Bøger udgivet af University of Notre Dame Press

In White Elephants on Campus: The Decline of the University Chapel in America, 1920-1960, Margaret M. Grubiak persuasively argues, through a careful selection of case studies, that the evolution of the architecture of new churches and chapels built on campuses reveals the shifting and declining role of religion within the mission of the modern American university. According to Grubiak, during the first half of the twentieth century, university leaders tended to view architecture as a means of retaining religion within an increasingly scientific and secular university. Initially, the construction of large-scale chapels was meant to advertise religion's continued importance to the university mission. Lavish neo-Gothic chapels at historically Protestant schools, although counter to traditional Protestant imagery, were justified as an appeal to students' emotions. New cathedral-style libraries and classroom buildings also re-imagined a place for religion on campuses no longer tied to their founding religious denominations. Despite such attempts to reframe religion for the modern university, Grubiak shows that by the 1960s the architectural styles of new religious buildings had changed markedly. Postwar university chapels projected a less distinct image, with their small scale and intentionally nondenominational focus. By the mid-twentieth century, the prewar chapels had become "white elephants." They are beautiful, monumental buildings that nevertheless stand outside the central concerns of the modern American university. Religious campus architecture had lost its value in an era where religion no longer played a central role in the formation and education of the American student. "White Elephants on Campus is a provocative and engaging look at the university campus chapel in the twentieth century. The author skillfully combines social, educational, religious, and architectural history to illuminate a phenomenon neglected both by scholars and its intended users." --Peter W. Williams, emeritus, Miami University "In this important new book, Margaret Grubiak tells the fascinating story of how religion declined on twentieth-century American campuses and yet, at the same time, administrators persisted in building college chapels, including some of great size and striking architectural merit. This well-written and thoroughly researched account reveals much about American architecture but even more about the larger cultural retreat from Protestantism by the nation's intellectual elites. We have long needed such a study, and Grubiak has done a masterful job in presenting it." --W. Barksdale Maynard, Princeton University

What I Found Out About Her: Stories of Dreaming American, winner of the 2014 Richard Sullivan Prize in Short Fiction, reaffirms Peter LaSalle's reputation as one of the most startlingly original writers working in the short fiction genre today. In this collection of eleven stories, LaSalle explores how everyday life for many-an FBI agent, a study-abroad student, a drug dealer's chic girlfriend, a trio of Broadway playwrights, among others-can often take on something much larger than that, almost the texture of a haunting dream. Marked by stylistic daring and a rare lyricism in language, this is intense, thoroughly moving fiction that probes the contemporary American psyche, portraying it in all its frequently painful sadness and also its brave and unflagging hope.

At the heart of the University of Notre Dame's campus sits the Main Building with its trademark golden dome. Flanking it on the west is the equally distinctive Sacred Heart Basilica, and on the east is the building known today as Washington Hall. Washington Hall at Notre Dame is the first history of this building--the university's first performing arts center--and illuminates the ways in which Washington Hall has served as the prime venue of secular communal assembly for the university and surrounding communities since 1864. In addition to detailing the history of Washington Hall, Mark Pilkinton, a theatre historian, emphasizes the art form of theatre and its development at Notre Dame, but also discusses the contributions of music, debate, and lectures, as well as the introduction of the "new media" of film, radio, and television. Among many other fascinating stories, the author recounts the early commencements and "exhibitions" that included students' orations in Latin and Greek, chronicles the history of the ghost of Washington Hall, and describes the contributions Knute Rockne made to the performing arts at the university, both as a student actor and as a faculty member. Lavishly illustrated with 50 halftones and 5 line drawings, Washington Hall at Notre Dame offers a fascinating history of Notre Dame through the prism of its first performing arts center and adds to our understanding of American Catholic higher education and American history in general.

Walls: Essays, 1985-1990, Kenneth McClane's first book of autobiographical essays (originally published in 1991), is closely related to his second collection, Color, published by the University of Notre Dame Press in 2009. Walls is a powerful and deeply moving meditation on relationships. It begins with an essay on the death of McClane's brother, Paul, which "e;changed everything. Time, my work, everything found a new calculus."e; His brother's life and death are present in some way in all the essays that follow "e;A Death in the Family,"e; as McClane tells us about giving a poetry reading in a maximum-security prison; his experience of being one of the first two African American students to attend America's oldest private school; teaching creative writing; his sister, Adrienne; a divestment protest at Cornell; and his encounters with James Baldwin. McClane has written a new preface to this paperback edition of Walls. "e;Walls reminds us of the differences that set us apart, dividing our world into good kids and troublemakers, winners and losers, the beautiful and the damned. The anodyne for exile in these essays is McClane's common but by no means commonplace lexicon, at once evocative and spare, that leads us to painful but honest connection and the luminous possibility of empathy."e; --William L. Andrews, University of North Carolina at Chapel Hill "e;Kenneth McClane's Walls is a collection of exquisitely crafted autobiographical essays that rivals the most profound nonfictional writings of James Baldwin in its skillful investigation of the hidden recesses of the always-throbbing black American soul. Indeed, Walls is a beautifully calibrated exploration of the challenges faced by a courageously self-aware--and refreshingly self-revealing--black intellectual whose journey to and in the American mainstream is both menacing and exhilarating."e; --Michael Awkward, University of Michigan

