Bøger udgivet af University of New Mexico Press

Tells the weird and chilling true story of Dr John Mack. This eminent Harvard psychiatrist and Pulitzer Prize-winning biographer risked his career to investigate the phenomenon of human encounters with aliens and to give credibility to the stupefying tales shared by people who were utterly convinced they had happened.

Designed to mentor writers at all levels, from beginning to quite advanced, The Writer's Portable Mentor offers a wealth of insight and crafting models from the author's twenty-plus years of teaching and creative thought. This second edition is updated to account for changes in the publishing industry and provides hundreds of new craft models to inspire, guide, and develop every writer's work.

This collection reveals the complexities, sadness, and creative spirit of the Mexican painter.

The Ultimate Protest: Malcolm W. Browne, Thich Quang Duc, and the News Photograph That Stunned the World examines how the most unlikely of war correspondents, Malcolm W. Browne, became the only Western reporter to capture Buddhist monk Thich Quang Duc's horrific self-immolation on June 11, 1963. Quang Duc made his ultimate sacrifice to protest the perceived anti-Buddhist policies of the Catholic-dominated administration of South Vietnam's president Ngo Dinh Diem.Biographer Ray E. Boomhower's The Ultimate Protest explores the background of the Buddhist crisis in South Vietnam in the spring of 1963 that led to Quang Duc's self-sacrifice as well as the worldwide reaction to Browne's photograph, how it affected American policy toward Diem's government, and the role the image played in the violent coup on November 1, 1963, that deposed Diem and led to his assassination. The book also delves into the dynamics involved in covering the Vietnam War in the early days of the American presence and the pressures placed on the journalists to stop raising doubts about how the war was going. Browne and his colleague David Halberstam shared the 1964 Pulitzer Prize for international reporting for their work in Vietnam. The Ultimate Protest: Malcolm W. Browne, Thich Quang Duc, and the News Photograph That Stunned the World examines how the most unlikely of war correspondents, Malcolm W. Browne, became the only Western reporter to capture Buddhist monk Thich Quang Duc's horrific self-immolation on June 11, 1963. Quang Duc made his ultimate sacrifice to protest the perceived anti-Buddhist policies of the Catholic-dominated administration of South Vietnam's president Ngo Dinh Diem.Biographer Ray E. Boomhower's The Ultimate Protest explores the background of the Buddhist crisis in South Vietnam in the spring of 1963 that led to Quang Duc's self-sacrifice as well as the worldwide reaction to Browne's photograph, how it affected American policy toward Diem's government, and the role the image played in the violent coup on November 1, 1963, that deposed Diem and led to his assassination. The book also delves into the dynamics involved in covering the Vietnam War in the early days of the American presence and the pressures placed on the journalists to stop raising doubts about how the war was going. Browne and his colleague David Halberstam shared the 1964 Pulitzer Prize for international reporting for their work in Vietnam.

The Struggle for Natural Resources traces the troubled history of Bolivia's land and commodity disputes across five centuries, combining local, regional, national, and transnational scales. Enriched by the extractivism and commodity frontiers approaches to world history, the book treats Bolivia's political struggles over natural resources as long-term processes that outlast immediate political events. Exploration of the Bolivian case invites dialogue and comparison with other parts of the world, particularly regions and countries of the so-called Global South.The book begins by examining three Bolivian resources at the center of political dispute since the early colonial period, namely land, water, and minerals. Carmen Soliz, Rossana Barragán, and Sarah Hines show that, as in the colonial and early republican past, these resources have remained the focus of political contention to the present day. Until the end of the nineteenth century, Bolivia's battle over natural resources was primarily concentrated in the highlands and inter-Andean valleys. Beginning in the 1860s, the bicycle and soon the automobile industries triggered demand for natural rubber found in the heart of the Amazon. José Orsag analyzes the impact of this extractive economy at the turn of the twentieth century. The book concludes by examining two resources that are central to understanding the last century of Bolivia's history. Kevin Young examines the fraught business of hydrocarbons, and Thomas Grisaffi analyzes the coca/cocaine circuit. Each chapter studies the social dynamics and political conflicts that shaped the processes of extraction, exchange, and ownership of each of these resources

