Bøger udgivet af University of Notre Dame Press

The Roman Catholic Church in Latin America faces significant and unprecedented challenges. Most prominent among them are secularization, globalizing cultural trends, intensifying religious competition, and pluralism of many kinds within what were once hegemonic Catholic societies. The substantial and original essays in this volume assess the ways in which the Catholic Church in Latin America is dealing with these political, religious, and social changes. Most importantly, they explore how democracy has changed the Catholic Church and, in turn, how religious changes have influenced democratic politics in Latin America.Drawing on the experiences of several countries to illustrate broad themes and explain divergent religious responses to common challenges, the contributors advance the notion that the Catholic Church's effectiveness in the public sphere and even its long-term viability as a religious institution depend on the nature and extent of the relationship between the hierarchy and the faithful. The essays address the context of pluralist challenges, the ideational, institutional, and policy responses of the Catholic hierarchy, and the nature of both religious beliefs and democratic values at the individual level in Latin America today.Contributors: Frances Hagopian, Ronald Inglehart, Soledad Loaeza, Cristián Parker Gumucio, Patricia M. Rodríguez, Roberto J. Blancarte, Mala Htun, Catalina Romero, and Daniel H. Levine.

In Recursive Origins: Writing at the Transition to Modernity, William Kuskin asks us to reconsider the relationship between literary form and historical period. As Kuskin observes, most current literary histories of medieval and early modern English literature hew to period, presenting the Middle Ages and modernity as discrete, separated by a heterodox and unstable fifteenth century. In contrast, the major writers of the sixteenth century--Philip Sidney, Edmund Spenser, William Shakespeare, the Holinshed Syndicate, and their editors--were intense readers of the fifteenth century and consciously looked back to its history and poetry as they shaped their own. Kuskin examines their work in light of the writings they knew--that of Thomas Hoccleve, John Lydgate, William Caxton, and the anonymous London Chronicles--to demonstrate that fifteenth-century textual forms exist within the most significant statements of literary modernity. In short, by reconsidering the relationship between literary form and temporality, we can reach across the firewall of 1500 to write a more complex literary history of reading and writing than has previously been told. Moving beyond his central critique--that notions of period and progress are poor measures of literary history--Kuskin develops and demonstrates the hermeneutic power of recursivity as a powerful challenge to a linear view of literary historical periods. Kuskin appropriates the term "recursion" from computer science, where it describes a computer program's return to a subprogram within itself to perform a more complex procedure. Books, for Kuskin, are recursive: they imagine within themselves a return to an earlier moment of writing, which, when read, they enact in the present. His is a profound claim for the grip of the past on the present and, more locally, a reclamation of the importance of the fifteenth century for any discussion of sixteenth-century literature and of the relationship between the medieval and the early modern.

In Public Works: Infrastructure, Irish Modernism, and the Postcolonial, Michael Rubenstein documents the relationship between Irish modernism and a restricted segment of the material culture of the modern state known colloquially as "e;public utilities"e; or "e;water, gas, and electricity."e; The water tap, the toilet, the gas jet, and the electrical light switch: these are all sites, in Irish modernism, of unexpected literary and linguistic intensities that burst through the routines of everyday life, defamiliarizing and reconceptualizing that which we might not normally consider worthy of literary attention. Such public utilities-material networks of power and provision, submission and entitlement-are taken up in Irish modernism not only as a nexus of anxieties about modern life, but also as a focal point for the hopes held out for the postcolonial Irish Free State. Public utilities figure a normative and utopian standard of modernity and modernization; they embody in Irish modernism and in other postcolonial literatures an ideal for the postcolonial state; and they figure a continuity between the material networks of the modern state and the abstract ideals of revolutionary republicanism (liberty, equality, and brotherhood). They define a new territory of contestation within the discourses of civil and human rights. Moreover, public utilities influence the formal qualities of both Irish modernist and postcolonial literature. In analyses of literary works by James Joyce, Flann O'Brien, Elizabeth Bowen, Denis Johnston, Samuel Beckett, and Patrick Chamoiseau, Rubenstein asks us to think about the industrial networks of the twentieth century alongside self-consciously "e;national"e; literary works and to understand them as different but inherently related forms of public works. In doing so his book maps thematic and formal relationships between national infrastructure and national literature, revealing an intimate dialogue between the nation's literary arts and the state's engineering cultures.