Tropologies is the first book-length study to elaborate the medieval and early modern theory of the tropological, or moral, sense of scripture. Ryan McDermott argues that tropology is not only a way to interpret the Bible but also a theory of literary and ethical invention. The "e;tropological imperative"e; demands that words be turned into works-books as well as deeds. Beginning with Augustine, Jerome, and Gregory the Great, then treating monuments of exegesis such as the Glossa ordinaria and Nicholas of Lyra, as well as theorists including Thomas Aquinas, Erasmus, Martin Luther, and others, Tropologies reveals the unwritten history of a major hermeneutical theory and inventive practice. Late medieval and early Reformation writers adapted tropological theory to invent new biblical poetry and drama that would invite readers to participate in salvation history by inventing their own new works. Tropologies reinterprets a wide range of medieval and early modern texts and performances-including the Patience-Poet, Piers Plowman, Chaucer, the York and Coventry cycle plays, and the literary circles of the reformist King Edward VI-to argue that "e;tropological invention"e; provided a robust alternative to rhetorical theories of literary production. In this groundbreaking revision of literary history, the Bible and biblical hermeneutics, commonly understood as sources of tumultuous discord, turn out to provide principles of continuity and mutuality across the Reformation's temporal and confessional rifts. Each chapter pursues an argument about poetic and dramatic form, linking questions of style and aesthetics to exegetical theory and theology. Because Tropologies attends to the flux of exegetical theory and practice across a watershed period of intellectual history, it is able to register subtle shifts in literary production, fine-tuning our sense of how literature and religion mutually and dynamically informed and reformed each other.

Pastoral poetry has long been considered a signature Renaissance mode: originating in late sixteenth-century England via a rediscovery of classical texts, it is concerned with self-fashioning and celebrating the court. But, as Katherine C. Little demonstrates in Transforming Work: Early Modern Pastoral and Medieval Poetry, the pastoral mode is in fact indebted to medieval representations of rural labor.Little offers a new literary history for the pastoral, arguing that the authors of the first English pastorals used rural laborers familiar from medieval texts--plowmen and shepherds--to reflect on the social, economic, and religious disruptions of the sixteenth century. In medieval writing, these figures were particularly associated with the reform of the individual and the social world: their work also stood for the penance and good works required of Christians, the care of the flock required of priests, and the obligations of all people to work within their social class. By the sixteenth century, this reformism had taken on a dangerous set of associations--with radical Protestantism, peasants' revolts, and complaints about agrarian capitalism. Pastoral poetry rewrites and empties out this radical potential, making the countryside safe to write about again.Moving from William Langland's Piers Plowman and the medieval shepherd plays, through the Piers Plowman-tradition, to Edmund Spenser's pastorals, Little's reconstructed literary genealogy discovers the "other" past of pastoral in the medieval and Reformation traditions of "writing rural labor."

According to Robert John Russell, one of the foremost scholars on relating Christian theology and science, the topic of "e;time and eternity"e; is central to the relation between God and the world in two ways. First, it involves the notion of the divine eternity as the supratemporal source of creaturely time. Second, it involves the eternity of the eschatological New Creation beginning with the bodily Resurrection of Jesus in relation to creaturely time. The key to Russell's engagement with these issues, and the purpose of this book, is to explore Wolfhart Pannenberg's treatment of time and eternity in relation to mathematics, physics, and cosmology. Time in Eternity is the first book-length exposition of Russell's unique method for relating Christian theology and the natural sciences, which he calls "e;creative mutual interaction"e; (CMI). This method first calls for a reformulation of theology in light of science and then for the delineation of possible topics for research in science drawing on this reformulated theology. Accordingly, Russell first reformulates Pannenberg's discussion of the divine attributes-eternity and omnipresence-in light of the way time and space are treated in mathematics, physics, and cosmology. This leads him to construct a correlation of eternity and omnipresence in light of the spacetime framework of Einstein's special relativity. In the process he proposes a new flowing time interpretation of relativity to counter the usual block universe interpretation supported by most physicists and philosophers of science. Russell also replaces Pannenberg's use of Hegel's concept of infinity in relation to the divine attributes with the concept of infinity drawn from the mathematics of Georg Cantor. Russell then addresses the enormous challenge raised by Big Bang cosmology to Christian eschatology. In response, he draws on Pannenberg's interpretation both of the Resurrection as a proleptic manifestation of the eschatological New Creation within history and the present as the arrival of the future. Russell shows how such a reformulated understanding of theology can shed light on possible directions for fundamental research in physics and cosmology. These lead him to explore preconditions in contemporary physics research for the possibility of duration, copresence, retroactive causality, and prolepsis in nature.