Viceroy Güemes's Mexico: Rituals, Religion, and Revenue examines the career of Juan Francisco Güemes y Horcasitas, viceroy of New Spain from 1746 to 1755. It provides the best account yet of how the colonial reform process most commonly known as the Bourbon Reforms did not commence with the arrival of José de Gálvez, the visitador general to New Spain appointed in 1765. Rather, Güemes, ennobled as the conde de Revillagigedo in 1749, pushed through substantial reforms in the late 1740s and early 1750s, most notably the secularization of the doctrinas (turning parishes administering to Natives over to diocesan priests) and the state takeover of the administration of the alcabala tax in Mexico City. Both measures served to strengthen royal authority and increase fiscal revenues, the twin goals historians have long identified as central to the Bourbon reform project. Güemes also managed to implement these reforms without stirring up the storm of protest that attended the Gálvez visita. The book thus recasts how historians view eighteenth-century colonial reform in New Spain and the Spanish empire generally.Christoph Rosenmüller's study of Güemes is the first in English-language scholarship that draws on significant research in a family archive. Using these rarely consulted sources allows for a deeper understanding of daily life and politics. Whereas most scholars have relied on the official communications in the great archives to emphasize tightly choreographed rituals, for instance, Rosenmüller's work shows that much interaction in the viceregal palace was rather informal--a fact that scholars have overlooked. The sources throw light on meeting and greeting people, ongoing squabbles over hierarchy and ceremony, walks on the Alameda square, the role of the vicereine and their children, and working hours in the offices. Such insights are drawn from a rare family archive harboring a trove of personal communications. The resulting book paints a vivid portrait of a society undergoing change earlier than many historians have believed.

Gregory Weeks's Embracing Autonomy departs from other general treatments of Latin American-US relations not by putting US policy aside but by bringing in the Latin American and global contexts more closely and thus avoiding the incomplete picture provided by a narrow focus solely on the policies of the United States.The core of autonomy for Latin America from the United States is seen in new, deeper, and more numerous relationships that do not include the United States. The book is not a study of rebellion against the United States, or even a critique of US policy. Instead, it is an examination of the major shifts that have taken place in the region in recent decades and how they have shaped Latin American-US relations.Weeks's book provides a clearer understanding of where Latin America stands vis-à-vis the United States in the early twenty-first century. In doing so, we gain a better sense of the trajectory of Latin American-US relations and how they develop in turbulent times.

During the nineteenth and early twentieth centuries, immigrants from Spain, Sweden, Ireland, Italy, Germany, England, and other European countries settled all across the American West. This collection of essays explores the rural and urban settlement patterns of these groups, their comparative histories, and the maintenance of their communities. Europeans came to the West from all directions via both coasts and Mexico. Luebke provides tables illustrating the distribution of foreign-born persons in the West and first- and second-generation immigrants by country of origin in the region. In addition to the volume editor, contributors include Henry Warner Bowden, Robert C. Ostergren, Dean L. May, David M. Emmons, Dino Cinel, William Toll, Anna Zellick, Carol K. Coburn, Josef J. Barton, and Royden K. Loewen.

Originally published in 1987, Water in New Mexico remains one of the most comprehensive studies of a natural resource for any state. It contains material from the earliest pueblo irrigation systems to recent judicial decisions. Clark explores the issues of land-grant water rights, the effects of coal and uranium mining on water quality, the allocation of groundwater, as well as the interstate and federal-state conflicts over land and water. These issues reflect the competing demands for private control, environmental quality, recreational access, and commercial use that influence the management of water to this day.This volume brings together in one source a wealth of historical and contemporary material of great importance to lawyers, engineers, historians, economists, political scientists, environmentalists, and policy makers. Clark has effectively narrated a complex and tangled history in a style that is accessible to lay readers as well as to specialists.

Established by an act of Congress in 1879, the Carlisle Indian Industrial School in central Pennsylvania was conceived as a paramilitary residential boarding school that would solve the then-pressing "Indian Question" by forcibly assimilating and Americanizing Native American youth. A major part of this process was the so-called before and after portrait, which displayed the individual in his or her allegedly degenerate state before Americanization, and then again following its conclusion.In this historical study, Mauro analyzes the visual imagery produced at the Carlisle Indian Industrial School as a specific instance of the aesthetics of Americanization at work. His work combines a consideration of cultural contexts and themes specific to the United States of the time and critical theory to flesh out innovative historical readings of the photographic materials.