Written centuries before Christ, the Psalms of the Hebrew Bible have been prayed by Christians since the founding of the Church. The early church fathers expounded the psalms in the light of the mystery of Christ, his death and resurrection, and his saving redemption. In this book, a Benedictine monk examines the Christian praying of the Psalms, taking into account modern and contemporary research on the Psalms. Working from the Hebrew text, Fr. Laurence Kriegshauser offers a verse-by-verse commentary on each of the one hundred and fifty psalms, highlighting poetic features such as imagery, rhythm, structure, and vocabulary, as well as theological and spiritual dimensions and the relation of psalms to each other in the smaller collections that make up the whole. The book attempts to integrate modern scholarship on the Psalms with the act of prayer and help Christians pray the psalms with greater understanding of their Christological meaning.The book contains an introduction, a glossary of terms, an index of topics, a table of English renderings of selected Hebrew words, and an index of biblical citations.Praying the Psalms in Christ will be welcomed by students of theology and liturgy, by priests, religious, and laypeople who pray the Liturgy of the Hours, and by all Christians who seek to pray the Psalms with greater profit and fervor.

Michael Longley and Seamus Heaney's lives and careers have been intertwined since the 1960s, when they participated in the Belfast Group of creative writers and later edited the literary journal Northern Review. In Poetry and Peace: Michael Longley, Seamus Heaney, and Northern Ireland, Richard Rankin Russell explores Longley's and Heaney's poetic fidelity to the imagination in the midst of the war in Northern Ireland and their creation, through poetry, of a powerful cultural and sacred space. This space, Russell argues, has contributed to cultural and religious dialogue and thus helped enable reconciliation after the years of the Troubles. The first chapter examines the influence of the Belfast Group on Longley and Heaney's shared aesthetic of poetry. Successive chapters analyze major works by both poets. Russell offers close readings of poems in the context of the poets' cultural and political concerns for the province. He concludes by showing how thoroughly their poetic language has entered the cultural, educational, and political discourse of contemporary Northern Ireland as it pursues the process of peace.

Giants are a ubiquitous feature of medieval romance. As remnants of a British prehistory prior to the civilization established, according to the Historium regum Britannie, by Brutus and his Trojan followers, giants are permanently at odds with the chivalric culture of the romance world. Whether they are portrayed as brute savages or as tyrannical pagan lords, giants serve as a limit against which the chivalric hero can measure himself. In Outsiders: The Humanity and Inhumanity of Giants in Medieval French Prose Romance, Sylvia Huot argues that the presence of giants allows for fantasies of ethnic and cultural conflict and conquest, and for the presentation-and suppression-of alternative narrative and historical trajectories that might have made Arthurian Britain a very different place. Focusing on medieval French prose romance and drawing on aspects of postcolonial theory, Huot examines the role of giants in constructions of race, class, gender, and human subjectivity. She selects for study the well-known prose Lancelot and the prose Tristan, as well as the lesser known Perceforest, Le Conte du papegau, Guiron le Courtois, and Des Grantz Geants. By asking to what extent views of giants in Arthurian romance respond to questions that concern twenty-first-century readers, Huot demonstrates the usefulness of current theoretical concepts and the issues they raise for rethinking medieval literature from a modern perspective.

Theosis, or the principle of divine-human communion, sparks the theological imagination of Orthodox Christians and has been historically important to questions of political theology. In The Mystical as Political: Democracy and Non-Radical Orthodoxy, Aristotle Papanikolaou argues that a political theology grounded in the principle of divine-human communion must be one that unequivocally endorses a political community that is democratic in a way that structures itself around the modern liberal principles of freedom of religion, the protection of human rights, and church-state separation. Papanikolaou hopes to forge a non-radical Orthodox political theology that extends beyond a reflexive opposition to the West and a nostalgic return to a Byzantine-like unified political-religious culture. His exploration is prompted by two trends: the fall of communism in traditionally Orthodox countries has revealed an unpreparedness on the part of Orthodox Christianity to address the question of political theology in a way that is consistent with its core axiom of theosis; and recent Christian political theology, some of it evoking the notion of "e;deification,"e; has been critical of liberal democracy, implying a mutual incompatibility between a Christian worldview and that of modern liberal democracy. The first comprehensive treatment from an Orthodox theological perspective of the issue of the compatibility between Orthodoxy and liberal democracy, Papanikolaou's is an affirmation that Orthodox support for liberal forms of democracy is justified within the framework of Orthodox understandings of God and the human person. His overtly theological approach shows that the basic principles of liberal democracy are not tied exclusively to the language and categories of Enlightenment philosophy and, so, are not inherently secular.

