfully to Percy's single-minded mission of winning souls; she and her musicians always viewed the significance of their music as supportive of this soul-saving work. I will argue, however, that, in fact, her music comprised a ministry in its own right, with a message of its own that had the power to change hearts and transform lives. I formulate what I believe was the content of that message-namely, the possibility of drawing close to the person of Jesus, and entering into an intimate relationship with him. Further, I suggest that her message did not merely complement Percy's and strengthen its appeal, but offered the listener a different way of coming to know Christ as one's personal savior.

This little book tells many important tribal stories for today and for future generations. These historic vignettes of the Omaha Nation and its leaders are shared so personally by author Fannie Reed Giffen and her collaborators, Susette and Susan La Flesche. It has been a treasure of mine for 25 years and I hope it becomes one of yours.The re-publication of the original comes on the 125-year anniversary of the 1898 Omaha Trans-Mississippi Exposition and Indian Congress. Its arrival is timely as many of its stories and people are vital to our nation's history. A sculpture of Omaha Chief Big Elk will stand proudly on the banks of the Missouri as the city of Omaha celebrates its namesake this summer! Susette La Flesche Tibbles is known today for her role in the Trial of Ponca Chief Standing Bear. She is recognized as an activist for Indian rights along with her sister Dr. Susan La Flesche Picotte, the first Native American Physician. Their stories were not part of my childhood, yet today these amazing women inspire me.The stories of America's first people are essential to an understanding of our country. More and more, books like this are shining a light on people we need to know. I want to thank Zea Books for making this little jewel of American history accessible for more of us to appreciate and enjoy.

Emerging infectious disease (EID) represents an existential threat to humanity. EIDs are increasing in frequency and impact because of climate change and other human activities. We are losing the battle against EIDs because of improper assessment of the risk of EID. This stems from adherence to a failed paradigm of pathogen-host associations that suggests EIDs ought to be both unpredictable and rare. That, in turn, leads to policies suggesting that crisis response is the best we can do. Real-time and phylogenetic assessments show EIDs to be neither rare nor unpredictable-this is the parasite paradox that shows the failures of the traditional paradigm. The Stockholm Paradigm (SP) resolves the parasite paradox, based on the notion that EIDs are expressions of preexisting capacities of pathogens that colonize susceptible but previously unexposed hosts when environmental perturbations create new opportunities. This makes risk space much larger than thought; moreover, climate change and anthropogenic activities increase the risk of EID. The policy extension of the SP is the DAMA protocol (Document, Assess, Monitor, Act). Preexisting capacities for colonizing new hosts given the opportunity are both specific and phylogenetically conservative, hence, highly predictable. This provides hope that we can prevent at least some EIDs and mitigate the impacts of those we cannot prevent. Novel variants arise only after new hosts are colonized and are thus both likely and unpredictable. This makes the DAMA protocol the essential starting point for a clear pathway for coping effectively with the EID crisis. This volume explores the state of the art with respect to the SP and the DAMA protocol.

For 40 years Wayne Mollhoff conducted a personal bird census every January. He explains:"After having run several Breeding Bird Survey routes, and participated in several Christmas Bird Counts, I became curious to see what might be found on a winter count under the more tightly controlled parameters of a census, as contrasted with Christmas counts done with variable numbers of observers." The count was set up similarly to the USGS Breeding Bird Survey routes with 50 stops, one-half mile (800 meters) apart, all birds counted for 3 minutes, with birds counted at one stop not counted again at following stops. The census route ran from the northwest corner of Boone County, along Beaver Creek, to a point outside Albion. Counts began at local sunrise. A total of 73 species were recorded during the 40-year census. This paper records those results and offers observations on patterns of occurrence or absence and changes in frequency.A Nebraska Ornithologists' Union Occasional Paper

Poet, playwright, novelist, graduate of DeWitt Clinton High, New York University, and Harvard University, Countee Cullen (1903-1946) emerged as a leading literary figure of the Harlem Renaissance. Copper Sun, his second book of poetry, explores the emotional consequences of being black, Christian, bisexual, and a poet in Jazz Age America-such as in the following "Confession":If for a day joy masters me,Think not my wounds are healed;Far deeper than the scars you see,I keep the roots concealed.They shall bear blossoms with the fall;I have their word for this,Who tend my roots with rains of gall,And suns of prejudice.Countee Cullen's poetry is illustrated with 16 decorative cuts created by Charles Cullen (no relation to the poet) in extravagant Art Deco style.

