Bøger udgivet af University of North Carolina Press

Conventional narratives of the Cold War revolve around high-level diplomats and state leaders in Washington, Beijing, and Moscow, but this anthology challenges those narratives by revealing how ordinary people across Asia experienced the era. Heavily rooted in oral history, this study takes readers to the villages of rural Java; the jungles of northern Thailand; the indigenous tribal communities of Kerala, India; and many other places in this vast region.The essays in this collection demonstrate how the world took shape far away from the voluminously analyzed epicenters of the Soviet Union, the United States, and China. Masuda organizes each chapter around the theme of "many Cold Wars," or, more precisely, many local and social wars that were imagined as part of the global Cold War. These histories raise fundamental questions about standard Cold War narratives, encouraging readers to rethink why the Cold War still matters. Contributors are Mary Grace Concepcion, Simon Creak, Cui Feng, David Engerman, Prasit Leepreecha, Luong Thi Hong, Muhammad Kunhi Mahin Udma, Masuda Hajimu, Alan McPherson, Imam Muhtarom, Sim Chi Yin, Kisho Tsuchiva, Odd Arne Westad, Matthew Woolgar, Kinuko Maehara Yamazato, Bin Yang, and Taomo Zhou. InterConnections is home to innovative global, international, and transregional histories of the long twentieth century. Books emphasize interactions and connections across three principal areas of inquiry: governments, militaries, and nonstate actors, including businesses; international organizations, nation-states, and individuals; and foreign and domestic policies. The series showcases work that transcends conventional geographic, temporal, and disciplinary borders, offering fresh and original perspectives on the making of the contemporary world.

"According to popular stereotype, Bravo reality television portrays vapid, one-dimensional characters tearing each other down for viewers' enjoyment. Whether The Real Housewives taps into our voyeuristic urges, our fascination with wealth and class, or the allure of the sheer spectacle of grown women yelling at one another, the show is truly a cultural phenomenon-and a global one, with more than twenty international spin-offs. Historians on Housewives looks past the show's reputation as lowbrow, unscripted reality television and unveils deeper historical meanings behind some of Bravo's best-known programs and franchises. This collection of ten essays is both a celebration of the bizarre behavior of the Real Housewives and a critical theorizing the importance of the shows and the housewives themselves. Historians on Housewives explores relationships between historical topics and themes and some of Bravo's most iconic moments to demonstrate the usefulness of Bravo television as a tool for making history accessible. With contributions from scholars representing an impressive historical breadth, from the Roman Empire to the civil rights movement and beyond, the volume carves out a space for serious treatment of the franchise, fusing scholarship with pop culture to suggest interdisciplinary approaches for 'doing history' that appeal to popular and academic audiences alike."--

"According to popular stereotype, Bravo reality television portrays vapid, one-dimensional characters tearing each other down for viewers' enjoyment. Whether The Real Housewives taps into our voyeuristic urges, our fascination with wealth and class, or the allure of the sheer spectacle of grown women yelling at one another, the show is truly a cultural phenomenon-and a global one, with more than twenty international spin-offs. Historians on Housewives looks past the show's reputation as lowbrow, unscripted reality television and unveils deeper historical meanings behind some of Bravo's best-known programs and franchises. This collection of ten essays is both a celebration of the bizarre behavior of the Real Housewives and a critical theorizing the importance of the shows and the housewives themselves. Historians on Housewives explores relationships between historical topics and themes and some of Bravo's most iconic moments to demonstrate the usefulness of Bravo television as a tool for making history accessible. With contributions from scholars representing an impressive historical breadth, from the Roman Empire to the civil rights movement and beyond, the volume carves out a space for serious treatment of the franchise, fusing scholarship with pop culture to suggest interdisciplinary approaches for 'doing history' that appeal to popular and academic audiences alike."--