My Kill Adore Him is a collection of poems from Andres Montoya Poetry Prize-winner Paul Martinez Pompa. With a unique, independent voice, Martinez Pompa interrogates masculinity, race, language, consumerism, and cultural identity in poems that honor los olvidados, the forgotten ones, who range from the usual suspects brutalized by police to factory workers poisoned by their environment, from the victim of a homophobic beating in the boys' bathroom to the body of Juan Doe at the Cook County Coroner's Office. Some of the poems rely on somber, at times brutal, imagery to articulate a political stance while others use sarcasm and irony to deconstruct political stances themselves.

In Miserere Mei, Clare Costley King'oo examines the critical importance of the Penitential Psalms in England between the end of the fourteenth and the beginning of the seventeenth century. During this period, the Penitential Psalms inspired an enormous amount of creative and intellectual work: in addition to being copied and illustrated in Books of Hours and other prayer books, they were expounded in commentaries, imitated in vernacular translations and paraphrases, rendered into lyric poetry, and even modified for singing. Miserere Mei explores these numerous transformations in materiality and genre. Combining the resources of close literary analysis with those of the history of the book, it reveals not only that the Penitential Psalms lay at the heart of Reformation-age debates over the nature of repentance, but also, and more significantly, that they constituted a site of theological, political, artistic, and poetic engagement across the many polarities that are often said to separate late medieval from early modern culture.Miserere Mei features twenty-five illustrations and provides new analyses of works based on the Penitential Psalms by several key writers of the time, including Richard Maidstone, Thomas Brampton, John Fisher, Martin Luther, Sir Thomas Wyatt, George Gascoigne, Sir John Harington, and Richard Verstegan. It will be of value to anyone interested in the interpretation, adaptation, and appropriation of biblical literature; the development of religious plurality in the West; the emergence of modernity; and the periodization of Western culture. Students and scholars in the fields of literature, religion, history, art history, and the history of material texts will find Miserere Mei particularly instructive and compelling.

Mennonite German Soldiers traces the efforts of a small, pacifist, Christian religious minority in eastern Prussia-the Mennonite communities of the Vistula River basin-to preserve their exemption from military service, which was based on their religious confession of faith. Conscription was mandatory for nearly all male Prussian citizens, and the willingness to fight and die for country was essential to the ideals of a developing German national identity. In this engaging historical narrative, Mark Jantzen describes the policies of the Prussian federal and regional governments toward the Mennonites over a hundred-year period and the legal, economic, and social pressures brought to bear on the Mennonites to conform. Mennonite leaders defended the exemptions of their communities' sons through a long history of petitions and legal pleas, and sought alternative ways, such as charitable donations, to support the state and prove their loyalty. Faced with increasingly punitive legal and financial restrictions, as well as widespread social disapproval, many Mennonites ultimately emigrated, and many others chose to join the German nation at the cost of their religious tradition. Jantzen tells the history of the Mennonite experience in Prussian territories against the backdrop of larger themes of Prussian state-building and the growth of German nationalism. The Mennonites, who lived on the margins of German society, were also active agents in the long struggle of the state to integrate them. The public debates over their place in Prussian society shed light on a multi-confessional German past and on the dissemination of nationalist values.

In Medieval Crossover: Reading the Secular against the Sacred, Barbara Newman offers a new approach to the many ways that sacred and secular interact in medieval literature, arguing that the sacred was the normative, unmarked default category against which the secular always had to define itself and establish its niche. Newman refers to this dialectical relationship as "e;crossover"e;-which is not a genre in itself, but a mode of interaction, an openness to the meeting or even merger of sacred and secular in a wide variety of forms. Newman sketches a few of the principles that shape their interaction: the hermeneutics of "e;both/and,"e; the principle of double judgment, the confluence of pagan material and Christian meaning in Arthurian romance, the rule of convergent idealism in hagiographic romance, and the double-edged sword in parody. Medieval Crossover explores a wealth of case studies in French, English, and Latin texts that concentrate on instances of paradox, collision, and convergence. Newman convincingly and with great clarity demonstrates the widespread applicability of the crossover concept as an analytical tool, examining some very disparate works.

