Bøger udgivet af University of Wales Press

This book compares how two underdog peoples shaped their modern national identities. Welsh Nonconformists, fighting for religious equality and social justice, established the Welsh radical tradition. Slovenes modernised their language and challenged the dominance of German in Slovene-speaking areas of the Habsburg Empire, which collapsed in 1918.

This book assimilates new scholarship and deploys a wealth of original archival research to present a fresh picture of Wales under the Tudor and Stuart monarchs. It adopts novel perspectives on Welsh identity and allegiance to examine epochal events, such as the union of England and Wales under Henry VIII; the Reformation and the break with Rome; and the British Civil Wars and Glorious Revolution. It argues that Welsh experiences during this period can best be captured through widespread attachments to a shared history and language and to ideas of Britishness and monarchy. The volume looks beyond high politics to examine the rich tapestry of early modern Welsh life, considering concepts of gender and women's experiences; the role of language and cultural change; and expressions of Welsh identity beyond the principality's borders. --

"One summer, Ellie Evelyn Orrell reunited with her mother following the death of their respective grandfather and father. They returned to the small village of Betws Gwerful Goch in North Wales. Ellie returned from studying at university, while Jeanette had been studying the art of indigo dyeing in Japan. An Indigo Summer invites readers into their hillside garden as these two women grieve through art. Orrell draws on the history of indigo dyeing as she reflects on art, the Welsh landscape, and the strangeness of once-familiar places. Lyrical and moving, these stories include some of the illustrations created that summer, inspired by Welsh natural beauty." --

The contributors to Taking Up Space focus on representations of women's labour in cultural production (literature, cinema and television, journalism, bande dessinee). The chapters draw on a wide range of work experiences, from salaried work in academic, artistic, corporate and working-class worlds to unpaid (reproductive, domestic) labour, illegal activities and activism.

The last two decades have seen big changes within a small nation; the distinctiveness of Wales, in terms of its political life and culture, has grown considerably in that time. This edited collection by a range of eminent Welsh writers, emerging academics and creative artists examines what is distinctive about Wales and Welshness in an interdisciplinary yet comprehensive manner. The core concepts of gender, class and identity are explored throughout the book, which presents twelve chapters in three distinct yet overlapping thematic sections: Wales, Welshness, Language and Identity, Education; Labour Markets and Gender in Wales; and Welsh Public Life, Social Policy, Class and Inequality. The chapters explore the role of men and women in Wales and of Wales itself as a nation, an economy, and a centre of partially devolved governance, raising questions related to equality, policy and progression. The collection also features photographs, graphic art and poetic verse that both represent and extend the central arguments of the book.

The topic chosen by Nietzsche for his Pforta dissertation was Theognis, his life in Megara, his lyrical production, and his views on the gods, morality and politics. Nietzsche saw Theognis as the intellectual champion of the defeated Megarian aristocracy, who sought to preserve the Dorian spirit and its noble virtues. The interests that guided Nietzsche transcended scientific philology and embraced a concern for the social and political context he adumbrated in the Theognidea. The editors of this volume refer to this novel standpoint as constituting a rudimentary political philology, showing that Theognis' aristocratism determined and guided Nietzsche's critique of the moral point of view and his conception of an aristocratic state.

Gothic Metaphysics is a radical departure from Freudian-centred criticism of Gothic literature. It aims to explore our modern dilemma in the time of the Anthropocene, by bringing to light the role of Gothic since its inception in 1764 in holding space for a worldview familiar to certain mystical traditions - such as alchemy, which held to the view of a living cosmos yet later deemed 'uncanny' and anachronistic by Freud. In developing this idea, Gothic Metaphysics explores the influence of the Middle Ages on the emergence of Gothic, seeing it as an encrypted genre that serves as the site of a 'live burial' of 'animism', which has emerged in the notion of 'quantum entanglement' best described by Carl G. Jung and physicist Wolfgang Pauli in the theory of synchronicity linking alchemy with quantum mechanics. This relationship finds itself in dialogue with the Gothic's long-held concern for the 'sentience of space and place', as described by renowned Gothic scholar Fredrick Frank. The volume Gothic Metaphysics is multi-valent and explores how Gothic has sustained the view of a sentient world despite the disqualification of nature - not only in respect to the extirpation of animism as a worldview, but also with regard to an affirmation of consciousness beyond that of human exceptionalism.

This book tells the compelling and revealing story of the women's movement in modern Wales. Its panoramic sweep takes the reader on a journey from the nineteenth-century campaigns in support of democracy and the right to vote, and in opposition to slavery, through to the construction of the labour movement in the twentieth century, and on to the more recent demands for sexual liberation and LGBTQ+ rights. At its core is the argument that the Welsh women's movement was committed to social democracy, rather than to liberal or conservative alternatives, and that material conditions were the central motivation of those women involved. Drawing on an array of sources, some of which appear in print for the first time, this is a vivid portrait of women who, out of a struggle for equality, individually and collectively, became political activists, grassroots journalists, members of councils and parliaments, and inspirational community leaders.

