Bøger udgivet af University of Wales Press

A consideration of literary geography as a specialist academic field. Interspatiality is a book about the language, theory, and practice of literary geography that takes as its subject matter the inseparability of writing, reading, and living. It explores ways of engaging with interrelated textual-social-spatial processes, working with the problem of how to appreciate these processes as inseparable; how to articulate the complex spatialities they generate; and how to convey their presence, power, and significance in literary texts. By focusing on literary geography as something inhabited as well as studied, it draws attention to the interspatiality of routine daily life.

A thorough analysis of the Plaid Cymru Party of Wales. This is the first book to discuss the development of the political thought of Plaid Cymru from its foundation to the dawn of the twenty-first century when the party emerged as the main opposition party in the devolved Senedd. It provides a chronological overview of Plaid Cymru's ideological development by focusing on the influence of the party's leaders in three different periods: Saunders Lewis, Gwynfor Evans, and the era of the two Dafydds (Wigley and Elis-Thomas). The book discusses tensions and disagreements within the party during each of these periods as well as the ideas and influence of other leading figures. In doing so, the book challenges much of the received wisdom about the party as well as its key thinkers. Widely lauded at the time of its original publication in Welsh as the most authoritative account of Plaid Cymru, its appearance in English is sure to be widely welcomed.

A collection of multidisciplinary essays that place Wales in a global context. Globalising Welsh Studies is the first offering in the University of Wales Press's new series Race, Ethnicity, Wales and the World. This introductory edited text provides a theoretical and conceptual basis for the series, engaging with the key perspectives and concepts that underpin the theme of the series and acting to cohere and consolidate race and ethnicity within Welsh studies.

What the fascinating life of Edward Vaughan reveals about the politics of early modern England and Wales. This book tells the remarkable story of Welshman Edward Vaughan. Born in 1600, he was the fifth son of a landed gentleman and could not have expected much in life beyond a career as a lawyer. However, by fair means and foul (mostly foul) he managed to gain possession of one of the largest estates in seventeenth-century Wales. His tenure was not to be a quiet one, however, as the Protestant Vaughan endured a bruising legal contest with a powerful Catholic magnate over these lands. Vaughan's case was then swept up in the politics of the civil wars. A moderate parliamentarian, during the 1640s and 1650s Vaughan fought new battles with local radicals to secure his patrimony. The trials of Edward Vaughan reveal much about the confrontational and sometimes bloody nature of law, politics, and faction in early modern England and Wales. Rich with accusations of attempted murder, treason, and a lengthy legal battle with one of the most powerful Catholic families in the country, this is a surprising story and one that has yet to be told.

A radical reinterpretation of the effect of excluding Welsh from schools on the fortunes of the language. Most people in Wales know that some children in the nineteenth century were victims of the Welsh Not, a wooden board hung around the necks of children who were heard speaking Welsh. Use of the Welsh Not was often followed by a physical punishment, and it is often named as a key reason for Welsh decline. Despite how well-known the Welsh Not is, this is the first study that interrogates where, when, and why it was used. This book is an account of the different ways children were punished for speaking Welsh in nineteenth-century elementary schools and the consequences of this for children, communities, and the linguistic future of Wales. It shows how the exclusion of Welsh hindered pupils from learning English, the very thing it was meant to achieve. Thus, gradually over the century, Welsh came to be used more and more in schools, making them a more effective mechanism in the Anglicization of Wales.

A study of the creation of the historic county of Denbighshire in Wales. The lordship of Denbigh, held by prominent English barons following its creation in 1282, was directly affected by several major events that culminated in its incorporation into the newly created county of Denbighshire, formed by the Union legislation of 1536-43. This book explores the creation of and the important changes to the English colony established in the lordship of Denbigh. Despite the earlier extensive English settlement, the area has been considered to have contributed immensely to the Welsh literary heritage. The social policy adopted by the central administration, based at Denbigh castle, featured a colony comprised of English settlers who inhabited five English settlement centers surrounded by localities of displaced Welsh tenants. The book provides an assessment of notable trends relating to the acquisition and disposal of lands by male and female members of both Welsh and settler families, revealing that members of kindred groups succeeded in evading traditional restrictions. Further, the book surveys significant developments relating to the possession of and main activities within the lordship of Denbigh from 1282 to 1543.