James Seay's essays reflect a poet's eye for detail and a seeker's wrestling with life's big questions and experiences: what it means to be a parent, losing a child, confronting mental illness, observing and living through the collision of cultures, finding the universal in the particularity of every day. We share moments with Seay that stay with us, dipping in and out of his life and our own collective experience, as he reflects on childhood memories of his grandmother wringing chicken necks for Sunday dinner, reads his way through Faulkner's Yoknapatawpha, processes 9/11, watches The Sopranos, and ponders the American obsession with guns. These essays transport readers--from the South to the Southwest, from the former Soviet Union to France, and beyond--while exploring disparate topics, often using literature as a means of understanding culture and place.Seay offers few easy answers for the big questions he explores. But walking with him on his journeys will open eyes to the possibilities, tenderness, and mysteries that surround us, hidden among everyday things.

When Sharde M. Davis turned to social media during the summer of racial reckoning in 2020, she meant only to share how racism against Black people affects her personally. But her hashtag, BlackintheIvory, went viral, fostering a flood of Black scholars sharing similar stories. Soon the posts were being quoted during summer institutes and workshops on social justice, equity, diversity, and inclusion. And in fall 2020, faculty assigned the tweets as material for course curriculum.This curated collection of original personal narratives from Black scholars across the country seeks to continue the conversation that started with BlackintheIvory. Put together, the stories reveal how racism eats its way through higher education, how academia systemically ejects Black scholars in overt and covert ways, and how academic institutions--and their individual members--might make lasting change. While anti-Black racism in academia is a behemoth with many entry points to the conversation, this book marshals a diverse group of Black voices to bring to light what for too long has been hidden in the shadow of the ivory tower.

"Andy Griffith (1926-2012) was one of North Carolina's most beloved exports for decades, capturing America's heart as Sheriff Andy Taylor. Evan Dalton Smith was born in Asheboro, North Carolina a few decades after Andy, just over an hour south of Griffith's hometown of Mount Airy. Both were small-town boys who grew up in similar places, where the counties were dry and the churches plentiful. But for both, there was darkness, crushed hopes, and tragedy, hidden just below the surface. For Smith and many of his generation in North Carolina, Andy Griffith was like the air--everywhere, all the time, a part of daily life. Even after he left the state, Smith always felt the pull of home and the lingering ghost of Andy alongside it. This is an exploration on celebrity and the self, on home and what that means when you leave it, and why we love and admire the people we do--even if we've never met them--all told through the entwined lives of iconic actor Andy Griffith and writer Evan Dalton Smith. It is through Smith's telling of Griffith's life that he finds his own story, one that is both informed by and freed from the legacy of one of North Carolina's most famous sons"--

It is impossible to separate histories of sexual violence and the enslavement of Black women in the antebellum South. Rape permeated the lives of all who existed in that system: Black and white, male and female, adult and child, enslaved and free. Shannon C. Eaves unflinchingly investigates how both enslaved people and their enslavers experienced the systematic rape and sexual exploitation of bondswomen and came to understand what this culture of sexualized violence meant for themselves and others. Eaves mines a wealth of primary sources including autobiographies, diaries, court records, and more to show that rape and other forms of sexual exploitation entangled slaves and slave owners in battles over power to protect oneself and one's community, power to avenge hurt and humiliation, and power to punish and eliminate future threats. By placing sexual violence at the center of the systems of power and culture, Eaves shows how the South's rape culture was revealed in enslaved people's and their enslavers' interactions with one another and with members of their respective communities.

"Despite centuries of colonialism, Indigenous peoples still occupy parts of their ancestral homelands in what is now Eastern North Carolina-a patchwork quilt of forested swamps, sandy plains, and blackwater streams that spreads across the Coastal Plain between the Fall Line and the Atlantic Ocean. In these backwaters, Lumbees and other American Indians have adapted to a radically transformed world while maintaining vibrant cultures and powerful connections to land and water. This reality is paralleled in Indigenous communities worldwide as Indigenous people continue to assert their rights to self-determination by resisting legacies of colonialism and the continued transformation of their homelands through pollution, unsustainable development, and climate change. Environmental scientist Ryan Emanuel, a member of the Lumbee tribe, shares stories from North Carolina about Indigenous survival and resilience in the face of radical environmental changes. Addressing issues from the loss of wetlands to the arrival of gas pipelines, these stories connect the dots between historic patterns of Indigenous oppression and present-day efforts to promote environmental justice and Indigenous rights on the swamp. Emanuel's scientific insight and deeply personal connections to his home blend together in a book that is both a heartfelt and an analytical call to acknowledge and protect sacred places"--

