Bøger udgivet af University of Pennsylvania Press

In Equality and the City, Enrique Peñalosa Londoño draws on his experience as mayor of Bogotá, Colombia, as well as his many years of international work as a lecturer and consultant, to share his perspective on the issues facing developing cities, especially sustainable transportation and equal access to public space.As mayor of Bogotá, Peñalosa Londoño initiated development of the TransMilenio Rapid Bus Transit system, among the largest and most comprehensive public transit systems in the Global South, which carries 2.5 million passengers a day along dedicated bus lanes, bike paths, and a rapid metro line. The system emphasizes accessibility for the entire population. Peñalosa Londoño's efforts to create public space were similarly ambitious: over the course of his two terms, more than a thousand public parks were created or improved. Underlying these policies was a conviction of how cities should be-a compelling humanistic philosophy of sustainable urbanism. For Peñalosa Londoño, city design is not just engineering; it defines human happiness, dignity, and equality. "An advanced city is not one where the poor own a car," Peñalosa writes, "but one where the rich use public transport."Equality and the City provides practical criteria for conceiving and constructing different and better cities, describes the obstacles that are confronted when doing so, and identifies ways to overcome them.

"In the past, scholars have discussed charges of ritual murder and host desecration levelled against European Jews - from the Middle Ages to the present day - but have not sufficiently studied the common anti-Jewish charge that Jews habitually and compulsively violated Christian images. Christian Images and Their Jewish Desecrators addresses this gap, laying bare the longevity of the charge that Jews committed violence against images of Christ, Mary, and the disciples. By examining how desecration allegations affected Jewish individuals and communities through an investigation spanning Byzantium, Medieval England, France, Germany, and early modern Spain and Italy, historian Katherine Aron-Beller ultimately demonstrates that this charge must be read alongside more well-known anti-Jewish allegations. The book investigates persisting tales, myths and fantasies about Jewish desecration of Christian images, presenting moralist tales, art and iconography, and records from legal proceedings to reveal how these stories reinforced the allegation. Aron-Beller uses these sources to understand why this charge held longstanding popularity in the Christian imagination and to consider Jewish attitudes toward Christian imagery and responses to allegations. Ultimately, this investigation reveals how anti-Jewish tropes of image desecration was understood alongside allegations of ritual murder and host desecration in European history"--

"Josâe Ortega y Gasset (1883-1955) was a Spanish philosopher and essayist best known outside his home country for The Revolt of the Masses, first translated into English in 1932. In this book, Ortega critiques a populist deformation of democracy by the rise of a "mass mentality" characterized by selfishness, a lack of curiosity, and a general indifference to the opinions and attitudes of others. However, as Brendon Westler makes clear, we need to look beyond Ortega's arguments about populism and democracy in his most famous work to recover the philosopher's expansive political outlook and to identify his valuable contributions to the history and advancement of liberalism. Westler's book reconstructs Ortega's political theory, underscoring its distinctive historical origins as well as the ways in which it might be instructive to us today. Through an exploration of works less familiar to an English-speaking audience, such as Concord and Liberty, "Vieja y nueva poliáI p1 stica," "De Europa meditatio Quaedam," and "Democracia morbosa," combined with a sensitivity to larger social and political ideas circulating within Spain, The Revolting Masses traces the contours of Ortega's approach to politics. Westler argues that reading texts written over the course of the philosopher's entire career, in combination with The Revolt of the Masses, offers a more complete picture of Ortega's political thought-one that advocates for a liberal ethos as an answer to populism and promotes both individual freedom and the preservation of community bonds. As The Revolting Masses shows, Ortega was, above all, a philosopher who reflected on what it would take for people of differing beliefs to live together. His unique conception of liberalism, grounded in the Spanish tradition, not only emphasizes pluralism and diversity of thought and institutions but also serves as a potential antidote to the populism of our present moment"--

"This book reveals the foundational role philosemitism played in the effort to reimagine urban cultures after the Holocaust. This book uncovers a seldom discussed aspect of the postwar era-a society that continues to consume, redefine, and bestow symbolic meaning on the victims in their relative absence"--