Maryknoll Catholic missionaries from the United States settled in Peru in 1943 believing they could save a "e;backward"e;Catholic Church from poverty, a scarcity of clergy, and the threat of communism. Instead, the missionaries found themselves transformed: within twenty-five years, they had become vocal critics of United States foreign policy and key supporters of liberation theology, the preferential option for the poor, and intercultural Catholicism. In The Maryknoll Catholic Mission in Peru, 1943-1989, Susan Fitzpatrick-Behrens explains this transformation and Maryknoll's influence in Peru and the United States by placing it in the context of a transnational encounter Catholics with shared faith but distinct practices and beliefs. Peru received among the greatest number of foreign Catholic missionaries who settled in Latin America during the Cold War. It was at the heart of liberation theology and progressive Catholicism, the center of a radical reformist experiment initiated by a progressive military dictatorship, and the site of a devastating civil war promoted by the Maoist Shining Path. Maryknoll participated in all these developments, making Peru a perfect site for understanding Catholic missions, the role of religion in the modern world, and relations between Latin America and the United States. This book is based on two years of research conducted in Peru, where Fitzpatrick-Behrens examined national and regional archives, conducted extensive interviews with Maryknoll clergy who continued to work in the country, and engaged in participant observation in the Aymara indigenous community of Cutini Capilla. Her findings contest assumptions about secularization and the decline of public religion by demonstrating that religion continues to play a key role in social, political, and economic development. "e;Exhaustively researched and very well written, Susan Fitzpatrick-Behren's account of the Maryknoll congregation in Peru from 1943 to 1986 is a remarkable history. During these decades, the Catholic Church and Peru both underwent very profound transformations; Fitzpatrick-Behrens has analyzed those changes and the interaction between the church and the Peruvian government with great skill and insight."e; -Scott P. Mainwaring, Eugene and Helen Conley Professor of Political Science and director of the Kellogg Institute for International Studies, University of Notre Dame

In Mary's Bodily Assumption, Matthew Levering presents a contemporary explanation and defense of the Catholic doctrine of Mary's bodily Assumption. He asks: How does the Church justify a doctrine that does not have explicit biblical or first-century historical evidence to support it? With the goal of exploring this question more deeply, he divides his discussion into two sections, one historical and the other systematic. Levering's historical section aims to retrieve the rich Mariological doctrine of the mid-twentieth century. He introduces the development of Mariology in Catholic Magisterial documents, focusing on Pope Pius XII's encyclical Munificentissimus Deus of 1950, in which the bodily Assumption of Mary was dogmatically defined, and two later Magisterial documents, Vatican II's Lumen Gentium and Pope John Paul II's Redemptoris Mater. Levering addresses the work of the neo-scholastic theologians Joseph Duhr, Alois Janssens, and Reginald Garrigou-Lagrange before turning to the great theologians of the nouvelle theologie-Karl Rahner, Hans Urs von Balthasar, Louis Bouyer, Joseph Ratzinger-and their emphasis on biblical typology. Using John Henry Newman as a guide, Levering organizes his systematic section by the three pillars of the doctrine on which Mary's Assumption rests: biblical typology, the Church as authoritative interpreter of divine revelation under the guidance of the Holy Spirit, and the fittingness of Mary's Assumption in relation to the other mysteries of faith. Levering's ecumenical contribution is a significant engagement with Protestant biblical scholars and theologians; it is also a reclamation of Mariology as a central topic in Catholic theology.

No Messages, the 2001 winner of the Ernest Sandeen Prize, is Robert Hahn's second major collection of poetry. In commenting on Hahn's first collection, All Clear, Richard Howard called attention to Hahn's ability "to ground his perceptions, his discoveries in a specific circumstance . . . to reach the risen condition, the state beyond, which is the purpose of all his poems". Howard's analysis anticipates the poems of No MessagesNo Messages is an apt introduction to the new millennium. The "no messages" of the title reflects a basic tension in contemporary poetry, between its claim to exist in the realms of language and structure, and its sense of responsibility to render the world in its actuality, in a clarified or confronted state. A striking balance of this tension is found in the collection's central section, a suite of poems responding to the influence of James Merrill. While No Messages is devoted to re-visionings of the world in language, it remains grounded in circumstance and place and in the actions and convictions of historical figures. The book opens with John Knox on the beach at St. Andrews in Scotland and closes with John Brown on the bank of the Pottowatamie River in Kansas. Between these two shores, No Messages describes a series of luminous arcs connecting this world and the world beyond.