"Jerry Barker has long championed North Carolina's Mountains-to-Sea Trail (MST) and led its development for many years. In Discovering North Carolina's Mountains-to-Sea Trail, he draws on that experience to take readers on a unique journey along the trail's full route, sharing the rich history and stories that live on each segment. Connecting the route to the Indigenous history of western North Carolina, to the long military presence near the Carolina coast, and more, Barker offers a new way to understand and appreciate not only the natural beauty of North Carolina but also its people and history. Dedicated long-distance hikers and day-trippers alike will value and enjoy this armchair guide. [This resource is] abundantly illustrated with over fifty color photographs and maps for each of the MST's nineteen segments, [it] narrates significant histories related to each MST segment, places prominent natural features of the trail in context, [and] introduces hikers to nearby attractions, cultural heritage sites, and trail towns"--

Publication is an act of power. It brings a piece of writing to the public and identifies its author as a person with an intellect and a voice that matters. Because nineteenth-century Black Americans knew that publication could empower them, and because they faced numerous challenges getting their writing into print or the literary market, many published their own books and pamphlets in order to garner social, political, or economic rewards. In doing so, these authors nurtured a tradition of creativity and critique that has remained largely hidden from view.Bryan Sinche surveys the hidden history of African American self-publication and offers new ways to understand the significance of publication as a creative, reformist, and remunerative project. Full of surprising turns, Sinche's study is not simply a look at genre or a movement; it is a fundamental reassessment of how print culture allowed Black ideas and stories to be disseminated to a wider reading public and enabled authors to retain financial and editorial control over their own narratives.

Magic City is the story of one of American music's essential unsung places: Birmingham, Alabama, birthplace of a distinctive and influential jazz heritage. In a telling replete with colorful characters, iconic artists, and unheralded masters, Burgin Mathews reveals how Birmingham was the cradle and training ground for such luminaries as big band leader Erskine Hawkins, cosmic outsider Sun Ra, and a long list of sidemen, soloists, and arrangers. He also celebrates the contributions of local educators, club owners, and civic leaders who nurtured a vital culture of Black expression in one of the country's most notoriously segregated cities. In Birmingham, jazz was more than entertainment: long before the city emerged as a focal point in the national civil rights movement, its homegrown jazz heroes helped set the stage, crafting a unique tradition of independence, innovation, achievement, and empowerment. Blending deep archival research and original interviews with living elders of the Birmingham scene, Mathews elevates the stories of figures like John T. "Fess" Whatley, the pioneering teacher-bandleader who emphasized instrumental training as a means of upward mobility and community pride. Along the way, he takes readers into the high school band rooms, fraternal ballrooms, vaudeville houses, and circus tent shows that shaped a musical movement, revealing a community of players whose influence spread throughout the world.