Since the 1973 publication of Gustavo Gutiérrez's groundbreaking work A Theology of Liberation, liberation theology's central premise of the preferential option for the poor has become one of the most important yet controversial theological themes of the twentieth century. As the situation for many of the world's poor worsens, it becomes ever more important to ensure that the option for the poor remains not only a vibrant theological concept but also a practical framework for living out the gift and challenge of Christian faith. The Preferential Option for the Poor beyond Theology draws on a diverse group of contributors to explore how disciplines as varied as law, economics, politics, the environment, science, liberal arts, film, and education can help us understand putting a commitment to the option for the poor into practice. The central focus of the book revolves around the question: How can one live a Christian life in a world of destitution? The contributors address the theological concept of the option for the poor as well as the ways it can shape our social, economic, political, educational, and environmental approaches to poverty. Their creative examples serve as an inspiration to all those who are seeking to put their talents at the service of human need and the building of a more just and humane world.

Fr. Robert Griffin, C.S.C. (1925-1999), was a beloved member of the Notre Dame community. With his cocker spaniel, Darby O'Gill, he was instantly recognizable on campus. He was well known for his priestly work counseling students as university chaplain for thirty years, his summer ministry to the homeless and parishioners in New York City, and his weekly columns in the student newspaper, The Observer, in which he invited the campus community to reflect with him on the challenges and joys of being Catholic in a time of enormous social and religious change. This collection draws together essays that Griffin wrote for Notre Dame Magazine between 1972 and 1994. In them, he considers many of the challenges that beset church and campus, such as the laicization of priests, premarital sex, the erosion of institutional authority, intolerance toward gay people, and failure of fidelity to the teachings of the church. Griffin also ruminates on the distress that human beings experience in the ordinariness of their lives--the difficulty of communication in families, grief over the loss of family and friends, the agonies of isolation, and the need for forgiveness. Griffin's shrewd insights still ring true for people today. His efforts to temper the winds of institutional rules, cultural change, and personal suffering reveal a mind keenly attuned to the need for understanding human limitations and to the presence of grace in times of change. Griffin quotes from the works of literary modernists, such as Fitzgerald and Hemingway, whose novels and short stories he loved; in these allusions and in his own reflections and experiences, Griffin bridges the spiritual and the secular and offers hope for reconciliation and comfort.

Since the publication of Gustavo Gutiérrez's 1973 groundbreaking work, A Theology of Liberation, much has been written on liberation theology and its central premise of the preferential option for the poor. Arguably, this has been one of the most important yet controversial theological themes of the twentieth century. As globalization creates greater gaps between the rich and the poor, and as the situation for many of the world's poor worsens, there is an ever greater need to understand the gift and challenge of Christian faith from the context of the poor and marginalized of our society. This volume draws on the thought of leading international scholars and explores how the Christian tradition can help us understand the theological foundations for the option for the poor. The central focus of the book revolves around the question, How can one live a Christian life in a world of destitution? The contributors are concerned not only with a social, economic, or political understanding of poverty but above all with the option for the poor as a theological concept.While these essays are rooted in a solid grounding of our present "reality," they look to the past to understand some of the central truths of Christian faith and to the future as a source of Christian hope. Following Gustavo Gutiérrez's essay on the multidimensionality of poverty, Elsa Tamez, Hugh Page, Jr., Brian Daley, and Jon Sobrino identify a central theological premise: poverty is contrary to the will of God. Drawing on scripture, the writings of the early fathers, the witness of Christian martyrs, and contemporary theological reflection, they argue that poverty represents the greatest challenge to Christian faith and discipleship. David Tracy and J. Matthew Ashley carry their reflection forward by examining the option for the poor in light of apocalyptic thought. Virgilio Elizondo, Patrick Kalilombe, María Pilar Aquino, M. Shawn Copeland, and Mary Catherine Hilkert examine the challenges of poverty with respect to culture, Africa, race, and gender. Casiano Floristán and Luis Maldonado explore the relationship between poverty, sacramentality, and popular religiosity. The final two essays by Aloysius Pieris and Michael Signer consider the option for the poor in relationship to other major world religions, particularly an Asian theology of religions and the meaning of care for the poor within Judaism.