Home to the first two drafts of the U.S. Constitution, an original printer's proof of the Declaration of Independence, and the earliest surviving American photograph, the Historical Society of Pennsylvania (HSP) is one of the nation's largest libraries. Published in conjunction with the anniversary of the Society's founding in 1824, Two Hundred Years is the first book to survey the more than twenty-one million documents, newspapers, graphics, and rare books in its archive.The book presents one hundred essays highlighting carefully preserved artifacts, spanning the seventeenth to the late twentieth century. Drawing on everything from letters and maps, paintings and photographs, family Bibles and musical scores, Two Hundred Years reflects on the early days of the nation, the relationships colonists had with indigenous peoples, the rapid development of Philadelphia, and the evolution of banking, engineering, and medicine, among other industries and sectors. Through such collections as the Pennsylvania Abolition Society Papers and the archives of the Balch Institute for Ethnic Studies, HSP enables stories to come to light, including those of women, people of color, and immigrants, that would otherwise go untold. Creative artists and their audiences, technological innovators, and the people they impact, are all represented in this extraordinary book.Two Hundred Years is not only a beautifully illustrated tour of the HSP's vast holdings but also a comprehensive story of the origin and recent past of the United States told through the artifacts and documents carefully preserved, protected, and treasured by one of the nation's oldest historical institutions.Contributors: Lee Arnold, David Barnes, Katy Bodenhorn Barnes, Georgia B. Barnhill, Wendy Bellion, Rebecca Brannon, David R. Brigham, Kathleen M. Brown, David B. Brownlee, Jane E. Calvert, Mark Clague, Jeffrey A. Cohen, Marie A. Conn, Charles T. Cullen, Susan G. Davis, Richardson Dilworth, Megan J. Elias, Patrick M. Erben, Joel T. Fry, Alice L. George, James N. Green, Emma Hart, Sandra M. Hewlett, Martha Hutson-Saxton, Emma Lapsansky-Werner, Christina Larocco, Michael J. Lewis, Walter Licht, David M. Lubin, Anna O. Marley, Holly A. Mayer, Amy Meyers, Randall M. Miller, Elizabeth Milroy, Kristen Nassif, Therese O'Malley, Nell Irvin Painter, Robert McCracken Peck, Danya M. Pilgrim, Kymberly Pinder, John H. Pollack, Daniel K. Richter, Jessica Choppin Roney, Dan Rottenberg, Janny Scott, Matthew Skic, Patrick Spero, Laurel Thatcher Ulrich, John C. Van Horne, Anne A. Verplanck, David Waldstreicher, Sarah J. Weatherwax, Ralph Richard Whyte, Kathryn E. Wilson, Michael Winship, James Wolfinger, Karin Wulf, Aaron V. Wunsch.

"Although the rabbis of the first two centuries CE divided the world into men and women, they recognized that some people are born with characteristics that do not fit these categories. Through an examination of early rabbinic sources, this book explores seven different approaches that the rabbis took towards intersex persons in their legal texts"--

In 1921, New York newspapers declared artist Ethel Wallace (1886-1968) a pioneer a batik portraits, the ¿newest rage in art,¿ and Vogue Paris described her portraits as ¿personal and original¿ and ¿modern and unexpected¿ in its July issue. Wallace also created designs for fashion, and her adaptation of batik, a Javanese method of dyeing cloth, became a coveted trend among New York¿s elite in the 1910s and ¿20s. Her clothing designs and batik paintings aligned with the feminism of the New Woman and resonated with the Roaring Twenties obsession with wealth and opulence. After the onset of the Great Depression, Wallace returned to her hometown of Lambertville, New Jersey, near the artistic community of New Hope, Pennsylvania, where she immersed herself in modernist art circles but struggled to maintain her career¿s momentum amid economic upheaval. Since her death in 1968, Wallace¿s body of work has remained behind the closed doors of private collections. Ethel Wallace: Modern Rebel marks the first comprehensive study of the artist¿s career and is published in conjunction with the first exhibition of her work in decades, curated by Tara Kaufman and held at the James A. Michener Art Museum in Doylestown, Pennsylvania. With essays by fashion historians Kaufman and Dr. Michael Mamp, this book investigates how Wallace¿s work¿from her writings to her paintings and clothing designs¿traces the development of two centers of modernism in the United States, New Hope, and New York, and the progression and reception of feminism in the early twentieth century. Contributors: Tara Kaufman, Michael E. Mamp, Jeniah Johnson.

