Bøger udgivet af University Press of Florida

Society for American Archaeology Scholarly Book AwardHighlighting the strong relationship between New England's Nipmuc people and their land from the pre-contact period to the present day, this book helps demonstrate that the history of Native Americans did not end with the arrival of Europeans. This is the rich result of a twenty-year collaboration between indigenous and nonindigenous authors, who use their own example to argue that Native peoples need to be integral to any research project focused on indigenous history and culture.The stories traced in this book center around three Nipmuc archaeological sites in Massachusetts-the seventeenth century town of Magunkaquog, the Sarah Boston Farmstead in Hassanamesit Woods, and the Cisco Homestead on the Hassanamisco Reservation. The authors bring together indigenous oral histories, historical documents, and archaeological evidence to show how the Nipmuc people outlasted armed conflict and Christianization efforts instigated by European colonists. Exploring key issues of continuity, authenticity, and identity, Historical Archaeology and Indigenous Collaboration provides a model for research projects that seek to incorporate indigenous knowledge and scholarship.

"A unique social and economic history of the Seminoles and an insightful view of their cultural adaptation and cultural continuity that previously has not been appreciated or understood."--Florida Heritage

In Show Thyself a Man, Gregory Mixon explores the ways African Americans in postbellum Georgia used the militia as a vehicle to secure full citizenship, respect, and a more stable place in society. As citizen-soldiers, black men were empowered to get involved in politics, secure their own financial independence, and publicly commemorate black freedom with celebrations such as Emancipation Day.White Georgians, however, used the militia as a different symbol of freedom--to ensure the postwar white right to rule. This book is a forty-year history of black militia service in Georgia and the determined disbandment process that whites undertook to destroy it, connecting this chapter of the post-emancipation South to the larger history of militia participation by African-descendant people through the Western hemisphere and Latin America.

This book tells the story of how NASA transformed Florida's East Coast from an economy based on agriculture and tourism to one of the nation's most influential centers of technology.

In this book, Canter Brown, Jr. records the economic, social, political, and racial history of the Peace River Valley in southwestFlorida in an account of violence, passion, struggle, sacrifice, anddetermination.

"The Wild East is a graceful, accurate, and, in its subdued way, a passionate account. The author calls it a 'biography' of the great Smokies and it does strike a more intimate note than similar histories usually do. I find it not only a valuable document but a friendly and interesting book. Margaret Lynn Brown has a deft touch."--Fred Chappell, author of Look Back All the Green ValleyThe Wild East explores the social, political, and environmental changes in the Great Smoky Mountains during the 19th and 20th centuries. Although this national park is most often portrayed as a triumph of wilderness preservation, Margaret Lynn Brown concludes that the largest forested region in the eastern United States is actually a re-created wilderness--a product of restoration and even manipulation of the land.Several hundred years before white settlement, Cherokees farmed and hunted this land. Between 1910 and 1920, corporate lumbermen built railroads into the most remote watersheds and removed more than 60 percent of the old-growth forest. Despite this level of human impact, early promoters of a national park represented the land as an untouched wilderness and described the people living there as pioneers.During the 1930s, landscape architects and Civilian Conservation Corps workers transformed the Smokies, building trails, campgrounds, and facilities that memorialized the rustic ideals of Roosevelt-style conservation. With the advent of the 1950s, enthusiasm for the national park system boomed again; cultural interpreters went to work to create a Ponderosa-like scene in Cades Cove, while developers in Gatlinburg emulated the designs of western ski resorts. During the 1960s, however, wilderness advocates began lobbying for a less manicured, more natural-looking landscape.In the 1970s, Brown writes, the Smokies faced many of the consequences of these management decisions. Major crises with brook trout, black bears, and exotic species pushed park officials toward a greater regard for ecology. At the same time, scientists trained during the environmental movement foraged through the land's history and sought to re-create the look of the landscape before human settlement. Park management continues to waffle between these shifting views of wilderness, negotiating the often contradictory mission of promoting tourism and ensuring preservation.