This year's feature section, guest edited by Kirstin L. Squint, is historic, the first focused on Native American Literature of North Carolina. The feature section includes creative nonfiction by Annette Saunooke Clapsaddle (Eastern Band of Cherokee Indians), and poetry by Mary Leauna Christensen (Eastern Band of Cherokee Indians), and Tonya Holy Elk (Oglala Lakota/Lumbee descent), as well as painting, photography, sculpture, and pottery by Cherokee, Lumbee, and Catawba artists. The cover is a paper weaving, a new form created by Eastern Band and Santa Clara Pueblo artist Rhiannon Skye Tafoya, based on the traditional Cherokee river cane basket. In addition to the work by Indigenous writers and artists, the special feature section also includes literary criticism and an interview by scholars of Native American and Southern literature. They discuss work by Cherokee writers Annette Saunooke Clapsaddle, Gladys Cardiff, and Blake Hausman; Lumbee writers Brittany D. Hunt, Leslie Locklear, Christina Pacheco, Barbara Braveboy-Locklear, Anetra L. Dial, Becky Goins, and Wendy Moore-Cummings; and the eighteenth century testimonio of a woman from the town of Joara, mostly likely Catawba, Teresa Martin.The Flashbacks and North Carolina Miscellany sections of this issue include another interview (with Phillip Lewis about his debut novel The Barrowfields) and more literary criticism (on John Darnielle's fiction), as well as the 2022 winners and other honorees of the Doris Betts Fiction Prize (1st place, Ellen Miller Reid, and 2nd place, Theresa Dowell Blackinton), Alex Albright Creative Nonfiction Prize (winner Audrey Jennifer Smith), and James Applewhite Poetry Prize contests (1st place and honorable mention poems by Barbara Campbell and second place by Nancy Swanson).Find a complete table of contents of this issue here: https: //nclr.ecu.edu/issues/nclr-2023/

In the late 1970s, Hollywood producers took the published biography of Crystal Lee Sutton, a white southern textile worker, and transformed it into a blockbuster 1979 film, Norma Rae, featuring Sally Field in the title role. This fascinating book reveals how the film and the popular icon it created each worked to efface the labor history that formed the foundation of the film's story. Drawing on an impressive range of sources--union records, industry reports, film scripts, and oral histories--Aimee Loiselle's cutting-edge scholarship shows how gender, race, culture, film, and mythology have reconfigured and often undermined the history of the American working class and its labor activism. While Norma Rae constructed a powerful image of individual defiance by a white working-class woman, Loiselle demonstrates that female industrial workers across the country and from diverse racial backgrounds understood the significance of cultural representation and fought to tell their own stories. Loiselle painstakingly reconstructs the underlying histories of working women in this era and makes clear that cultural depictions must be understood as the complicated creations they are.

Despite their literary and cultural significance, Afro-Latino memoirs have been marginalized in both Latino and African American studies. Trent Masiki remedies this problem by bringing critical attention to the understudied African American influences in Afro-Latino memoirs published after the advent of the Black Arts movement. Masiki argues that these memoirs expand on the meaning of racial identity for both Latinos and African Americans. Using interpretive strategies and historical methods from literary and cultural studies, Masiki shows how Afro-Latino memoir writers often turn to the African American experience as a model for articulating their Afro-Latinidad. African American literary production, expressive culture, political ideology, and religiosity shaped Afro-Latino subjectivity more profoundly than typically imagined between the post-war and post-soul eras. Masiki recovers this neglected history by exploring how and why Black nationalism shaped Afro-Latinidad in the United States. This book opens the border between the canons of Latino and African American literature, encouraging greater intercultural solidarities between Latinos and African Americans in the era of Black Lives Matter.

Combining insights from the best published historical and religious studies scholarship, original research, and rich first-person perspective, this highly readable book offers a comprehensive yet concise introduction to the founder and central figure of the Islamic tradition: the prophet Muhammad. Narrating Muhammad's life story, teachings, and daily practices, and assessing how his legacy is received, interpreted, and applied around the world, Michael Muhammad Knight reveals how the prophet has become simultaneously one of the most beloved historical figures in the world and also one of the most contested, challenged, and disparaged. Knight argues that there was never a singular Muslim vision of Muhammad but rather always multiple perspectives. While Muslims defend Muhammad's legacy against Islamophobic polemics, they also challenge each other regarding the proper authorities through which Muhammad's life and message become comprehensible and applicable in our world. Thinking across time and place, Knight argues that Muhammad is always contextual and contemporary.