"In this book, political philosopher Adam Lovett combines empirical research and original philosophical analysis to reveal the failings of American democracy and examine their ethical consequences. He argues that these failings undermine the ethics of democracy and in turn, transform or even negate the rights and duties of ordinary citizens"--

"In this book, historian Avinoam Yuval-Naeh investigates how and why eighteenth-century English society projected anxieties regarding the parallel development of the modern economy and of the re-establishment of the Jewish population upon the other, thus offering new insights into the interface of religious ideas and economic life"--

"By reading Mary Shelley's pandemic novel The Last Man and gothic romance "The Invisible Girl" against the background of plague literature and international thought from ancient Greece to Covid-19, this book reveals how she shaped the classics of modern existentialism and dystopian political science fiction from H. G. Wells to Emily St. John Mandel. It is this Shelleyan literary tradition that has generated modern postapocalyptic political thought, which uses writing and other art to reflect upon the global existential question: What is to be done after a massive, human-made disaster?"--

"In Black Elders, Frederick C. Knight explores the experiences of African Americans with aging and in old age during the eras of slavery and emancipation. Though slavery put a premium on young labor, elders worked as caregivers, domestics, cooks, or midwives and performed other tasks in the margins of Southern and Northern economies. Looking at black families, churches, mutual aid societies, and homes for the aged, Knight demonstrates the pivotal role of elders in the history of African American community formation through Reconstruction. Drawing on a wide array of printed and archival sources, including slave narratives, plantation records, letters, diaries, meeting minutes, and state and federal archives, Knight also examines how blacks and whites, men and women, and the young and the old developed competing ideas about age and aging, differences that shaped social relations in coastal West and West Central Africa, the Atlantic and domestic slave trades, colonial and antebellum Southern slave societies, and emancipation in the North and South. Black Elders offers a unique window into the individual and collective lives of African Americans, the day-to-day struggles they waged around their experiences of aging, and how they drew upon these resources to define the meaning of family, community, and freedom"--

"This book examines the significance of mutual aid societies to the Caribbean immigrant experience in the twentieth century. These societies paved the way for immigration to the U.S. through their system of networks, provided various forms of support, fostered a shared West Indian ethnic identity, and strengthened kinship networks with those back home"--

"In this book, Stefan H. Uhlig offers a new account of the emergence of literary studies. Most histories of the early years of the field search for unifying origins of literature as a discipline and object of study. Turning to the decades around 1800, Uhlig reveals that the inception of the literary field was instead defined by intellectual diversity and contestation. He draws on an array of European writers to show how three schools of literary study-rhetoric teaching, theories of poetry, and literary history-emerged and clashed during this time, offering near-contemporaneous, yet divergent, visions of how to understand literature. Rhetoric and poetics thwarted criticism, to different ends, while literary historiography proved institutionally reassuring, yet less useful as a tool for textual understanding. This book traces current debates in literary studies back to this formative moment, serving as a guide to past and present controversies"--

"Today the history of ancient Egypt is known around the world, recognizable in precious museum collections and countless retellings from popular culture. Yet for hundreds of years, from the late Roman Empire to the 19th century, the wonders of this ancient civilization were frozen in time, locked in artifacts that could not be understood due to the loss of the ancient Egyptian language. In 1799 the discovery of the Rosetta Stone, a slab inscribed in three scripts, hieroglyphs, demotic and Greek, changed the course of history, unlocking thousands of years of ancient culture and eventually becoming one of the world's most famous museum artifacts. Hieroglyphs: unlocking ancient Egypt tells the story of the Rosetta Stone and of countless other objects that were central to efforts to decode the hieroglyphs dating back to the Islamic Golden Age. Featuring fascinating objects from the British Museum and international lenders, the book shows how the presence of a written language was crucial to understanding life in ancient Egypt, from everyday business affairs to the sacred secrets of the afterlife. Interweaving the story of decipherment with colonial history, the book takes readers up to the present day, revealing what researchers are doing now to tell us more about one of the world's longest surviving civilizations through the understanding of their writing. Published to coincide with the bicentenary of Jean-Fraçnois Champollion's breakthrough in decipherment, this beautifully illustrated book shows how an unassuming gray stone was the key to the secrets of ancient Egypt and led to one of the most significant code breaking moments in history"--Publisher's description.

In the early nineteenth century, the American commercial marketplace was a chaotic, unregulated environment in which knock-offs and outright frauds thrived. Appearances could be deceiving, and entrepreneurs often relied on their personal reputations to close deals and make sales. Rapid industrialization and expanding trade routes opened new markets with enormous potential, but how could distant merchants convince potential customers, whom they had never met, that they could be trusted? Through wide-ranging visual and textual evidence, including a robust selection of early advertisements, Branding Trust tells the story of how advertising evolved to meet these challenges, tracing the themes of character and class as they intertwined with and influenced graphic design, trademark law, and ideas about ethical business practice in the United States.As early as the 1830s, printers, advertising agents, and manufacturers collaborated to devise new ways to advertise goods. They used eye-catching designs and fonts to grab viewers' attention and wove together meaningful images and prose to gain the public's trust. At the same time, manufacturers took legal steps to safeguard their intellectual property, formulating new ways to protect their brands by taking legal action against counterfeits and frauds. By the end of the nineteenth century, these advertising and legal strategies came together to form the primary components of modern branding: demonstrating character, protecting goodwill, entertaining viewers to build rapport, and deploying the latest graphic innovations in print. Trademarks became the symbols that embodied these ideas-in print, in the law, and to the public.Branding Trust thus identifies and explains the visual rhetoric of trust and legitimacy that has come to reign over American capitalism. Though the 1920s has often been held up as the birth of modern advertising, Jennifer M. Black argues that advertising professionals had in fact learned how to navigate public relations over the previous century by adapting the language, imagery, and ideas of the American middle class.