The Art of the Magic Striptease marks the first in-depth critical assessment of George Garrett in nearly two decades. One of the country's most gifted, important, and undervalued contemporary writers, Garrett is the author of award-winning novels, plays, poetry, short stories, biography, and criticism. He has been a prolific and significant creative force for six decades, regarded as a central figure in southern and American letters and a writer of tremendous intellectual reach and imaginative energy. The former poet laureate of Virginia, Garrett is also a teacher and editor. Casey Clabough's metaphor of the magic striptease--borrowed from the title of Garrett's 1973 collection of three novellas--allows him to examine the ways in which Garrett sheds skins or layers in his writing, becoming and articulating others while maintaining his own identity. Considering Garrett's many experiments with form, genre, and storytelling, it proves to be a powerful critical framework by which to examine the remarkable output of a remarkable writer. Clabough was given exclusive access to Garrett's private papers, and this volume includes the transcript of an interview with the author and the previously unknown, unpublished, and highly provocative short story, "No Novel Today."

Puerto Rico's colonial relationship with the United States and its history of intermixture of native, African, and Spanish inhabitants has prompted inconsistent narratives about race and power in the colonial territory. Departing from these accounts, early twentieth-century writers, journalists, and activists scrutinized both Puerto Rico's and the United States's institutionalized racism and colonialism in an attempt to spur reform, leaving an archive of oft-overlooked political writings.In Seams of Empire, Carlos Alamo-Pastrana uses racial imbrication as a framework for reading this archive of little-known Puerto Rican, African American, and white American radicals and progressives, both on the island and the continental United States. By addressing the concealed power relations responsible for national, gendered, and class differences, this method of textual analysis reveals key symbolic and material connections between marginalized groups in both national spaces and traces the complexity of race, racism, and conflict on the edges of empire.

"Offers a much needed discussion of racial politics in the premier New South city. Readers will discover that courageous struggles for justice, as much as compromise, have marked the so-called Atlanta-style since Reconstruction."--W. Scott Poole, College of Charleston Atlanta stands out among southern cities for many reasons, not least of which is the role African Americans have played in local politics. Black Power in Dixie offers the first comprehensive study of black politics in the city. From Reconstruction to recent times, the middle-class black leadership in Atlanta, while often subordinating class and gender differences to forge a continuous campaign for equality, successfully maintained its mantle of racial leadership for more than a century through a deft combination of racial advocacy and collaboration with local white business and political elites. Alton Hornsby provides an analysis of how one of the most important southern cities managed, adapted, and coped with the struggle for racial justice, examining both traditional electoral politics as well as the roles of non-elected individuals influential in the community. Highlighting the terms of Maynard Jackson and Andrew Young, the city's first two black mayors, Hornsby concludes by raising important questions about the success of black political power and whether it has translated into measurable economic power for the African American community.

This is the first book in more than three decades to offer a complete and chronological history of revolutionary Cuba, including the years of rebellion that led to the revolution. Beginning with Batista's coup in 1952, which catalyzed the rebels, and bringing the reader to the present-day transformations initiated by Raul Castro, Luis Martinez-Fernandez provides a balanced interpretive synthesis of the major topics of contemporary Cuban history.Expertly weaving the myriad historic, social, and political forces that shaped the island nation during this period, Martinez-Fernandez examines the circumstances that allowed the revolution to consolidate in the early 1960s, the Soviet influence throughout the latter part of the Cold War, and the struggle to survive the catastrophic Special Period of the 1990s after the collapse of the U.S.S.R. He tackles the island's chronic dependence on sugar production, which started with the plantations centuries ago and continues to shape culture and society. He analyzes the revolutionary pendulum that continues to swing between idealism and pragmatism, focusing on its effects on the everyday lives of the Cuban people, and-bucking established trends in Cuban scholarship-Martinez-Fernandez systematically integrates the Cuban diaspora into the larger discourse of the revolution.Concise, well written, and accessible, this book is an indispensable survey of the history and themes of the socialist revolution that forever changed Cuba and the world.