In April 1983, a dynamic, multiracial political coalition did the unthinkable, electing Harold Washington as the first Black mayor of Chicago. Washington's victory was unlikely not just because America's second city was one of the nation's most racially balkanized but also because it came at a time when Ronald Reagan and other political conservatives seemed resurgent. Washington's initial win and reelection in 1987 established the charismatic politician as a folk hero. It also bolstered hope among Democrats that the party could win elections by pulling together multiracial urban voters around progressive causes. Yet what could be called the Washington era revealed clear limits to electoral politics and racial coalition building when decoupled from neighborhood-based movement organizing.Drawing on a rich array of archives and oral history interviews, Gordon K. Mantler offers a bold reexamination of the Harold Washington movement and moment. Taking readers into Chicago's street-level politics and the often tense relationships among communities and their organizers, Mantler shows how white supremacy, deindustrialization, dysfunction, and voters' own contradictory expectations stubbornly impeded many of Washington's proposed reforms. Ultimately, Washington's historic victory and the thwarted ambitions of his administration provide a cautionary tale about the peril of placing too much weight on electoral politics above other forms of civic action--a lesson today's activists would do well to heed.

In the early twenty-first century, comparisons between the modern civil rights movement and the movement for marriage equality reached a fever pitch. These comparisons, however, have a longer history. During the five decades after World War II, political ideas about same-sex intimacy and gender nonconformity--most often categorized as homosexuality--appeared in the campaigns of civil rights organizations, Black liberal elected officials, segregationists, and far right radicals. Deployed in complex and at times contradictory ways, political ideas about homosexuality (and later, lesbian, gay, bisexual, and transgender subjects) became tethered to conceptualizations of Blackness and racial equality.In this interdisciplinary historical study, Jennifer Dominique Jones reveals the underexamined origins of comparisons between Black and LGBT political constituencies in the modern civil rights movement and white supremacist backlash. Foregrounding an intersectional framing of postwar political histories, Jones demonstrates how the shared non-normative status of Blackness and homosexuality facilitated comparisons between subjects and political visions associated with both. Drawing upon organizational records, manuscript collections, newspaper accounts, and visual and textual ephemera, this study traces a long, conflicting relationship between Black and LGBT political identities that continues to the present day.

In the fall of 1999, the World Trade Organization (WTO) prepared to hold its biennial Ministerial Conference in Seattle. The event culminated in five days of chaotic political protest that would later be known as the Battle in Seattle. The convergence represented the pinnacle of decades of organizing among workers of color in the Pacific Northwest, yet the images and memory of what happened centered around assertive black bloc protest tactics deployed by a largely white core of activists whose message and goals were painted by media coverage as disorganized and incoherent. This insightful history takes readers beyond the Battle in Seattle and offers a wider view of the organizing campaigns that marked the last half of the twentieth century. Narrating the rise of multiracial coalition building in the Pacific Northwest from the 1970s to the 1990s, Diana K. Johnson shows how activists from Seattle's Black, Indigenous, Chicano, and Asian American communities traversed racial, regional, and national boundaries to counter racism, economic inequality, and perceptions of invisibility. In a city where more than eighty-five percent of the residents were white, they linked far-flung and historically segregated neighborhoods while also crafting urban-rural, multiregional, and transnational links to other populations of color. The activists at the center of this book challenged economic and racial inequality, the globalization of capitalism, and the white dominance of Seattle itself long before the WTO protest.

This social and cultural history of Civil War medicine and science sheds important light on the question of why and how anti-Black racism survived the destruction of slavery. During the war, white Northerners promoted ideas about Black inferiority under the guise of medical and scientific authority. In particular, the Sanitary Commission and Army medical personnel conducted wartime research aimed at proving Black medical and biological inferiority. They not only subjected Black soldiers and refugees from slavery to substandard health care but also scrutinized them as objects of study. This mistreatment of Black soldiers and civilians extended after life to include dissection, dismemberment, and disposal of the Black war dead in unmarked or mass graves and medical waste pits. Simultaneously, white medical and scientific investigators enhanced their professional standing by establishing their authority on the science of racial difference and hierarchy. Drawing on archives of the U.S. Sanitary Commission, recollections of Civil War soldiers and medical workers, and testimonies from Black Americans, Leslie A. Schwalm exposes the racist ideas and practices that shaped wartime medicine and science. Painstakingly researched and accessibly written, this book helps readers understand the persistence of anti-Black racism and health disparities during and after the war.