The Open Light: Poets from Notre Dame, 1991-2008 celebrates the distinction and diversity of poets associated with the university during these nearly two decades. This anthology is a companion volume to James Walton's earlier collection, The Space Between: Poets from Notre Dame, 1950-1990. The twenty-four poets represented in The Open Light range from National Endowment for the Arts Award-winner Beth Ann Fennelly, who received her undergraduate degree from Notre Dame, to the Nobel Prize nominee Bei Dao, who taught as a visiting professor at Notre Dame between 2005 and 2007. All have been students at Notre Dame, members of the faculty, or both. Each has published at least one volume of poetry.As evidenced by the founding of Notre Dame's Creative Writing Program in 1991, creative writing has thrived over the years and grown more essential to the intellectual identity and artistic ambitions of the university. Notre Dame's M.F.A. graduates, who have published poetry collections and fiction with both commercial publishers and independent presses, have garnered considerable praise from the literary establishment. In the preface to this anthology, Orlando Ricardo Menes presents a brief historical account of poetry at Notre Dame since 1991, emphasizing the remarkable range of talent and accomplishment of its poets, and the establishment of both The Notre Dame Review and the Ernest Sandeen Poetry Prize. The plethora of voices included in this collection and the poems themselves provide a rich and vibrant legacy of poetry at Notre Dame.Contributors: Francisco Aragón, Robert Archambeau, Bei Dao, Karni Pal Bhati, Kimberly M. Blaeser, Jenny Boully, Jacque Vaught Brogan, Stacy Cartledge, Michael Coffey, Seamus Deane, Joe Francis Doerr, Kevin Ducey, Cornelius Eady, Beth Ann Fennelly, Kevin Hart, Mary Kathleen Hawley, Joyelle McSweeney, Orlando Ricardo Menes, Thomas O'Grady, John Phillip Santos, Michael Smith, Anthony Walton, Henry Weinfield, and John Wilkinson.

A genuine renaissance is presently underway in the study of biblical interpretation and biblical culture in the early Christian age. The profundity and complexity of the early Christians' engagement with Holy Scripture, in theology, in ecclesial and liturgical life, in ethics, and in ascetic and devotional life, are providing a rich resource for contemporary discussions of the Bible's ongoing "afterlife" within ecumenical Christian communities and contexts. The Bible in Greek Christian Antiquity is a collection of wide-ranging essays on the influence of the Bible in numerous and varied aspects of the life of the Greek-speaking churches during the first four centuries. Essays appear under the general themes of (I) The Bible as a Foundation of Christianity; (II) The Bible in Use among the Greek Church Fathers; (III) The Bible in Early Christian Doctrinal Controversy; (IV) The Bible and Religious Devotion in the Early Greek Church. Individual essays probe topics as diverse as the use of the Bible in early Christian preaching and catechesis, appeals to Scripture in the conflicts between Jews and Christians, pagan use of Scripture against the Church, and the Bible's influence in early Christian art, martyrology, liturgical reading, pilgrimage to the Holy Land, and ascetical life. Much of the volume constitutes a translation, revision, and adaptation of essays originally presented in the French volume Le monde grec ancien et la Bible (1984), Volume 1 of the series Bible de Tous les Temps. Four new studies appear, however, including an introductory essay on "Origin of Alexandria" as a guide to the biblical reader, and two essays on the biblical culture of early Eastern Christian monasticism. The Bible in Greek Christian Antiquity comes as an international project, the work of French, Swiss, Australian, and now Canadian and American scholars. It will be useful to students of early Christianity and the history of biblical interpretation, and will also serve as a useful introduction to the many dimensions of the reception of the Bible in the early Church.

One of the most exciting developments in recent literary studies bases interpretation on a new understanding of bodily aspects of text. Contributors Mary Carruthers, Michael Camille, Seth Lerer, and Carolyn Dinshaw bring various disciplinary perspectives to this intriguing subject.The method employed here views the body as a text to be read. Though the approaches of these essays are widely varied, three concerns figure and refigure themselves throughout the book: the gendered body and the copied book as locus of pain, pleasure, and desire. They will be of immense interest to medievalists and other scholars of language, philosophy, history, art history, and gender studies.Frese and O'Keeffe explore the liminal areas between the book and the body from contemporary perspectives. Though the approaches of these essays are widely varied, three concerns figure throughout the book: the gendered body and the copied book as locus of pain, pleasure, and desire.