Exploring Spain and Latin America's transhispanic Gothic connection. This book exposes how Hispanic authors at the turn of the twentieth century broke from European and American Gothic models to contend with their anxieties over modernity. The rising tide of first-wave feminism resulted in a trend of sympathetic female vampire characters that predate comparable Anglo and European representations by several decades. In its analysis of the female vampire in Hispanic literature, this critical introduction also traces the Gothic's origins and developments in Latin America and Spain, presenting a working theory of their Gothic traditions as a transhispanic literary phenomenon. The tales compiled in this collection include Leopoldo Lugones's "The Female Vampire" (1899), Clemente Palma's "The White Farmhouse" (1904), Antonio de Hoyos y Vinent's "Mr. Cadaver and Miss Vampire" (1910), Carmen de Burgos's "The Cold Woman" (1922), and Horacio Quiroga's "The Vampire" (1927). All but two of these tales are translated into English for the first time, and all appear alongside scholarly annotations and accompanying analysis.

Applying theory to the political crisis in Catalonia and Spain. The Catalan Crisis explores the dissolution of the politico-territorial status quo between Catalonia and Spain and examines the emergence of the Catalan push for self-determination. The main topics covered in the book include the articulation of state unity in post-Francoist Spain; the rationalization of state nationalism and the criminalization of its alternatives; the generation of new forms of radical politics based on the polarization of the political space in Catalonia; and the difficulties encountered by Spanish liberal democracy when trying to accommodate demands based on political and cultural decentralization. In its analysis, the book aims to answer key questions surrounding the conflict, including how the Catalan case can shed light on new forms of democratic participation, resistance, disobedience, and emancipation on a global level.

A look at war ethics in the age of drones and artificial intelligence. Can there be purely defensive or moral wars? In response to this question and others like it, this book offers unique insights into twenty-first-century warfare through the lenses of realism, militarism, and just war theory. This book challenges its readers to consider war from different perspectives and to reevaluate their views on the morality of war. Ethical approaches to war require that we don't value only the lives of 'our' people, as realism asserts; that we don't enforce our sense of justice with weapons, as militarism demands; that force is used only in self-defense, based on the principles of just war theory. The author explores the issue of civilian harm in war, questioning whether the use of so-called precision weapons--celebrated for minimizing risks to soldiers and civilians--and the rapidly developing technology of lethal autonomous weapons are increasing rather than decreasing civilian harm. In engaging with these questions, The Ethics of Remote Warfare highlights the need for new accountability mechanisms that reflect a sense of legal and moral justice.

The ideas and practices that bring a fictional character into reality. In the second half of the twentieth century, American readers of Arthur Conan Doyle's Sherlock Holmes stories--known as Sherlockians--worked together to create a world of Sherlock Holmes that crossed the boundary between reality and fiction. This book explores this Sherlockian world through an innovative lens informed both by geographical theories of spatiality as a process and literary scholarship readers' active roles in making stories happen. In doing so, the work helps to define the contours of a world in which the ontological boundary ordinarily assumed between the actual and the fictional bends, blurs, and breaks. Drawing extensively on the University of Minnesota's Sherlock Holmes Collections, the world's largest archive of Sherlockiana, this book shines new light on Sherlockian activities in the mid-to late-twentieth century. It was during this relatively understudied but creatively rich period that the imaginative foundations of the fandom as we know it were laid, and readers created a rich, ever-expanding world of Sherlock Holmes through a variety of textual and embodied practices: writing, mapping, playing, and walking.