This anthology collects fourteen essays on the environmental history of the American West, exploring diverse approaches to environmental history, the western environment before Anglo-American settlement, the radical environmental transformations of the nineteenth and early twentieth centuries, and the rise of the environmental movement after World War II. The contributions analyze variables of place, process, race, class, gender, and culture. This anthology is ideal for courses on environmental and western history.In addition to the volume editor, contributors include Dan Flores, Robert MacCameron, Gregory McPherson and Renee A. Haip, Dorothy Zeisler-Vralsted, Thomas R. Dunlap, Richard West Sellars, Mark Harvey, Daniel Pope, F. Lee Brown and Helen M. Ingram, Mary Pardo, and John Opie.

This is a pathbreaking study of Tejano ranchers and settlers in the Lower Río Grande Valley from their colonial roots to 1900. The first book to delineate and assess the complexity of Mexican-Anglo interaction in south Texas, it also shows how Tejanos continued to play a leading role in the commercialization of ranching after 1848 and how they maintained a sense of community. Despite shifts in jurisdiction, the tradition of Tejano land holding acted as a stabilizing element and formed an important part of Tejano history and identity. The earliest settlers arrived in the 1730s and established numerous ranchos and six towns along the river. Through a careful study of land and tax records, brands and bills of sale of livestock, wills, population and agricultural censuses, and oral histories, Alonzo shows how Tejanos adapted to change and maintained control of their ranchos through the 1880s, when Anglo encroachment and changing social and economic conditions eroded most of the community's land base.

Having retaken Santa Fe by force of arms late in 1693, Diego de Vargas faces unrelenting challenges, waging active warfare against defiant Pueblo Indian resisters while maintaining peace with Pueblo allies; providing homes, food, and supplies for 1,500 unsure colonists; and bidding unceasingly for greater support from viceregal authorities in Mexico City.At the head of combined units of Spanish and Pueblo fighting men, the governor in 1694 leads repeated assaults on castle-like fortified sites. Through combat, prisoner exchange, and negotiation, he reestablishes the kingdom. Franciscans reopen some of the missions. Vargas founds the villa of Santa Cruz de la Cañada. Pueblos north and west of Santa Fe rebel again in 1696; wearily, Vargas reports more blood on the boulders.Through The Journals of don Diego de Vargas, translated from official and private correspondence, we are drawn back, through conflict and compromise, into New Mexico's formative era.

What makes John Rechy a Chicano writer? To be Latino, must writing have a touch of "magical realism"? Can one talk of U.S. Latina/o identity, considering the diversity of the Latina/o experience? Through the analysis of nine recent Latino/a novels, Karen Christian answers these and other questions, thereby adding a fresh, bold voice to the anti-essentialist debate surrounding ethnic and gender identity. Christian melds the theory of "performativity" with the latest scholarship on ethnicity and ethnic literature to create a framework for viewing identity as a continuous process that cannot be reduced to static categories. Through their narrative "performances," U.S. Latina/o writers and their characters move among communities and identities in an ongoing challenge to the notion of Latina/o essence. This study is also among the first to examine trends across the spectrum of cultures represented in U.S. Latina/o literature--from Chicano to Cuban to Puerto Rican to Dominican.Show and Tell is essential for any serious student of Latina/o literature and identity.

Director Sam Peckinpah was just starting out when MGM released Ride the High Country in 1962. He was a new kind of director: young, brash, and in a hurry to help the Western "grow up" by treating it with adult themes. Ride the High Country was something new and different, a changing Western to match a changing West. Stars Randolph Scott and Joel McCrea were old hands at this sort of thing. Ride the High Country gave the two veteran actors one last job to do and a chance to go out with some dignity.Ride the High Country helped the genre mature and adapt to turbulent, changing times. It launched Peckinpah's career by invoking the themes of honor, loyalty, and compromised ideals, the destruction of the West and its heroes, and the difficulty of doing right in an unjust world--themes developed to their pinnacle in Peckinpah's later masterpiece, The Wild Bunch.