Love beneath the Napalm is James D. Redwood's collection of deeply affecting stories about the enduring effects of colonialism and the Vietnamese War over the course of a century on the Vietnamese and the American and French foreigners who became inextricably connected with their fate. These finely etched, powerful tales span a wide array of settings, from the former imperial capital of Hue at the end of the Nguyen Dynasty, to Hanoi after the American pullout from Vietnam, the Chinese invasion of Vietnam in 1979, contemporary San Francisco, and Schenectady, New York.Redwood reveals the inner lives of the Vietnamese characters and also shows how others appear through their eyes. Some of the images and characters in Love beneath the Napalm--the look that Mr. Tu's burned and scarred face always inflicts on strangers in the title story; attorney and American Vietnam War-veteran Carlton Griswold's complicated relationship with Mary Thuy in "The Summer Associate"; Phan Van Toan's grief and desire, caught between two worlds in "The Stamp Collector"--provide a haunting, vivid portrayal of lives uprooted by conflict. Throughout, readers will find moments that cut to the quick, exposing human resilience, sorrow, joy, and the traumatic impact of war on all those who are swept up in it.

The essays in Living Dangerously, written by some of the leading scholars in the fields of history and literature, examine the lives of those who lived on the margins of medieval and early modern European society. While some essays explore obvious marginalized classes, such as criminals, gypsies, and prostitutes, others challenge traditional understandings of the margin by showing that female mystics, speculators in the Dutch mercantile empire, and writers of satire, for example, could fall into the margins. These essays reveal the symbiotic relationship that exists between the marginalized and the social establishment: the dominant culture needs its margins. This well-written and lively collection covers a wide geographical area, including England, Spain, Germany, Italy, France, and the Netherlands, making it an ideal resource for a broad range of courses in European history and literature. Contributors: Barbara A. Hanawalt, Richard Firth Green, Vickie Ziegler, Dyan Elliott, Anne J. Cruz, Ian Frederick Moulton, and Mary Lindemann.

Thérèse of Lisieux died on 30 September 1897. Nine months later, the now classic Story of a Soul appeared and proved an immediate success. However, when historians had access fifty years later to manuscripts written by Thérèse they were surprised to discover enormous differences between these texts and the published version of Story of a Soul.Jean-François Six has written this new book with two purposes. First, he recalls the history of how Mother Agnés, Prioress of the Carmelite convent and sister of Thérèse altered and completed Thérèse's text so that it became a travesty of the original. Secondly he re-establishes the truth of the last months of Thérèse's life, her authentic spiritual message, and her contribution to the history of mysticism.Here is a key study and a crucial work of rehabilitation.

From the time they first met as undergraduates at Columbia College in New York City in the mid-1930s, the noted editor Robert Giroux (1914-2008) and the Trappist monk and writer Thomas Merton (1915-1968) became friends. The Letters of Robert Giroux and Thomas Merton capture their personal and professional relationship, extending from the time of the publication of Merton's 1948 best-selling spiritual autobiography, The Seven Storey Mountain, until a few months before Merton's untimely death in December 1968. As editor-in-chief at Harcourt, Brace & Company and then at Farrar, Straus & Giroux, Giroux not only edited twenty-six of Merton's books but served as an adviser to Merton as he dealt with unexpected problems with his religious superiors at the Abbey of Our Lady of Gethsemani in Kentucky, as well as those in France and Italy.These letters, arranged chronologically, offer invaluable insights into the publishing process that brought some of Merton's most important writings to his readers. Patrick Samway, S.J., had unparalleled access not only to the materials assembled here but to Giroux's unpublished talks about Merton, which he uses to his advantage, especially in his beautifully crafted introduction that interweaves the stories of both men with a chronicle of their personal and collaborative relationship. The result is a rich and rewarding volume, which shows how Giroux helped Merton to become one of the greatest spiritual writers of the twentieth century.