An edited collection of essays, interviews, and book reviews by M. Wynn Thomas. For more than half a century, M. Wynn Thomas has been Wales's foremost literary critic. His ground-breaking work--on subjects ranging from Welsh Puritanism to Walt Whitman, from religious Dissent to contemporary poetry--has opened up new vistas and literary correspondences for his readers. Thomas's writings combine a deep historical knowledge, a commitment to pluralism, and a relationship to the literary text that is both sympathetic in approach and detailed in analysis. Made up of previously unpublished and uncollected essays, interviews, and reviews on Welsh and American writers, the essays in Transatlantic Vistas engage with some of the abiding interests of Thomas's career: Walt Whitman, Dylan Thomas, R. S. Thomas, and American authors such as Charles Bukowski, Rita Dove, Anne Stevenson, and more. Including a foreword by Helen Vendler and essays by Daniel G. Williams and Kirsti Bohata, this volume celebrates M. Wynn Thomas's immense contribution as a literary and intellectual historian, critic, translator, lecturer, institution builder, editor, broadcaster, and literary executor as he enters his eightieth year.

The first book to explore how Catalan literature has depicted the social and cultural consequences of immigration in the twentieth century. Catalonia has for centuries been a destination for immigrants: first from neighboring regions, then from all over Spain, and in the last twenty-five years from the whole world. Currently, sixteen percent of the Catalan population was born outside Spain, and well over seventy-five percent of Catalans have a migrant origin. Yet the Catalans see themselves as a distinct society, and many of them are claiming political self-determination. Surveying the 1930s to the present, The Other Catalans provides a comprehensive examination of Catalan literature on immigration or by authors of migrant origin. It combines detailed readings of major texts with an awareness of the historical developments regarding immigration, providing readers with vital contextualization of migration and its literary representations. Covering both Catalan responses to immigration and literary accounts of the migrant experience, the book examines how immigration has shaped discourses of identity and otherness in Catalan culture; how the work of mourning is affected in migrant literature; how issues of language and space articulate with social and political conflict in these texts; and in what ways these issues are inflected by gender and sexuality.

A study of influential British Labour Party politician Aneurin Bevan as a political thinker. Despite his contemporary legacy as an institutional pioneer, many fundamental disagreements remain concerning Aneurin Bevan's politics. In times of intense internal Labour Party conflict, Bevan is regularly invoked by different factions to serve different purposes. Some revere him as a pragmatic institution builder, while others emphasize his political radicalism and dedication to socialism. In response, this book takes a new approach by treating Bevan as a political thinker and reconstructing his political thought. This offers an alternative perspective on a complex figure and provides new insight into Bevan's intellectual development and the ideas that drove his politics, including his analysis of class conflict, his commitment to parliamentary politics, and his outlook on international relations. The book also locates Bevan within the British Labour Party's ideological traditions, highlighting moments of tension and compromise with the core tenets of labourism.

A critical contextualizing of the early work of modernist painter Ceri Richards. This study assesses Ceri Richards's early art and career, documenting experimental drawings and constructions. The emerging analysis establishes a complex relation between this artist and his European contemporaries--prominently Max Ernst, Joan Miró, Pablo Picasso, Constantin Brâncuși, and Hans Arp--contributing to an art historical study of the emergencies of modernism in Britain during the early twentieth century. The book includes a full account of Richards as a European modernist and of the dislocation of British artists' engagement with, and Richards's processing of, Paris surrealism; accompanying illustrations include previously unseen drawings and reconstructed early states, discussed here for the first time.

How Welsh bands and musicians soared up the music charts in the 1990s. The 1970s and '80s were a bleak time for much of Wales: the closure of steel works and coal mines led to mass unemployment while the country's culture and language were disregarded by politicians and the music industry alike. Some bands even traveled across the Severn Bridge to make sure their records arrived at the London offices sporting an English postmark. The 1990s changed everything. While Wales was already known for Tom Jones, Shirley Bassey, and Male Voices Choirs, bands such as Catatonia, Manic Street Preachers, Stereophonics, and Super Furry Animals exploded into the charts and showed the UK population the breadth of what this small but inherently musical nation could offer. Meanwhile, the Welsh-language television channel S4C gained new prominence and a new Welsh Assembly was on the horizon. Featuring fresh analysis and new interviews, International Velvet charts music in the UK during the decade of the Cool Cymru cultural movement, showing how it inspired the still-vibrant Welsh music scene into the twenty-first century and beyond.