For years, some scholars have privately suspected Martin Luther King Jr.'s "I Have a Dream" speech was connected to Langston Hughes's poetry, and the link between the two was purposefully veiled through careful allusions in King's orations. In Origins of the Dream, W. Jason Miller lifts that veil to demonstrate how Hughes's revolutionary poetry became a measurable inflection in King's voice, and that the influence can be found in more than just the one famous speech.Miller contends that by employing Hughes's metaphors in his speeches, King negotiated a political climate that sought to silence the poet's subversive voice. He argues that by using allusion rather than quotation, King avoided intensifying the threats and accusations against him, while allowing the nation to unconsciously embrace the incendiary ideas behind Hughes's poetry.

Collected for the first time, the foundational contributions of a scholar and activist who shaped the study of Garveyism and pan-Africanism This volume brings together Robert A. Hill's most important writings for the first time, highlighting his intellectual contributions to the history of pan-Africanism. A pioneering scholar and activist, a groundbreaking builder of pan-African archives, and the editor of the multivolume Marcus Garvey and Universal Negro Improvement Association Papers, Hill remains underacknowledged for his influence on the field. This collection is a long-overdue testament to his legacy. Adam Ewing showcases Hill's groundbreaking writings on Garveyism, the pan-African, anticolonial movement that spread across the globe following World War I. Hill's essays trace Marcus Garvey's evolving thought and illuminate the resonance of the movement in the Caribbean and its diaspora, in the United States, and across sub-Saharan Africa. The volume also includes Hill's writings on diverse aspects of pan-Africanism, including the impostor figure in diaspora history, Cyril Briggs's African Blood Brotherhood, the Rastafarian movement, the fiction of George Schuyler, George Beckford and the Abeng collective in Jamaica, the theories of Walter Rodney, the life and thought of C.L.R. James, and the music of Bob Marley. This volume not only demonstrates Hill's intellectual praxis and its roots in his academic influences and personal experiences but also reveals the breadth, diversity, complexity, and centrality of the pan-African tradition in African diasporic politics and thought. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Exploringthe movements of Cuban material objects and digital content across borders Despite decades of diplomatic hostilities and economicsanctions, the border between Cuba and the United States--arguably one of themost politicized in the world--is in a state of constant flux. Tracing the flowsof people, material items, and digital content between Havana and Miami, aswell as between Cuba and Panama, Guyana, and Mexico, Circulating Culture explores how and why these circuits are a partof everyday life for millions of Cubans who negotiate extraordinarycircumstances daily. Drawing on extensive ethnographic research in theselocations, Jennifer Cearns highlights groups of Cuban society that are oftenoverlooked, considering what Cuban culture and identity mean in a transnationalsetting. Weaving evocative vignettes into her discussion of these largerquestions, Cearns pieces together the story of the creators of an emerging anddynamic network that punctures geopolitical boundaries and has outlasted aperiod of rapid social change--from the Obama administration through the deathof Fidel Castro and into the Trump administration. Ultimately, by focusing on everyday objects and thestrategies used to move them across borders, this book reveals how new culturalforms can develop from the cracks in societies often seen as "broken." Itdemonstrates the worldmaking of marginalized Cuban communities who have longbeen building their own infrastructures of possibility. A volume in the series New World Diasporas, edited by KevinA. Yelvington Publicationof this work made possible by a Sustaining the Humanities through the AmericanRescue Plan grant from the National Endowment for the Humanities.

The unique early path of public highereducation in Florida Inthis book, Carl Van Ness describes the remarkable formative years of highereducation in Florida, comparing the trajectory to that of other states and puttingit in context within the broader history and culture of the South. Central tothis story is the Buckman Act of 1905, a state law that consolidated governmentsupport to three institutions and prompted decades of conflicts over whereFlorida's public colleges and universities would be located, who would headthem, and who would manage their affairs. Van Ness traces the development of the schools thatlater became the University of Florida, Florida State University, and FloridaA&M University. He describes little-known events such as the decision tomove the University of Florida from its original location in Lake City, as wellas a dramatic student rebellion at Florida A&M University in response to attemptsto restrict Black students to vocational education and the subsequent firing ofthe president in 1923. The book also reflects on the debates regardingFlorida's normal schools, which provided coursework and practical training toteachers, a majority of whom were women. Utilizing rare historical records, VanNess brings to light events in Florida's history that have not been examinedand that continue to affect higher education in the state today.