The "e;Galileo Affair"e; has been the locus of various and opposing appraisals for centuries: some view it as an historical event emblematic of the obscurantism of the Catholic Church, opposed a priori to the progress of science; others consider it a tragic reciprocal misunderstanding between Galileo, an arrogant and troublesome defender of the Copernican theory, and his theologian adversaries, who were prisoners of a narrow interpretation of scripture. In The Case of Galileo: A Closed Question? Annibale Fantoli presents a wide range of scientific, philosophical, and theological factors that played an important role in Galileo's trial, all set within the historical progression of Galileo's writing and personal interactions with his contemporaries. Fantoli traces the growth in Galileo Galilei's thought and actions as he embraced the new worldview presented in On the Revolutions of the Heavenly Spheres, the epoch-making work of the great Polish astronomer Nicolaus Copernicus. Fantoli delivers a sophisticated analysis of the intellectual milieu of the day, describes the Catholic Church's condemnation of Copernicanism (1616) and of Galileo (1633), and assesses the church's slow acceptance of the Copernican worldview. Fantoli criticizes the 1992 treatment by Cardinal Poupard and Pope John Paul II of the reports of the Commission for the Study of the Galileo Case and concludes that the Galileo Affair, far from being a closed question, remains more than ever a challenge to the church as it confronts the wider and more complex intellectual and ethical problems posed by the contemporary progress of science and technology. In clear and accessible prose geared to a wide readership, Fantoli has distilled forty years of scholarly research into a fascinating recounting of one of the most famous cases in the history of science.

On 31 May 1310, at the Place de Grève in Paris, the Dominican inquisitor William of Paris read out a sentence that declared Marguerite "called Porete," a beguine from Hainault, to be a relapsed heretic, released her to secular authority for punishment, and ordered that all copies of a book she had written be confiscated. William next consigned Guiard of Cressonessart, an apocalyptic activist in the tradition of Joachim of Fiore and a would-be defender of Marguerite, to perpetual imprisonment. Over several months, William of Paris conducted inquisitorial processes against them, complete with multiple consultations of experts in theology and canon law. Though Guiard recanted at the last moment and thus saved his life, Marguerite went to her execution the day after her sentencing. The Beguine, the Angel, and the Inquisitor is an analysis of the inquisitorial trials, their political as well as ecclesiastical context, and their historical significance. Marguerite Porete was the first female Christian mystic burned at the stake after authoring a book, and the survival of her work makes her case absolutely unique. The Mirror of Simple Souls, rediscovered in the twentieth century and reconnected to Marguerite's name only a half-century ago, is now recognized as one of the most daring, vibrant, and original examples of the vernacular theology and beguine mysticism that emerged in late thirteenth-century Christian Europe. Field provides a new and detailed reconstruction of hitherto neglected aspects of Marguerite's life, particularly of her trial, as well as the first extended consideration of her inquisitor's maneuvers and motivations. Additionally, he gives the first complete English translation of all of the trial documents and relevant contemporary chronicles, as well as the first English translation of Arnau of Vilanova's intriguing "Letter to Those Wearing the Leather Belt," directed to Guiard's supporters and urging them to submit to ecclesiastical authority.

Structuring Spaces illuminates the idiomatic and traditional meanings invested in depictions of architecture within the vernacular verse of early medieval England.

A collection of ten occasional essays on a variety of subjects, from the relationship between poetry and public speech, to the pursuit of the literary life, to reading within a cultural context governed by power relations.

This brief interpretation of the Apostles' Creed enables readers to thoroughly understand the Creed, structurally and theologically, in the face of widespread contemporary misreading.

St. Jerome (347-420) was undoubtedly one of the most learned of the Latin Church Fathers. He mastered nearly the entirety of the antecedent Christian exegetical and theological tradition, both Greek and Latin, and he knew Hebrew and Aramaic. We have the fruit of that knowledge in his most famous editorial achievement, the Latin Vulgate translation of the Bible. Declared "the greatest doctor in explaining the Scriptures" by the Council of Trent, Jerome has been regarded by the Latin Church as its preeminent scriptural commentator. Much of Jerome's prodigious exegetical output, however, has never been translated into English. In this volume, Thomas P. Scheck presents the first English translation of St. Jerome's commentaries on Galatians, Titus, and Philemon. Jerome followed the Greek exegesis of Origen of Alexandria, proceeding step by step and producing the most valuable of all of the patristic commentaries on these three epistles of St. Paul. Jerome's exegesis is characterized by extensive learning, acute historical and theological criticism, lively and vigorous exposition, and homiletical exhortation. Scheck's translation is supplemented with thorough annotations and a detailed critical introduction that sets the context for reading Jerome's commentaries. It is an invaluable reference for patristics scholars, historical theologians, Church historians, and New Testament scholars.