This is the first full-length study of a Welsh family of the thirteenth to fifteenth centuries who were not drawn from the princely class. Though they were of obscure and modest origins, the patronage of great lords of the March - such as the Mortimers of Wigmore or the de Bohun earls of Hereford - helped them to become prominent in Wales and the March, and increasingly in England. They helped to bring down anyone opposed by their patrons - like Llywelyn, prince of Wales in the thirteenth century, or Edward II in the 1320s. In the process, they sometimes faced great danger but they contrived to prosper, and unusually for Welshmen one branch became Marcher lords themselves. Another was prominent in Welsh and English government, becoming diplomats and courtiers of English kings, and over some five generations many achieved knighthood. Their fascinating careers perhaps hint at a more open society than is sometimes envisaged.

The end of the second millennium witnessed an increase in science-fictional apocalyptic narratives globally. There is a noteworthy difference between such fictions from Latin America and the anglophone world and those from Spain, in which scientific explanations of events coexist with biblically-inspired plots, characters and imagery. This is the first book-length study of either science-fictional novels or apocalyptic literature in that country, analysing six such works between 1990 and 2005. Within a theoretical framework that includes critical and genre theories, archetypal criticism, and biblical scholarship, the book explains this phenomenon as a result of three historical factors: the 'Two Spains', Spanish 'difference', and the 'Pact of Silence', a tacit agreement that made justice and accountability impossible in the name of a peaceful transition to democracy. It repressed any processing of the historical trauma experienced during the Civil War and dictatorship, trauma that manifests itself symbolically in these fictions.

In what ways do the politics of memory perpetuate gendered images of those directly affected by political violence in Chile? Can the literary rewriting of painful experiences contest existing interpretations of national trauma and the portrayal of women in such discourses? How do women participate in the production of collective narratives of the past in the aftermath of violence? This book discusses the literary representation of women and their memory practices in the recent work of seven contemporary Chilean authors: Diamela Eltit, Carlos Franz, Pia Gonzalez, Fatima Sime, Arturo Fontaine, Pia Barros and Nona Fernandez. It locates their works in the context of a patriarchal politics of memory and commemorative culture in Chile and as part of a wider body of contested interpretations of General Augusto Pinochet's military dictatorship (1973-90). Through the analysis of novels that depict the dictatorial past through the memories of women, it is argued that these texts understand and explore remembrance as a process by which the patriarchal co-option of women's memories can be exposed and even contested in the aftermath of violence.

A popular and readable book about the history of mathematicians in Wales, appealing to a wide audience ‿ including those who may think of maths as something alien that doesn‿t really belong to them.

In 2007 a collection of short essays was published as A Bold Imagining to mark the 175th anniversary of the opening of St David's College, Lampeter to students in 1827. Now the Lampeter campus of University of Wales Trinity St David, to commemorate the 200th anniversary of its foundation, An Unfolding Vision is a substantially updated and enlarged edition of that book, containing many of the original essays but also several new contributions, all lavishly illustrated. Each one of the contributors was and is in one way or another closely associated with this historic institution, and an expert in their respective fields. The volume is not intended to be a narrative history, but rather fascinating glimpses into 200 years of collegiate life, and those who formed and shaped it.

Wassail songs are part of Welsh folk culture, but what exactly are they? When are they sung? Why? And where do stars and pretty ribbons fit in? This study addresses these questions, identifying and discussing the various forms of winter wassailing found in Wales in times past and present. It focuses specifically on the Welsh poetry written over the centuries at the celebration of several rituals - most particularly at Christmas, the turn of the year, and on Twelfth Night - which served a distinct purpose. The winter wassailing aspired to improve the quality of the earth's fertility in three specific spheres: the productivity of the land, the animal kingdom, and the human race. This volume provides a rich collection of Welsh songs in their original language, translated into English for the first time, and with musical notation. It also provides a comprehensive analysis of these poems and of the society in which they were sung.

This book is about the impact of Welsh devolution on public policy. It examines how, from a fragile beginning, distinct political institutions and ideological position have made their mark not only in Wales but also in the UK and wider world.

