Bøger udgivet af University of Nebraska Press

Simone Weil, the French philosopher, political activist, and religious mystic, was little known when she died in 1943. The aphorisms in this book reflect the religious philosophy of Weil's last years. This book shows why critics have called Weil "a great soul who might have become a saint" and "the outsider as saint, in an age of alienation".

Describes a love between two women in its totality, experienced as both a physical presence and a sense of infinity. This book also notes the contemporary emphasis on 'fictions of presence'.

Chronicles one man's journey through the fearful expanse of midlife in a quest for peace, parts, and a happy second fatherhood. With limited mechanical skills, and a cast of local experts, the author takes us down the rocky road of restoration to the headlong, heart-thrilling rush of open highway on his on his midnight-blue Millennium Flyer.

The first and second editions of The Masters took the unique approach of tackling Augusta National hole by hole. David Sowell returns to Augusta with this third edition, adding more history and updating each hole with additional stories of greatness and tales of woe for a new generation of golfers.

Tells the heart-wrenching story of the Columbia tragedy and the loss of the magnificent STS-107 crew.

Annie Ernaux turns her penetrating focus on those points in life where the everyday and the extraordinary intersect, where "things seen" reflect a private life meeting the larger world. Ernaux's thought-provoking observations map the world's fleeting and lasting impressions on the shape of inner life.

Proposes that contemporary US queer culture is gothic at its core. Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought, Westengard argues that a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.

Carson, a postgraduate of the University of the Wilderness, and for a decade past a national hero, was persuaded to dictate to a literate friend his own story of his life to date.

Despite the presence of the Flaming Lips in a commercial for a copier and Iggy Pop's music in luxury cruise advertisements, Jeffrey T. Nealon argues that popular music has not exactly been co-opted in the American capitalist present. Contemporary neoliberal capitalism has, in fact, found a central organizing use for the values of twentieth-century popular music: being authentic, being your own person, and being free. In short, not being like everybody else.Through a consideration of the shift in dominant modes of power in the American twentieth and twenty-first centuries, from what Michel Foucault calls a dominant "disciplinary" mode of power to a "biopolitical" mode, Nealon argues that the modes of musical "resistance" need to be completely rethought and that a commitment to musical authenticity or meaning--saying "no" to the mainstream--is no longer primarily where we might look for music to function against the grain.Rather, it is in the technological revolutions that allow biopolitical subjects to deploy music within an everyday set of practices (MP3 listening on smartphones and iPods, streaming and downloading on the internet, the background music that plays nearly everywhere) that one might find a kind of ambient or ubiquitous answer to the "attention capitalism" that has come to organize neoliberalism in the American present. In short, Nealon stages the final confrontation between "keepin' it real" and "sellin' out." 

This collection of poems examines the varied ways women navigate gender roles, while examining praise for success within roles where imagination about female ability is limited. The Kitchen-Dweller's Testimony is about love and longing, divorce, distilled desire, and all the ways we injure ourselves and one another.

Beneath the earth's surface lies a world of eternal daylight - Pellucidar. Scattered throughout are communities of distrustful humans and the cities of the reptilian, highly evolved Mahars. The authors' discovery of Pellucidar and the struggle to unite the human communities and overthrow the Mahars is a tale of conquest, deceit, and wonder.

Rate your pain on a scale of one to ten. What about on a scale of spicy to citrus? Is it more like a lava lamp or a mosaic? Pain, though a universal element of human experience, is dimly understood and sometimes barely managed. Pain Woman Takes Your Keys, and Other Essays from a Nervous System is a collection of literary and experimental essays about living with chronic pain.

Features war stories that are arresting, often shocking accounts of the incivilities perpetrated by and on men suddenly confronting their own mortality.This title includes stories such as: 'An Occurrence at Owl Creek Bridge', 'Chickamauga', 'The Mocking Bird', 'The Coup de Grace', 'Parker Anderson, Philosopher', and other stories.

Offers an adulation of love as both mystery and revelation. This book is dedicated to defying "the widespread opinion that love wears out, like the diamond, in its own dust."

The author chronicles how basketball and hip hop have gone from being reviled by the American mainstream in the 1970s to being embraced and imitated globally today. For young black men, he argues, they represent a new version of the American dream, one embodying the hopes and desires of those excluded from the original version.

Jubal A Early's disastrous battles in the Shenandoah Valley ultimately resulted in his ignominious dismissal. Focusing on military tactics and battle history in uncovering the facts and events of various battles, the author offers a fresh perspective on his contributions to the Confederate war effort - and to Union battle plans and politicking.

Offers a focused treatment of the rock and pop songs of Frank Zappa (1940-93), the great American composer. This book examines various aspects of his work, from his role as a satirist of the highest order to his place in the genre of "progressive rock" and his importance as an influential critic of American culture and society.

Offers a documented criticism of the assumptions and the effects of industrial agriculture. This book proposes practical remedies. It documents some trends in our ability to produce food.

Sylvia Beach was intimately acquainted with the expatriate and visiting writers of the Lost Generation, a label that she never accepted. This book evokes the zeitgeist of an era through its revealing glimpses of James Joyce, Ernest Hemingway, Scott Fitzgerald, Sherwood Anderson, Andre Gide, Ezra Pound, and others already famous or soon to be.

Maricas traces the erotic lives and legal battles of Argentine and Spanish queer people, who despite state repression and sexual violence, carved out their own spaces in metropolitan and rural cultures between the 1940s and the 1980s.

Sacrifice and Regeneration focuses on the extraordinary success of Seventh-day Adventism in the Andean plateau at the beginning of the twentieth century and sheds light on the historical trajectories of Protestantism in Latin America.