In the archetypal confrontation between the Athenian lawmaker Solon and the Greek poet Thespis, Solon confronts Thespis after seeing him act in a tragedy. He asks Thespis if he is not ashamed to tell so many lies before so many people. In response to Thespis's reply--that it was no harm to say or do so in a play--Solon vehemently blames Thespis for a professional deceit that threatens to pervade society.Solon's criticism of Thespis points to a fundamental motivation for Solon and Thespis: an exploration of the long-standing antagonism between law and theater, between drama's inconsequential fiction and the real world's socially consequential fact, at a crucial moment--the sixteenth century--in England's cultural and legal formation.The literary critics and historians in this volume examine that antagonism and find it revelatory of English Renaissance law and Renaissance theater's institutional connections and interdependences at a time when both were emerging as powerful forces in English society. Renaissance legal processes were subject to dramatic and public representation, appropriation, and evaluation. Renaissance commercial theater, often populated by law students and practitioners, was both subject to the law and subversive of it. The contributors demonstrate that theater and law were not simply relevant to each other in the early modern period; they explore the physical spaces in which early modern law and drama were performed, the social and imaginative practices that energized such spaces, and the rhetorical patterns that make the two institutions far less discrete and far more collaborative than has previously been recognized.

In his latest book, Marshall Gregory begins with the premise that our lives are saturated with stories, ranging from magazines, books, films, television, and blogs to the words spoken by politicians, pastors, and teachers. He then explores the ethical implication of this nearly universal human obsession with narratives. Through careful readings of Katherine Anne Porter's "e;The Grave,"e; Thurber's "e;The Catbird Seat,"e; as well as David Copperfield and Wuthering Heights, Gregory asks (and answers) the question: How do the stories we absorb in our daily lives influence the kinds of persons we turn out to be? Shaped by Stories is accessible to anyone interested in ethics, popular culture, and education.

The topic of Shakespeare and religion is a perennial one, and the recent "turn to religion" in historical and literary scholarship has pushed it to the fore. Besides speculating about Shakespeare's personal religious beliefs and allegiance, historians and literary critics writing about early modern England are reexamining the religious dynamics of the period and emphasizing the ways in which old, new, and emerging religious cultures coexisted in conflicting hybrid and unstable forms. The contributors to Shakespeare and Religion: Early Modern and Postmodern Perspectives deal with the topic of Shakespeare and religion from two points of view not always considered complementary--that of the historical approach to Shakespearean drama in its early modern contexts, and that of postmodern philosophy and theology. The first illuminates the culture-specific features of the plays, whereas the second emphasizes their transhistorical qualities and the relevance of the deep religious and philosophical issues surfacing in early modern culture to contemporary religious struggles and awareness.

In Shakespeare and Abraham, Ken Jackson illuminates William Shakespeare's dramatic fascination with the story of Abraham's near sacrifice of his son Isaac in Genesis 22. Themes of child killing fill Shakespeare's early plays: Genesis 22 informed Clifford's attack on young Rutland in 3 Henry 6, Hubert's providentially thwarted murder of Arthur in King John, and Aaron the Moor's surprising decision to spare his son amidst the filial slaughters of Titus Andronicus, among others. However, the playwright's full engagement with the biblical narrative does not manifest itself exclusively in scenes involving the sacrifice of children or in verbal borrowings from the famously sparse story of Abraham. Jackson argues that the most important influence of Genesis 22 and its interpretive tradition is to be found in the conceptual framework that Shakespeare develops to explore relationships among ideas of religion, sovereignty, law, and justice. Jackson probes the Shakespearean texts from the vantage of modern theology and critical theory, while also orienting them toward the traditions concerning Abraham in Jewish, Pauline, patristic, medieval, and Reformation sources and early English drama. Consequently, the playwright's "e;Abrahamic explorations"e; become strikingly apparent in unexpected places such as the "e;trial"e; of Shylock in The Merchant of Venice and the bifurcated structure of Timon of Athens. By situating Shakespeare in a complex genealogy that extends from ancient religion to postmodern philosophy, Jackson inserts Shakespeare into the larger contemporary conversation about religion in the modern world.