Geoffrey Chaucer wrote at a turning point in the history of timekeeping, but many of his poems demonstrate a greater interest in the moral dimension of time than in the mechanics of the medieval clock. Chaucer and the Ethics of Time examines Chaucer's sensitivity to the insecurity of human experience amid the temporal circumstances of change and time-passage, as well as strategies for ethicising historical vision in several of his major works. While wasting time was sometimes viewed as a sin in the late Middle Ages, Chaucer resists conventional moral dichotomies and explores a complex and challenging relationship between the interior sense of time and the external pressures of linearism and cyclicality. Chaucer's diverse philosophical ideas about time unfold through the reciprocity between form and discourse, thus encouraging a new look at not only the characters' ruminations on time in the tradition of St Augustine and Boethius, but also manifold narrative sequences and structures, including anachronism.

By 1300, a Marcher region had been created between England and Wales, consisting of about forty castle-centered lordships extending along the Anglo-Welsh border and also across southern Wales. The March of Wales thus formed a highly distinctive part of the political geography of Britain for much of the Middle Ages.

Mae'r gyfrol hon yn tywys cyfieithwyr newydd a'r rhai sydd a'u bryd ar weithio yn y maes trwy brif egwyddorion llunio cyfieithiad da. Mae'n trafod gwaith cyfieithwyr o safbwynt diogelu lle'r iaith yn y gymdeithas, yn egluro beth sydd ei angen ar ddarpar gyfieithwyr o ran sgiliau a gwybodaeth, ac yn dangos y gwych a'r gwachul er mwyn cynorthwyo cyfieithwyr i lunio gwaith da heb y llediaith a'r cyfieithu lletchwith. Mae'n taflu goleuni ar yr amryfal dechnegau y mae cyfieithwyr cymwys yn eu defnyddio, o'r broses ddarllen hyd at y broses adolygu, ac mae'n gwneud hynny trwy enghreifftiau o gyfieithiadau go iawn a gyhoeddwyd. Mae'n trafod cyfieithu peirianyddol, dyfodol y proffesiwn a sut i wneud y defnydd gorau o'r dechnoleg ddiweddaraf. Mae ymchwil academaidd hefyd yn elfen gref o'r gwaith, ac mae'r cyngor a'r canllawiau yn seiliedig ar yr ysgolheictod trylwyraf ynghyd a phrofiad yr awdur o'r byd cyfieithu proffesiynol.

This volume consists of five papers selected from a corpus of material researched over the past quarter of a century. None has previously been published, and they represent the author's interest in church history, medical history and the visual arts. Three of the five papers are based on lectures given at conferences or public occasions; the other two derive from research conducted at the Oxford Centre for Methodism and Church History in 2010 and 2020.

This book represents the first full-length study of the prevalence of domestic imagery in late medieval religious literature. It examines as yet understudied patterns of household imagery and allegory across four fifteenth-century spiritual texts, all of which are Middle English translations of earlier Latin works. These texts are drawn from a range of popular genres of medieval religious writing, including the spiritual guidance text, Life of Christ, and collection of revelations received by visionary women. All of the texts discussed in this book have identifiable late medieval readers, which further enables a discussion of the way in which these book users might have responded to the domestic images in each one. This is a hugely important area of enquiry, as the literal late medieval household was becoming increasingly culturally important during the fourteenth and fifteenth centuries, and these texts' frequent recourse to domestic imagery would have been especially pertinent.

This book considers the fiction of Joseph Sheridan Le Fanu (1814-73) in their original material and cultural contexts of the early-to-mid Victorian period in Ireland. Le Fanu's longstanding relationship with the Dublin University Magazine, a popular literary and political journal, is a crucial context in the examination of his work. Likewise, Le Fanu's fiction is considered as part of a wider surge of supernatural, historical and antiquarian activity by Irish Protestants in the period following the Act of Union between Great Britain and Ireland (1801). Le Fanu's habit of writing and re-writing stories is discussed in detail, a practice that has engendered much confusion and consternation. Posthumous collections of Le Fanu's work are compared with original publications, demonstrating the importance of these material and cultural contexts. This book reveals new critical readings of some of Le Fanu's best known fiction, while also casting light on some of his regrettably overlooked work through recontextualisation.

Dynamics of display in gendered contexts put toward purposes of resistance are explored across six modern canonical and popular novels in French - including an African Francophone fiction and a murder mystery - as well as their selected film adaptations.

South Asian Gothic consists of chapters representing the diversity of the region, and a number of ways in which Gothic manifests in contemporary South Asian cultures.

The book describes the development of religious thought in Wales between 1760 and 1900. Although the emphasis is on religious thought, it also includes much on social history including industrialisation, popular Nonconformity, revivalism, the interest in foreign missions and the stirrings of social radicalism.

This book presents a new exploration of an ancient European Druids, people who could foretell the will of the gods and who left revealing archaeological evidence of their rites and beliefs.

The exciting story of the Welsh immigrants and their descendants who made a disproportionate contribution to the creation and growth of the wealthiest and most powerful nation on earth.