In the 1880s, a new medical term flashed briefly into public awareness in the United States. Children who had trouble distinguishing between similar speech sounds were said to suffer from "sound-blindness." The term is now best remembered through anthropologist Franz Boas, whose work deeply influenced the way we talk about cultural difference. In this fascinating work of literary and cultural history, Alex Benson takes the concept as an opening onto other stories of listening, writing, and power--stories that expand our sense of how a syllable, a word, a gesture, or a song can be put into print, and why it matters.Benson interweaves ethnographies, memoirs, local-color stories, modernist novels, silent film scripts, and more. Taken together, these seemingly disparate texts--by writers including John M. Oskison, Helen Keller, W. E. B. Du Bois, F. Scott Fitzgerald, and Elsie Clews Parsons--show that the act of transcription, never neutral, is conditioned by the histories of race, land, and ability. By carefully tracing these conditions, Benson argues, we can tease out much that has been left off the record in narratives of American nationhood and American literature.

At the turn of the twentieth century, as African Americans struggled against white social and political oppression, Black women devised novel approaches to the fight for full citizenship. In opposition to white-led efforts to restrict their freedom of movement, Black women used various exercises--calisthenics, gymnastics, athletics, and walking--to demonstrate their physical and moral fitness for citizenship. Black women's participation in the modern exercise movement grew exponentially in the first half of the twentieth century and became entwined with larger campaigns of racial uplift and Black self-determination. Black newspapers, magazines, advice literature, and public health reports all encouraged this emphasis on exercise as a reflection of civic virtue.In the first historical study of Black women's exercise, Ava Purkiss reveals that physical activity was not merely a path to self-improvement but also a means to expand notions of Black citizenship. Through this narrative of national belonging, Purkiss explores how exercise enabled Black women to reimagine Black bodies, health, beauty, and recreation in the twentieth century. Fit Citizens places Black women squarely within the history of American physical fitness and sheds light on how African Americans gave new meaning to the concept of exercising citizenship.

In this innovative and insightful book, Elizabeth Engelhardt argues that modern American food, business, caretaking, politics, sex, travel, writing, and restaurants all owe a debt to boardinghouse women in the South. From the eighteenth century well into the twentieth, entrepreneurial women ran boardinghouses throughout the South; some also carried the institution to far-flung places like California, New York, and London. Owned and operated by Black, Jewish, Native American, and white women, rich and poor, immigrant and native-born, these lodgings were often hubs of business innovation and engines of financial independence for their owners. Within their walls, boardinghouse residents and owners developed the region's earliest printed cookbooks, created space for making music and writing literary works, formed ad hoc communities of support, tested boundaries of race and sexuality, and more.Engelhardt draws on a vast archive to recover boardinghouse women's stories, revealing what happened in the kitchens, bedrooms, hallways, back stairs, and front porches as well as behind closed doors--legacies still with us today.

This book unearths a food story buried deep within the soil of American civil rights history. Drawing on archival research, interviews, and oral histories, Bobby J. Smith II re-examines the Mississippi civil rights movement as a period when activists expanded the meaning of civil rights to address food as integral to sociopolitical and economic conditions. For decades, white economic and political actors used food as a weapon against Black sharecropping communities in the Yazoo-Mississippi Delta, but members of these communities collaborated with activists to transform food into a tool of resistance. Today, Black youth are building a food justice movement in the Delta to continue this story, grappling with inequalities that continue to shape their lives. Drawing on multiple disciplines including critical food studies, Black studies, history, sociology, and southern studies, Smith makes critical connections between civil rights activism and present-day food justice activism in Black communities, revealing how power struggles over food empower them to envision Black food futures in which communities have the full autonomy and capacity to imagine, design, create, and sustain a self-sufficient local food system.