As the only daughter of Blanche of Castile, one of France's most powerful queens, and as the sister of the Capetian saint Louis IX, Isabelle of France (1225-1270) was situated at the nexus of sanctity and power during a significant era of French culture and medieval history. In this ground-breaking examination of Isabelle's career, Sean Field uses a wealth of previously unstudied material to address significant issues in medieval religious history, including the possibilities for women's religious authority, the creation and impact of royal sanctity, and the relationship between men and women within the mendicant orders. Field reinterprets Isabelle's career as a Capetian princess. Isabelle was remarkable for choosing a life of holy virginity and for founding and co-authoring a rule for the Franciscan abbey of Longchamp. Isabelle did not become a nun there, but remained a powerful lay patron, living in a modest residence on the abbey grounds. Field maintains that Isabelle was a key actor in creating the aura of sanctity that surrounded the French royal family in the thirteenth century, underscoring the link between the growth of Capetian prestige and power and the idea of a divinely ordained, virtuous, and holy royal family. Her contemporary reputation for sanctity emerges from a careful analysis of the Life of Isabelle of France written by the third abbess of Longchamp, Agnes of Harcourt, and from papal bulls, letters, and other contemporary sources that have only recently come to light.Field also argues that Isabelle had a profound effect on the institutional history of Franciscan women. By remaining outside the official Franciscan and church hierarchies, Isabelle maintained an ambiguous position that allowed her to embrace Franciscan humility while retaining royal influence. Her new order of Sorores minores was eagerly adopted by a number of communities, and her rule for the order eventually spread from France to England, Italy, and Spain. An important study of a medieval woman's agency and power, Isabelle of France explores the life of a remarkable figure in French and Franciscan history.

In Imitatio Christi: The Poetics of Piety in Early Modern England, Nandra Perry explores the relationship of the traditional devotional paradigm of imitatio Christi to the theory and practice of literary imitation in early modern England. While imitation has long been recognized as a central feature of the period's pedagogy and poetics, the devotional practice of imitating Christ's life and Passion has been historically regarded as a minor element in English Protestant piety. Perry reconsiders the role of the imitatio Christi not only within English devotional culture but within the broader culture of literary imitation. She traces continuities and discontinuities between sacred and secular notions of proper imitation, showing how imitation worked in both contexts to address anxieties, widespread after the Protestant Reformation, about the reliability of "e;fallen"e; human language and the epistemological value of the body and the material world.The figure of Sir Philip Sidney-Elizabethan England's premier defender of poetry and internationally recognized paragon of Christian knighthood-functions as a nexus for Perry's treatment of a wide variety of contemporary literary and religious genres, all of them concerned in one way or another with the ethical and religious implications of imitation. Throughout the Elizabethan and early Stuart periods, the Sidney legacy was appropriated by men and women, Catholics and Protestants alike, making it an especially useful vehicle for tracing the complicated relationship of imitatio Christi to the various literary, confessional, and cultural contexts within and across which it often operated. Situating her project within a generously drawn version of the Sidney "e;circle"e; allows Perry to move freely across the boundaries that often delimit treatments of early modern English piety. Her book is a call for renewed attention to the imitation of Christ as a productive category of literary analysis, one that resists overly neat distinctions between Catholic and Protestant, sacred and secular, literary art and cultural artifact.

In "e;Return of the Heroes,"e; Walt Whitman refers to the casualties of the American Civil War: "e;the dead to me mar not. . . . / they fit very well in the landscape under the trees and grass. . . ."e; In her new poetry collection, Jude Nutter challenges Whitman's statement by exploring her own responses to war and conflict and, in a voice by turns rueful, dolorous, and imagistic, reveals why she cannot agree. Nutter, who was born in England and grew up in Germany, has a visceral sense of history as a constant, violent companion. Drawing on a range of locales and historical moments-among them Rwanda, Sarajevo, Nagasaki, and both world wars-she replays the confrontation of personal history colliding with history as a social, political, and cultural force. In many of the poems, this confrontation is understood through the shift from childhood innocence and magical thinking to adult awareness and guilt. Nutter responds to Whitman from another perspective as well. It was Whitman who wrote that he could live with animals because, among other things, they are placid, self-contained, and guiltless. As counterpoint, Nutter weaves a series of animal poems-a kind of personal bestiary-throughout the collection that reveals the tragedy and violence also inherent in the lives of animals. Here, as in much of Nutter's previous work, the boundaries between the animal and human worlds are permeable; the urgent voice of the poet insists we recognize that "e;Even from a distance, suffering / is suffering."e; Here is both acknowledgment and challenge: distance may be measured in terms of time, culture, or place, or it may be caused by the gap between animals and humans, but it is our responsibility to speak against atrocity and bloodshed, however voiceless we may feel.