"First published in 1970 and long out of print, The Indians Won is a stunning work of speculative fiction that imagines that, following the defeat of Custer and Benteen at the Little Bighorn in 1876, the many Indigenous tribes of America formed an alliance to sweep the whites out of the center of the country and form a new nation, bounded on both coasts by the United States. One hundred years later the two nations, having taken very different paths toward stewardship of the land and resources, are on the brink of war again, as the five hundred million wasichu of the United States eye the vast, open center of the continent, just as they had prior to their explusion in the nineteenth century. The difference is, now they are both nuclear powers. Imaginative, enthralling, rich in historical detail, and written from the perspective of a Native American writer, The Indians Won is an emotionally charged novel that asks the question: What if the Indians had won?"--Page 4 of cover.

The Strangers, a breathtaking companion to Vermette's bestselling debut The Break, is a fierce exploration of of bonds that refuse to be broken even in the most traumatic of circumstances. Cedar, Phoenix, and Elsie--these are the strangers, each haunted in her own way. Cedar grapples with the pain of being separated from her mother, Elsie, and her sister, Phoenix. From a youth detention center, Phoenix gives birth to a baby she'll never get to raise. And Elsie, struggling with addiction and determined to turn her life around, is buoyed by the idea of being reunited with her daughters and striving to be someone they can depend on, unlike her own distant mother. Between flickering moments of warmth and support, the women diverge and reconnect, fighting to survive in a fractured system that pretends to offer success but expects them to fail. Facing the distinct blade of racism from those they trusted most, they urge one another to move through the darkness, all the while wondering if they'll ever emerge safely on the other side.

This haunting collection merges spirit and nature in a voice both elegiac and celebratory. Kotchian explores our deep connection to the natural world, one increasingly at risk even as it continues to surprise and inspire. From meditations on the dangers of global warming to supporting a friend with cancer, from grieving the loss of her own mother to celebrating nature from New Mexico to a wild Scottish island, the poems celebrate both solitude and companionship and enlarge our concept of belonging and community, offering us threads of resilience, persistence, and hope.

Trials and Tribulations of Dirty Shame, Oklahoma beautifully showcases Comanche gothic literature, a new genre in Indigenous literature, at its creative best. In the tradition of The Iliad and Paradise Lost, this book is an epic poem of heroic and biblical proportions. Three Indigenous young people discover that the Holy Grail has been on the North American continent for centuries, and in Oklahoma for the last two. Battling both human and supernatural enemies, Velroy, Mia, and Stoney struggle to get the Holy Grail out of Indian Country to save their families and community and bring true peace back to their ordinary, Dirty Shame lives.

Slow travel is the secret to opening doors, meeting people, participating in surprising events, experiencing joy, and making each trip--no matter how short or long--deeper, richer, and an adventure that is uniquely yours.Award-winning travel journalists and Santa Fe residents Judith Fein and Paul J. Ross crisscross New Mexico, finding unforgettable adventures readers can personally experience such as painting with an abstract artist on the Navajo Reservation, visiting a wolf refuge, cruising in a lowrider, hiking in a volcano, gourmet dining at Zuni Pueblo, seeing a ghost, tracking the true Billy the Kid . . . and so much more.Slow Travel New Mexico is an invitation to show up in a place and let it reveal itself to you--on its own terms. It's not about going off the beaten path. It's about going off the beaten mental path by learning to look, see, open up, and explore differently. It's a guide to unforgettable experiences.

A towering work of twentieth-century American literature, Willa Cather's Death Comes for the Archbishop tells the story of the French Catholic priest Jean Marie Latour, the first bishop of the diocese of New Mexico, which was created after the Mexican-American War. With his friend and vicar Joseph Vaillant, Latour makes the long journey to the newly annexed territory of New Mexico. Once "the cradle of the Faith in the New World," now old mission churches have fallen into ruin and a reduced priesthood lacks guidance and discipline. Latour and Vaillant encounter a strange and unfamiliar brand of Catholicism, but in time the two priests learn to adjust to the ways of New World Catholics and open their eyes to Native American religious ideas so seemingly distant from their own beliefs.This new annotated edition of Cather's New Mexico masterpiece includes an introductory essay and notes by historian and critic Richard W. Etulain.