The first book to explore Herman Melville as a Gothic writer. In a famous review of Nathaniel Hawthorne's Mosses from an Old Manse, Herman Melville took the critics to task for missing the darkness as the heart of Hawthorne's writing--a blackness "ten times black," as Melville put it, that fascinated him. Ironically, Melville has been subject to the same treatment by critics who have in large measure steered clear of Melville's darkness. The contributors to Gothic Melville reveal that, if Hawthorne's darkness is ten times black, then Melville's is a hundred times so, as his works repeatedly raise questions about what the truth is or if truth exists at all. This edited collection of scholarly essays makes up for the critical neglect of Melville's Gothicism by arguing that the Gothic is so extensively interwoven into the fabric of his writing that Melville must at last be recognized as among the genre's most important practitioners.

An accessible introduction to the history of Wales's literature. I awoke from a deep sleep I had taken under the shade of a tree in a field at the outskirts of a dark wood, without remembering how I had gotten there, or, indeed, where it was exactly, I had gotten. So begins a most unusual odyssey, in which a writer--who bears a striking similarity to our author, Gary Raymond--allows himself to be led through the many-layered realms of Welsh literature, not by Virgil but by the late Professor Raymond Williams. Taking in the history of Welsh writing from the legacy of the Bardic tradition to contemporary experimental works, Abandon All Hope introduces Welsh literature in a way it has never been presented before: as cutting-edge, experimental, vibrant, exciting, intimate, and with a multitude of voices. This voyage into a uniquely Welsh inferno offers a revolutionary new way to examine and explain literary history.

Essays that blend nature writing with memoir. On a wild and windswept stretch of the Durham coastline, there's treasure to be found: jewels of shining sea glass, swept in by the tide after years at sea. Gathered and displayed in a jar on the windowsill to sparkle in the light, each sea-worn glass pebble represents a moment in time, a breadcrumb trail of unknowable people and places. In Seaglass, Kathryn Tann brings together moments like these from her own life, portraying with powerful observation and moving honesty the journey of a young woman navigating modern adulthood. Each essay is rooted in a physical space, from Manchester to the South Wales coastline and out to the Thousand Islands in Canada's Saint Lawrence River. Traversing wilderness, natural history, travel, and water, Seaglass explores shared experiences, anxieties, connection, body confidence, and contentment.

Edmund Jones (1702-93) was a Welsh Independent minister, Calvinist, visionary, prophet, topographer, and religious historian. Like many Protestant Reformers and Puritan divines before him, Jones was fascinated by the occult. Throughout his life he amassed what he believed to be convincing evidence for the existence of good and evil apparitions (including ghosts, demons, fairies, witches, angels, and giants) and of the 'invisible world'.The Appearance of Evil: Apparitions of Spirits in Wales contains the testimonies of many witnesses to supernatural encounters in seventeenth- and eighteenth-century Wales, from abductions by fairies, and appearances of ghosts, devils and witches, to poltergeist activity. The stories here evoke a spiritually dark landscape in which the malevolent dead and damned wander, and present a fascinating insight into how the eighteenth-century visualized the spirit world.This new edition presents Jones's narratives in an up-dated and accessible form. John Harvey has collated Jones's second book of apparitions, published in 1780, along with the text of an earlier but now lost volume on the same subject, and material from Jones's 1779 study of the parish of Aberystwyth. Together they represent the most comprehensive compilation of Jones's relations of apparitions ever before published.