Regional voices from England, Ireland, and Scotland inspired Seamus Heaney, the 1995 Nobel prize-winner, to become a poet, and his home region of Northern Ireland provided the subject matter for much of his poetry. In his work, Heaney explored, recorded, and preserved both the disappearing agrarian life of his origins and the dramatic rise of sectarianism and the subsequent outbreak of the Northern Irish "e;Troubles"e; beginning in the late 1960s. At the same time, Heaney consistently imagined a new region of Northern Ireland where the conflicts that have long beset it and, by extension, the relationship between Ireland and the United Kingdom might be synthesized and resolved. Finally, there is a third region Heaney committed himself to explore and map-the spirit region, that world beyond our ken. In Seamus Heaney's Regions, Richard Rankin Russell argues that Heaney's regions-the first, geographic, historical, political, cultural, linguistic; the second, a future where peace, even reconciliation, might one day flourish; the third, the life beyond this one-offer the best entrance into and a unified understanding of Heaney's body of work in poetry, prose, translations, and drama. As Russell shows, Heaney believed in the power of ideas-and the texts representing them-to begin resolving historical divisions. For Russell, Heaney's regionalist poetry contains a "e;Hegelian synthesis"e; view of history that imagines potential resolutions to the conflicts that have plagued Ireland and Northern Ireland for centuries. Drawing on extensive archival and primary material by the poet, Seamus Heaney's Regions examines Heaney's work from before his first published poetry volume, Death of a Naturalist in 1966, to his most recent volume, the elegiac Human Chain in 2010, to provide the most comprehensive treatment of the poet's work to date.

Pina Palma's Savoring Power, Consuming the Times: The Metaphors of Food in Medieval and Renaissance Italian Literature is an innovative look at the writings of five important Italian authors-Boccaccio's Decameron, Pulci's Morgante, Boiardo's Innamorato, Ariosto's Furioso, and Aretino's Ragionamento. Through the prism of gastronomy, Palma examines these key works in the Western literary canon, bringing into focus how their authors use food and gastronomy as a means to critique the social, political, theological, philosophical, and cultural beliefs that constitute the fabric of the society in which they live. Palma begins with the anthropological principle that food represents the universal transformation of nature into culture and that it functions as a language that distinguishes every society and its culture from others. This suggests that food-its preparation, presentation, and consumption-is more than merely a source of nourishment. Rather, Palma argues, foodstuffs function as ethical and aesthetic instruments through which the literary hero's virtues and flaws, achievements and failures, can be gauged. Food also serves as a means to maintain, as well as to negotiate, power, social hierarchy, and relationships between the powerful and the powerless. Touching on three centuries that were pivotal for Italian culture, literature, and history, as well as three literary genres, Palma's analysis connects the descriptions and references to food found in these works with the wider culture of Italy in the late medieval and early modern period.

In his new book, Saints As They Really Are, priest and scholar Michael Plekon traces the spiritual journeys of several American Christians, using their memoirs and other writings. These "e;saints-in-the-making"e; show all their doubts and imperfections as they reflect on their search for God and their efforts to lead holy lives. They are gifted yet ordinary women and men trying to follow Christ within their flawed and broken humanity-"e;saints as they really are,"e; as Dorothy Day put it. Saints As They Really Are is the third book in Plekon's critically acclaimed series on saints and holiness in our time. He draws on the autobiographical work of Dorothy Day, Peter Berger, Thomas Merton, Kathleen Norris, and Barbara Brown Taylor, among others, as well as from his own experiences as a Carmelite seminarian and brother. Plekon shares the power of these individuals' stories as they unfold. The book offers a strong argument that our failings and weaknesses are not disqualifications to holiness. Plekon further confronts the institutional church and its relationship to individuals seeking God, focusing on some of the challenges to this search-the destructive potential of religion and religious institutions, as well as our personal tendencies to extremism, overwork, pious obsessions, and legalism. But he also underscores the healing qualities of faith and the spiritual life. Plekon's insights will help readers better understand their own spiritual pilgrimages as they learn how others have dealt with the trials and joys of their path to everyday holiness.

In Ruling Women, Stacy S. Klein explores how queens functioned as imaginative figures in Anglo-Saxon texts. Focusing on pre-Conquest works ranging from Bede to Ælfric, Klein argues that Anglo-Saxon writers drew upon accounts of legendary royal wives to construct cultural ideals of queenship during a time when that institution was undergoing profound change. Also a study of gender, her book examines how Anglo-Saxon writers used women of the highest social rank to forge broader cultural ideals of femininity, even as they used female voices to articulate far less comfortable social truths. Capitalizing on queens' strong associations with intercession, Anglo-Saxon writers consistently looked to royal women as mediatory figures for negotiating sustained tensions, and sometimes overt antagonisms, among different peoples, institutions, and systems of belief. Yet as authors appropriated legendary queens and inserted them into contemporary Anglo-Saxon culture, these royal "peaceweavers" simultaneously threatened to destroy existing unities and to expose the fragility of seemingly entrenched social formations. Drawing on the strengths of historical, typological, and literary criticism, feminist theory, and cultural studies, Ruling Women offers us a way to understand Anglo-Saxon texts as both literary monuments and historical documents, and thus to illuminate the ideological fissures and cultural stakes of Anglo-Saxon literary practice.