From Near and Far takes a transnational approach to the history of France by considering the many ways in which people and places beyond the conventionally accepted borders of the nation shaped its life.

The quick spread of posthumanism and of critiques of anthropomorphism in the past few decades has resulted in greater attention to concrete objects in critical theories and in philosophy. This new materialism or new object philosophy marks a renewal of interest in the existence of objects. Yet while their mode of existence is independent of human cognition, it cannot erase the relation of subject to object and the foundational role of our experience of things in our mental activity. These developments have important implications for narratology. Traditional conceptions of narrative define its core components as setting, characters, and plot, but nonhuman entities play a crucial role in characterizing the setting, in enabling or impeding the actions of characters, and thus in determining plot. Marie-Laure Ryan and Tang Weisheng combine a theoretical approach that defines the basic narrative functions of objects with interpretive studies of narrative texts that rely more closely on ideas advanced by proponents of new object philosophy. Object-Oriented Narratology opens new theoretical horizons for narratology and offers individual case studies that demonstrate the richness and diversity of the ways in which narrative, both Western and non-Western, deals with humans' relationships to their material environment and with the otherness of objects.

The Franz Boas Papers, Volume 2 explores the development of the ethnography of Salishan-speaking societies on the North American Plateau as revealed through the correspondence between Franz Boas and the Scottish-born James Teit, who married into an Interior Salish family and community and became fluent in the Nlaka'pamux language. The letters between Teit (1864-1922) and Boas (1858-1942) chronicle Teit's varied career as an ethnographer, from shortly after his initial meeting with Boas in 1894 until Teit's death at the age of fifty-eight. A postscript documents Boas's contribution to Teit's legacy through the posthumous publication of the manuscripts Teit left unfinished at his death. Teit made significant contributions to ethnography and the history of southern British Columbia through his photography of the people with whom he worked, his contributions to ethnomusicology and ethnobotany, his anthologies of mythic narrative, and his collections of Interior Salish--primarily Nlaka'pamux--material culture. In addition to collaborating with Boas in the development of Interior Salish ethnography, between 1909 and 1922 Teit worked to support Indigenous groups in British Columbia who were seeking recognition of Aboriginal title and resolution of their outstanding land claims. The Franz Boas Papers, Volume 2 meticulously tracks the impact of the differing career trajectories of Teit and Boas on the primary product of their collaboration--the initial development of the ethnography of societies speaking Interior Salish languages. This second volume of the Franz Boas Papers Documentary Edition is an essential primary source of archival materials for research libraries and for students and scholars of Northwest Coast and Interior Mountain West ethnohistory, Native American and Indigenous studies, history of anthropology, and modern U.S. history. It is also an essential source for Indigenous and settler descendant communities.

Ethics at the Center culls the best of Rabbi Elliot N. Dorff's pioneering thinking in Jewish ethics over nearly five decades. Dorff shows that our response to moral issues depends ultimately on our conceptions of the nature of human beings and God; how Jewish law, theology, prayer, history, and community should also define and motivate Jewish responses to moral issues; and how the honorable and divergent stances of Western philosophy and other religions about moral living shed light on Judaism's distinctive standpoints. From there Dorff applies Judaism's ethics to real life: abortion post-Roe v. Wade, sexual orientation and human dignity, avoiding harm in communication, playing violent or defamatory video games, modern war ethics, handling donations of ill-gotten gain after the fact. In conclusion he explores how Jewish family and community, holidays and rituals, theology, study, and law have moral import as well. Dorff's personal introduction to each chapter reflects on why and when he wrote its contents, its continuing relevance, and if--and if so, how--he would now change what he wrote earlier. Readers will experience not only his evolving ethical thought but many facets of the person and the Jew that Dorff is today.Elliot N. Dorff is rector and Sol and Anne Dorff Distinguished Professor of Philosophy at American Jewish University. His many books on Jewish ethics and law include Modern Conservative Judaism (JPS, 2018); For the Love of God and People (JPS, 2007); Love Your Neighbor and Yourself (JPS, 2003); Matters of Life and Death (JPS, 1998); and the National Jewish Book Award-winner To Do the Right and the Good (JPS, 2002).

When playwright Christopher Cartmill returned to his hometown of Lincoln, Nebraska, to write a play about Chief Standing Bear, he unknowingly began a complicated adventure. As he followed the story of the Ponca chief who fought so hard to return from a reservation in Oklahoma to his homeland in northern Nebraska, Cartmill stumbled into the politics of identity, contested notions of homeland, and his own past. Chronicling these adventures in a series of dispatches to friends, he documented the transformation of a research trip into a three-year exploration of Nebraska, its Native community, the meaning of home, and the complex relationship we all have with history. These dispatches, originally presented in CartmillOCOs celebrated performance and now gathered together in this book, offer snapshots of a New YorkerOCOs travels into the heartland, insights into a very personal journey, and glimpses into a history that critiques and continues the American story."

Modernity has long been equated with motion, travel, and change, from MarxOCOs critical diagnoses of economic instability to the FuturistsOCO glorification of speed. Likewise, metaphors of travel serve widely in discussions of empire, cultural contact, translation, and globalization, from DeleuzeOCOs OC nomadologyOCO to James CliffordOCOs OC traveling cultures.OCO John Culbert, in contrast, argues that the key texts of modernity and postmodernity may be approached through figures and narratives of paralysis: motionais no more defining of modern travel than fixations, resistance, and impasse; concepts and figures of travel, he posits, must be rethought in this more static light.