This volume provides a comprehensive account of the oeuvre of Matthew Gregory Lewis (1775-1818), from his juvenilia through to his romances and shorter tales, dramas, translations, adaptations, ballads, poetry and editorial endeavours, and into his posthumously published writings on slavery. Across an extended introduction and six chapters, the argument offers fresh considerations of Lewis's well-known Gothic works whilst also providing coverage of his more obscure published and unpublished texts. Based on extensive archival research undertaken in Britain, North America and the Caribbean, the book restores to critical focus a number of Lewis's works that have not previously been given scholarly attention. While drawing, where relevant, upon the biographical studies of earlier critics, the study remains first and foremost a literary history, and the first closely to situate this most prolific, versatile and influential of late eighteenth- and early nineteenth-century British writers in relation to Gothic and Romantic literary culture more broadly.

Yn anaml iawn y daw ffynonellau newydd ar gyfer y Gymru ganoloesol gynnar i'r amlwg. Ond dyma a geir yn llawysgrif Yale, Llyfrgell Beinecke, Osborn fb229 - llawysgrif modern cynnar sy'n drysorfa o destunau hagiograffaidd. Ei thrysor mwyaf yw ei fersiwn unigryw o Fuchedd Cybi, a all gynnwys elfennau mor gynnar â'r ddegfed neu'r unfed ganrif ar ddeg, gan gyflwyno tystiolaeth gwbl newydd am Gybi a'i gwlt canoloesol. Nid am ei chopi o Fuchedd Cybi yn unig y mae'r gyfrol hon yn arwyddocaol. Fe ddengys yn ogystal sut yr aethpwyd ati i addasu gweithiau megis Buchedd Beuno a Buchedd Collen yn yr Oesoedd Canol diweddar a'r cyfnod modern cynnar; tystia i weithgarwch rhwydweithiau Catholig ac unigolion megis Edward Morgan o Lys Bedydd, offeiriad Catholig a greodd y cyfieithiad unigryw o Fuchedd Gwenfrewy yn y llawysgrif hon, ac a ddienyddiwyd maes o law. Diogelwyd y testunau hyn oll gan ysgrifydd amryddawn y llyfr, Robert Davies o Wysanau, Sir y Fflint, a chawn gyflwyniad i'w fywyd, ei weithgarwch a'i ddiddordebau eang.

Golwg newydd ar y berthynas rhwng celf a llên yng Nghymru yn ystod Oes Fictoria, sy'n amlygu gweledigaeth dreiddgar a gwreiddiol y ffotograffyd John Thomas.

The history and cultures of Wales via stops along the A470. To see the whole of Wales, from cosmopolitan Cardiff in the south to the historic Victorian resorts of the north, there's one road that will take you all the way: the A470. This route, which traverses the country from end to end, winds its way through post-industrial valleys, agricultural landscapes, and stunning mountains, offers a chance to see Wales for what it is in the twenty-first century, in all its diversity. In the company of Gwendoline, his trusty but ancient scooter, travel writer Marc P. Jones follows the long unwinding road of the A470 on a quest to discover what makes his homeland tick. Taking in the splendor, beauty, and rich history of the communities he visits, Jones explores what unites and divides the different regions and wonders how they can learn to understand each other better. One question, above all others, remains to be answered: will Gwendoline make it to the end of the road in one piece?

Previously unpublished versions of plays by one of the most popular and prolific dramatists of the Victorian age. Almost fifty years before Bram Stoker penned Dracula, Dion Boucicault staged The Vampire, a three-act play that thrilled London audiences and Queen Victoria. The production boasted innovations of stagecraft and dramatic composition, to say nothing of the mesmerizing performance of Boucicault as the titular creature. After The Vampire closed, Boucicault moved to the United States and revised his play, staging a two-act version renamed The Phantom in 1856. The Vampire has languished in relative obscurity, with no published edition nor critical commentary, since the mid-nineteenth century. Boucicault's original handwritten script provides the basis for this first full edition of his innovative tour de force. Similarly, a manuscript of The Phantom, updated by Boucicault for an 1873 production, offers audiences a new version of this influential play. The Vampire and The Phantom can now take their proper place in the lineage of vampire literature that began with John William Polidori and continues to this day.

