Bøger udgivet af University of Washington Press

Examines the lives of two slain cannery union reformers during the tumultuous Civil Rights Era of the 1970s

Demonstrates how art can open people's eyes, drive change, and envision more than one possible future

Explores the artisans' lives and careers from various aspects. This book examines their position within early Chinese society, analyzing their social status, social mobility, and role in the early Chinese economy. It describes how they were trained, what tools they used, and what workplace hazards they faced.

An illustrated translation of a 'Miao album' - a Chinese genre originating in the eighteenth century that used poetry and illustrations to represent minority ethnic groups living in frontier regions under imperial Chinese control. It discusses the genesis and evolution of this genre and the socio-political context in which the albums were made.

Richard White provides a beautifully rendered account of his mother's life, tracing her journey as a young girl from Ireland toward the new identities she forged for herself in Boston and Chicago.

Focusing on social, cultural, and ethnic history, this collection of essays explores the history of Seattle and King County, Washington. The writers include University of Washington historians, independent scholars, and community activists, who have interviewed community members and researched far and wide.

The curio shop on Seattle's waterfront has also been a museum source for Native American art collections.

A memoir by a Filipino founder and vice-president of the United Farm Workers Union.

Tam T. T. Ngo is a research fellow in the Department of Religious Diversity at the Max Planck Institute for the Study of Religious and Ethnic Diversity in Germany.

Winner of the 2013 Washington State Book Award and finalist for the 2013 William Carlos Williams Award, Poetry Society of America, this title features poems that are nuclear-age songs of innocence and experience set in the "empty" desert West.

Introduces the man and his work, discussing relevant aspects of Suyama's life, the influences that have shaped his beliefs, and, in layman's terminology, twenty of his built and unbuilt projects that illuminate the development of his remarkable art and craft

The art of Paul Havas (1940ΓÇô2012) is one of natural beauty, formal control, and unusual colors. Havas settled in the Puget Sound region in 1965 and went on to create a body of work dominated by oil paintings and drawings of landscapes and cityscapes, attracting admiring critical attention and considerable acquisitions by important museums. This book draws on HavasΓÇÖs archive of writings, letters, and documentary photographs, as well as accounts and interviews with critics, curators, fellow artists, and friends to set the artist in a perspective of Pacific Northwest and American art history. The result is a lively tale of flyfishing, rural cabins, sophisticated city life, and doggedly consistent work habits in studios in Seattle and the Skagit Valley. Quiet yet friendly, like his appealing paintings, Paul Havas is revealed as thoughtful and witty, with serious ideas about art, culture, and his own position in contemporary art. Readers are sure to enjoy this lavishly illustrated volume with extensive color plates, useful contextual images, and historical documentary photographs.

Essential reading for anyone who has ever lived in, looked at, or studied Frank Lloyd Wright's remarkable houses

The Polish poster has been likened to the Trojan horse, with the artist smuggling messages onto the streets in the guise of ephemera. This book displays and discusses the posters in three essays covering the period from the golden age of Polish poster-making, the mid-1940s to the 1970s.

The face has inspired artists around the world for millennia, and Japan's Noh theater has provided a complex domain for exploring human emotion. This book examines fourteen contemporary works by Noh mask-maker and artist Bidou Yamaguchi.

Initially seeking converts and trade, the French presence in 17th-century Siam turned into a classic colonial adventure, with troops sent to occupy, by force if necessary, the most important ports of Bangkok and Mergui. This book provides an analysis of the motives of the persons involved in the French colonizing venture.

In this classic book on the meaning of multiculturalism in larger American society, Gary Okihiro explores the significance of Asian American experiences from the perspectives of historical consciousness, race, gender, class, and culture.While exploring anew the meanings of Asian American social history, Okihiro argues that the core values and ideals of the nation emanate today not from the so-called mainstream but from the margins, from among Asian and African Americans, Latinos and American Indians, women, and the gay and lesbian community. Those groups in their struggles for equality, have helped to preserve and advance the foundersΓÇÖ ideals and have made America a more democratic place for all.

Stone figures hardened by ascetic discipline and heroic effort face north in deep shadow. There they meet the gazes of the same gods and goddesses but with gentler bodies enacting grace, warmth, seduction, and marriage, drenched in sunlight, facing south. These figures adorn the eighth-century Kailasanatha temple complex in southeastern India, built by rulers who were both warriors and ascetics, engaged in the work of this world and in spiritual quests. They designed their temple as an exuberant visual feast to sustain both modes of being. In Opening Kailasanatha, Padma Kaimal deciphers the intentions of the monument¿s makers, reaching back across centuries to illuminate worldviews of the ancient Indic south. She reveals how circling the complex in a clockwise direction focuses the mind and spirit on worldly engagement; in a counterclockwise direction, on renunciation and ascetic practice. This pairing of highly charged, complementary pathways enabled devotees to grasp these counterpoised opportunities in their own listening, gazing, moving bodies. By focusing on the material form of the complex¿the architecture, inscriptions, and sculptures, along with the spaces they carve out that guide light, shadow, sound, and footsteps¿Kaimal offers insights that complement what surviving texts tell us about Shaiva Siddhanta ideas and practices, providing a rare opportunity to walk in the distant past.

The standoff at Cliven Bundy¿s ranch, the rise of white identity activists on college campuses, and the viral growth of white nationalist videos on YouTube vividly illustrate the resurgence of white supremacy and overt racism in the United States. White resistance to racial equality can be subtle as well¿like art museums that enforce their boundaries as elite white spaces, ¿right on crime¿ policies that impose new modes of surveillance and punishment for people of color, and environmental groups whose work reinforces settler colonial norms. In this incisive volume, twenty-four leading sociologists assess contemporary shifts in white attitudes about racial justice in the US. Using case studies, they investigate the entrenchment of white privilege in institutions, new twists in anti-equality ideologies, and ¿whitelash¿ in the actions of social movements. Their examinations of new manifestations of racist aggression help make sense of the larger forces that underpin enduring racial inequalities and how they reinvent themselves for each new generation.