"Published in association with the Herbert D. Katz Center for Advanced Judaic Studies of the University of Pennsylvania"--Series title page.

"As officials scrambled in 2020 to manage the spread of COVID, the reverberations of the crisis reached well beyond immediate public health concerns. The governance problems that emerged in the pandemic would be problems in other climate-related disasters too. Many of these governance problems wound up in court. Businesses filed claims with their insurance for lost commerce; when they were denied, some sued. Defense attorneys tried to get people released from prison, where people lived in dangerous conditions. As state governments ordered closures and otherwise tried to adapt, interest organizations that had long sought to limit government authority challenged them in court. Political officials railed against litigation they argued would stop businesses from reopening. The United States, like other countries, governs partly through litigation, and litigation is one way of seeing the multiple governance failures during the pandemic. Drawing on databases of cases filed, news reports, and the websites of advocacy groups and law firms, Susan Sterett argues that governing during the pandemic, or in any disaster, must include the human institutions intertwined with the virus. Those institutions reveal problems well beyond the reach of technical expertise. Failures in private insurance as a way of governing risk, conflicts about the primacy of religion, government authority, and health, are problems that predated the pandemic and will persist in future disasters"--

"This book traces rabbinic thought on the near-universal phenomenon of legal circumventions, finding licit ways to achieve otherwise illegal outcomes. Rabbinic literature does not fully reject or accept loopholing, but instead determine acceptability based on whether their outcome and their process maintain the values and the integrity of the law"--

In 2009, Gregory McCoy, a noted New Jersey Andy Warhol Collector discovered while searching online, four remarkable and unknown silk screen prints of Marilyn Monroe, what struck McCoy immediately was the remarkable resemblance to Andy Warhol's iconic 1962 silkscreen portrait of the actor. After investigating the origins of the Marilyns, he purchased four proof copies from a Swedish art dealer. Through his painstaking research, McCoy has discovered that the screen prints were, most likely, made in Sweden in 1968 at the time of Warhol's first international exhibition at the Moderna Museet in Stockholm. Excited by his discovery, McCoy has spent the past twelve years acquiring over three hundred multicolored Marilyns. Not used in the Stockholm exhibition, it appears that the screen prints went underground and were gifted to a circle of Swedes who were associated with Pontus Hultén, the controversial Director of the Moderna Museet. In 2016, McCoy was introduced to Penn Libraries Director of the Rare Book and Manuscript Library; after examining a sample of the Marilyn silkscreens, McCoy and Penn Libraries formed a partnership to exhibit a selection of the Marilyns. Why Penn? It seemed obvious. Penn had played a significant role in launching Warhol's career when the recently founded Institute for Contemporary Art (ICA) mounted Warhol's first institutional retrospective of his work in 1965. The ICA exhibit is legendary. Given Penn's role in Warhol's Pop Art career, Penn seemed to McCoy to be the obvious venue to unveil his important discovery to the art world. To date the question of Andy Warhol's role in the production of this collection of Marilyn's remains unanswered, which is part of the intellectual challenge of defining these art objects within the context of Pontus Hultén curatorial vision and Andy Warhol's ethos and aesthetic. The catalogue includes an interview with the collector, essays by noted Warhol scholars: Reva Wolf and Kenneth Goldsmith; an essay on the 1965 ICA exhibition by Art Librarian Hannah Bennett; and an essay on the iconography of Marilyn Monroe by David McKnight, editor and curator of the show. The volume concludes with a Catalogue Raisonné of the McCoy Marilyns collection, prepared by Maureen McCormick, former Chief Registrar at the Princeton University Art Gallery. There will be 1,968 catalogues printed, commemorating the year in which the prints were made.