Earthy Matters is a lively collection of theoretically informed chapters that introduce the reader to the notion that matter is a creative agent, and that it plays a key role in the formation of our material and social worlds. The focus of the book is sediments, soils, clay and earth - materials that surround us and have shaped people's interactions with the environment since even before the first farmers settled in the Near East tilling the earth, building houses from mud and plaster, and making vessels and figurines from clay. This collection questions orthodox understandings that these substances are inert and an infinite resource for humanity, rather to foreground earthy substances in their relationships with humans, and to show how these materials have co-created our social and material worlds. It is a novel and timely reminder for the reader that our lives have always been embedded within the matter of the E(e)arth.

Spectral Spain examines the Gothic haunting motif in post-Franco Spanish literature. With a theoretical framework in memory and trauma studies, and a particular emphasis on the inclusion of women's voices, this book is the first to provide an in-depth study of spectrality and haunting in the Gothic literature of contemporary Spain. Through close readings of eleven main texts, the author examines haunting as the perfect motif for Spanish authors to portray the tension between modernity and the imposition of a monocultural, nationalised tradition throughout the twentieth century - noting not just the trauma of the civil war and resulting dictatorship of Franco, but also the continuing and widespread disenchantment during and after the Transition. Through its references to the contemporary debate surrounding historical memory, Spectral Spain demonstrates the relevance of the Gothic in Spanish literature, and the continued ghostly returns of the past in the socio-political anxieties of the present.

In 1880, Griffith Evans, an army veterinary surgeon in India, made the seminal discovery that blood parasites - then universally considered benign - were pathogenic. Spurned by peers and colleagues, his conclusions from experiments with diseased horses were acknowledged by Koch and Pasteur, but it took many years before his achievement received general recognition.  The son of a farmer near Tywyn, Meirionnydd, Evans was commissioned as a veterinary officer in the Royal Artillery. He was first posted to Canada where, in his spare time, he qualified in medicine. An irrepressible adventurer, he visited North America during the Civil War, meeting Abraham Lincoln and touring the Union front line.  Evans's talent for engagement with people and cultures characterised his life in Canada and in India. During a long and productive retirement in north Wales, he immersed himself in local and national affairs. At his centenary in 1935, Evans received the accolades of his profession, community and family, dying peacefully in his hundredth year. Since that time, his name has faded into obscurity.

A journey through the natural landscapes of Wales. In Tir--the Welsh word for "land"--writer and ecologist Carwyn Graves takes us on a tour of seven key characteristics of the Welsh landscape. He explores such elements as the ffridd, or mountain pasture, and the rhos, or wild moorland, and examines the many ways humans interact with and understand the natural landscape around them. Further, he considers how this understanding can be used to combat climate change and improve wildlife populations and biodiversity. By diving deep into the history and ecology of each of these landscapes, we discover that Wales, in all its beautiful variety, is just as much a human cultural creation as a natural phenomenon: its raw materials evolved alongside the humans that have lived here since the ice receded.

At times explosive, at times restrained, the question of independence has been a fundamental force shaping contemporary Spain. However, the discipline of Spanish (Peninsular) studies has been slow to consider the reality of internal anticolonial and self-determination movements in Spain as part of their purview. To redress this, the present study engages postcolonial theory to shed light on the question of Spain's ongoing internal national conflict, arguing that modern manifestations of such conflict are linked to internal demands for national sovereignty, independence and self-determination forged against the backdrop of Spain's post-imperial crisis after 1898.  The collection ranges across topics such as late nineteenth-century penitentiary discourses, the biopolitics of Francoist agrarian reform, dispossession and mass tourism in Mallorca, the judiciary aftermath of the Catalan referendum on independence of 2017, and post-ETA memory politics. Collectively, they illuminate the conflict zones of contemporary Spanish culture, where questions related to (contested) internal colonialities and independence are enmeshed with the processes of political emancipation and state repression.