All participants in late medieval debates recognized Holy Scripture as the principal authority in matters of Catholic doctrine. Popes, theologians, lawyers-all were bound by the divine truth it conveyed. Yet the church possessed no absolute means of determining the final authoritative meaning of the biblical text-hence the range of appeals to antiquity, to the papacy, and to councils, none of which were ultimately conclusive. Authority in the late medieval church was a vexing issue precisely because it was not resolved. Ian Christopher Levy's book focuses on the quest for such authority between 1370 and 1430, from John Wyclif to Thomas Netter, thereby encompassing the struggle over Holy Scripture waged between Wycliffites and Hussites on the one hand, and their British and Continental opponents on the other. Levy demonstrates that the Wycliffite/Hussite "e;heretics"e; and their opponents-the theologians William Woodford, Thomas Netter, and Jean Gerson-in fact shared a large and undisputed common ground. They held recognized licenses of expertise, venerated tradition, esteemed the church fathers, and embraced Holy Scripture as the ultimate authority in Christendom. What is more, they utilized similar hermeneutical strategies with regard to authorial intention, the literal sense, and the appeal to the fathers and holy doctors in order to open up the text. Yet it is precisely this commonality, according to Levy, that rendered the situation virtually intractable; he argues that the erroneous assumption persists today that Netter and Gerson spoke for "e;the church,"e; whereas Wyclif and Hus sought to destroy it. Levy's sophisticated study in historical theology, which reconsiders the paradigm of heresy and orthodoxy, offers a necessary adjustment in our view of church authority at the turn of the fifteenth century.

Described by David Lodge as "the most gifted and innovative writer of her generation," Muriel Spark had a literary career that spanned from the late 1940s until her death in 2006, and included poems, stories, plays, essays, and, most notably, novels. The extensive bibliography of her works included in this collection reveals the astonishing output of a powerful and sustained creative spirit. Hidden Possibilities gathers a distinguished group of writers from both sides of the Atlantic to offer an informed overview of Muriel Spark's life and work. Critics have often read Spark in a somewhat narrow context--as a Catholic, a woman, or a Scottish writer. The essays in this volume, while making connections between these contexts, cumulatively situate her in a broader European tradition. The volume includes interviews with Spark that cast light both on the course of her professional life and on her notably distinctive personality. Contributors: Regina Barreca, Gerard Carruthers, Barbara Epler, John Glavin, Dan Gunn, Robert E. Hosmer Jr., Joseph Hynes, Gabriel Josipovici, Frank Kermode, John Lanchester, Doris Lessing, David Malcolm, John Mortimer, Alan Taylor, and John Updike.

In Hidden Holiness, Michael Plekon challenges us to examine the concept of holiness. He argues that both Orthodox and Catholic churches understand saints to be individuals whose lives and deeds are unusual, extraordinary, or miraculous. Such a requirement for sainthood undermines, in his view, one of the basic messages of Christianity: that all people are called to holiness. Instead of focusing on the ecclesiastical process of recognizing saints, Plekon explores a more ordinary and less noticeable "e;hidden"e; holiness, one founded on the calling of all to be prophets and priests and witnesses to the Gospel. As Rowan Williams has insisted, people of faith need to find God's work in their culture and daily lives. With that in mind, Plekon identifies a fascinatingly diverse group of faithful who exemplify an everyday sanctity, as well as the tools they have used to enact their faith. Plekon calls upon contemporary writers-among them, Rowan Williams, Kathleen Norris, Sara Miles, Simone Weil, and Darcey Steinke-as well as such remarkable and controversial figures as Mother Teresa, Thomas Merton, and Dorothy Day-to demonstrate ways to imagine a more diverse and everyday holiness. He also introduces four individuals of "e;hidden holiness"e;: a Yup'ik Alaskan, Olga Arsumquak Michael; the artist Joanna Reitlinger; the lay theologian Elisabeth Behr-Sigel; and human rights activist Paul Anderson. A generous and expansive treatment of the holy life, accessibly written for all readers, Plekon's book is sure to inspire us to recognize and celebrate the holiness hidden in the ordinary lives of those around us.