In the decades following the era of decolonization, global Christianity experienced a seismic shift. While Catholicism and Protestantism have declined in their historic European strongholds, they have sustained explosive growth in Asia, Latin America, and Africa. This demographic change has established Christians from the Global South as an increasingly dominant presence in modern Christian thought, culture, and politics.Decolonization and the Remaking of Christianity unearths the roots of this development, charting the metamorphosis of Christian practice and institutions across five continents throughout the pivotal years of decolonization. The essays in this collection illustrate the diverse new ideas, rituals, and organizations created in the wake of Western imperialism's formal collapse and investigate how religious leaders, politicians, theologians, and lay people debated and shaped a new Christianity for a postcolonial world.Contributors argue that the collapse of colonialism and broader cultural challenges to Western power fostered new organizations, theologies, and political engagements across the world, ultimately setting Christianity on its current trajectory away from its colonial heritage. These essays interrogate decolonization's varied and conflicting impacts on global Christianity, while also providing a novel framework for rethinking decolonization's modern legacies. Taken together, this book charts the relationship between decolonization and Christianity on a truly global scale.Contributors: Joel Cabrita, Darcie Fontaine, Elizabeth A. Foster, Udi Greenberg, David Kirkpatrick, Eric Morier-Genoud, Phi-Vân Nguyen, Justin Reynolds, Sarah Shortall, Lydia Walker, Charlotte Walker-Said, Albert Wu, Gene Zubovich.

"This book chronicles the "mania" for land speculation that swept the new United States, as the nation's elite founders rushed to profit off Native American dispossession. A story of statecraft, capitalism, ambition, and corruption, it offers a new account of the consequences of U.S. independence, revealing how the American Revolution produced a republican "empire of liberty" with financial speculation at its core"--

In 2016, a landscape painting of the source of the Lison river in France was discovered at the University of Pennsylvania and was immediately suspected of being the work of Gustave Courbet. A lengthy authentication process began in 2018 and the landscape has since been confirmed as his. This new discovery sparked an exhibition showcasing the infamous painter's modern landscape practice. Titled At the Source: A Courbet Landscape Rediscovered, the exhibition is presented at the University of Pennsylvania's Arthur Ross Gallery from February 4 to May 28, 2023. Focusing on the motifs of grottos and waterfalls in his art of the 1850s and 1860s, it highlights the rediscovered Courbet painting, not shown in public for close to 100 years, and emphasizes the process of authenticating and conserving this historic work.Gustave Courbet (1819-1877) was a French painter who led the Realism movement of the mid nineteenth-century. Committed to painting only what he could see, he rejected academic conventions and the Romanticism of the previous generation of artists. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged tradition by depicting unidealized peasants and workers, often on a grand scale previously reserved for paintings of religious or historical subjects. Courbet's subsequent paintings offer a wide range of genres and broadened the political character of his art: landscapes, seascapes, hunting scenes, nudes, and still lifes.This heavily illustrated catalog brings together essays by leading Courbet scholars, including Petra ten-Doesschate Chu, Aruna D'Souza, Paul Galvez, and Mary Morton, and situates Courbet's modern landscapes within the genre of nineteenth-century plein-air painting. Contextualizing the newly discovered work in relation to other visual depictions of the site, the catalog reproduces postcards and maps as well as the few other versions of the Source of the Lison that Courbet painted, including other related subjects. The essays draw connections between Courbet's paintings and his political activism, his interests in geology and environmentalism, and his engagement with issues of gender.

Stephen Porter's Benevolent Empire examines political-refugee aid initiatives and related humanitarian endeavors led by American people and institutions from World War I through the Cold War, opening an important window onto the "short American century." Chronicling both international relief efforts and domestic resettlement programs aimed at dispossessed people from Europe, Latin America, and East Asia, Porter asks how, why, and with what effects American actors took responsibility for millions of victims of war, persecution, and political upheaval during these decades. Diverse forces within the American state and civil society directed these endeavors through public-private governing arrangements, a dynamic yielding both benefits and liabilities. Motivated by a variety of geopolitical, ethical, and cultural reasons, these advocates for humanitarian action typically shared a desire to portray the United States, to the American people and international audiences, as an exceptional, benevolent world power whose objects of concern might potentially include any vulnerable people across the globe. And though reality almost always fell short of that idealized vision, Porter argues that this omnivorous philanthropic energy helped propel and steer the ascendance of the United States to its position of elite global power.The messaging and administration of refugee aid initiatives informed key dimensions of American and international history during this period, including U.S. foreign relations, international humanitarianism and human rights, global migration and citizenship, and American political development and social relations at home. Benevolent Empire is thus simultaneously a history of the United States and the world beyond.