The Haitian Revolution was a powerful blow against colonialism and slavery, and as its thinkers and fighters blazed the path to universal freedom, they forced anticolonial, antislavery, and antiracist ideals into modern political grammar. The first state in the Americas to permanently abolish slavery, outlaw color prejudice, and forbid colonialism, Haitians established their nation in a hostile Atlantic World. Slavery was ubiquitous throughout the rest of the Americas and foreign nations and empires repeatedly attacked Haitian sovereignty. Yet Haitian writers and politicians successfully defended their independence while planting the ideological roots of egalitarian statehood. In Awakening the Ashes, Marlene L. Daut situates famous and lesser-known eighteenth- and nineteenth-century Haitian revolutionaries, pamphleteers, and political thinkers within the global history of ideas, showing how their systems of knowledge and interpretation took center stage in the Age of Revolutions. While modern understandings of freedom and equality are often linked to the French Declaration of the Rights of Man or the US Declaration of Independence, Daut argues that the more immediate reference should be to what she calls the 1804 Principle that no human being should ever again be colonized or enslaved, an idea promulgated by the Haitians who, against all odds, upended French empire.

The cultural memory of plantations in the Old South has long been clouded by myth. A recent reckoning with the centrality of slavery to the US national story, however, has shifted the meaning of these sites. Plantations are no longer simply seen as places of beauty and grandiose hospitality; their reality as spaces of enslavement, exploitation, and violence is increasingly at the forefront of our scholarly and public narratives. Yet even this reckoning obscures what these sites meant to so many forced to live and labor on them: plantations were Black homes as much as white.Insightfully reading the built environment of plantations, considering artifact fragments found in excavations of slave dwellings, and drawing on legal records and plantation owners' papers, Whitney Nell Stewart illuminates how enslaved people struggled to make home amid innumerable constraints and obstacles imposed by white southerners. By exploring the material remnants of the past, Stewart demonstrates how homemaking was a crucial part of the battle over slavery and freedom, a fight that continues today in consequential confrontations over who has the right to call this nation home.

Racial capitalism, invisible but threaded throughout the world, shapes our lives. Focusing on the experiences of white, Black, and Latinx residents of Cincinnati, Sarah Mayorga argues that residents' interpretations of their circumstances, what she calls urban specters, are often partial recognitions of the exploitation and dehumanization produced by racial capitalism. Much scholarly work on racial capitalism has necessarily focused on historical, theoretical, and macro-level accounts. Mayorga takes these vital insights and applies them to two contemporary working-class neighborhoods, centering the lives of working-class and poor people.Using data from interviews with 117 residents, Mayorga maps how racial capitalism creates the everyday harms people know all too well. Chronic underdevelopment, private property, and policing, she shows, have produced these harms. In this enlightening book, Mayorga identifies small windows into abolitionist possibilities that create different types of relations, ones based on care and connection. This is a guide for anyone trying to understand urban inequality, but also more importantly, for how we might create a different world.

Omar ibn Said (1770-1863) was a Muslim scholar from West Africa who spent more than fifty years enslaved in the North Carolina household of James Owen, brother of Governor John Owen. In 1831 Omar composed a brief autobiography, the only known narrative written in Arabic by an enslaved person in North America, and he became famous for his Arabic writings. His enslavers also provided him with an Arabic Bible and claimed Omar as a convert to Christianity, prompting wonder and speculation among amateur scholars of Islam, white slave owners, and missionaries. But these self-proclaimed experts were unable or unwilling to understand Omar's writings, and his voice was suppressed for two centuries. Mbaye Lo and Carl W. Ernst here weave fresh and accurate translations of Omar's eighteen surviving writings, for the first time identifying his quotations from Islamic theological texts, correcting many distortions, and providing the fullest possible account of his life and significance. Placing Omar at the center of a broader network of the era's literary and religious thought, Lo and Ernst restore Omar's voice, his sophisticated engagement with Islamic and Christian theologies, his Arabic skills, and his extraordinary efforts to express himself and exert agency despite his enslavement.