Herbert Marcuse called the preface to Hegel's Phenomenology "one of the greatest philosophical undertakings of all times." This summary of Hegel's system of philosophy is now available in English translation with commentary on facing pages. While remaining faithful to the author's meaning, Walter Kaufmann has removed many encumbrances inherent in Hegel's style.

In Hans Urs von Balthasar and the Critical Appropriation of Russian Religious Thought, Jennifer Newsome Martin offers the first systematic treatment and evaluation of the Swiss Catholic theologian's complex relation to modern speculative Russian religious philosophy. Her constructive analysis proceeds through Balthasar's critical reception of Vladimir Soloviev, Nicholai Berdyaev, and Sergei Bulgakov with respect to theological aesthetics, myth, eschatology, and Trinitarian discourse and examines how Balthasar adjudicates both the possibilities and the limits of theological appropriation, especially considering the degree to which these Russian thinkers have been influenced by German Idealism and Romanticism. Martin argues that Balthasar's creative reception and modulation of the thought of these Russian philosophers is indicative of a broad speculative tendency in his work that deserves further attention. In this respect, Martin consciously challenges the prevailing view of Balthasar as a fundamentally conservative or nostalgic thinker. In her discussion of the relation between tradition and theological speculation, Martin also draws upon the understudied relation between Balthasar and F. W. J. Schelling, especially as Schelling's form of Idealism was passed down through the Russian thinkers. In doing so, she persuasively recasts Balthasar as an ecumenical, creatively anti-nostalgic theologian hospitable to the richness of contributions from extra-magisterial and non-Catholic sources.

Margot E. Fassler's richly documented history--winner of the Otto Kinkeldey Award from the American Musicological Society and the John Nicholas Brown Prize from the Medieval Academy of America--demonstrates how the Augustinians of St. Victor, Paris, used an art of memory to build sonic models of the church. This musical art developed over time, inspired by the religious ideals of Hugh and Richard of St. Victor and their understandings of image and the spiritual journey. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris demonstrates the centrality of sequences to western medieval Christian liturgical and artistic experience, and to our understanding of change and continuity in medieval culture. Fassler examines the figure of Adam of St. Victor and the possible layers within the repertories created at various churches in Paris, probes the ways the Victorine sequences worked musically and exegetically, and situates this repertory within the intellectual and spiritual ideals of the Augustinian canons regular, especially those of the Abbey of St. Victor. Originally published in hardover in 1993, this paperback edition includes a new introduction by Fassler, in which she reviews the state of scholarship on late sequences since the original publication of Gothic Song. Her notes to the introduction provide the bibliography necessary for situating the Victorine sequences, and the late sequences in general, in contemporary thought.

In Fleshly Tabernacles, Bryan Hampton examines John Milton's imaginative engagement with, and theological passion for, the Incarnation. As aesthetic symbol, theological event, and narrative picture of humanity's potential, the Incarnation profoundly governs the way Milton structures his 1645 Poems, ponders the holy office of the pulpit, reflects on the ends of speech and language, interprets sacred scripture or secular texts, and engages in the radical politics of the Civil War and Interregnum. Richly drawing upon the disciplines of historical and postmodern theology, philosophical hermeneutics, theological aesthetics, and literary theory, Fleshly Tabernacles pursues the wide-ranging implications of the heterodox, perfectionist strain in Milton's Christology. Hampton illustrates how vibrant Christologies generated and shaped particular brands of anticlericalism, theories of reading and language, and political commitments of English nonconformist sects during the turbulent decades of the seventeenth century. Ranters and Seekers, Diggers and Quakers, Fifth monarchists and some Anabaptists-many of those identified with these radical groups proclaim that the Incarnation is primarily understood, not as a singular event of antiquity, but as a present eruption and charged manifestation within the life of the individual believer, such that faithful believers become "e;fleshly tabernacles"e; housing the Divine.

These remarkable sermons by John Henry Newman (1801-1890) were first published at Oxford in 1843, two years before he was received into the Roman Catholic Church. Published here in its entirety is the third edition of 1872 for which Newman added an additional sermon, bracketed notes, and, importantly, a comprehensive, condensed Preface. In her introduction, noted Newman scholar Mary Katherine Tillman considers the volume as an integral whole, showing how all of the sermons systematically relate to the central theme of the faith-reason relationship.