Originally published in Tokyo in 1903, Hanakatsura (literally "garland of flowers") features a biographical sketch of the activist and author Kishida Toshiko (Baroness Nakajima) plus four short stories by Japanese women writers of the Meiji era:Akebonozome: A Cloth Dyed in Rainbow Colors, by Kaho Miyake¿tsugomori: The Last Day of the Year, by Ichiyo HiguchiOnisenbiki: The Thousand Devils, by Usurai Kitada (Mrs. Kajita)Shinobine, by Otsuka KusuoCompiled and translated by Tei Fujiu, four memorable and affecting stories depict women experiencing the frustrations of traditional family roles within an emergent commercial society at the turn of the century. The men seem preoccupied with buying and selling votes, fighting foreign wars, ignoring their families, or going out on the town; and they are fully capable of rejecting a bride for her looks or just letting a new wife walk away. Meanwhile, young female characters cope with overall shabbiness, lost samurai dignity, orphanhood, servitude, poverty, indebtedness, jealous sisters, stepmothers, and mothers-in-law, and the combined challenges of being blind, ugly, alone, and empathetic.

Signs: Savannah to Key West documents an 800-mile, 13-day bicycle ride in 2018-2019. It starts fifty miles outside Savannah, Georgia, and follows the Atlantic coastline to Key West, Florida. The trip culminates in Niceville to visit a grandparent, a military veteran and an engineer born in 1924. A bicycle carries a rider through place. The voices of family carry us back and forth through time. The best journeys end with welcome visits with friends, family, and stories, those memories that hold us together, the signs that we belong.

Legacy books in colonial America were instruments for the transmission of cultural values between generations: the dying mother (usually) instructing and advising children on the path to salvation and heavenly reunions. They were a popular and influential form of women's discourse that distilled the ideologies of the religious establishment into practical and emotional lessons for lay persons, especially the young.This collection draws together legacy texts written by colonial American women and girls: five mother's legacy books and two legacies by children, organized here chronologically. These legacies were written in anticipation of dying, making awareness of death central to the texts. All are highly personal, revealing the thought processes and emotive patterns of their authors, and all are meant for the comfort and instruction of the loved ones these dying women and girls were leaving behind. Published between 1664 and 1792, these texts provide insight into early New England culture through to the first years of the republic. Included are:Anne Bradstreet, To My Dear Children (1664)Susanna Bell, The Legacy of a Dying Mother to Her Mourning Children (1673)Sarah Goodhue, The Copy of a Valedictory and Monitory Writing (1681)Grace Smith, The Dying Mother's Legacy (1712)Sarah Demick, Memoirs of the Life of Mrs. Sarah Demick (1792) Hannah Hill, A Legacy for Children (1714)Jane Sumner, Warning to Little Children (1792)Benjamin Colman, A Devout Contemplation on ... the Early Death of Pious & Lovely Children (1714)A Late Letter from a Solicitous Mother To Her Only Son (1746)Memoirs of Eliza Thornton (1821)

Great River Legs is a lyric collection of prose poetry, creative nonfiction, and found poetry. This creative response documents my 1,398 mile, 25-day bicycle ride from Muscatine, Iowa, to Baton Rouge, Louisiana, between October 2017-March 2018. The journey took place in legs over breaks during the school year, with two additional back-to-back weekend rides that started the adventure.Wiseman embraces the many parts of herself-cyclist, data collector, meditation practitioner, nature lover, quiet observer-and brings them together in a seamless, profound, and captivating way. - Dawn Mauricioauthor of Mindfulness Meditation for BeginnersThrough small bursts of lyric prose, Wiseman explores the ways "we can begin again," how we test ourselves on paths that are "steep and dangerous" while learning to accept that we can never "control the day's rotation."- Jehanne Dubrow, author of throughsmoke: an essay in notes

Ten Nights' Dreams (¿¿¿, Yume J¿ya) is a classic written work from the Japanese master Natsume Soseki. Originally published in 1908, it announced the emergence in Japanese literature of a modernist and impressionistic mode. Short vignettes with fantastic, tragic, or magical events convey an exquisite sensibility compounded with stark realism. Love, honor, duty, artistry, desire, despair, and regret all shape events in the dream-world. The stories themselves suggest echoes of meanings beyond the failures of rational sense-making. Ten dreams-each unique and arresting-form a panorama of life and feeling, at once universal and intensely present."Our Cat's Grave" is a brief but heartfelt monody for a feline companion. Encompassing both the affection and the neglect, it becomes a meditation on empathy and helplessness, and on the transience of life and the persistence of memory.

New Orleans in 1878 was the most exotic and cosmopolitan city in North America. An international port, with more than 200,000 inhabitants, it was open to French, Spanish, Mexican, South American, and West Indian cultural influences, and home to a thriving population descended from free African Americans. It was also a battleground in the fight against yellow fever (malaria) and in the political upheavals that followed the end of Reconstruction. The continued influx of Anglo-Americans and the renewed ascendancy of white supremacists threatened to overwhelm the local blend of languages, races, and cultures that enlivened the unique Creole character of the city. Writing for an English-language newspaper, Lafcadio Hearn presented the speech, charm, and humor of the Creolized natives on the other side of Canal Street, and illustrated his sketches with woodcut cartoons - the first of their kind in any Southern paper. These vignettes, published in the New Orleans Daily Item during 1878-1880, capture a traditionalist urban world and its colorful characters with a delicate and sympathetic understanding.