This original volume proposes a novel way of reading Dante's Vita nova, exemplified in a rich diversity of scholarly approaches to the text. This groundbreaking volume represents the fruit of a two-year-long series of international seminars aimed at developing a fresh way of reading Dante's Vita nova. By analyzing each of its forty-two chapters individually, focus is concentrated on the Vita nova in its textual and historical context rather than on its relationship to the Divine Comedy. This decoupling has freed the contributors to draw attention to various important literary features of the text, including its rich and complex polysemy, as well as its structural fluidity. The volume likewise offers insights into Dante's social environment, his relationships with other poets, and Dante's evolving vision of his poetry's scope. Using a variety of critical methodologies and hermeneutical approaches, this volume offers scholars an opportunity to reread the Vita nova in a renewed context and from a diversity of literary, cultural, and ideological perspectives. Contributors: Zygmunt G. Baräski, Heather Webb, Claire E. Honess, Brian F. Richardson, Ruth Chester, Federica Pich, Matthew Treherne, Catherine Keen, Jennifer Rushworth, Daragh O'Connell, Sophie V. Fuller, Giulia Gaimari, Emily Kate Price, Manuele Gragnolati, Elena Lombardi, Francesca Southerden, Rebecca Bowen, Nicolò Crisafi, Lachlan Hughes, Franco Costantini, David Bowe, Tristan Kay, Filippo Gianferrari, Simon Gilson, Rebekah Locke, Luca Lombardo, Peter Dent, George Ferzoco, Paola Nasti, Marco Grimaldi, David G. Lummus, Helena Phillips-Robins, Aist¿ Kiltinavi¿i¿t¿, Alessia Carrai, Ryan Pepin, Valentina Mele, Katherine Powlesland, Federica Coluzzi, K. P. Clarke, Nicolò Maldina, Theodore J. Cachey Jr., Chiara Sbordoni, Lorenzo Dell'Oso, and Anne C. Leone.

The Roman Catholic Church in Latin America faces significant and unprecedented challenges. Most prominent among them are secularization, globalizing cultural trends, intensifying religious competition, and pluralism of many kinds within what were once hegemonic Catholic societies. The substantial and original essays in this volume assess the ways in which the Catholic Church in Latin America is dealing with these political, religious, and social changes. Most importantly, they explore how democracy has changed the Catholic Church and, in turn, how religious changes have influenced democratic politics in Latin America.Drawing on the experiences of several countries to illustrate broad themes and explain divergent religious responses to common challenges, the contributors advance the notion that the Catholic Church's effectiveness in the public sphere and even its long-term viability as a religious institution depend on the nature and extent of the relationship between the hierarchy and the faithful. The essays address the context of pluralist challenges, the ideational, institutional, and policy responses of the Catholic hierarchy, and the nature of both religious beliefs and democratic values at the individual level in Latin America today.Contributors: Frances Hagopian, Ronald Inglehart, Soledad Loaeza, Cristián Parker Gumucio, Patricia M. Rodríguez, Roberto J. Blancarte, Mala Htun, Catalina Romero, and Daniel H. Levine.

In Recursive Origins: Writing at the Transition to Modernity, William Kuskin asks us to reconsider the relationship between literary form and historical period. As Kuskin observes, most current literary histories of medieval and early modern English literature hew to period, presenting the Middle Ages and modernity as discrete, separated by a heterodox and unstable fifteenth century. In contrast, the major writers of the sixteenth century--Philip Sidney, Edmund Spenser, William Shakespeare, the Holinshed Syndicate, and their editors--were intense readers of the fifteenth century and consciously looked back to its history and poetry as they shaped their own. Kuskin examines their work in light of the writings they knew--that of Thomas Hoccleve, John Lydgate, William Caxton, and the anonymous London Chronicles--to demonstrate that fifteenth-century textual forms exist within the most significant statements of literary modernity. In short, by reconsidering the relationship between literary form and temporality, we can reach across the firewall of 1500 to write a more complex literary history of reading and writing than has previously been told. Moving beyond his central critique--that notions of period and progress are poor measures of literary history--Kuskin develops and demonstrates the hermeneutic power of recursivity as a powerful challenge to a linear view of literary historical periods. Kuskin appropriates the term "recursion" from computer science, where it describes a computer program's return to a subprogram within itself to perform a more complex procedure. Books, for Kuskin, are recursive: they imagine within themselves a return to an earlier moment of writing, which, when read, they enact in the present. His is a profound claim for the grip of the past on the present and, more locally, a reclamation of the importance of the fifteenth century for any discussion of sixteenth-century literature and of the relationship between the medieval and the early modern.